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Spring 2025 Fashion Trends: Jackets, Shoes and More to Shop This Season

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Spring 2025 Fashion Trends: Jackets, Shoes and More to Shop This Season

Easy pants, wafer-thin sweaters, go-everywhere coats and more.


Spring is a time of renewal. As temperatures rise, daylight extends and pollen froths in the air, wardrobes also undergo a turnover. Thick, woolly sweaters and heavy coats are pushed to the back of closets, making way for lighter layers, breathable fabrics and punches of color.

Those looking to refresh their spring wardrobe have no shortage of options to choose from, a fact that can quickly make shopping a daunting endeavor. To help, I spent more than 12 hours browsing websites to find worthy items in eight key categories of springtime attire.

These 48 products come from brands across the world. Some are big, but many are small, independent labels. They range in price from about $60 to $800, and were picked with a variety of body types and personal preferences in mind. Most importantly, they address a desire for simple clothing that is better than basic.

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Good news for those in constant search of comfort: Loose pants are still in style, and some of the season’s best come with drawstrings or elastic waists.

They include styles from high-end labels like Pleats Please Issey Miyake and mall chains like Gap. Deiji Studios, an Australian brand, offers a dark pinstripe pair and J. Crew has a sporty style with a stripe down each side. The patchwork look of a pair from Tigra Tigra, a label in Los Angeles, was achieved by working with artisans in India, while another pair, from the in-house line of the San Francisco store Reliquary, has the color and soft silhouette of a cloud.


Gossamer-like cardigans have been appearing more on runways and on the people who closely follow them. They are often worn as a sweet — almost ironic — foil to baggy low-rise jeans or slouchy pants that break and pool at the ankle.

The American label Eckhaus Latta, which specializes in knits and is considered by many to be at the forefront of cool sweaters, is offering several shrunken cardigans this season, including one in a coral shade called “langoustine” that was made to mimic a button-up shirt. Geel, an emerging label in Los Angeles, sells a cropped version with a hood and Guest in Residence, a label founded by Gigi Hadid, makes pointelle-knit cardigans in punchy colors like mint green and in neutrals like cream.


As the weather warms, having a polished overcoat that can be worn comfortably over a variety of items — a T-shirt, sweats, a lighter jacket or a blazer — can take some of the guesswork out of getting dressed.

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A number of small labels — Kule in New York, Mijeong Park in Los Angeles and Studio Nicholson in London among them — offer calf-skimming versions in neutral shades that evoke the all-weather coats by the heritage Scottish brand Mackintosh. Notable weather-resistant options include a sherbet-colored style from Land’s End and a Banana Republic coat that comes with a matching bucket hat.


The spring months could be described as a bridge to beach season. The same could be said for woven leather bags, which mimic the look of luxury versions by Bottega Veneta and marry the heft of a leather carryall with the carefree sensibility of a summery raffia bag.

Traditional basket weaving and other handicrafts inform the aesthetic of the Belgian brand Dragon Diffusion. Bembien and St. Agni, two labels known for sleek designs, offer versions in a range of sizes, including small cross-body bags and substantial totes. While many woven leather bags are stiff at first, they tend to soften with use.


Many new styles of cotton or linen shirts — collared or otherwise — are so oversize that they toe the line between casual and formal, making them more versatile. They can be worn untucked with a pair of jeans or paired with slim slacks for a more formal look.

The French label Charvet, founded in 1838, traditionally affixes mother-of-pearl buttons to each of its designs, which are produced in solids, stripes and other patterns. With Nothing Underneath, a brand in London, offers button-ups in a selection of pastels, and Flore Flore, a Dutch brand, produces its versions in Portugal using organic Italian cotton.

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Denim jackets are generally durable, easy to layer and give a dash of Americana to an outfit. These days, there are many that break from the garment’s classic trucker look.

Meals, a label in Los Angeles and orSlow, which was founded in Nishinomiya, Japan, offer coverall jackets with deep pockets and relaxed shapes that take inspiration from vintage work wear. Other versions include a pullover boat-neck style by Toast, a brand started in Wales, and a tailored jacket with an hourglass shape by Caron Callahan, a designer in New York, which has a square neckline and can be worn in lieu of a blouse.


Full skirts have long been a shoulder season wardrobe staple in countries like Japan and Italy, where they easily transition from being worn with coats and sweaters to being styled with T-shirts and sandals.

Standout versions now available include an army green skirt made with an iridescent ripstop Japanese cotton by 6397, a label in New York; a style made of Italian taffeta — and with pockets — by KasMaria, another a local brand; and an adjustable skirt that ties at the hip by Brooke Callahan, a designer in Los Angeles.


Newly released sneakers are embracing the proportions and details of ballet flats, moving a category long saturated with chunky shapes to a more delicate place.

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Embodying this daintier style is Ralph Lauren’s so-called Ballerina sneaker, which has a tapered toe and an elasticized heel, and a new tennis shoe by Repetto, the French pointe shoemaker, which is laced with ballet-pink ribbons. Both pairs have whisper-thin soles, as do other streamlined sneakers from Larroudé and Dries Van Noten, brands whose styles appear to take inspiration from 1970s footwear.


