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Inspired by her dog, this L.A. ceramist makes beloved pets 'eternal'

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Inspired by her dog, this L.A. ceramist makes beloved pets 'eternal'

Ceramic characters, each with their own whimsical charm, gaze from various angles in Rami Kim’s studio. Built by hand, their faces emerge from planters, ceramic dishes and slip-cast mugs like the cast of an animated Hayao Miyazaki movie. On a shelf, a customized dog figurine — a client’s beloved terrier — lies on its stomach atop a lilac-colored butter dish. Nearby, a retriever, in a seated position, rests on a woman’s head.

“I like the idea of giving life to the objects I create,” Kim said, standing in her garage studio. “They’re my imaginary friends.”

In this series, we highlight independent makers and artists, from glassblowers to fiber artists, who are creating original products in Los Angeles.

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Some of her sculptures have names, each a tribute to the inspiration behind them. There’s the Penelope table lamp, where a mysterious, almost melancholy face base is adorned with a glass globe. And there’s Gus, Kim’s beloved white Maltese, who was her constant companion for 17 years until his death in 2023.

“I spent my 20s, 30s and part of my 40s with Gus,” she said softly before adding, “I miss him.”

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Kim was sculpting a life-size Gus lamp at her work table the other day when a smile suddenly illuminated her face. With each detail of his fluffy coat, she seemed to be acknowledging the dog who brought her so much joy, infusing the lamp with the same warmth and happiness as her constant companion.

Two pet tiles show a poodle and a dachshund
Face pots
Ceramic butter dishes with the heads of Maltese dogs
A bowl featuring ceramicist Rami Kim's late dog

“People like to have something functional that they can use every day,” Kim said of her character-driven works.

“Gus was my family,” said the 43-year-old artist as she painted the dog’s eyes and nose. “He was a sweet boy with a gentle personality. During the pandemic, it was so helpful to have him near me when life was so uncertain.”

Born and raised in Seoul, Kim studied character animation at the California Institute of the Arts (CalArts). After earning a master of fine arts from the UCLA Animation Workshop, she secured a job as a background painter for Nickelodeon’s “Dora the Explorer” and the independent animation company July Films, where she worked on her former CalArts professor Mike Nguyen’s 2D-animated feature film “My Little World.”

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Gus accompanied her.

Ceramicist Rami Kim poses for a portrait at her studio

“I want to make work that people can touch and hold,” said Kim, a former animator.

Kim smiled, remembering how her colleagues embraced Gus. “I would bring him to work with me every day,” she recalled. “Everybody liked to greet him and was so happy to see him. He would sit under my desk on his dog bed while I worked at the computer.”

Kim was still working in animation when she first tried ceramics at Ball Clay Studio in Highland Park, which is now closed. “I started making these little figurines as a product for stop-motion animation,” she said, holding two floating faces. The transition from the digital world to the tactile process of ceramics was a turning point in her artistic journey.

A ceramic face lamp with a globe top
Ceramics on a shelf
Rami Kim paints her late dog Gus on a ceramic plate

A selection of works inside Kim’s ceramics studio near La Crescenta.

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“I still remember when I first touched the clay,” Kim said. “I was like, ‘Oh, my God. I need to keep doing this.’ I loved working with my hands. The possibilities seemed endless. I just knew that I would be doing ceramics for the rest of my life, as I would never get bored with it. And I get bored easily.”

It grew from there.

Coming from an animation background, where she learned the art of bringing characters to life, Kim said she “always wanted to create characters in a different form. That’s how I give life to my ceramic creations.”

A lamp depicting ceramicist Rami Kim's dog Gus is displayed at her studio

Adding faces to her vessels made Kim feel like the pieces “now have a life.”

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She started to turn her organic vessels into faces, complete with eyes and lips. “That made me feel like they had a character,” she said. “The sculptures now have a life.”

When she grew weary of sitting at a computer all day long doing animation, Kim decided to pursue ceramics full time, working out of a studio in Atwater Village and later a garage studio next to her rental home near La Crescenta.

Nguyen, her former CalArts professor, isn’t surprised to hear she has an emotional attachment to the characters she creates.

“We as humans are very much interested in each others essences, thoughts and feelings,” he said in an email. “Character-driven work is one focus aspect of the overall experiences of being alive. It is not necessarily coming directly from her work as an animator, but from the people she has met, the friends in her life and her family.”

