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A brief history of presidential inaugural speeches, from George Washington to today

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A brief history of presidential inaugural speeches, from George Washington to today


The only constitutionally mandated event on Inauguration Day is for the president-elect to take the oath of office. But on the first Inauguration Day, in 1789, George Washington did something else.

He gave a speech.

Every president since has followed his example and delivered an inaugural address as part of the national celebration.

This button from George Washington’s first inauguration visually unified the states of the Union.
National Museum of American History

These addresses are more than just a series of individual speeches. Rhetoric scholars Karlyn Kohrs Campbell and Kathleen Hall Jamieson argue that each inaugural address is not simply marking one stage in the ritual of political transition. Each is also part of a genre that has characteristics which, at some level, are expected and understood by speakers and audiences. There have been 59 inaugural addresses, starting with Washington, and while they may have differed in style and even specific subjects, virtually all feature these characteristics, which range from calls to unify the country to setting forth political principles.

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The political history collections at the National Museum of American History, where I am a curator specializing in the history of presidential campaigns and campaign rhetoric, include several objects that illustrate these characteristics.

Exploring the genre of inaugural addresses through quotations and objects from the past can help listeners better understand the opening speech of a new administration, the first act in a job that began with the taking of the oath.

'We are all Republicans....all Federalists' reads a quote on an ivory pitcher with Thomas Jefferson's image on it.
This commemorative pitcher features a quote: ‘We are all Republicans….all Federalists,’ from Thomas Jefferson’s first inaugural address.
National Museum of American History

(Re)Unification of the audience

Inaugurations serve as the transition point between the competition of a campaign and the needs of an administration beginning to govern. For the audience to properly fulfill their role as witnesses to this investiture of power, they must be unified and reconstituted as “we the people.”

In the words of political scientist Lee Sigelman, these speeches are “literally brimming with verbal tokens of unity.”

There are references to our founders, our nation and the future we face. In 1957, Dwight Eisenhower spoke of the purposes “to which we, as a people, are pledged,” and Benjamin Harrison called his 1889 inaugural moment a “mutual covenant” between himself and the people. George W. Bush in 2001 united his listeners, saying, “Americans are generous and strong and decent, not because we believe in ourselves but because we hold beliefs beyond ourselves.”

Thomas Jefferson’s first inaugural in 1801 may have been the most explicit: “We have called by different names brethren of the same principle. We are all Republicans, we are all Federalists.”

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Reaffirmation of national values

New presidents must also establish their qualifications for the office by demonstrating they understand and will preserve the shared values that are key to what Bill Clinton in 1993 called “the very idea of America.”

A button with images of Abraham Lincoln and Barack Obama on it, with 'A Birth of New Freedom' printed above those images.
A button commemorating the 2009 inauguration of Barack Obama.
National Museum of American History

These traditional values are expressed in words such as freedom, liberty, democracy and courage. In 1981, Ronald Reagan reminded the audience, “Freedom and the dignity of the individual have been more available and assured here than in any other place on Earth. Jimmy Carter in 1977 summarized these values into “our belief in an undiminished, ever-expanding American dream.”

Setting forth political principles

A large ivory piece of silk with black printing on it.
A silk copy of William Henry Harrison’s 1841 inaugural address, the longest in history at more than 8,400 words.
National Museum of American History

Unlike many other presidential addresses, most notably the State of the Union, the inaugural does not advocate specific legislation but rather articulates more general philosophies that will guide a new administration. When policies are offered, they are less a call for action than a demonstration of a president’s commitment to the democratic system.

In 1845, James Polk promoted his “plain and frugal” economic plans because he said a national debt “is incompatible with the ends for which our republican Government was instituted.” Herbert Hoover said that the policies he listed in his 1929 address would be tested against the “ideals and aspirations of America.”

Even William Howard Taft, whose 1909 inaugural was among the most policy specific, framed his ideas with respect to the “proper” role of the federal government “in what it can and ought to accomplish for its people.”

