New York
How Maddrey Became the N.Y.P.D.’s Top Officer Despite Years of Scandal
Over the years, Jeffrey B. Maddrey toiled as a beat cop in half a dozen Brooklyn precincts. He nurtured hundreds of officers he oversaw as an inspector. He quelled violent crime in a dangerous part of Brownsville.
But not until he shepherded officers through the pain and anger of seeing one of their own shot dead in 2011 did he attain the high profile that would later undo him.
After the officer, Peter Figoski, was killed while trying to stop a robbery, Mr. Maddrey became the face of law enforcement in the 75th Precinct. He spoke to reporters about the murder and led a weeklong search for the fatal bullet. At the funeral on Long Island, he handed the Figoski family a folded American flag.
Mr. Maddrey “has certainly been in our sights for a while as someone deserving of recognition,” said then-Commissioner Raymond Kelly at a ceremony in which he posthumously promoted Officer Figoski to detective and elevated Mr. Maddrey to deputy chief.
The base of support Mr. Maddrey built in those years with Brooklyn pastors, rabbis, anti-violence groups and politicians — including, crucially, Eric Adams, a former police captain who would become mayor — vaulted him to the highest uniformed rank of the nation’s largest police department. It insulated him during a string of scandals — until the one that ended his career.
In December, a lieutenant and former subordinate, Quathisha Epps, accused Mr. Maddrey of demanding sex in exchange for hundreds of thousands of dollars in overtime. Mr. Maddrey, who was chief of department, resigned. Federal agents have searched his home, and the department’s Internal Affairs Bureau has launched its own investigation.
Mr. Adams, who is facing federal corruption charges, has defended how he had pushed Mr. Maddrey to the upper echelons of the Police Department.
In an interview last week with Corey Pegues, a retired deputy inspector and host of a YouTube channel, Mr. Adams said Mr. Maddrey “was beloved in Brooklyn North,” Mr. Adams said, referring to the territory that Mr. Maddrey once oversaw.
Mr. Pegues said Mr. Maddrey had weathered repeated scandals with few repercussions. “You gave him that second or third chance,” Mr. Pegues said. “How many chances do you give him?” Mr. Adams said, “People gave me 10 chances.”
“I needed someone with that police experience and great interaction” with the public, Mr. Adams said. “He went beyond the call of duty.”
The mayor’s relationship with Mr. Maddrey dates back at least two decades.
In 2006, the year Mr. Maddrey was promoted to deputy inspector, Mr. Adams was elected to represent a Brooklyn district in the New York State Senate. Both Mr. Maddrey and Mr. Adams spoke at community board meetings, and they were invited to talk with students in Bedford-Stuyvesant about policing.
In 2015, a year after Mr. Adams became Brooklyn borough president, Mr. Maddrey was chosen to lead the 10 precincts that compose Patrol Borough Brooklyn North, another major career leap. The two went to an awards banquet for the Mo Better Jaguars youth football team; a school gymnasium where students played double Dutch; and an event in Bushwick to improve police relations.
By then, Mr. Maddrey had long been a large presence in the borough, said the Rev. Robert Waterman, a pastor at Antioch Baptist Church in Brooklyn who has known Mr. Maddrey for more than two decades.
Mr. Waterman said they met when Mr. Maddrey, then an inspector in the 81st Precinct, had invited him to talk with veteran officers and recruits about concerns over neighborhood policing. He said Mr. Maddrey took children to special events and suited up as Santa Claus for Christmas.
“I had never known him to be anything but an officer who had not only walked the beat, but was part of the beat of the neighborhood,” he said.
Mr. Maddrey first became fodder for the city’s tabloids in 1993. Then a rookie, he was leaving a woman’s apartment building in Staten Island when two men approached him, including the woman’s suitor. The suitor’s friend fired several shots, striking Mr. Maddrey in the left wrist.
But his real troubles began in 2016, a year after he had been promoted to assistant chief and the head of Brooklyn North. They arrived in the form of a lawsuit: A subordinate with whom he was having an affair accused him of beating her, prompting her to pull out a gun, according to court filings. Mr. Maddrey, she said, tore it away. The suits were tossed out, but James O’Neill, then commissioner, docked Mr. Maddrey 45 vacation days.
