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She delivered Hailey Bieber's baby and saved Olivia Munn's life. Her new calling? Podcast host

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She delivered Hailey Bieber's baby and saved Olivia Munn's life. Her new calling? Podcast host

Stepping into Dr. Thaïs Aliabadi’s Beverly Hills space, you may forget for a second you’re in a gynecologist’s office. A massive glass chandelier dangles from the ceiling. Ceramic sculptures dot the sleek surfaces. Nearby sits a potted olive tree and a lighted antique silver Illuminazione candle. Crystal butterflies sit in two ornate cabinets. Floor-to-ceiling glass windows show a 360-degree view of the Hollywood Hills.

And then, there’s the physician herself.

Dr. Thaïs Aliabadi

(Stella Kalinina / For The Times)

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Clad in a bright blue dress she’s held onto since a guest appearance on “The Doctors” 10 years ago, she acknowledges she personally opts for neutrals in real life (and her signature pink scrubs when seeing her patients), but that she’d been advised to wear jewel tones for “on camera” moments. In a town known for sculpting movie stars, Aliabadi looks like she could be on “Grey’s Anatomy” as she towers in high heels and a sparkly pink and white butterfly necklace as she poses for a Los Angeles Times photographer.

Aliabadi has delivered the babies of Rihanna, Khloe Kardashian and Hailey Bieber. She has also diagnosed Olivia Munn with breast cancer, Tiffany Haddish with endometriosis and Florence Pugh with polycystic ovary syndrome (PCOS).

All of these celebrities’ health journeys are public information because her famous patients have discussed them in detail on her weekly podcast, “SHE MD,” which she co-hosts with former fashion designer Mary Alice Haney. The show — which was launched by Dear Media, the largest women’s podcast network, in March of last year — aims to educate women about common overlooked medical conditions. It regularly features interviews with Aliabadi’s famous patients and other celebrity doctors or authors who discuss everything from preeclampsia to egg-freezing.

“My dad was like, ‘I did some research and the best person in the business is this doctor named Dr. Thaïs Aliabadi,’” Sofia Richie Grainge, daughter of Lionel Richie, explains on a recent episode of the podcast. She started seeing Aliabadi at 15.

“They are the most privileged women in this world — especially when it comes to access to medical care,” Aliabadi says of the podcast’s famous guests. “These are women who have good insurance. They can afford going to any doctor on this planet and yet their symptoms are [still] dismissed. They’re speaking from their heart because they want to help another woman.”

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Dr. Thaïs Aliabadi's Beverly Hills office.

Awards hang on the wall of Dr. Thaïs Aliabadi’s Beverly Hills office.

(Stella Kalinina / For The Times)

Aliabadi’s high-profile clients and podcast have elevated her status on social media. Called Dr. A by patients and fans, she boasts 441,000 followers on Instagram, where she shares clips of her celebrity interviews. She regularly appears on network television to discuss women’s health. She has even made the occasional cameo on “The Kardashians” as Khloe Kardashian’s ob-gyn. She’s run with the role, both with the professed hopes of educating women on their health, but also with business prospects.

Haney urged Aliabadi to co-create SHE MD to combat misinformation surrounding women’s health issues. “We are providing a resource that is backed by science and medicine,” says Haney. “People are getting their medical information on TikTok. That’s dangerous.”

With women’s health entering the spotlight as an overlooked area of medicine and as fewer people have access to healthcare, becoming one’s own medical advocate has never been more important — and confusing. It’s led to the rise of wellness influencers with questionable qualifications, which is why Aliabadi says she committed to doing the podcast.

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“If you want to talk about endometriosis, how many endometriosis surgeries have you done?” Aliabadi says. “How many thousands of patients have you treated?”

Aliabadi is connecting with consumers on many platforms with “SHE MD,” which is filmed like a glossy talk show from a Brentwood office. They can listen to her and Haney’s hourlong podcast episodes or catch video clips on social media.

