Lifestyle
My heart broke when we closed our shop in L.A. I’m beginning to see out the other end
On Saturday, Image co-hosted a party in memory of Género Neutral, the beloved retail shop in Echo Park that closed earlier this year. To mark the end of an era, Ashley SP, one of the co-owners of the shop, wrote the below piece, which is also a celebration of what’s to come. Interspersed throughout are photos from the party of all the friends and family who pulled up, as captured by none other than Glenjamn.
Piecing together the last 11 months felt like trying to laugh at a joke I didn’t quite understand — painful, cringe, and less and less funny every time I tried to explain it. The “so, how are you?” questions were earnestly plastered on the faces of everyone I’d been avoiding since April, when we closed our shop in Echo Park, Género Neutral, after three years. The questions got louder and louder and my voice, faint. I preferred being the young(ish) woman who did “cool” things, who was fun and held it together enough to turn chaos into chaotic good. I preferred being “that girl who owns that shop” instead of “that girl whose shop ended up closing,” and who felt like a failing live wire because of it. “I have no idea how I’m doing” became my typical — and honest — sad girl response to those daunting questions for all of spring and summer, until it became too much to let die another day, and I needed to figure out how to rebirth my business.
Emily and Bella De La Torre
Firmé Atelier’s Jonathan Lee looking into Estevan Oriol’s car.
Artist rafa esparza, left, and Bryan Escareño
My business partner, Jenni Zapata, and I were of course not alone in this experience of closing our doors suddenly and seemingly prematurely, as we watched so many fellow small businesses succumb to the quicksand of L.A. brick-and-mortar retail in 2024. We approached this past January with fresh energy as best we could, existing in survival mode most days and fairly detached from the social spaces we used to frequent. We weren’t ready to be vulnerable with others about the predicament we found ourselves in. I can’t fake any funk (and choose not to), so I started to slip away.
Our spirits were weary from a tough holiday season, from watching a few “bad” days turn into weeks, and then months. But we were determined to reignite the Género magic that helped us turn nothing into something during the pandemic, drunk on delusion and wine, replacing the seltzers of our days gone by. The truth is, whatever we did in the shop wasn’t going to be enough to sustain a new future, as too much became out of our control. We couldn’t throw the financial dice another month, let alone the rest of our lease term, or find the last loophole in an economy that isn’t built for independent small-business owners. My bank account knew this, my body knew this, but my heart was breaking. I met people I never wanted to live without in that shop; I met a version of myself I never imagined I could be when we opened our doors, and I wasn’t ready to say goodbye to her.
Jordan Johnson and Bobby Cabbagestalk
Lupe Rosales and Ashley Alcantar
We were the exception to the retail rule for the bulk of our business, but for reasons that make sense only in hindsight. By the end of 2023, we’d sit on our conversation pit-style couch at GN in amazement at how many people would come to hang out and talk with us in a week, but who wouldn’t buy anything, or even try to pretend that’s what they came to do. What we sold on our racks mattered less and less to the bulk of guests that came through — it was the metaphorical space we created for people that kept them coming back. We witnessed a community form organically in our doorway, on our couch, on our bench outside, and on Sunset Boulevard, “[singing in non-English]” and dancing to some of the best DJs on the east side.
How do you put a price on that, let alone pay rent and next season’s invoices from it? You can’t, we couldn’t — so we stopped, albeit to the shock of a lot of our friends and peers who didn’t have to keep track of what success looked like the way we did.
Maurice Harris, the artist and floral visionary behind Bloom & Plume and the coffee shop of the same name, got it. In August, he closed his coffee shop nearby, on Temple Street, after five years. “I stayed in my own way for a very long time, and that’s been a hard pill to swallow,” he told me. “We all struggle with being in the hot seat and realizing, ‘Oh, I could be the problem here,’ and that you’re probably going to create that problem a few more times before you learn the lesson. My therapist and I talk about how you don’t change until it’s painful enough.”