Nonetheless, in 2020 Mr. Maddrey was made head of the Community Affairs Bureau, which educates New Yorkers about policing and crime prevention. The appointment set the stage for his push to the top after Mr. Adams was elected the next year.
The new mayor, who continued to identify himself closely with the department and took a strong hand in its affairs, supported a quick succession of high-level promotions for Mr. Maddrey. He became chief of housing, then chief of patrol and, by the end of 2022, chief of department — the person who oversees operations, crime-fighting strategies, quality of life initiatives and all of the agency’s 33,500 officers.
Even after that, problems emerged. Mr. Maddrey faced disciplinary charges from an oversight board in 2023 for voiding the arrest of a retired officer accused of brandishing a gun at three boys in Brooklyn.
Keechant Sewell, then the police commissioner, agreed with the board. But that June, she resigned after months of talk that allies of Mr. Adams had been undermining her.
Her Adams-appointed successor, Edward A. Caban, dismissed the case against Mr. Maddrey. In the interview with Mr. Pegues, Mr. Adams denied exerting pressure on Ms. Sewell or Mr. Caban.
Then there were the lawsuits. Cases filed in the past two years claim that Mr. Maddrey had an officer in the traffic unit transferred after he issued Mr. Maddrey’s female friend a ticket; that he protected a former officer and senior adviser to Mr. Adams who was accused of sexual harassment; and that he defamed an anti-violence activist.
Christopher Mercado, an adjunct assistant professor at John Jay College of Criminal Justice and a retired Police Department lieutenant, said none of the disciplinary or legal accusations were enough to hinder Mr. Maddrey’s career.
“He’s friendly. He shakes everyone’s hand. He comes in the room and fills the room,” said Mr. Mercado, who has attended events with Mr. Maddrey. “He came up at a time when there were few African American executives at the department, and the community adored him.”
And, Mr. Mercado said, even as Mr. Maddrey’s personal problems intensified, he tackled policing problems aggressively, impressing executives.
“They’ll say: ‘Oh, they grinded it out. They handed that shooting well. They were there at that riot. They protected their cops,’” Mr. Mercado said.
“If you’re a guy like Maddrey, and you’re willing to do all of that, even if you have had issues in the past, people at the top might look the other way,” he added.
Looking away became impossible last month.
Lieutenant Epps, a single mother of three children, told the federal Equal Employment Opportunity Commission that Mr. Maddrey had humiliated her during unwanted sexual encounters, many at his office at police headquarters in Manhattan. In an interview with the New York Post, she said that, on one occasion, she pleaded with him to stop, crying out, “You’re hurting me.”
During the 2024 fiscal year, Lieutenant Epps had made $204,453.48 in overtime, roughly doubling her salary while working under Mr. Maddrey — the most of any department employee.
She and Mr. Maddrey were both suspended amid the federal investigation.
Mr. Maddrey’s lawyer, Lambros Lambrou, did not respond to requests to interview the former officer. But in an interview last month on NBC New York, Mr. Maddrey denied demanding sex in exchange for overtime pay. He said his relationship with Lieutenant Epps was a consensual “office fling.”
Mr. Maddrey then recited the high points of his career, talking about his relationships with people in Brooklyn and how crime overall fell while he was chief of department.
“I’ve given so much to the city — so much — and I’ve never asked anyone for anything in return,” he said. “Countless people can never repay me for what I’ve done for them.”
Mr. Adams is no longer in a position to repay him: Mr. Caban, who is being investigated by the F.B.I., resigned in September, and two weeks later, Mr. Adams was federally indicted on corruption charges. Last month, he appointed Jessica Tisch as commissioner. She has already reassigned many officers and several top police officials, including at least one allied with the mayor.
Mr. Adams has distanced himself from Mr. Maddrey. “I’ve never defended any accusation of any inappropriate behavior,” the mayor said in an interview last month with Fox 5 New York.
“He has had an exceptional police record,” he added. “Those are the knowns. I cannot defend or speak on the unknowns.”
In October, Mr. Maddrey spoke at Linwood Street and Sutter Avenue, a corner the city had renamed in honor of the officer who was shot there.
“What Pete Figoski did for this community should always be recognized,” Mr. Maddrey said, tapping the lectern for emphasis and pointing to a new street sign bearing Detective Figoski’s name.
Mr. Maddrey was met with a round of applause. Two months later, he resigned.
