Connect with us

Movie Reviews

Ella McCay

Published

on

Ella McCay

Other Noteworthy Elements

Ryan and Ella’s marriage appears to be on the rocks. Ella wonders if Ryan only married her for the perks of her career (even when they were young, it was clear Ella had a big future in store). And Ryan’s foul behavior suggests this is true.

When Ella forgets to thank Ryan for his support during a speech (because she gets flustered by unexpected interruptions from Governor Bill), Ryan essentially throws a temper tantrum. He uses the incident to try to convince Ella to get him a political position (egged on by his mother, who belittles her own husband). He then resorts to unscrupulous means to manipulate and embarrass Ella, holding the threat of divorce over her head.

We’re told that other politicians despise Ella. Her very presence reminds them of their own inadequacies as policymakers and compromises they’ve made as politicians. (At one point, Ella criticizes the majority of her fellow politicians for spending more time campaigning than they do reading proposed legislation.) Even Bill, when Ella asks him for advice, is hesitant to openly support Ella, since it could hurt his own career. As such, the film seems to serve as a commentary on the political state at large: Ella literally says, “You can’t be popular and fix anything.”

Not long after Eddie’s affairs come out, Helen hugs him and tells him she loves him but that she’ll never forgive him for cheating on his wife. Years later, Eddie seemingly tries to make amends with his children, but it’s fueled by a selfish desire, since his current girlfriend told him she wouldn’t marry him unless he made up with his kids. And when Helen tells Eddie that he needs to stop messing up long enough for his kids to forgive him and do the work required to fix his relationships, he retorts that his kids will “be better” once they forgive him.

We learn that Ella’s mom passed away young, though we’re not given the details of what caused her death. Eddie admits that he sent Casey to military school after her death because he “didn’t want the responsibility” and that he avoided Ella because he was scared of how she’d react to that decision. (At the film’s start, he and Ella haven’t spoken in 13 years.)

Advertisement

A politician uses a cheat sheet of sorts while calling donors to make it seem like he cares about them. People lie, scheme and manipulate others. We hear about political blackmail and bribery. Casey’s job involves advising people on sports betting. A trooper assigned to Ella’s protection unit purposely goes into overtime in spite of a budget crisis because he’s tight on cash and apparently going through an expensive divorce.

Casey is described as agoraphobic because he hasn’t left his house in 13 months. However, he insists that his reclusiveness is a choice—that he can leave whenever he wants. But he does seem to have some severe anxiety about leaving, and we learn that his self-imposed solitary confinement followed an embarrassing romantic mishap. His house is littered with dirty dishes and bags of trash.

A woman gets petty revenge against someone by calling the health department on his pizzeria and getting it shut down.

[Spoiler warning] Ryan, in a strange grab for attention, starts a political scandal for Ella involving blackmail and bribery. He gives Ella an ultimatum, and Ella responds that if he loved her—if he even liked her—he wouldn’t be doing this to her. Because Ryan doesn’t get what he wants, he blames the blackmail and bribery on Ella, telling the press that he’s divorcing her. And the scandal, though completely fabricated, is bad enough for her party to remove her from office.

Advertisement
Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movie Reviews

Movie Review: Extorting Keanu? What “Outcome” can We Expect?

Published

on

Movie Review: Extorting Keanu? What “Outcome” can We Expect?

Perhaps the reason Keanu Reeves doesn’t quite grasp the tone in Jonah Hill’s Hollywood star in crisis over a scandal “comedy” “Outcome” is that director, co-writer and co-star Hill didn’t make what he was going for clear.

Maybe Hill didn’t quite know himself what notes to hit in a not-quite-funny romp through extortion, taking stock and making amends for the selfish lives stars must live to become movie stars. It doesn’t help that Reeves is a frustratingly awkward actor in any film that doesn’t have fight choreography, comedies and sensitive dramas or dramedies especially.

There are a couple of laughs in this picture, and a few poignant, almost “honest” moments provided by Martin Scorsese, who plays the talent manager who “discovered” the former child star Reef Hawk (Reeves), abandoned as Reef ascended to the pinnacle of Hollywood success,by Susan Lucci, as Reef’s estranged “Real Housewives” mother and Cameron Diaz as one of two high school friends (Matt Bomer is the other) who stuck with their 56 year old pal and got a posh free ride for their trouble.

But the picture doesn’t play, doesn’t send much of a message and most certainly never “lands.”

The title “Outcome” is a sophmoric pun, and in Hill’s antic “crisis lawyer” co-starring performance there are traces of every over-the-top comedy of his foul-mouthed cherub youth. As a bald, bearded David Cross-on-uppers lawyer who decorates his office with “client” photos of Kanye, the Clintons and Kevin Spacey, Hill’s Ira is forever trying misread-the-room “jokes” that he freely admits don’t “land.”

