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Gordon Monson: The once-proud Delta Center is now haunted, plagued by the ghosts and ghouls of losing

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Gordon Monson: The once-proud Delta Center is now haunted, plagued by the ghosts and ghouls of losing


The Utah Jazz have the worst home win percentage in the NBA, with just three wins.

The Utah Hockey Club has the worst home win percentage in the NHL, with just six wins.

Well, well. How the NBA’s mighty fortress in Utah has fallen. And, as it turns out now, the NHL’s, too, not that so far it ever really had much of a chance to stand firm.

The Delta Center used to be a favored place — a palace — for the Jazz to play and a dreaded place — a pit — for opposing NBA teams to try to survive, let alone get a win.

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Visiting players hated playing there for a whole lot of reasons, foremost among them, they knew they had only a scant shot at victory. They knew it and the Jazz knew it, and the fans knew it. The cinder blocks in the walls and the steel girders in the roof, where the crowd noise of what sounded like a squadron of F-22 fighters taking off ricocheted from every hard surface in the arena, knew it.

Oh, what used to be.

A poll taken by Sports Illustrated among active players in 2008 ranked the Delta Center as “the most intimidating arena in the NBA.”

It had been that way since the early ‘90s, when Larry built the joint.

Maybe you remember, the place was a looney bin. It wasn’t just the building, although the basic structure was intended primarily for basketball, what with fans seated all snug to the floor, courtside and along the end lines, and the hovering seats ascending upward from there. Man, the fans were loud. More than loud, they were rowdy and raucous and … motivated. It was as though all Utahns had their identity wrapped up in every game’s result. If the Jazz won, people around here truly felt better about themselves, about who they were and what they were all about.

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(Francisco Kjolseth | The Salt Lake Tribune) Bear smokes out a Calgary Flames fan during an NHL hockey game against the Utah Hockey Club at the Delta Center in Salt Lake City on Wednesday, Oct. 30, 2024.

The Jazz were them, and they were the Jazz. Many of those fans still show up — out of boredom, out of sympathy, out of self-loathing, but healthy self-esteem nowadays is in the shortest of supply.

This is now, that was then. The entire experience at the Delta Center has flipped.

What once had even ultra-competitive opponents like Michael Jordan and Kobe Bryant finding themselves swamped in the environment — although for them it often stirred their best talents — for more than a few lesser players, the Delta Center’s force of personality, for lack of a better way of describing it, crushed them.

Yeah, it helped that the Jazz often had stellar teams taking the floor, teams that were, as mentioned, fairly convinced they were going to win even before they left the locker room. I once asked Antoine Carr, as he sat in front of his locker in the minutes before the opening tip what the odds were that the Jazz would triumph that night. He responded with a question of his own: “Where we playing?”

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“Right here,” I answered.

“Nuff said,” Big Dawg barked.

And, sure enough, the victorious hounds were released, same as it ever was.

Back in those years, many years, the Jazz finished with home records of 36-5, 33-8, 34-7, 37-4, 38-3. As recently as 2020-21, the Jazz were 31-5 at home. According to Statmuse, the Jazz’s all-time home record is 1,375-657, which, of course, includes some games played outside the Delta Center. But you get the idea.

It’s a place where you can bet on them winning.

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Could.

Not anymore.

The Jazz thus far this season are 3-14 at home. The sounds of those jets launching have grown if not silent, a bit quieter. It’s not even the fans’ fault, though. They’re doing what they can, trying to give the Jazz a lift. The fact that the Jazz draw as well as they do given the circumstances is remarkable. The crowd’s energy, or at least its effectiveness, more often than not surpasses what the team offers.

When the midseason juncture approaches, and the Jazz have just a few home wins to show for it, all you can say is, “Tanks,” or “No tanks,” depending on where you stand on the issue of the Jazz not really trying to win, as a means to win much more in the seasons ahead with added draft talent.

The thing is, even without a tanking effort going on, the same home-stumbling phenomenon is happening to the Utah Hockey Club. It shares the Jazz’s dubious designation, just not quite as lousy, with a home mark of 6-10-4.

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Game one at the Delta Center, between the Utah Jazz and the Chicago Bulls in the NBA finals in Salt Lake City
Salt Lake Tribune Staff Photo

You can almost see the tears rolling down out of the weeping windows of the Delta Center. The proud competitive chateau has turned into a sorry sagging shack, even as plans for more renovation are already underway.