New York
Essential New York City Movies Picked by Ira Sachs and Blondie’s Debbie Harry and Chris Stein
Film
‘Make Way for Tomorrow’ (1937), directed by Leo McCarey
The log line: After the bank forecloses on their home, an elderly couple must separate, each living with a different one of their adult children.
The pitch: “It’s a film that Orson Welles famously said ‘would make a stone cry,’” says Sachs, 60, about McCarey’s movie, singling out a long sequence at the end that depicts “a date through certain lobbies and bars of New York City that offers a snapshot of Midtown in the ’30s.”
‘The World of Henry Orient’ (1964), directed by George Roy Hill
The log line: A wily 14-year-old girl and her best friend follow a ridiculous concert pianist, on whom they have a crush, around the city.
The pitch: Hill’s 1960s romp inspired Sachs’s film “Little Men” (2016), which is about boys around the same age as these protagonists. “It’s an extraordinarily sweet film that also seems, to me, very honest,” he says.
‘Coming Apart’ (1969), directed by Milton Moses Ginsberg
The log line: Rip Torn plays an obsessive psychiatrist who secretly films all the women passing through his home office, inadvertently capturing his own mental breakdown.
The pitch: Shot in one room with a fixed camera, Ginsberg’s film “really feels of a time,” says Sachs. It’s also “very sexual and very free,” reminding him of what’s possible when it comes to making movies.
‘Deadly Hero’ (1975), directed by Ivan Nagy
The log line: A disturbed, racist cop saves a cellist from a crook, only to become her tormentor.
The pitch: Harry, 80, and Stein, 76, were extras in Nagy’s film, which stars Don Murray, Diahn Williams and James Earl Jones as the cop, the cellist and the crook, respectively. The pair call the movie “[expletive] weird,” but also say that their day rate — $300 — “was the most money we’d ever made on anything” up to that point.
‘News From Home’ (1976), directed by Chantal Akerman
The log line: An experimental documentary by Akerman, a Belgian filmmaker who moved to New York in her early 20s, the film features long takes of the city and voice-over in which the director reads letters from her mother.
The pitch: “I’m intrigued by how beauty contains sadness in the city,” says Sachs. Not only is her film a “beautiful record of the city” but it captures “what it is to be alone here, to have left some sort of community and, in particular for Chantal, separated from her mother.”
‘Wolfen’ (1981), directed by Michael Wadleigh
The log line: Albert Finney stars as a former N.Y.P.D. detective who returns to the job to solve a violent and bizarre string of murders.
The pitch: Wadleigh’s film is not only a vehicle for Finney, says Stein, it also “has a lot of footage from the South Bronx when it was still completely destroyed” by widespread arson in the 1970s.
‘Losing Ground’ (1982), directed by Kathleen Collins
The log line: Collins’s film — the first feature-length drama for a major studio directed by an African American woman — observes a rocky relationship between a college professor and her painter husband.
The pitch: Sachs calls “Losing Ground” “a revelation.” The characters are “so human and fascinating and extremely modern,” he says, adding that he loves a movie that “exists in some very complete version of the local.”
‘After Hours’ (1985), directed by Martin Scorsese
The log line: In Scorsese’s black comedy, an office worker (Griffin Dunne) has a surreal and bizarre evening of misadventure while trying to get back uptown from a woman’s apartment in SoHo.
The pitch: Harry and Stein recommend this zany tale and borderline “nightmare” for the way it captures a bygone era of New York. “It’s this great image of [Lower Manhattan] when it was still raw, you know, Wild West territory,” Stein says.
‘Downtown 81’ (shot in 1980-81, released in 2000), directed by Edo Bertoglio
The log line: Bertoglio’s film is a striking portrait of a young artist who needs to raise money so he can return to the apartment from which he’s been evicted.
The pitch: Jean-Michel Basquiat stars as the artist in this snapshot of life in New York during the ’80s. Despite all the drama surrounding it — postproduction wasn’t completed until 20 years after filming, and for many years the movie was considered lost — the film is notable, says Stein, because “it’s got all the characters and all our buddies in it.”
These interviews have been edited and condensed.
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New York
13 Actors You Should Never Miss on the New York Stage
Theater
Quincy Tyler Bernstine
A master of active stillness, the 52-year-old Bernstine (imposing in the 2024 revival of John Patrick Shanley’s “Doubt,” above) has that great actorly gift of making thought visible. A natural leader onstage, she compels audiences to follow her.