The ethics behind our shopping reporting. When Times reporters write about products, they never accept merchandise, money or favors from the brands. We do not earn a commission on purchases made from this article.


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‘Hijack’ and ‘The Night Manager’ continue to thrill in their second seasons

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‘Hijack’ and ‘The Night Manager’ continue to thrill in their second seasons

Idris Elba returns as an extraordinarily unlucky traveler in the second season of Hijack. Plus Tom Hiddleston is back as hotel worker/intelligence agent in The Night Manager.

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When I first began reviewing television after years of doing film, I was struck by one huge difference between the way they tell stories. Movies work hard to end memorably: They want to stick the landing so we’ll leave the theater satisfied. TV series have no landing to stick. They want to leave us un-satisfied so we’ll tune into the next season.

Oddly enough, this week sees the arrival of sequels to two hit series — Apple TV’s Hijack and Prime Video’s The Night Manager — whose first seasons ended so definitively that I never dreamt there could be another. Goes to show how naïve I am.

The original Hijack, which came out in 2023, starred Idris Elba as Sam Nelson, a corporate negotiator who’s flying to see his ex when the plane is skyjacked by assorted baddies. The story was dopey good fun, with Elba — who’s nobody’s idea of an inconspicuous man — somehow able to move around a packed jetliner and thwart the hijackers. The show literally stuck the landing.

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It was hard to see how you could bring back Sam for a second go. I mean, if a man’s hijacked once, that’s happenstance. If it happens twice, well, you’re not going on vacation with a guy like that. Still, Season 2 manages to make Sam’s second hijacking at least vaguely plausible by tying it to the first one. This time out Sam’s on a crowded Berlin subway train whose hijackers will slaughter everyone if their demands aren’t met.

From here, things follow the original formula. You’ve got your grab bag of fellow passengers, Sam’s endangered ex-wife, some untrustworthy bureaucrats, an empathetic woman traffic controller, and so forth. You’ve got your non-stop twists and episode-ending cliffhangers. And of course, you’ve got Elba, a charismatic actor who may be better here than in the original because this plot unleashes his capacity for going to dark, dangerous places.

While more ornately plotted than the original, the show still isn’t about anything more than unleashing adrenaline. I happily watched it for Elba and the shots of snow falling in Berlin. But for a show like this to be thrilling, it has to be as swift as a greyhound. At a drawn-out eight episodes — four hours more than movies like Die Hard and SpeedHijack 2 is closer to a well-fed basset hound.

Tom Hiddleston as Jonathan Pine in The Night Manager Season 2.

Tom Hiddleston plays MI6 agent Jonathan Pine in The Night Manager Season 2.

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Things move much faster in Season 2 of The Night Manager. The action starts nearly a decade after the 2016 original which starred Tom Hiddleston as Jonathan Pine, a night manager at a luxury Swiss hotel, who gets enlisted by a British intelligence agent — that’s Olivia Colman — to take down the posh arms dealer Richard Roper, played by Hugh Laurie. Equal parts James Bond and John le Carré, who wrote the source novel, the show raced among glossy locations and built to a pleasing conclusion.

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So pleasing that Hiddleston is back as Pine, who is now doing surveillance work for MI6 under the name of Alex Goodwin. He learns the existence of Teddy Dos Santos — that’s Diego Calva — a Colombian pretty boy who’s the arms-dealing protégé of Roper. So naturally, Pine defies orders and goes after him, heading to Colombia disguised as a rich, dodgy banker able to fund Teddy’s business.

While David Farr’s script doesn’t equal le Carré in sophistication, this labyrinthine six-episode sequel follows the master’s template. It’s positively bursting with stuff — private eyes and private armies, splashy location shooting in Medellín and Cartagena, jaded lords and honest Colombian judges, homoerotic kisses, duplicities within duplicities, a return from the dead, plus crackerjack performances by Hiddleston, Laurie, Colman, Calva and Hayley Squires as Pine’s sidekick in Colombia. Naturally, there’s a glamorous woman, played by Camila Morrone, who Pine will want to rescue.

As it builds to a teasing climax — yes, there will be a Season 3 — The Night Manager serves up a slew of classic le Carré themes. This is a show about fathers and sons, the corrupt British ruling class, resurgent nationalism and neo-imperialism. Driving the action is what one character dubs “the commercialization of chaos,” in which the powerful smash a society in order to buy up — and profit from — the pieces. If it had come out a year ago, Season 2 might’ve seemed like just another far-fetched thriller set in an exotic location. These days it feels closer to a news flash.

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Meghan Trainor Doubles Down On Distancing Herself From ‘Toxic Mom Group’

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Meghan Trainor Doubles Down On Distancing Herself From ‘Toxic Mom Group’

Meghan Trainor
I’m Not In The Toxic Mom Group, I Swear

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Video: Fashion Highlights From the 2026 Golden Globes

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Video: Fashion Highlights From the 2026 Golden Globes

new video loaded: Fashion Highlights From the 2026 Golden Globes

Vanessa Friedman, our fashion director and chief fashion critic, recaps what she saw on the red carpet for the 2026 Golden Globes.

By Vanessa Friedman, Chevaz Clarke, Gabby Bulgarelli and Jon Hazell

January 12, 2026

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