Advertisement

“I gotta go. Adam Driver bought a pet chimp and it ate some lady’s face off at the mall!”

Even the ones Ira doesn’t apologize for play as strained, with only Hill’s toothy, tasteless/tactless energy to put them over.

Reef, a former addict and all-around Hollywood “nice guy” is just about to end a five year hiatus from acting, kicking his heroin addiction and keeping much of that and a legion of people who apparently “hate” him — with cause — out of the public eye and unattached to his pristine image.

But the new landscape for celebrity has made him paranoid. “You’re always being watched, observed,” he fearfully grouses to Kyle (Diaz) and Xander (Bomer).

And now somebody has a video they’re threatening to release, something that could ruin Reef and his image. He compulsively Googles “Is Reef Hawk an ass—e,” “Reef Hawk scandal” and “Reef Hawk video,” waiting for a shoe to drop — which shoe, he has no idea.

Advertisement

Which is why fast-talking Ira sends him on an apology tour through his past — that first manager, his mother — who only meets with him in an interview for her “Housewives” show. Mom’s sense of victimhood, living through her wildly popular son’s rise having “sacrificed” and groomed him for stardom since childhood, is genuine and almost touching if not genuinely funny.

“Just because it’s performative doesn’t mean it’s not the TRUTH!”

Hill can’t find laughs in a meeting Ira stages with his crisis-management “team” — an Allred-ish abused women lawyer, a Rev. Al-ish civil rights pastor, an Asian rights advocate.

What? No Jewish anti-semitism minimizer?

“We ran the numbers. It turns out hating Jews doesn’t negatively impact a person’s career.”

Advertisement

David Spade pops up as a new Malibu neighbor whose very young, very pregnant wife (Kaia Gerber) lands the movie’s funniest line.

“I know you. You used to date my grandmother!”

Van Jones plays himself, an interviewer willing to be arm-twisted by the star insisting he be introduced as a (two time) “Oscar winner.” Drew Barrymore plays herself as an interviewer you maybe don’t want to screw with.

Soaking up the one-liners and Hill’s antic but comically winded patter makes one wonder if even recasting the lead would have helped.

But watching Reeves struggle with his alternately serious or faux dismayed reactions, a damaged soul with remorse for those he’s wronged but a human void that potential laughs spiral into to die is a burden this lightweight goof on the devolving nature of “fame” never overcomes.

Advertisement

Rating: R, profanity, a sexual situation

Cast: Keanu Reeves, Cameron Diaz, Jonah Hill, Susan Lucci, Matt Bomer, Ivy Wolf, David Spade, Martin Scorsese and Drew Barrymore

Credits: Directed by Jonah Hill, scripted by Jonah Hill and Exra Woods. An Apple TV+ release.

Running time: 1:24

Unknown's avatar

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Continue Reading

Movie Reviews

Movie Review: FACES OF DEATH

Published

on

Movie Review: FACES OF DEATH
Rating: R Stars: Barbie Ferreira, Dacre Montgomery, Josie Totah, Aaron Holliday, Jermaine Fowler, Charli XCX Writers: Isa Mazzei & Daniel Goldhaber, based on the Gorgon series Director: Daniel Goldhaber Distributor: IFC/Shudder Release Date: April 10, 2026 1978’s FACES OF DEATH is an odd mixture of faked mayhem and real expirations. Written and directed by John Alan Schwartz (who wrote under the pseudonym Alan Black and directed as Conan LeCilaire), it purports to be the musings of pathologist Francis B. Gross (Michael Carr) on the transition between life and death. The movie combines staged and actual footage of accidents, executions, newsreels […]Read On »
Continue Reading

Movie Reviews

Michael Movie Review: Did Jaafar Jackson Stuns as MJ?

Published

on

Michael Movie Review: Did Jaafar Jackson Stuns as MJ?

Michael, the biopic on Michael Jackson, has released internationally and is receiving strong responses from fans and cinema lovers. The film presents an energetic musical journey, tracing Michael Jackson’s life from his early years to the peak of his global stardom.

Jaafar Jackson plays the lead role and has received widespread praise from critics and audiences. Many believe his performance stands out as one of the best this year. Strong media attention has also positioned him as a potential contender in the upcoming awards season.

ADVERTISEMENT

The film is appreciated for effectively using Michael Jackson’s iconic music. It blends songs with dance and emotional moments led by Jaafar Jackson’s performance. Director Antoine Fuqua is also being praised for presenting the story with depth and sensitivity.

Audiences have noted how the film captures the essence of Michael Jackson’s personality. The storytelling focuses on both his musical journey and personal struggles. This balance has helped the film connect well with viewers across different regions.

Advertisement

Michael has not yet released in India but is expected to arrive on 24 April 2026. Fans are already showing strong interest, with many planning to book tickets early. The anticipation around its India release continues to grow.

ADVERTISEMENT

Advertisement
Continue Reading

Trending