Victoria Clark
One of the theater’s best singing actors, with Tonys for Adam Guettel and Craig Lucas’s “The Light in the Piazza” (2005) and David Lindsay-Abaire and Jeanine Tesori’s “Kimberly Akimbo” (above, 2022), Clark, 66, performs not on top of the notes but through them, delivering complicated characterization and gorgeous sound in each breath.
Susannah Flood
Flood, 43, is a true expert at confusion, a good thing because she often plays characters like the twisted-in-knots Lizzie in Bess Wohl’s “Liberation” (above, 2025). What makes that confusion thrilling is how she grounds it not in a lack of information or purpose but, just like real life, in an excess of both.
Jonathan Groff
The rare musical theater man with the unstoppable drive of a diva, Groff, 41, sweats charisma, as audience members in ringside seats at Warren Leight and Isaac Oliver’s Broadway musical “Just in Time” (above, 2025) recently discovered. Giving you everything, he makes you want more.
William Jackson Harper
Unmoored characters are often unsympathetic. But whether playing a confused doctor in the 2024 revival of Anton Chekhov’s “Uncle Vanya” or a delusional bookstore clerk in Eboni Booth’s “Primary Trust” (above, 2023), Harper, 46, makes vulnerability look easy, and hurt hard.
Joshua Henry
There are singers who blow the roof off theaters, but the 41-year-old Henry’s voice is so huge and deeply connected to universal feelings that he seems to be singing inside you. Currently starring in the Broadway revival of “Ragtime” (above, by Lynn Ahrens, Stephen Flaherty and Terrence McNally), he blows the roof off your head.
Mia Katigbak
Superb and acidic in almost any role — in distress (Annie Baker’s 2023 “Infinite Life,” above) or in command (2024’s “Uncle Vanya”) — Katigbak, 71, finds the sweet spot in even the sourest truths of the human condition.
Judy Kuhn
With detailed intelligence and specific intention informing everything she sings, Kuhn, 67, is (among other things) a Stephen Sondheim specialist — her take on Fosca in “Passion” (above, 2012) was almost literally wrenching. It requires intellectual stamina to keep up with the master word for word.
Laurie Metcalf
The fierce, sharp persona you may know from her years on “Roseanne” (1988-97) is about a tenth of the blistering commitment Metcalf, 70, offers onstage in works like Samuel D. Hunter’s “Little Bear Ridge Road” (above, 2025). She goes there, no matter the destination.
Deirdre O’Connell
For 40 years an Off Broadway treasure, O’Connell, 72, handles the most daring, out-there material — including, recently, a 12-minute monologue of cataclysmic gibberish in Caryl Churchill’s “Kill” (above, 2025) — as if it were as ordinary as barroom gossip.
Conrad Ricamora
Revealing the Buddy Holly in Benigno Aquino Jr. (in the 2023 Broadway production of David Byrne and Fatboy Slim’s “Here Lies Love”) or the queer wolf in Abraham Lincoln (in Cole Escola’s “Oh, Mary!,” above, last year), Ricamora, 47, is uniquely capable of great dignity and great silliness — and, wonderfully, both together.
Andrew Scott
It’s a tough competition, but Scott, 49, may have the thinnest skin of any actor. Whether he’s onstage (playing all the characters in Simon Stephens’s Off Broadway “Vanya,” above, in 2025) or on film, every emotion — especially rue — reads right through his translucence.
Michael Patrick Thornton
Some actors are hedgehogs, projecting one idea blazingly. Thornton, 47, is a fox, carefully hoarding ideas and motivations. Keeping you guessing as Jessica Chastain’s benefactor in the 2023 revival of Henrik Ibsen’s “A Doll’s House” or as a pathetic lackey in last year’s production of Samuel Beckett’s “Waiting for Godot” (above, center), he holds you in his thrall.
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New York
How a Geologist Lives on $200,000 in Bushwick, Brooklyn
How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.
We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?
Here’s one way to make New York more affordable: triple your income. After moving from Baton Rouge, La., in 2016 to attend graduate school, Daniel Babin lived mostly on red beans and rice or homemade “slop pots,” renting rooms in what he called a “cult house” and a building on a block his girlfriend was afraid to visit.