Hockey gets a pass, considering it is new to the premises. And perhaps the Jazz do, too, since their bosses decided they were brilliant enough to disassemble a playoff team that they saw as not quite good enough — without enough financial flexibility in it — to then out-maneuver everybody else in the NBA to make an eventual move upward.

That doesn’t mean the building has to like it. I’m thinking the place is haunted now. That’s the feeling I get when I walk through the doors. The ghosts of past 50-plus-win seasons are floating hither and thither, making a racket, being chased around and off by sub-.500 spirits.

The specters and spooks of losing will do that. They’re doing it now. And the only exorcism that will save the Delta Center is …

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Ownership and management being as smart as they think and thought they were, smart enough to be worthy of the place they call home.

(Trent Nelson | The Salt Lake Tribune) Utah Jazz guard Collin Sexton (2) at the end of the third quarter, behind by 24 (100-76), as the Utah Jazz host the Denver Nuggets, NBA basketball in Salt Lake City on Wednesday, Nov. 27, 2024.



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Walker Kessler’s Desired Extension Price With Utah Jazz Surfaces

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Walker Kessler’s Desired Extension Price With Utah Jazz Surfaces


It looks like we might have a general ballpark of what type of contract extension numbers Walker Kessler was seeking from the Utah Jazz before the 2025-26 NBA season when negotiations were ongoing.

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According to a batch of NBA rumors from Grant Afseth of DallasHoopsJournal, Kessler was said to have desired upwards of $120 million in total value for his next contract, a price that Utah was seemingly unwilling to match.

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“In contract discussions with the Jazz, Kessler sought upwards of $120 million in total compensation for a long-term contract extension, sources told , but Utah was unwilling to commit to that price range,” Afseth wrote. “There was a clear gap in talks between Kessler and Utah,’ one source said.”

It’s an interesting nugget thrown into the situation is Kessler’s pending new contract, offering a bit of insight into what exactly was expected from Kessler’s camp in the negotiations for a second deal with the Jazz.

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Kessler Was Searching for $120M From Utah Jazz

Earlier this summer, it initially seemed as if the expected outcome would be for the Jazz and Kessler to hammer out a new rookie extension to ink him on for the next four-to-five years.

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But instead, Utah wanted to prioritize having that cap flexibility until next summer rolled around; ultimately leaving their fourth-year big man to play out the final year of his deal, then hit restricted free agency in 2026.

That’s exactly what would transpire, but it wouldn’t take long for Kessler’s fourth season in the mix to be quickly derailed, as he would go down with season-ending shoulder surgery just five games into the year, now leaving him to prepare for the 2026-27 campaign, and cutting a pivotal contract year short.

Before getting injured this season to be sidelined for the entire year, Kessler played five games where he averaged a career-best 14.4 points a game, along with 10.8 rebounds, 3.0 assists, and 1.8 block in just over 30 minutes a night.

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Oct 22, 2025; Salt Lake City, Utah, USA; Los Angeles Clippers guard Cam Christie (12) drives against Utah Jazz center Walker Kessler (24) during the second half at Delta Center. Mandatory Credit: Rob Gray-Imagn Images | Rob Gray-Imagn Images

It’s not exactly concrete of exactly what Kessler was searching on that new contract, but a $150 million value over the next five years would place him into the top-12 highest paid centers in the NBA per AAV.

That’s a hefty price to pay, no doubt. But for one of the more appealing young rim protectors around the league who’s gotten better every season, that might be a deal one team may be willing to pay him on the restricted free agency market, which would then force the Jazz to match that $30 million annually to keep him on their own roster.

Inevitably, the Jazz and Kessler will hit the negotiation table once again this summer as the two sides try to remain paired together for the long haul. Then, time will tell if they’ll be able to come to that long-awaited agreement to lock him into a fresh contract for what could be the next half-decade.

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Commentary: Recalling the Christmas of Catholic nuns and slave cabin singers

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Commentary: Recalling the Christmas of Catholic nuns and slave cabin singers


It’s not easy to pick the most memorable Christmas in Salt Lake City history.

There was, of course, that first Dec. 25 in Utah for the Mormon pioneers. They worked on Christmas Day 1847 but paused briefly for a simple feast.