Enacting the presidential role

A miniature ladder with a ribbon that features the likenesses of President William McKinley and his new vice president, Theodore Roosevelt.
This novelty item celebrating William McKinley’s second inauguration in 1901 highlighted the political principles he had promoted in his first inaugural address and term.
National Museum of American History

Candidates give speeches that are, for obvious reasons, partisan and self-promoting. But when the campaign ends and governing begins, presidents must demonstrate an understanding of their role within the broader system.

In his first inaugural in 1933, Franklin Roosevelt moved out of campaign mode and acknowledged the constraints on his “leadership of frankness and vigor.” He pledged to rely on his “constitutional duty” to work with Congress.

Rhetoric scholars Campbell and Jamieson add that these speeches must also enact the “public, symbolic role of president of all the people” by revealing traits such as humility and reliance on a higher power. A typical example is found in the conclusion of Warren Harding’s 1921 address: “I accept my part with single-mindedness of purpose and humility of spirit, and implore the favor and guidance of God in His Heaven. With these I am unafraid, and confidently face the future.”

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A booklet with images of an eagle, a three-masted schooner and two men, with 'OFFICIAL INAUGURAL PROGRAM' printed on the tope.
The official program for Franklin Roosevelt’s 1933 inauguration.
National Museum of American History

Fulfilling ceremonial expectations

Because of the celebration that surrounds them, inaugural addresses are expected to reflect stylized, ceremonial speaking. Such speeches strive to reach beyond the immediate situation to evoke timeless themes using memorable phrases.

In 1961, John Kennedy challenged Americans across the decades to “Ask not what your country can do for you – ask what you can do for your country.” The phrases “mystic chords of memory” and “better angels of our nature,” among the most memorable words in presidential rhetoric, have been applied to countless situations since Abraham Lincoln first uttered them in 1861.

Not all inaugural addresses achieve greatness. Some have been quite forgettable. But each of them has tried to fulfill these expectations, helping to sustain what Franklin Roosevelt in his second inaugural called “our covenant with ourselves.”



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Colorado Democrats punish Washington ties in primaries

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Colorado Democrats punish Washington ties in primaries


After DSA candidates roiled traditional Democrats with wins in New York City last week, Tuesday’s primary in a Denver-centered district tested whether the left wing’s appeal could prevail elsewhere. 

It turns out the democratic socialists’ reach extends well beyond New York — and it may well grow before the year is out. 

Melat Kiros, backed by the national Democratic Socialists of America and Vermont Sen. Bernie Sanders, upset Rep. Diana DeGette, who has held her reliably blue seat for almost 30 years. 

“What we’re seeing right now is the response to voters feeling like the party has not actually been fighting for working people,” Kiros told MS NOW last week. 

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The result is that Kiros, a critic of the Israeli government and high-ranking Democratic leaders, will likely be a member of Congress come next year. That happened even as DeGette cast the race as a warning, with President Donald Trump’s second term continuing to upend governance from the nation’s capital.

“Now is not the time to gamble and send somebody with no experience to Washington,” DeGette said during a recent candidate forum. “We need a strong, bold, hardened leader who will hold Trump accountable.” 

The result was one of several Colorado results Tuesday to test incumbents or prominent statewide officials navigating a turbulent moment in Democratic politics — one in which voters have shown an appetite for untested fighters over familiar faces who’ve served in Washington’s halls of power. 

The night’s theme wasn’t clear-cut; the three marquee races diverged on everything from ideology to questions of approach and clout. But each pitted an incumbent whose Congressional ties became fodder for a challenger.

In 2020, Democrats’ ability to woo former Gov. John Hickenlooper into the Senate race was seen as a boon for a party trying to unseat incumbent GOP Sen. Cory Gardner, one of the last Republicans left representing a blue state in the Senate. That move came after Hickenlooper’s 2020 presidential primary campaign fizzled. Even so, he faced a somewhat-competitive primary that year, taking 58.7% to his challenger’s 41.3%. Hickenlooper went on to win the seat that November by a little over nine points. 