“SHE MD,” which stands for “Strong Healthy Empowered,” features deep dives with health and medical experts — as well as celebrities such as SZA, Shailene Woodley, Tiffany Haddish and Olivia Munn — on a variety of topics including fertility, breast cancer, menopause and endometriosis. Key takeaways and action plans are available following each conversation.

Dr. Thaïs Aliabadi reviews patient's labs.

Aliabadi reviews patients’ labwork. She helped save Olivia Munn’s life by suggesting she take the Tyrer-Cuzick test that revealed she had an alarming lifetime risk of breast cancer. Now Munn says it’s her mission to get more women to take the test.

(Stella Kalinina / For The Times)

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Munn’s story in particular garnered national attention after Aliabadi diagnosed her with an aggressive breast cancer in April 2023. With a clear mammogram, ultrasound and pap smear, Munn’s cancer could’ve been among the estimated 20% that go undetected, according to the National Cancer Institute. But it was discovered after Aliabadi introduced her to the Tyrer-Cuzick test, which assesses one’s lifetime risk of breast cancer. Munn’s score was an alarming 37.3%. (Anything above 20% is considered high-risk.) An MRI, further ultrasounds and biopsies revealed she had Stage 1 invasive cancer, and Munn underwent a double mastectomy.

“Without Thaïs being so proactive I don’t know when or at what stage I would’ve found it,” Munn tells The Times. “She saved my life.”

Aliabadi says Munn felt a responsibility to turn her pain into purpose. “Olivia came to me and said, ‘I want to talk about this issue,’” she recalls. “She knew that sharing her story will save millions of lives.”

Munn felt compelled to speak out while still coming to terms with her diagnosis. “I was looking back on photos of playing with my then 1-year-old son, and I realized that at that time I had just had a clear mammogram and ultrasound — yet I had breast cancer and didn’t know it,” she says. “I asked myself, ‘How many other women [are] also walking around unaware they had breast cancer?’ I knew then that I had to talk about it. This little known, lifetime risk score test is free, online and saved my life. Every woman can and should know their score. Thaïs told me this test had been around for years, and it was her lifelong mission to get every woman in the world to know about it. It has since become my mission too.”

Long before becoming ob-gyn to the stars, Aliabadi recalls waking to the sounds of sirens and bombs while growing up in Tehran during the Iranian revolution in 1979. “We would all run down to the shelter that we had created underground,” she says. “Imagine a 12-year-old doing that five times a night.” Her family was granted a green card when she was 17. “It felt like the gates of heaven were opening for me,” she recalls thinking after landing in Los Altos. “We were like, ‘Why would we ever go anywhere else?’”

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After medical school at Georgetown University School of Medicine and completing her residency at USC Medical Center, Aliabadi, 54, opened her private practice at Cedars-Sinai Medical Center in Los Angeles in 2002. She credits word of mouth, and her office manager of nearly 25 years, Kimmy Ferdowski, with helping her build the practice she has today. “When I first started, there was a gynecologist across the hall who told me something I’ll never forget,” Aliabadi recalls. “He said, ‘Every happy patient who leaves your office will refer four other patients to you.’”

That mantra and her detailed approach are the secret to her success, she says. “I look at my patient as a whole,” says Aliabadi, whose appointments run between 30 minutes to an hour, leading her to stop taking insurance around seven years ago. “I don’t just look at your uterus, tubes, ovaries, breasts and say, ‘You’re done.’ I talk about depression. This morning, I was scheduling an MRI and MRA of a brain to rule out [a] possible stroke in a patient of mine.” Now, her fees vary by patient, but she offers “superbills” for potential reimbursement, similar to therapists who don’t take insurance.

Women with “complicated cases” typically come to her with health concerns that have gone otherwise undiagnosed elsewhere.

Take for example, “Lopez vs Lopez” actor Mayan Lopez, daughter of comedian George Lopez, whom Aliabadi diagnosed with insulin resistant PCOS in her 20s — even though she’d been describing the same symptoms to other doctors since she was 10. Her symptoms became even more prevalent during college, when she developed excess facial hair and gained 75 pounds in three months without explanation despite eating well and exercising. By 23, her hormone levels were so low she was practically menopausal.