The original Catholic church in Utah — the old St. Mary Magdalene on 200 East between South Temple and 100 South — hosted the city’s first Christmas midnight mass in December 1871.

The Salt Lake Tribune helped launch the tradition of downtown holiday decorating in 1945 and the old ZCMI store (where Macy’s now sits) on Main Street started decorating its windows with Christmas candy in the early 1970s. Temple Square’s Christmas light displays began in 1965.

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The Tabernacle Choir at Temple Square did not perform annual Christmas concerts until 2000. Willam Christensen choreographed “The Nutcracker” in California in 1944 but first brought it to Utah a decade later.

And memorable for all the wrong reasons, just after noon on Dec. 25, 1859, Salt Lakers had to dodge dozens of bullets from a Christmas Day gunfight that raged up and down Main Street.

Although all these holidays were unique, December 1875 stands out for me. It was the Christmas of Catholic nuns and slave cabin singers.

The Holy Cross sisters arrive

The Holy Cross Sisters had first arrived here from their convent in Notre Dame, Indiana, six months earlier. Sister Raymond (Mary) Sullivan and Sister Augusta (Amanda) Anderson traveled to Salt Lake City via train and stagecoach at the invitation of Father Lawrence Scanlan (soon to be Utah’s bishop), and more followed.

Scanlan hoped the nuns would help his fledgling Catholic community build schools and meet other human and spiritual needs. They did just that.

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A few years earlier, Sister Augusta had started her Holy Cross work as a Civil War nurse. She managed two Union army hospitals so well in the 1860s that Gen. Ulysses S. Grant exclaimed, “What a wonderful woman she is. She can control the men better than I can.”

Utah bard Gerald (Gary) McDonough’s aunt was a Holy Cross Sister, too, but a few years later. In his poem “Porch Nuns,” McDonough colorfully described the long black Holy Cross robes, also donned by pioneers like Sister Augusta.

Calling their veils “corrugated halos that circled their heads, Like broad white-walled tires,” he explained that whenever they visited his family, intrigued Latter-day Saint neighbors would emerge to watch “the giant emperor penguins, milling about the McDonoughs’ front porch.”

One can only imagine how unusual it was for the Salt Lake City Latter-day Saints to see those “giant emperor penguins” milling about downtown for the first time during the Christmas season of 1875.

That December, the women of St. Mary Magdalene church organized a fair to raise money for the new Holy Cross Hospital. A large crowd — including Catholics and Latter-day Saints — attended.

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The Tribune called it the “greatest attraction of the season,” one with music, plays, shooting galleries, “richly furnished refreshment tables,” and a “magnificent display of skillfully and delicately wrought fancy articles” for sale.

‘The Tennesseans’ perform

(Wikimedia Commons) Tennesseans concert poster shows Donavin’s original Tennessean slave cabin singers.

During the same week the grand fair was open, a popular singing group called “the Tennesseans” was in town as part of a national tour.

Contemporary newspaper articles and advertisements described the Tennesseans as “slave cabin singers” who performed “old plantation melodies and camp meeting hymns” from the South. These college students who once were slaves earned rave reviews wherever they sang.

After watching them perform, The Tribune said the widespread praise for the Tennesseans was well deserved. The Utah Evening Mail proclaimed them better than “any singers that have visited Salt Lake,” and the Deseret News called them the “most superb colored company in America.”

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(The Salt Lake Tribune) December 1875 Tribune ad for the Tennesseans’ December 1875 concerts in Salt Lake City.

One evening just before Christmas, right after the Tennesseans had finished a concert at the old Salt Lake Theatre, they stopped by the fair. To the crowd’s delight, they sang a couple of songs.

And then they did something that made the Christmas of 1875 one of the most memorable in Utah history. The former slaves serenaded the Holy Cross Sisters.

The Tribune reported that the Tennesseans sang some of “their finest melodies” to honor “Mother Augusta for her services in checking the Negro massacre at Fort Pillow during the war.” The Utah Evening Mail called the impromptu concert “an expression of gratitude” to the Holy Cross Sisters whose “humane services in aiding to suppress the Fort Pillow massacre” and whose “uniform devotion to the relief of the soldiers” would never be forgotten.

About the massacre

(Wikimedia Commons) A hand-colored 1892 print of the Battle of Fort Pillow by Kurz and Allison, a well-known Chicago firm specializing in colorful and dramatic chromolithograph prints of American historical events. The original is in the Library of Congress.