Then, in January, he got a job as a geologist with a mineral exploration company, with a salary of $200,000, plus a $15,000 signing bonus. A new city suddenly opened up to him. “I can take a woman out on a $300 dinner date and not look at the check and not feel bad about it,” he said. He also now has health insurance.
Mr. Babin, 32, a marine geologist who also leads an acoustic string band, now navigates two economic worlds, one shaped to his postdoctoral income of $70,000 a year — when his idea of a date was a walk in Central Park — and the other reflecting his new income. In this world, he is shopping for a vintage Martin Dreadnought guitar, for which he will gladly drop $4,000.
Finding a New Base Line
On a recent morning at Mr. Babin’s home in Bushwick, Brooklyn, where he shares a 6,800-square-foot cohousing space with 17 roommates, he was still figuring out how to manage this split.
“I’m feeling less inclined to just let it rip than I was a few months ago,” he said of his spending habits. He socks away $1,500 from each paycheck, and has not moved to replace his 2003 Toyota Corolla, an “absolute dump” given to him by his father. “Hopefully, I’m returning a little bit to some kind of base-line lifestyle that I’ve established for myself over the last five years,” he continued. “Because the fear is lifestyle inflation. You don’t want to just make more money to spend more money. That’s not the point, right?”
Lightning Lofts, the cohousing space where Mr. Babin has lived since January 2024, bills itself as part of a “social wellness movement” and seeks to continue the ethos of Burning Man, the annual communal art and cultural festival in the Nevada desert.
For a room with an elevated loft bed and use of common areas, Mr. Babin pays $1,400 a month in rent, plus another $250 for utilities and weekly housecleaning.
He was first drawn to the organization through its events, including open mic “salons” where he played music or read from his science fiction writings. These were free or very cheap nights out, unpredictable and fascinating.
“You would see dance and tonal singing, and some dude wrote an algorithm that can auto-generate A.I. video based on what you’re saying — beautiful storytelling,” he said.
“So I just showed up every month, basically, until they let me live here.”
The room was a good deal. He had looked at a nearby building where the rent was $1,900 for a room in a basement apartment that flooded once a month. “Ridiculous,” he said.
But beyond its financial appeal, Mr. Babin liked the loft’s social life. “I used to be chronically lonely, and I just don’t feel lonely anymore,” he said. “Which is fantastic in a crazy place like New York. It’s so alive and it’s so isolating at the same time.”
Splurging on Ski Trips
Before Mr. Babin got his new job, he used to go to restaurants with friends and not eat, trying to save up $35 for a “burner” party — in the spirit of Burning Man — or Ecstatic Dance, a recurring substance-free dance party. He loved to ski but could not afford a hotel, so he would carry his old skis and beat-up boots to southern Vermont and back on the same day.
“Going on a hike is a pretty cheap hobby,” he said, recalling his money-saving measures. “Living without health insurance is a good one.”
He still appreciates a good hike, he said. But on a recent ski trip, he splurged on new $700 boots and another $300 worth of gear. “I’m like, this is something I’ve wanted for 10 years, so I deserve it,” he said.
He bought a $600 drone to take pictures for his social media accounts, and then promptly crashed it into the Caribbean (he’s now replacing the rotors in hopes of returning it to health).
He cut out the red beans and rice, he said, but his usual meal is still a modest $13 sandwich from the nearby bodega or $10 for pizza. “If I’m getting takeout and it’s less than $17, I don’t feel too bad about it,” he said.
A Future After Cohousing
A big change is that dating is much more comfortable now, and he feels more attractive as a marriage prospect. “It turns out that a lot more people pay attention to you if you offer them dinner instead of a walk in the park,” he said.
He is now thinking of leaving the cohousing space — not just because he can afford to, but because his work has kept him from joining house events, like the regular potluck dinners. “I sometimes feel like a bad roommate, because part of being here is participating,” he said. “I feel like there might be someone who would enjoy the community aspect more than I’m capable of contributing right now.”
He sounds almost wistful in discussing his former economizing. If it weren’t for the dating issue, he said, he would not need the higher income or lifestyle upgrades. “I never really felt like I was compromising on what I wanted to do,” he said.
He paused. “It’s just that what I was comfortable with has changed a little bit.”
We are talking to New Yorkers about how they spend, splurge and save.
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