 A ceramic home depicting Rami Kim and her dog Gus

A ceramic home depicts Kim and her dog, Gus.

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With people worried about a possible recession, Kim has seen customers hesitate to spend money on her works, which cost between $50 for a mug to $1,800 for a customized lamp. So she started creating custom animal figurines for clients, many of whom, like her, have lost their pets. “People share their stories about the past,” she said of the process. “They share photos of their pet and tell me their favorite poses, which helps me sculpt them. I feel like I know the pets. It’s very special.”

Eileen O’Dea — who commissioned Kim to design a figurine of her late dog, Owen, a mixed pup she found on the street near her West L.A. woodshop — talked about the profound emotional resonance of Kim’s work. “It’s the kind of object that blurs the line between beauty and memory,” O’Dea said of the butter dish Kim made her. “It looks just like him; even his floppy ear is perfect. Every time I use it, I’m reminded of him.”

Another customer ordered two custom figurines as a gift for her sister who had just completed nursing school at the age of 60. “Her dogs had helped her get through it,” Kim said. “It was such a touching story to be a part of.”

Ceramicist Rami Kim works on a sculpture of her late dog Gus
Ceramicist Rami Kim works on a sculpture of her late dog Gus

“Hopefully Gus is running around with other dogs having a good time,” Kim said of her late dog, Gus.

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The tactile nature of her work is something she hopes to share with others. “I want to create work that people can enjoy and touch and hold,” she said, adding, “I hope my work gives people a warm feeling.”

Yes, it’s hard working for yourself, she said, but Kim likes the flexibility of being able to work anytime she wants or take a day off to wander a museum or see a movie. However, after she relocated her studio from Atwater Village, where she shared space with other artists, to her home in La Crescenta, she admitted to feeling isolated.

“I miss having a community and visiting with studio mates. I feel like I learn so much from other people. That’s why I host workshops here in my studio,” said Kim, who enjoys teaching. “As an independent artist working alone, it’s tough because I don’t want to work too much in the wholesale business because then I would need a team and more orders, and then I would have to operate like a factory.”

Ceramicist Rami Kim is seen at her studio

“It makes me happy when people share stories about their pets with me,” Kim said.

Two custom cat figurines rest next to one another on a table
Two dog figurines stand side by side

Kim’s ability to capture the unique personality of each pet in her ceramics provides solace to clients who have lost their pets. (Rami Kim )

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Still, she can’t see herself going back to computer work. “I’ll never get bored with this,” she said. “I can do this until I’m 90. I’m having so much fun.”

Kim’s understanding of the comfort her ceramics provide to those grieving the loss of a pet is not just professional but deeply personal. She has experienced it herself in her studio, home and garden, where she is surrounded by the “friends” that she has created.

“When I put the Gus lamp on a table in my living room, it feels like he is sitting next to me,” she said. “He’s eternal now.”

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The 2025 Vibe Scooch

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The 2025 Vibe Scooch

In the 1998 World War II film “Saving Private Ryan,” Tom Hanks played Captain John H. Miller, a citizen-soldier willing to die for his country. In real life, Mr. Hanks spent years championing veterans and raising money for their families. So it was no surprise when West Point announced it would honor him with the Sylvanus Thayer Award, which goes each year to someone embodying the school’s credo, “Duty, Honor, Country.”

Months after the announcement, the award ceremony was canceled. Mr. Hanks, a Democrat who had backed Kamala Harris, has remained silent on the matter. On Truth Social, President Trump did not hold back: “We don’t need destructive, WOKE recipients getting our cherished American awards!!!”

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How to have the best Sunday in L.A., according to Keiko Agena

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How to have the best Sunday in L.A., according to Keiko Agena

Keiko Agena likes to create moments of coziness — not just on Sundays, but whenever she possibly can.

“Oh, there’s my rice cooker,” she says when she hears the sound in her Arts District home. “We’re making steel-cut oatmeal in the rice cooker, which by the way, is a game changer. I used to have to baby it and watch it, but now I can just put it in there and forget it.”

