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Blake Lively inspires more actresses to speak out against Hollywood toxicity

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Blake Lively inspires more actresses to speak out against Hollywood toxicity

Kate Beckinsale (left) and Abigail Breslin are sharing stories of on-set harassment and retaliation, inspired by Blake Lively’s public accusations against Justin Baldoni.

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Blake Lively’s civil rights complaint against Justin Baldoni isn’t just dominating headlines. It’s also inspiring other actresses to speak out against the toxic masculinity and on-set harassment they say they’ve experienced themselves.

In separate social media posts this week, Kate Beckinsale and Abigail Breslin shared their own stories about harassment and retaliation, describing them as part of an industrywide problem. And while they didn’t name many names, they both pointed to Lively’s high-profile case as the impetus for speaking up.

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“What it has highlighted is this machine that goes into effect when a woman complains about something legitimately offensive, upsetting, harmful, or whatever in this industry,” Beckinsale said in her Instagram video.

Months after the release of Lively’s movie It Ends With Us, she filed a lengthy complaint with California’s Civil Rights Department accusing Baldoni — her co-star and director — of sexually harassing her and violating her physical boundaries, prompting her to raise concerns during filming.

In the complaint, which was published by the New York Times in mid-December, Lively also alleges that Baldoni and his production studio, Wayfarer, then retaliated against her by hiring a crisis publicity firm to smear her reputation during the movie’s promotional cycle this summer.

Bryan Freedman, an attorney for the studio, told NPR that Lively’s claims are “categorically false” and “another desperate attempt to ‘fix’ her negative reputation.” But consequences for Baldoni have been swift: His talent agency dropped him, his podcast co-host publicly quit and a global women-focused nonprofit rescinded a solidarity award it had given him just weeks earlier.

Lively’s complaint — which could be the precursor to a lawsuit — includes thousands of pages of texts and emails between Baldoni and his representatives, which her lawyers say were obtained through a subpoena. She hasn’t spoken publicly beyond the legal filing.

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“I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted,” Lively told The Times in a statement.

In the days since, a growing number of Hollywood actresses have come forward to thank Lively for doing so — and to lend a hand in lifting that curtain.

Beckinsale says she has “about 47 million” similar stories

Beckinsale posted an Instagram video on Monday detailing examples of poor working conditions on various film sets and the retaliation she said she’s experienced for speaking out about them.

Speaking into the camera, Beckinsale stressed that she doesn’t know Lively or Baldoni personally and wasn’t on the set of It Ends With Us herself — but in her own career has amassed “about 47 million stories similar to this.”

The British actress, who made her on-screen debut in Kenneth Branagh’s 1993 adaptation of Much Ado About Nothing, is known for her roles in action films like Van Helsing, Total Recall and the Underworld franchise.

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Beckinsale described being “felt up” by a trusted crew member on a film when she was 18, and having her concerns dismissed by both actresses she told — including one who was “known for being a supporter of women.”

She also recalled working on a film set where her co-star was “drunk every day,” which resulted in long hours that kept her from seeing her daughter. She said raising those concerns only ended up hurting her, as people on set referred to her in pejorative terms and the studio dismissively gave her a bike “so I could ride around the studio lot while I was waiting.”

Editor’s note: The following video contains profanity which some viewers may find offensive.

Some of the consequences were physical, she said. She cited two instances where she was put on such a strict diet and exercise regimen for a movie that she lost her period, and spoke of being forced by her own publicist to do a photoshoot while bleeding from a miscarriage.

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Beckinsale also said she had been harmed in a “very unsafe fight situation” with two different actors in two different films.

“I was gaslit and made to feel like I was the problem — blamed and ostracized, left out of cast dinners, not spoken to — as soon as I mentioned there was a problem,” she added.