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In April 1864, Confederates massacred hundreds of Black Union soldiers stationed at a fortress the rebels had conquered in Tennessee. Sister Augusta cared for the surviving Fort Pillow victims at a nearby hospital she supervised.

It was difficult work.

Sister Augusta’s journal describes the appalling conditions of that hospital when she arrived: “Although we were tired and sick for want of sleep, there was no rest for us. We pinned up our habits, got brooms and buckets of water, and washed the bloodstained walls and scrubbed the floors. … The hospital was full of sick and wounded, but after some days, we succeeded in getting it comparatively clean.”

Notre Dame President Father William Corby — the chaplain of the Irish Brigade that famously fought at the Battle of Gettysburg — noted the full measure of Sister Augusta’s devotion: “The labors and self-sacrifices of the [Holy Cross] Sisters during the war need no praise here. Their praise is on the lips of every surviving soldier who experienced their kind and careful administrations.”

The grateful Tennesseans also remembered and thanked the Holy Cross Sisters with the gift of music. I cannot say for certain just what they sang 150 years ago in Salt Lake City during that most unusual Christmas of 1875. But I like to think that as the stars and the moon bathed the Wasatch foothills with a soft white light, the lovely lyrics of one song in particular — an old spiritual also born on a Southern plantation — rose gently into the crisp winter air and echoed off the snow-covered Oquirrh slopes, perhaps for the first time:

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When I was a seeker,

I sought both night and day.

I asked the Lord to help me,

And he showed me the way.

Go tell it on the mountain,

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Over the hills and everywhere,

Go tell it on the mountain,

That Jesus Christ is born!

(Courtesy photo)
Writer and attorney Michael Patrick O’Brien.

Note to readers Michael Patrick O’Brien is a writer and attorney living in Salt Lake City who frequently represents The Salt Lake Tribune in legal matters. His book “Monastery Mornings: My Unusual Boyhood Among the Saints and Monks,” was chosen by the League of Utah Writers as the best nonfiction book in 2022. His new holiday novel, tentatively titled “The Merry Matchmaker Monks of Shamrock Valley,” will be published in time for Christmas 2026. He blogs at theboymonk.com.

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Utah repeals ban on collective bargaining for teachers, firefighters, police unions

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Utah repeals ban on collective bargaining for teachers, firefighters, police unions


SALT LAKE CITY — Utah has repealed a collective bargaining ban passed earlier this year that prevented labor unions serving teachers, firefighters, police and other public employees from negotiating on behalf of their workers.

Republican Gov. Spencer Cox on Thursday approved the repeal of a policy that experts had called one of the most restrictive labor laws in the country.

The state’s Republican-controlled Legislature originally approved the policy in February, saying it was needed to allow employers to engage directly with all employees, instead of communicating through a union representative. Thousands of union members from the public and private sector rallied outside Cox’s office for a week, urging him to veto the bill, which he decided to sign.

Pushback continued in the months after it became law, with the Legislature ultimately deciding on a reversal during a special session this month.

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Republican state Rep. Jordan Teuscher, the original House sponsor, said the repeal “allows us to step back, to lower the temperature and to create space for a clearer and more constructive conversation.”

He maintained that it was a “good policy” that has been “overshadowed by misinformation and unnecessary division.”

The decision comes as Utah Republicans are preparing to defend their four U.S. House seats in the 2026 midterm elections under a new congressional map that creates a heavily Democratic-leaning district in the Salt Lake City area.

A repeal helps Republicans appease the many police officers and firefighters — groups that often lean conservative — who were frustrated by the ban.

State employees were still allowed to join unions under the law, but the unions could not formally negotiate on their behalf for better wages and working conditions.

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Many public educators, the state’s most frequent users of collective bargaining, viewed the policy as way for Republicans to weaken teachers unions and clear a path for their own education agenda.

Teachers unions have been outspoken opponents of Republican policies in Utah and other states where lawmakers have sought to eliminate diversity, equity and inclusion programs, expand school choice vouchers and restrict transgender bathroom use and sports participation in schools.

Union leaders celebrated the repeal and the work of their members who rallied opposition to the law.

Randi Weingarten, president of the American Federation of Teachers, and Brad Asay, the Utah chapter leader, called the repeal “a historic step in the right direction to return respect and dignity to the workers of Utah.”



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