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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The 52-year-old actor, who played music-loving bestie Lane Kim in the beloved series “Gilmore Girls,” delights in specific comforts like a bowl of warm oats, talking about Enneagram numbers and watching cooking competitions with her husband, Shin Kawasaki.

“It sounds so simple, but I look forward so much to spending time on the couch,” Agena says with a laugh.

It is time that she’s intentional about protecting, especially amid her kaleidoscope of projects. Over the last couple of years, Agena starred in Lloyd Suh’s moving play “The Chinese Lady” in Atlanta, acted in Netflix’s “The Residence,” showcased her artwork in her first feature exhibit, “Hep Tones” (some of her ink and pencil drawings are still for sale), and performed regularly on the L.A. improv circuit. And her work endures with “Gilmore Girls,” which turns 25 this year. Agena narrated the audiobook for “Meet Me at Luke’s,” a guide that draws life lessons from the series, and is featured in the upcoming “Gilmore Girls” documentary “Drink Coffee, Talk Fast.”

She shares with us her perfect Sunday in L.A., which begins before sunrise.

5 a.m.: Morning solitude

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I like to be up early-early, like 5 a.m. I like that feeling of everything being quiet. I’ll go into the other room and do Duolingo on my phone. I am a little addicted to social media, so the Duolingo is not just to learn Japanese, but also to keep me from scrolling. Like, if I’m going to do something on my phone, this is better for me. I think my streak is 146. Shin is Japanese, from Toyama. So I’ve been meaning to learn Japanese for a while. For him and his mom.

Then I’ll do [the writing practice] Morning Pages. I don’t know when I learned about Julia Cameron’s book [“The Artist’s Way”] — probably around 2000. I know a lot of people do it handwritten, but I’m a little paranoid about people, like, finding it after I die. So if I have it on my computer and it’s password protected, I can be really honest.

Then a lot of times, I’ll go back to bed. Shin, as a musician, works at night, and so he wakes up a lot later. So I’ll fall back asleep and wake up with him.

9 a.m.: Gimme that bread

I don’t do coffee anymore because it’s a little too tough for my system, but I’ll walk with Shin to Eightfold Coffee in the Arts District. It’s tiny but very chill. Then we’re going to Bliss Bakery inside the Little Tokyo Market Place. We get these tapioca bread balls. If you make any kind of sandwich that you would normally make, but use that bread instead, it ups the game. It’s life-changing. The Little Tokyo Market Place is not fancy or anything, but it has everything that you would want. There’s Korean food. They have a little sushi place in there. You can get premade Korean banchan and hot food in their hot food section. They also have a really good nuts section. It’s just one big table with all these nuts, just piles and piles.

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10 a.m.: Nature without leaving the city

We’ll go to Los Angeles State Historic Park near Chinatown. I like that place just because it’s very accessible. Like, they have accessible bathrooms and I’m always checking out whether a place has good bathrooms. We call it Flat Park because it’s a great walk. Like, you’re not really out in nature, but there’s a lot of greenery. You can take your shoes off and at least touch grass for a second.

11:30 a.m.: Lunch and TV cooking shows

One of my favorite salad-sandwich combos is at Cafe Dulce in Little Tokyo. A Korean cheesesteak and a kale salad. That’s always like a — bang, bang — good combo. So we might go there or Aloha Cafe, though it’s not fully open on Sundays. But I love it because I grew up in Hawaii. They have this great Chinese chicken salad and spam musubi and other Hawaiian food that is so good.

We’ll bring home food and watch something. Cooking competition shows are my cream of the crop. My favorite right now is “Tournament of Champions” because it’s blind tasting. To me, that’s the best way to do it. “The Great British Bake Off” is Shin’s favorite. He loves the nature and the accents as much as the actual cooking. He just loves the vibe, the slow pace of the whole thing.

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I’m such a TV girl. I love spending time on the couch and eating a meal and watching something that’s appetizing with my favorite person in the world. I’m lucky because I get to do that a lot.

2 p.m.: Browse the aisles

I’ll go to this bookstore called Hennessey + Ingalls. I love art and architecture and design, but you can’t always buy these massive books. But you can go into this bookstore and look at them and it’s always chill.

If I have time, I’ll walk around art supply stores. Artist & Craftsman Supply is a good one. I’ll look at pens, pencils, stickers, tape, washi tape, different kinds of paper, charcoals. In my art, I try to find things that aren’t meant for that particular purpose, like little things in a hardware store that I’ll use it in a different way.