Lopez says she felt elated once she had a diagnosis and plan for proper treatment. “I just remember going into the car and crying from pure relief,” she says. “For the first time in a decade, I felt hopeful and unafraid of my body.”

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A vaginal anatomical model.

Aliabadi says she does more than the typical pap smear at her appointments, taking notice of other issues her patients may be having, like depression or hair loss.

(Stella Kalinina / For The Times)

“I see every dismissed woman in this town,” Aliabadi says. “These patients are complicated. You need to sit down and listen [to their symptoms].”

Aliabadi has other frustrations with the healthcare system.

“The issue is,” she says as she lets out an exasperated sigh. “I mean, there are so many issues.” She points out that even the most informed person still needs access to a doctor willing to listen as well as the ability to afford treatment. “If they’re going to charge you $3,800 for a breast MRI, ‘Can you afford it?’” she says. “There are limitations at so many levels.”

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By not taking insurance, one could argue she too is creating another limit, but she blames insurance companies that don’t recognize quality time spent with patients. “I’m not seeing you in five minutes.”

Given the limited time patients often have with their doctors, Aliabadi hopes women will demand more from their care providers if she arms them with the right questions to ask.

Despite trying to build an online persona with the help of her celebrity circle, Aliabadi confesses she’s not very online or in touch with pop culture.

“Sometimes [Khloe Kardashian] calls me, and I think I’m just talking to her,” says Aliabadi, who delivered her second baby via a surrogate on the show in 2022. “Then six months later, my daughter’s like, ‘Mom, they called you [on the show.]’”

That’s why Haney is the media savvy yin to Aliabadi’s medical yang. “She’s a doctor first, and she’s a podcast host second,” says Haney.

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An ultrasound machine.

An ultrasound machine in Aliabadi’s Beverly Hills office.

(Stella Kalinina / For The Times)

Like other medical professionals and influencers in the wellness world aiming to expand their reach, Aliabadi has her own nutritional supplement, Ovii, which she advertises on her podcast. At $79.99, Ovii is aimed at women with PCOS and includes ingredients such as vitamin D, magnesium and biotin. And like other supplements advertised on podcasts, it hasn’t been tested in peer-reviewed clinical studies.

In the long term, she’s exploring a chatbot, a tool increasingly used by influencers to communicate with fans. Aliabadi believes her chatbot can help expand access to women’s health education.

“It’ll sound like me. It’ll be trained by me. Obviously, it’s just for knowledge and education. It cannot treat or prescribe,” she says.

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Aliabadi welcomes technological advances to shake up the medical field.

“I look forward to robotic doctors,” she says. “The robot will not dismiss a woman who said, ‘I’ve gained 40 pounds in two years, and I’m doing exactly what my skinny sister is doing. Something’s wrong.’”

Aliabadi has four daughters, who are 20, 19, 13 and 4 (she recently adopted the youngest). Her oldest daughters attend Stanford University and she sees them following in her footsteps. She advises them to become doctors or develop technology to help women around the world.

“I think that is more powerful,” she says.

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No matter what happens at the Oscars, Delroy Lindo embraces ‘the joy of this moment’

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No matter what happens at the Oscars, Delroy Lindo embraces ‘the joy of this moment’

Delroy Lindo is nominated for an Oscar for best supporting actor for his role in Sinners.

Rebecca Cabage/Invision/AP


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Rebecca Cabage/Invision/AP

Over the course of his decades-long career on stage and in Hollywood, Sinners actor Delroy Lindo has experienced firsthand what he calls the “disappointments, the vicissitudes of the industry.”

On Feb. 22, at the BAFTA awards in London, Lindo and Sinners co-star Michael B. Jordan were the first presenters of the evening when a man with Tourette syndrome shouted a racial slur.

Initially, Lindo says, he questioned if he had heard correctly. Then, he says, he adjusted his glasses and read the teleprompter: “I processed in the way that I process, in a nanosecond. Mike did similarly, and we went on and did our jobs.”

