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Accused strike violator was subject to a 'flawed' and 'improper' discipline process, WGA trial chair says

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Accused strike violator was subject to a 'flawed' and 'improper' discipline process, WGA trial chair says

A chair of a trial committee of the Writers Guild of America West has called out the union’s handling of disciplinary proceedings against one member accused of flouting the union’s rules during the 2023 strike.

In a four-page letter, Jill Goldsmith, a former public defender from Cook County,
conveyed profound concerns over the process behind the board’s decision to expel one writer, saying it was not “fair and proper,” according to a copy of the letter reviewed by The Times.

“I agreed to serve my Guild as a Trial Committee member, when I was assured of fairness in the process,” Goldsmith wrote, adding that “If we are to impose the most extreme punishment of expulsion, the process cannot be the flawed one that occurred.”

In her Feb. 24 letter to the WGAW board, Goldsmith said that the board had repudiated the unanimous findings of the trial committee, and questioned whether the committee’s impartial legal counsel unfairly influenced the proceeding’s outcome. As such, she wrote that she “must respectfully withdraw, because I believe something happened during the process that was improper.”

Goldsmith’s name was redacted from a copy of the letter viewed by The Times. However, a person with knowledge of the proceedings who was not authorized to comment publicly confirmed that it was written by the trial committee chair who was identified in documents as Goldsmith, a guild member and who is credited with having written for such shows as “Boston Legal” and “Ally McBeal.”

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Goldsmith declined to comment on the letter.

The Writers Guild of America West also declined to comment on the specific claims of the letter, but in a statement the union said that four members have appealed their discipline to the membership, who will vote on the matter this week.

“This is an internal union matter and WGAW members can view relevant documents on the members-only section of the Guild’s website,” the statement said. “The Board of Directors is the only body involved in the process that is elected by the membership and the WGAW Constitution gives it the responsibility for determining the level of discipline when a member is found guilty by a trial committee.”

Goldsmith oversaw the trial of Roma Roth, an executive producer on the CTV series “Sullivan’s Crossing” (broadcast on the CW in the U.S.) and “Virgin River” on Netflix, according to proceeding documents. The board expelled Roth for allegedly writing during the strike for a non-signatory company.

In her letter to the board, Goldsmith said that while she agreed that Roth had “crossed the line from producing to writing,” a violation of the guild’s strike rules, she objected to the process that led to the recommendation for her expulsion, after the committee had originally proposed Roth be given a five-year suspension.

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According to her letter, prior to their deliberations, the committee asked the committee’s legal advisor for “clarity” on the the possible punishments that could be meted out. Specifically, the committee asked to be provided with a slate of those punishments given to writers in the past — anonymously — in order to “assess proportionality and fairness in how punishments were addressed,” only to be told the committee was “not allowed to know that information,” she wrote.

According to her appeal statement to the WGAW, a copy of which was viewed by The Times, Roth said she was found was “not guilty” of violating strike rules and “did not work for a struck company,” adding that “Sullivan’s Crossing” was an independently financed Canadian series.

She called her expulsion “excessive and disproportionate.”

“The Board found me guilty of violating Article X of the Constitution, Working Rule 8 (‘WR8’), i.e. working without a waiver. A violation that according to the Working Rules should be subject to a fine, NOT expulsion,” wrote Roth, a member of the WGA and the Writers Guild of Canada.

In her appeal documents, Roth called her disciplinary hearing “unfair” and “improper,” and outlined numerous instances that she says demonstrate violations of due process.

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Roth cast doubt on the materials the guild submitted, including a partially obscured photo of the writer’s room that was provided as “evidence” that she was violating the rules about working during a strike. She said the room included her identical twin sister who was one of several Writers Guild Canada writers enlisted to work on the show.

Goldsmith’s letter echoed some of the assertions made by other disciplined writers, whose punishments range from public censure to suspensions to prohibitions from acting as volunteer captains; with the most drastic being expulsion. They have appealed the decisions.

Julie Bush, a consulting producer on AppleTV+’s “Manhunt,” is among those seeking to overturn her disciplinary action. The board suspended Bush from the guild until 2026 and she was barred from holding “non-elected guild office” after being found guilty of violating Working Rule 8 and writing for a non-signatory company during the strike. The trial committee had recommended that she be prohibited from serving as a guild captain for three years and censured privately.

Bush, who said she is a staunch union supporter, called the proceedings a “kangaroo court,” particularly as the information she said that was used against her was based on information she provided a guild attorney while seeking assistance.