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Concert News: The Washington Chorus Celebrates 65th Anniversary During 2026-2027 Season

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Concert News: The Washington Chorus Celebrates 65th Anniversary During 2026-2027 Season


Photo by Elman Studio.

June 30, 2026 (Washington, D.C.) – The Washington Chorus (TWC), DC’s most dynamic choral ensemble, celebrates its 65th anniversary during the 2026-2027 season. Through thought-provoking pairings of classic major choral works, artistic collaborations, and groundbreaking premieres, TWC celebrates its history of providing an inclusive community where choral music connects, reflects, and inspires everyone while continuing its mission of creating transformative musical experiences that bring people together through the joy of choral music.

“Our 65th season showcases TWC’s commitment to honoring choral tradition while embracing the living voices shaping American music today,” said TWC Artistic Director Eugene Rogers. “We look forward to serving the entire D.C. community, bringing new audiences into our special anniversary celebration through this repertoire and outstanding guest artists.”

The season begins with TWC’s guest appearance with the National Symphony Orchestra for Beethoven’s Ninth Symphony, conducted by Gianandrea Noseda at Wolf Trap’s Filene Center on Friday, August 14, 2026 at 8:00 p.m. On Thursday, October 15, 2026 at 7:30 p.m. at Joseph Myerhoff Symphony Hall; Saturday, October 17, 2026 at 8:00 p.m. at Music Center at Strathmore; and Sunday, October 18, 2026 at 3:00 p.m. at Meyerhoff TWC joins Marin Alsop and the Baltimore Symphony Orchestra for John Adam’s On the Transmigration of Souls as part of the BSO’s Alsop Conducts Tchaikovsky’s Pathétique concert.

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The Washington Chorus’s own season kicks off with two weekends of A Candlelight Christmas concerts in December, continuing its beloved holiday tradition now reimagined in new venues across the city. This cherished program brings together The Washington Chorus with the National Capital Brass and Percussion Ensemble, alongside award-winning music director, organist, and conductor Paul Byssainthe Jr., soprano Colleen Daly, and jazz-mezzo Christie Dashiell. The program will also feature the premiere of a new work by Evelyn Simpson-Curenton. Blending timeless carols with vibrant new voices, A Candlelight Christmas offers a warm and luminous celebration of the season – honoring tradition while embracing the rich musical spirit of our community. Venue and performance info are listed below.

In the new year, The Washington Chorus presents A Song Flung Up to Heaven: Honoring 65 Years of TWC on Sunday, February 28, 2027 at 3:00 p.m. at DAR Constitution Hall. The program juxtaposes two major works from contrasting origins – Nkeiru Okoye’s When the Caged Bird Sings and Poulenc’s Gloria – that treat sacred themes with a striking blend of reverence and theatricality. Together, these two major works meld European and American musical traditions into a powerful, life-affirming concert experience with a deep connection to spiritual rituals, while each composer’s innovation imbues them with new discoveries and uncovers mysteries of the human condition.

The centerpiece of this performance is the East Coast premiere of Dr. Nkeiru Okoye’s dramatic work When the Caged Bird Sings – a “musical ceremony” fusing many genres, including opera, musical theater, spoken word, and choral singing, and American musical styles including gospel, spirituals, traditional anthems, and jazz. Okoye’s evocative new piece celebrates the spirit of rising above expectations and transforming adversity into triumph through the milestones in the life of one Black woman. Partly in tribute to the activist and poet laureate Maya Angelou, the work celebrates and explores the transformative ability of the human spirit, commemorating those who have paved a path for future generations. The concert opens with a cornerstone of 20th-century sacred music, Francis Poulenc’s Gloria, which first premiered in 1961, the same year as TWC’s founding. 