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Lindo describes the BAFTA incident as “something that started out negatively becoming a positive.” A week after the BAFTAs, he appeared with Sinners director Ryan Coogler at the NAACP awards.

“The fact that I could stand there in a room predominantly of our people …  and feel safe, feel loved, feel supported,” he says. “I just wanted to officially, formally say thank you to our people and to all of the people who have supported us as a result of that event, that incident.”

Sinners is a haunting vampire thriller about twins (both played by Jordan) who open a juke joint in 1930s Mississippi. The film has been nominated for a record 16 Academy Awards, including best actor for Jordan and best supporting actor for Lindo, who plays a blues musician named Delta Slim.

This is Lindo’s first Oscar nomination; five years ago, many felt his performance in the Spike Lee film Da 5 Bloods deserved recognition from the Academy. When that didn’t happen, Lindo admits he was disappointed, but he had no choice but to move on.

“I have never taken my marbles and gone home,” he says. “And I want to claim that I will not do that now. I will continue working.”

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Interview highlights

On his preparation to play Delta Slim

Various people have mentioned … [that] my presence reminds them of an uncle or their grandfather, somebody that they knew from their families, and that is a huge compliment, but more importantly than being a compliment, it’s an affirmation for the work. My preparation for this started with Ryan sending me two books, Blues People, by Amiri Baraka — who was [known as] LeRoi Jones when he wrote the book — and Deep Blues, by Robert Palmer.

DELROY LINDO as Delta Slim in Warner Bros. Pictures’ “SINNERS,” a Warner Bros. Pictures release. Source:

Lindo, shown above in his role as Delta Slim, says director Ryan Coogler “created a sacred space for all of us” on the Sinners set.

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In reading those books and then referencing those books, continuing to reference those throughout production, I was given an entrée into the worlds, the lifestyles of these musicians. There’s a certain kind of itinerant quality that they moved around a lot. The constant for them is their music, so that there is this deep-seated connection to the music.

On being Oscar-nominated for the first time — and thinking about other Black actors, including Halle Berry and Lou Gossett Jr., who had trouble getting work after their wins

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I will not view it as a curse, because I am claiming the victory in this process, no matter what happens. … In terms of this moment, I absolutely am claiming, as much as I can, the joy of this moment. I’m not saying I don’t have trepidation, I do. It’s the reason I was not listening to the broadcast this year when the nominations were announced. I did not want to set myself up. But I’m … attempting as much as I can to fortify myself and know in my heart that I will continue working as an actor. I absolutely will.

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On being “othered” as a child because of his race

Because my mom was studying to be a nurse they would not allow her to have an infant child with her on campus, so as a result of that, I was sent to live with a white family in a white working class area of London. … I was loved, I was cared for, but as a result of living with this family in this all-white neighborhood, I went to an all-white elementary or primary school. And I was literally the only Black child in an all-white school.

So one afternoon, after school had ended, I was playing with one of my playmates … And at a certain point in our game, a car pulls up, and this kid that I was playing with goes over to the car and has a very short conversation with whomever was in the car, which I now know was his parent, his father. He comes back and he … says, “I can’t play with you.” And that was the end of the game.

On the experience of writing his forthcoming memoir

It’s been healing, actually. I’m not denying that it has opened me up. I’ve been compelled to scrutinize myself. I’m using that word very advisedly, “scrutinized.” It’s a scrutiny, it’s an examination of oneself. But in my case, because a very, very, very significant part of what I’m writing has to do with re-examining my relationship with my mom. And so my mom is a protagonist in my memoir. I’m told by my editor and by my publisher that one of the attractions to what I’m writing is that it is not a classic “celebrity memoir.” I am examining history. I’m examining culture. I’m looking at certain passages of history through the lens of the “Windrush” experience [of Caribbean immigrants who came to the UK after World War II].

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On getting a masters degree to help him write his mother’s story

My mom deserved it. My mom is deserving. And not only is my mom deserving, by extension, all the people of the Windrush generation are deserving. Stories about Windrush are not part of the global cultural lexicon commensurate with its impact. The people of Windrush changed the definition of what it means to be British. There are all these Black and brown people, theretofore members of what used to be called the British Commonwealth. And they were invited by the British government to come to England, the United Kingdom, to help rebuild the United Kingdom in the aftermath of the destruction of World War II. My mom was part of that movement. They helped rebuild construction, construction industry, transportation industry, critically, the health industry, the NHS, the National Health Service. My mom is a nurse.