“If this were a real court, it would be like if your defense lawyer takes off their defense lawyer hat and puts on his prosecutor hat and says ‘surprise, we got you’ with all this confidential information that you just turned over,” Bush told The Times.

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“My particular case is a nuanced matter of contract law,” she added. “It should never have been brought to trial, much less, this big humiliation in the press. I cannot believe that we’ve gotten to this point.”

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Nike to Cut 1,400 Jobs as Part of Its Turnaround Plan

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Nike to Cut 1,400 Jobs as Part of Its Turnaround Plan

Nike is cutting about 1,400 jobs in its operations division, mostly from its technology department, the company said Thursday.

In a note to employees, Venkatesh Alagirisamy, the chief operating officer of Nike, said that management was nearly done reorganizing the business for its turnaround plan, and that the goal was to operate with “more speed, simplicity and precision.”

“This is not a new direction,” Mr. Alagirisamy told employees. “It is the next phase of the work already underway.”

Nike, the world’s largest sportswear company, is trying to recover after missteps led to a prolonged sales slump, in which the brand leaned into lifestyle products and away from performance shoes and apparel. Elliott Hill, the chief executive, has worked to realign the company around sports and speed up product development to create more breakthrough innovations.

In March, Nike told investors that it expected sales to fall this year, with growth in North America offset by poor performance in Asia, where the brand is struggling to rejuvenate sales in China. Executives said at the time that more volatility brought on by the war in the Middle East and rising oil prices might continue to affect its business.

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The reorganization has involved cuts across many parts of the organization, including at its headquarters in Beaverton, Ore. Nike slashed some corporate staff last year and eliminated nearly 800 jobs at distribution centers in January.

“You never want to have to go through any sort of layoffs, but to re-center the company, we’re doing some of that,” Mr. Hill said in an interview earlier this year.

Mr. Alagirisamy told employees that Nike was reshaping its technology team and centering employees at its headquarters and a tech center in Bengaluru, India. The layoffs will affect workers across North America, Europe and Asia.

The cuts will also affect staffing in Nike’s factories for Air, the company’s proprietary cushioning system. Employees who work on the supply chain for raw materials will also experience changes as staff is integrated into footwear and apparel teams.

Nike’s Converse brand, which has struggled for years to revive sales, will move some of its engineering resources closer to the factories they support, the company said.

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Mr. Alagirisamy said the moves were necessary to optimize Nike’s supply chain, deploy technology faster and bolster relationships with suppliers.

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Senate committee kills bill mandating insurance coverage for wildfire safe homes

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Senate committee kills bill mandating insurance coverage for wildfire safe homes

A bill that would have required insurers to offer coverage to homeowners who take steps to reduce wildfire risk on their property died in the Legislature.

The Senate Insurance Committee on Monday voted down the measure, SB 1076, one of the most ambitious bills spurred by the devastating January 2025 wildfires.

The vote came despite fire victims and others rallying at the state Capitol in support of the measure, authored by state Sen. Sasha Renée Pérez (D-Pasadena), whose district includes the Eaton fire zone.

The Insurance Coverage for Fire-Safe Homes Act originally would have required insurers to offer and renew coverage for any home that meets wildfire-safety standards adopted by the insurance commissioner starting Jan. 1, 2028.

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It also threatened insurers with a five-year ban from the sale of home or auto insurance if they did not comply, though it allowed for exceptions.

However, faced with strong opposition from the insurance industry, Pérez had agreed to amend the bill so it would have established community-wide pilot projects across the state to better understand the most effective way to limit property and insurance losses from wildfires.

Insurers would have had to offer four years of coverage to homeowners in successful pilot projects.

Denni Ritter, a vice president of the American Property Casualty Insurance Assn., told the committee that her trade group opposed the bill.

“While we appreciate the intent behind those conversations, those concepts do not remove our opposition, because they retain the same core flaw — substituting underwriting judgment and solvency safeguards with a statutory mandate to accept risk,” she said.

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In voting against the bill Sen. Laura Richardson, (D-San Pedro), said: “Last I heard, in the United States, we don’t require any company to do anything. That’s the difference between capitalism and communism, frankly.”

The remarks against the measure prompted committee Chair Sen. Steve Padilla, (D-Chula Vista), to chastise committee members in opposition.

“I’m a little perturbed, and I’m a little disappointed, because you have someone who is trying to work with industry, who is trying to get facts and data,” he said.

Monday’s vote was the fourth time a bill that would have required insurers to offer coverage to so-called “fire hardened” homes failed in the Legislature since 2020, according to an analysis by insurance committee staff.