5 p.m.: Downtown L.A. in its glory

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We really love to walk the Sixth Street Bridge. It’s architecturally beautiful and they’re building a huge park over there, so we’ll walk around and check it out, like, ‘Which trees are they planting? Can you see?’ We sort of dream about how it’s coming together. But the other beautiful thing about that walk is that if you go at sunset and you walk back toward downtown, it’s just gorgeous. Los Angeles doesn’t have the most majestic skyline, but it’s so picturesque in that moment.

6:30 p.m.: Cornbread and Enneagrams

I’ll head to the Park’s Finest in Echo Park. It’s Filipino barbecue. It’s just so savory and rich and a special hang. Their cornbread is really good. Oh, and the coconut beef, but I’m trying to eat less beef. They have a hot link medley. Oh my gosh, just looking at this menu right now, my mouth is watering. OK, I’ll stop.

One of my favorite things to do is ask friends about their Enneagram number. So the idea of sitting with friends over a good meal and asking them a bunch of personal questions about their childhood and what motivates them and what their parents were like and what their greatest fear is and then figure out what their Enneagram number is? That is a top-tier activity for me.

9 p.m.: Rally for improv

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Because I get up so early, if 9 o’clock, I’m ready to go to sleep. But I am obsessed with improv, so on my ideal day, there’d be a show to do. There’s this place called World’s Greatest Improv School in Los Feliz. It’s tiny and they just opened a few years ago, but the vibe there is spectacular.

Then there’s another place where my heart is so invested in now called Outside In Theatre in Highland Park. Tamlyn Tomita and Daniel Blinkoff created it together and not only is the space gorgeous — I mean, they built it from scratch — they have interesting programming there all the time. They’re so supportive of communities that are not seen in mainstream art spaces. It’s my favorite place. Sometimes I’ll find myself in their lobby till 12 o’clock at night. The kind of people I like to hang around are the people that hang out in that space.

11 p.m.: Turn on the ASMR and shut down

I am firmly an ASMR girl and I have been for years. I have to find something to watch that will slow my brain down. Then it’s pretty consistent. I don’t last very long once I turn something on. My eyelids get heavy and it chills me out.

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Cheddar bay biscuits, cheap margs and memories: Readers share their nostalgia for chain restaurants

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Cheddar bay biscuits, cheap margs and memories: Readers share their nostalgia for chain restaurants

Affordable, familiar and reassuring are the features that make American chain restaurants a near-ubiquitous presence throughout the country; it is almost as if they are baked into our roadside culture.

Despite well-documented financial struggles, a tough economy and shifting diet trends, these restaurants withstand time.

This series explores why these places have such strong staying power and how they stay afloat at a time of rapid change.

Read our first three pieces in this series, including how these restaurants leverage nostalgia to attract diners, how they attempt to keep costs affordable, and how social media has changed the advertising game – and become a vital key to restaurants’ success. 

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America’s chain restaurants are not the most glamorous places to eat. And yet, as we’ve reported, they hold a special place in many Americans’ hearts.

We asked readers what comes to mind when they think of restaurants like Olive Garden, Applebee’s or Texas Roadhouse — and you shared plenty of stories.

Not all of the respondees waxed poetic about the merit of these restaurants. David Horton, 62, from New York, for example, said: “The food is mostly frozen and only has flavor from the incredible amounts of sodium they use.”

But overwhelmingly, responses described vivid childhood memories shared in booths looking excitedly over laminated menus and the type of adolescent rites of passage that seem right at home in the parking lot of a suburban chain restaurant.

There’s a science behind why these sorts of memories have such a hold on us.

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The feeling of nostalgia is linked closely to food and smell, and these restaurant chains are often where core memories – like graduation celebrations or first dates – are made.

Chelsea Reid is an associate professor at the College of Charleston who studies nostalgia. And she’s no more immune to nostalgic feelings than anyone else even though she has a better understanding of the chemistry behind the feeling.

“Even just saying Red Lobster, I can kind of picture the table and the things that we would do and the things we’d order, and my mom getting extra biscuits to take home,” she said.

A Red Lobster restaurant is seen in Fairview Heights, Ill., in 2005.