The reason that I went into NYU was because my original intention was to write a screenplay about my mom. I wanted to write a screenplay about my mom because I looked around and I thought: Where are the feature films that have as protagonist a Caribbean female, a Black female, where are they? … I wanted to address that, I wanted to correct that, what I see as being an imbalance.

Ann Marie Baldonado and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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Britney Spears Open to Treatment Plan as Team Weighs Options

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Open to Treatment Plan After DUI Arrest, Source Says

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If you loved ‘Sinners,’ here’s what to watch next

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If you loved ‘Sinners,’ here’s what to watch next

Michael B. Jordan plays twin brothers Smoke and Stack in Sinners.

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What to watch if you loved…

Ryan Coogler’s supernatural horror stars Michael B. Jordan playing twin brothers who open a 1930s juke joint in Mississippi. Opening night does not go as planned when vampires appear outside. “In a straightforward metaphor for all the ways Black culture has been co-opted by whiteness, the raucous pleasures and sonic beauty of the juke joint attract the interest of a trio of demons … they wish to literally leech off of the talents and energy of Black folks,” writes critic Aisha Harris. The film made history with a record 16 Academy Award nominations.

We asked our NPR audience: What movie would you recommend to someone who loved Sinners? Here’s what you told us:

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Near Dark (1987)
Directed by Kathryn Bigelow; starring Adrian Pasdar, Jenny Wright, Lance Henriksen
If you want another cool vampire movie with Western kind of vibes, check out Kathryn Bigelow’s Near Dark — super underseen and kind of hard to find, but really gritty and sexy and another very different take on what you might think is a genre that had been wrung dry. – Maggie Grossman, Chicago, Ill.

30 Days of Night (2007)
Directed by David Slade; starring Josh Hartnett, Melissa George, Danny Huston
It follows a group of people in a small Alaskan town as they struggle to survive an invasion of vampires who have taken advantage of the month-long absence of the sun. Both this and Sinners revolve around a vampire takeover and the people’s fight to outlast the “night.” – Nathan Strzelewicz, DeWitt, Mich.

The Wailing (2016)
Directed by Na Hong-jin; starring Kwak Do-won, Hwang Jung-min, Chun Woo-hee, Jun Kunimura
In this South Korean supernatural horror film, a mysterious illness causes people in a quiet rural village to become violent and murderous. A local police officer investigates while trying to save his daughter, who begins showing the same disturbing symptoms. The film blends folk horror, religion, and psychological dread, exploring themes of faith, evil, and moral weakness. Like Sinners, it centers on a supernatural force corrupting a close-knit community, builds slow-burning tension, and examines spiritual conflict and human frailty. – Amy Merke, Bronx, N.Y.

Fréwaka (2024)
Directed by Aislinn Clarke; starring Bríd Ní Neachtain, Clare Monnelly, Aleksandra Bystrzhitskaya
In this Irish folk horror film, a home care worker, Shoo, is assigned to stay with an elderly woman who’s convinced she’s under siege by malevolent fairies. Like Sinners, Fréwaka blends folk traditions and social commentary with horror. The social failures Shoo copes with (untreated mental health issues, religious abuse) are just as frightening as the supernatural forces. – Kerrin Smith, Baltimore, Md.

And a bonus pick from our critic:

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Ma Rainey’s Black Bottom (2020)
Directed by George C. Wolfe; starring Viola Davis, Chadwick Boseman, Glynn Turman
This is an adaptation of August Wilson’s play about a legendary blues singer (Viola Davis) muscling through a recording session with white producers who want to control her music. Chadwick Boseman’s blistering in his final role. – Bob Mondello, NPR movie critic

Carly Rubin and Ivy Buck contributed to this project. It was edited by Clare Lombardo.

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