Fire hardening includes measures such as cutting back brush, installing fire resistant roofs and closing eaves to resist fire embers.

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Pérez’s legislation was thought to have a better chance of passage because it followed the most catastrophic wildfires in U.S. history, which damaged or destroyed more than 18,000 structures and killed 31 people.

The bill was co-sponsored by the Los Angeles advocacy group Consumer Watchdog and Every Fire Survivor’s Network, a community group founded in Altadena after the fires formerly called the Eaton Fire Survivors Network.

But it also had broad support from groups such as the California Apartment Association, the California Nurses Association and California Environmental Voters.

Leading up to the fires, many insurers, citing heightened fire risk, had dropped policyholders in fire-prone neighorhoods. That forced them onto the California FAIR Plan, the state’s insurer of last resort, which offers limited but costly policies.

A Times analysis found that that in the Palisades and Eaton fire zones, the FAIR Plan’s rolls from 2020 to 2024 nearly doubled from 14,272 to 28,440. Mandating coverage has been seen as a way of reducing FAIR Plan enrollment.

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“I’m disappointed this bill died in committee. Fire survivors deserved better,” Pérez said in a statement .

Also failing Monday in the committee was SB 982, a bill authored by Sen. Scott Wiener, (D-San Francisco). It would have authorized California’s attorney general to sue fossil fuel companies to recover losses from climate-induced disasters. It was opposed by the oil and gas industry.

Passing the committee were two other Pérez bills. SB 877 requires insurers to provide more transparency in the claims process. SB 878 imposes a penalty on insurers who don’t make claims payments on time.

Another bill, SB 1301, authored by insurance commissioner candidate Sen. Ben Allen, (D-Pacific Palisades), also passed. It protects policyholders from unexplained and abrupt policy non-renewals.

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How We Cover the White House Correspondents’ Dinner

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How We Cover the White House Correspondents’ Dinner

Times Insider explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.

Politicians in Washington and the reporters who cover them have an often adversarial relationship.

But on the last Saturday in April, they gather for an irreverent celebration of press freedom and the First Amendment at the Washington Hilton Hotel: The White House Correspondents’ Association dinner.

Hosted by the association, an organization that helps ensure access for media outlets covering the presidency, the dinner attracts Hollywood stars; politicians from both parties; and representatives of more than 100 networks, newspapers, magazines and wire services.

While The Times will have two reporters in the ballroom covering the event, the company no longer buys seats at the party, said Richard W. Stevenson, the Washington bureau chief. The decision goes back almost two decades; the last dinner The Times attended as an organization was in 2007.

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“We made a judgment back then that the event had become too celebrity-focused and was undercutting our need to demonstrate to readers that we always seek to maintain a proper distance from the people we cover, many of whom attend as guests,” he said.

It’s a decision, he added, that “we have stuck by through both Republican and Democratic administrations, although we support the work of the White House Correspondents’ Association.”

Susan Wessling, The Times’s Standards editor, said the policy is a product of the organization’s desire to maintain editorial independence.

“We don’t want to leave readers with any questions about our independence and credibility by seeming to be overly friendly with people whose words and actions we need to report on,” she said.

The celebrity mentalist Oz Pearlman is headlining the evening, in lieu of the usual comedy set by the likes of Stephen Colbert and Hasan Minhaj, but all eyes will be on President Trump, who will make his first appearance at the dinner as president.

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Mr. Trump has boycotted the event since 2011, when he was the butt of punchlines delivered by President Barack Obama and the talk show host Seth Meyers mocking his hair, his reality TV show and his preoccupation with the “birther” movement.

Last month, though, Mr. Trump, who has a contentious relationship with the media, announced his intention to attend this year’s dinner, where he will speak to a room full of the same reporters he often derides as “enemies of the people.”

Times reporters will be there to document the highs, the lows and the reactions in the room. A reporter for the Styles desk has also been assigned to cover the robust roster of after-parties around Washington.

Some off-duty reporters from The Times will also be present at this late-night circuit, though everyone remains cognizant of their roles, said Patrick Healy, The Times’s assistant managing editor for Standards and Trust.

“If they’re reporting, there’s a notebook or recorder out as usual,” he said. “If they’re not, they’re pros who know they’re always identifiable as Times journalists.”

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For most of The Times’s reporters and editors, though, the evening will be experienced from home.

“The rest of us will be able to follow the coverage,” Mr. Stevenson said, “without having to don our tuxes or gowns.”

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