In May, TWC partners with the National Philharmonic to present Requiem and Renewal featuring Mozart’s monumental Requiem. This will be preceded by Jocelyn Hagen’s large-scale symphonic work, What the Soul Already Knows, on Saturday, May 8, 2027 at 7:30 p.m. at Music Center at Strathmore. Jointly commissioned by Pacific Chorale under the direction of Robert Istad and The Washington Chorus, the work will have its East Coast premiere as part of TWC’s 65th Anniversary Season.

Rooted in an exploration of the sacred – in both the physical world and the unseen – the work invites listeners to reflect on the deep interconnectedness of all life. At its core, What the Soul Already Knows is a meditation on our shared humanity and the potential for beauty that arises when we live in alignment with gratitude, unity, and service. The title received inspiration from the book Sacred Earth, Sacred Soul by Celtic spiritual teacher John Philip Newell, whose writings illuminate the sacred as present not only in heaven, but within the earth and all living beings. Both Hagen’s and Mozart’s works are meditations on the soul in a program that asks: What is the soul, what is sacred, and how should we live – before and beyond death?

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Closing the season is a theatrical version of Giuseppe Verdi’s Requiem with the Baltimore Symphony Orchestra and conducted by its Artistic Director Jonathon Heyward on Friday, June 11, 2027 at 8:00 p.m. at Joseph Meyerhoff Symphony Hall; Saturday, June 12, 2027 at 6:00 p.m. at Music Center at Strathmore; and Sunday, June 13, 2027 at 3:00 p.m. at Joseph Meyerhoff Symphony Hall. This staged performance of Verdi’s masterpiece is our third collaboration with Heyward and the BSO’s multi-year Verdi Opera Initiative.

Performance Information

Beethoven’s Ninth Symphony
Friday, August 14, 2026 at 8:00 p.m.
Filene Center, Wolf Trap | 1551 Trap Road | Vienna, VA 22182
Tickets: 
$57 – $132
Link: wolftrap.org/show/26filene/081426/ 

Program:
Beethoven – The Consecration of the House – Overture
Beethoven – Elegiac Song, Op. 118
Beethoven – Symphony No. 9

Artists:
National Symphony Orchestra
Gianandrea Noseda, conductor
Tessa McQueen, soprano 
Cecelia McKinley, alto 
Demetrious Sampson, tenor
Jonathan Patton, baritone
The Washington Chorus
Eugene Rogers, artistic director
_______________________________

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Alsop Conducts Tchaikovsky’s Pathétique
Thursday, October 15, 2026 at 7:30 p.m. 
Joseph Meyerhoff Symphony Hall | 1212 Cathedral Street | Baltimore, MD 21201

Saturday, October 17, 2026 at 8:00 p.m. 
Music Center at Strathmore | 5301 Tuckerman Lane | North Bethesda, MD 20852

Sunday, October 18, 2026 at 3:00 p.m.
Joseph Meyerhoff Symphony Hall | 1212 Cathedral Street | Baltimore, MD 21201

Tickets: Subscriptions are on sale now, with single tickets on sale August 2026
Link: my.bsomusic.org/20342/20381 

Program:
Barber – Adagio for Strings
John Adams – On the Transmigration of Souls
Tchaikovsky – Symphony No. 6, “Pathétique”

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Artists:
Baltimore Symphony Orchestra
Marin Alsop, conductor
The Washington Chorus
Eugene Rogers, artistic director
_______________________________

A Candlelight Christmas
Saturday, December 11, 2026 at 3:00 p.m. 
Sunday, December 12, 2026 at 3:00 p.m.
Cramton Auditorium, Howard University | 2455 6th St NW | Washington, DC 20059

w/Howard University Chorale 

Friday, December 18, 2026 at 7:30 p.m. 
Saturday, December 19, 2026 at 11:00 a.m. & 3:00 p.m. 
Lisner Auditorium, George Washington University | 730 21st St NW | Washington, DC 20052