The only individual Beckinsale mentioned by name was disgraced former producer Harvey Weinstein, whose decades of alleged sexual misconduct fueled the global #MeToo movement when they came to light in 2017. Beckinsale says in the video that she was fortunate enough never to have been harassed by Weinstein, but described how he would blacklist actors who turned down his projects.

Beckinsale says she often hears men say the climate has gotten better since over the years — but was quick to dispute that notion.

“I’m grateful to Blake Lively for highlighting the fact that this is not an archaic problem that no one’s facing — this is continuing,” she said. “And then when it does happen, a machine goes into place to absolutely destroy you.”

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Breslin breaks her silence on the since-dismissed lawsuit against her  

Abigail Breslin — whose 2006 starring role in Little Miss Sunshine propelled her to fame at age 10 — also took to social media to share her thoughts.

“In light of recent events regarding the attempt to destroy the career and livelihood of a fellow actress and woman, I have felt compelled to write this, as I have unfortunately been subject to the same toxic masculinity throughout my life,” Breslin, now 28, wrote in a Tumblr post that she also shared on Instagram.

Breslin went on to discuss one of those experiences, commenting publicly for the first time on a since-withdrawn lawsuit filed against her last year by producers of her 2024 film Classified.

“When a suit was filed against me by a former employer, (the suit was withdrawn), after making a confidential complaint against a coworker for unprofessional behavior, I had the silly and naive impression that they would believe me,” Breslin wrote.

According to Variety and other entertainment news outlets, the producers of Classified sued Breslin after she made accusations against her older male co-star, Aaron Eckhart.

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The complaint, obtained by Variety, says production on the film “almost ground to a halt” after Breslin accused Eckhart of “aggressive, demeaning and unprofessional behavior” that “placed her at various times in peril.” The lawsuit says the on-set producer investigated and “found no evidence” to support Breslin’s “wild, hysterical and imaginary allegations” against her co-star. Her refusal to be alone with Eckhart in certain scenes also forced them to spend $80,000 in accommodations, according to court documents cited by Variety.

A representative for Breslin told People at the time that the actress “categorically denies all contended allegations against her and unequivocally stands by her statement, which she confidentially provided to SAG,” referring to the actors’ union.

NPR has reached out to representatives for Eckhart, who has not commented publicly on the lawsuit or the allegations within it. Jeffrey Konvitz, who represented the producers in the lawsuit, confirmed to NPR that the case was settled by the parties and dismissed, but declined to comment further.

“Instead of being believed and protected, a suit was filed against me for having the audacity to speak up,” Breslin wrote. “I was publicly shamed and defamed in the process. A reputation I had cultivated for over 2 decades had now been tainted as I became the crazy, paranoid and, to quote directly, ‘hysterical and wild’ woman, who apparently just had it in for men.”

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Breslin expressed her disappointment that the #MeToo movement didn’t lead to more lasting changes as she had hoped. She said she’s realized that experiences like hers have become the norm, and that “behind closed doors — to them — we are still just noisy women.”

“To change the narrative, we do not need more women to scream,” she said. “We just need a lot more men to shut up and listen.”

Other actresses speak up in support of Lively 

A number of other actors have come forward to show their support for Lively in the days since news of her complaint broke.

She’s received public encouragement and thanks from several people involved in It Ends With Us, from book author Colleen Hoover to co-stars Jenny Slate and Brandon Sklenar.

Alexis Bledel, America Ferrera and Amber Tamblyn — friends of Lively’s since they starred together in the Sisterhood of the Traveling Pants films of the early 2000s — issued a joint statement of solidarity.

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“We are struck by the reality that even if a woman is as strong, celebrated and resourced as our friend Blake, she can face forceful retaliation for daring to ask for a safe working environment,” they wrote. “We are inspired by our sister’s courage to stand up for herself and others.”

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‘The Invite’ is a marriage comedy with sex and heart

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‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

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L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

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A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

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When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

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After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

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He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

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And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

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I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

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“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

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Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

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Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

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Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.

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In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”

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The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.

It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.

In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

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