A Red Lobster restaurant is seen in Fairview Heights, Ill., in 2005.

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Her nearest Red Lobster closed down, but a local farmers’ market sells a scone reminiscent of Red Lobster’s famed Cheddar Bay Biscuits – a scent she says immediately transports her back to those childhood family outings to the seafood chain.

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“I can see my mom wrapping these up in a napkin and putting them in her purse for when we would be like, ‘hey, we’re hungry,’ and she pulls out a purse biscuit.”

Full disclosure: Your intrepid reporters are not without sentimentality. Before launching this project, when it was just a kernel of an idea, we talked frequently about the role these restaurants played in our own lives.

Jaclyn: I distinctly remember cramming into a booth at my local Chili’s in my hometown, Cromwell, Ct., for most birthday dinners until the age of 13 or so.

I’d be surrounded by my mom, dad and brother, and I got to pick whatever I wanted. Except I always chose the same thing: Chicken crispers with a side of fries, topping the night off with the molten lava chocolate cake we’d share as a family.

I can picture it so clearly, down to the booth we’d sit in. Now, my family is spread out. But my love for Chili’s runs deep, and I still get warm and fuzzy when I think about it.

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These days, I’m in my 30s, and I need to worry about my health and getting in 10,000 steps a day. So, no, I don’t regularly go to Chili’s now.

But when I do? Those chicken crispers I had as a kid are still on the menu, and yes, I’m likely to order them today (even if on my adult tastebuds, the salt content quickly turns my mouth into the Sahara Desert).

And it’s not to celebrate my birthday. It’s because one of my best friends is telling me she’s getting a divorce over cheap, and sugary, margaritas.

Alana: When the pandemic struck in 2020 and much of the country went into lockdown, there I was mostly alone in my one bedroom apartment, staring at the walls.

After what seemed like a lifetime, I was finally able to expand my tiny COVID bubble.

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One of my first “dining out” experiences during that time was in the parking lot of the Hyattsville, Md., Olive Garden where my friend and I sat in absolute glee to be reunited – not just with one another, but also the chain’s staple soup (zuppa toscana for me, please), salad and breadsticks (you can have all the breadsticks if I can have your share of the salad tomatoes).

Since then, that friend and many others have moved away – too far to meet up for a sit-down over a (mostly) hot meal at a reasonably priced restaurant in a city not famed for being cheap.

I recently revisited the Hyattsville Olive Garden for this story. And even though my life is now different, my friends have moved away, and the world has shifted, there it was, exactly the same.

And I liked it.

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Many readers said that these restaurants were the type of place a family who could rarely afford to eat outside a home could treat themselves on rare occasions.

Like Julie Philip, 51, from Dunlap, Ill., who wrote: “Growing up in the 70’s and 80’s, Red Lobster was an Easter tradition. We would dress up, go to church, then drive close to an hour to Red Lobster.”

She continued, “It was one of only a few days a year that we could afford to eat at a ‘fancy restaurant.’ I remember my parents remarking that they had to spend $35 for our family of four. I no longer consider Red Lobster a ‘fancy restaurant,’ but as an adult, my family and I often still eat there at Easter. I remind my kids that we are keeping up a family tradition and I tell them stories of my childhood while eating.”

The original Applebee's restaurant was called T.J. Applebee's Rx for Edibles & Elixirs and it opened in Decatur, Ga., in 1980.

The original Applebee’s restaurant was called T.J. Applebee’s Rx for Edibles & Elixirs and it opened in Decatur, Ga., in 1980.

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For Sarah Duggan, an Applebee’s parking lot evokes a key memory from young adulthood.

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Duggan, 32, from North Tonawanda, N.Y., wrote that every time she sees an Applebee’s, she remembers the time her friend, in an act of teenage rebellion, got her belly button pierced in the parking lot of a Long Island Applebee’s — inside the trunk of the piercer’s “salvage-title PT Cruiser.”

Duggan held the flashlight.

She wrote, “I can’t picture those sorts of college kid shenanigans happening in the parking lot of a regular Long Island diner or other independent restaurant, but it seems right that it was at Applebee’s.”

She continued, “It makes me think about how nobody, from riotous camp counselors to your spouse’s grandparents, looks or feels out of place at a chain restaurant.”

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