Monday, December 21, & Tuesday, December 22, 2026 at 7:30 p.m.
Music Center at Strathmore | 5301 Tuckerman Lane | North Bethesda, MD 20852

Link: thewashingtonchorus.org/2026-27-season 

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Program:
Evelyn Simpson-Curenton – NEW WORK (World Premiere)

Artists:
Eugene Rogers, conductor
Christie Dashiell, soloist (Dec. 11, 12, 21 & 22)
Howard University Concert Choir (Dec. 11 & 12)
Eric Poole, conductor
National Capital Brass and Percussion Ensemble
Paul Byssainthe Jr., organ & piano (Dec. 18 -22)
Reservoir High School (Dec. 18 & 19)
Gregory Knauf, conductor
South Loudon Youth Chorale (Dec. 21 & 22)
Laura Lazarevich, conductor 
_______________________________

A Song Flung Up to Heaven: Honoring 65 Years of TWC
Sunday, February 28, 2027 at 3:00 p.m.
DAR Constitution Hall | 1776 D Street NW | Washington, D.C. 20006
Link:
thewashingtonchorus.org/2026-27-season 

Program:
Poulenc – Gloria
Nkeiru Okoye – When the Caged Bird Sings

Artists:
Eugene Rogers, conductor
Denyce Graves, narrator
Cyrus Chestnut, piano
Angela Brown, soprano
Christie Dashiell, jazz mezzo
Issachah Savage, tenor
Michael Preacely, baritone
The Washington Chorus
Howard University Chorale
Dr. Eric Poole, director
_______________________________

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Requiem and Renewal
Saturday, May 8, 2027 at 7:30 p.m. 
Music Center at Strathmore | 5301 Tuckerman Lane | North Bethesda, MD 20852
Tickets: 
Single tickets are on sale beginning Thursday, July 23, 2026
Link: nationalphilharmonic.org/event/what-the-soul-already-knows-requiem-renewal/

Program:
Jocelyn Hagen – What the Soul Already Knows
Mozart – Requiem in D Minor

Artists:
National Philharmonic
The Washington Chorus
Eugene Rogers, conductor
Rabihah Dunn, soprano
Ashley Dixon, mezzo-soprano
Brian Giebler, tenor
Alan Williams, baritone
_______________________________

Heyward Conducts Verdi’s Requiem
Friday, June 11, 2027 at 8:00 p.m.
Joseph Meyerhoff Symphony Hall | 1212 Cathedral Street | Baltimore, MD 21201

Saturday, June 12, 2027 at 6:00 p.m.
Music Center at Strathmore | 5301 Tuckerman Lane | North Bethesda, MD 20852

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Sunday, June 13, 2027 at 3:00 p.m.
Joseph Meyerhoff Symphony Hall | 1212 Cathedral Street | Baltimore, MD 21201

Tickets: Subscriptions are on sale now, with single tickets on sale August 2026
Link: my.bsomusic.org/overview/20358

Program:
Giuseppe Verdi – Requiem

Artists:
Baltimore Symphony Orchestra
Jonathon Heyward, conductor
The Washington Chorus
Eugene Rogers, artistic director

___________________________

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About The Washington Chorus
The Washington Chorus (TWC) is one of the foremost symphonic choruses in the nation and a cultural leader in our nation’s capital—creating joyous and transformative choral music since 1961. TWC is noted for the superb artistry of its performances and recordings of the entire range of the choral repertoire. A three-time nominated and two-time Grammy Award-winner, the 220-voice Chorus presents performances annually across the DMV region. TWC is also a longtime artistic partner and collaborator with many of the nation’s leading organizations and artists, including the National Symphony Orchestra (NSO), National Philharmonic (NatPhil), Washington Performing Arts (WPA), and the Baltimore Symphony Orchestra (BSO). TheWashingtonChorus.org

About Eugene Rogers
Lauded for leading performances of “pure magic” (Washington Post), conductor Eugene Rogers is at the vanguard of American musicians, recognized for his musical and educational leadership around the world. Rogers is a committed conductor, teacher, arranger, and industry thought leader, championing timely new works, bringing historically overlooked music to life, and supporting next-generation talents. 

Rogers is a two-time Michigan Emmy Award winner, a 2017 Sphinx Medal of Excellence recipient, and was nominated for a Grammy Award in 2015. Musical America magazine has named him one of the top music industry professionals, and his work has been profiled on CNN, PBS, and on radio stations and in print and online publications across the world. 

Since 2020, Rogers has served as Artistic Director of The Washington Chorus. He is also the Founding Director for EXIGENCE, a professional vocal ensemble affiliated with the world-renowned Sphinx Organization, highlighting artistry within Black and Latinx communities. Alongside his own appearances as guest conductor for orchestra, chorus, and opera, he has also proudly acted as chorus master to leading conductors including Gianandrea Noseda, Marin Alsop, Jonathan Heyward, Joe Hisaishi, and James Conlon. 

Rogers is a Professor of Music and the Director of University Choirs at the University of Michigan School of Music, Theatre, and Dance. He is a former board member of Chorus America and is the former national chair of the Diversity Initiatives Committee for the American Choral Directors Association. Rogers is also active as an arranger, with publications including the Eugene Rogers Choral Series with ECS Publishing and the EXIGENCE Choral Series for Mark Foster Publishing. 

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America 250 could bring major tourism boost to Washington, DC

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America 250 could bring major tourism boost to Washington, DC


D.C. is looking forward to an economic boost from added tourists this summer.

Tourism numbers for the America 250 celebration are looking positive. Hotel bookings are up, as D.C. prepares to celebrate America’s birthday.

The National Mall is ground zero for the 4th of July festivities, with the Folklife Festival, the 4th of July Parade, fireworks and free museums. Plus, this year, there is an extra emphasis on historic and cultural exhibits. 50 million visitors are estimated to inject millions into the local economy.

SEE ALSO | ‘Packed to the brim’: Trump says 45K guests attend Great American State Fair rally

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“It’s very hard right now for us to tell you exactly what the economic impact is. overall, events like this, we typically don’t know the impact until after the event has taken place,” said Elliott Ferguson, Destination DC CEO.

According to Destination DC, 27.2 million people visited D.C. in 2025, up 20,000 visitors from the year before. They spent almost $12 billion, bringing in $2.5 billion in tax revenue and creating more than 114 thousand jobs.

SEE ALSO | World Cup delivers win for America’s economy, image

International visitation declined by 4%.

This summer of 2026, hotel bookings are up. More than two dozen hotels have DC250 packages, hoping to attract overnight guests. Luxury hotels are reporting record packages.

Visitors to the District pump billions directly into the local economy, accounting for over $11.4 billion in recent annual visitor spending and generating $2.3 billion in local tax revenue. And there’s a strong demand for the July 4 period.

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D.C. has also secured 18 conventions for 2026, estimated to bring in $317(m) according to Exhibitor Online. This influx saves the average D.C. household more than $3,600 in taxes.

“As we look at the events with America’s 250 and the events that this Trump administration is bringing to the city, it has been positive for the industry,” Ferguson added.

Major openings are adding to the expected summer tourism boom, including the National Geographic Museum, renovations to the Air and Space Museum, and the new Lincoln Memorial Undercroft exhibit. The Freedom 250 Grand Prix of Washington, D.C., will take place Aug.22 to 23, 2026, marking the firstever IndyCar series race on the National Mall.

These tourism dollars are critical, saving the average D.C. household more than $3,600 in taxes, as D.C. is facing headwinds from reductions to the federal workforce and commercial real estate challenges.



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