Free Oribhabor, Bobby Cabbagestalk and friend
After closing his coffee shop and while exploring his cult-followed “Capitalism Doesn’t Care About Your Curiosity” series he self-produces on Instagram, Harris’s approach is changing, while rooted in authenticity. He’s journeyed his love of flowers into scent exploration, developing candles and fragrances. “I’m giving myself room to be more flexible in the world of doing this differently,” he generously shared. He’s focusing on the things that he’s discovered can be next, and new.
As small-business owners, we’ve all taken turns looking up to each other in the fight to be authentic, to reinvent, or to legitimize the risks we’ve taken. None of us really knows what we’re doing, which makes it that much more magical when something “works” — and relatable when it doesn’t. From a boutique perspective, the kisses of death looked like the ubiquity of fast-fashion culture and the now-eternal sale season, unreliable consumer attention spans, and the fact that people aren’t spending money like they did, as personal spending power tanked for so many post-pandemic. Factoring in the cost of living and operating in L.A., small retailers are becoming akin to islands in a sea of rents that only bigger chains can afford, which leaves us all a bit cynical and bored, as the “cool” factor is challenged in more and more neighborhoods. If these conversations-turned-therapy sessions with our peers told me anything, though, it’s that death and rebirth can coexist, regardless of how quickly we accept that transformation when confronted with it.
Eve Mauro and Estevan Oriol
For me, “changing” has sometimes looked like going on Do Not Disturb on my phone for the last 11 months. Other times, it’s been choosing to meet with our newest business partner — one of my best friends, Danny Jestakom — to talk about the ideas we’ve been poring over in remixing, recalibrating and growing GN into a certain afterlife, one with less constraints, or certain freedoms. Shedding the imposter syndrome in pivoting the business is something I’m still working on, as I tell myself I do this now instead of that, and I’m a better person for it. Sincerely, I still sometimes struggle to lean into how life is completely different now, until I wake up from my fever dream and remind myself none of this really matters anyway (Aquarius moon here, y’all).
Jaime Rosas and Anahi Pozos
Last Saturday, we threw our first event, a party in partnership with chef Enrique Olvera’s Ditroit Taqueria in the Arts District. It was our celebration in loving memory of the Género Neutral shop, and an honoring of what’s to come with GNLA, the older sibling of Género, which will still be about collaborating with our favorite brands, people and spots around Los Angeles. We came up with the name for the party, Siempre Juntos, or “Together Forever,” at the tail end of summer, long before ballots were cast, before our collective hearts experienced another guaranteed heartbreak. Yearning for the infinity of connection and for the opportunity to reunite, we wanted nothing more than to create a moment where we all could get together again, like no time had passed, like the good ‘ol days, like nothing had changed even if everything had.
Models April Kosky, left, and Sky Michelle
Carolina Isabel Salazar and Pablo Simental
Jonathan Lee and Eric Kim of Firmé Atelier
Image’s fashion director at large, Keyla Marquez, editorial director Elisa Wouk Almino, and staff writer Julissa James
I’m completely certain of what’s next — things being hard, growth being nonlinear, not knowing what I’m doing and doing it anyway, much like the approach we had when crafting Género Neutral from scratch. I smile again because of it, and because we have thousands of new friends now to see us through. If GNLA is the other side, then I hope to see you there.
Ashley S.P. is a writer and the co-founder of GNLA, a new multicultural agency rooted in the joyous and inclusive spirit of the Género Neutral shop in Echo Park.
Lifestyle
Mundane, magic, maybe both — a new book explores ‘The Writer’s Room’
There’s a three-story house in Baltimore that looks a bit imposing. You walk up the stone steps before even getting up to the porch, and then you enter the door and you’re greeted with a glass case of literary awards. It’s The Clifton House, formerly home of Lucille Clifton.
The National Book Award-winning poet lived there with her husband, Fred, starting in 1967 until the bank foreclosed on the house in 1980. Clifton’s daughter, Sidney Clifton, has since revived the house and turned it into a cultural hub, hosting artists, readings, workshops and more. But even during a February visit, in the mid-afternoon with no organized events on, the house feels full.
The corner of Lucille Clifton’s bedroom, where she would wake up and write in the mornings
Andrew Limbong/NPR
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Andrew Limbong/NPR
“There’s a presence here,” Clifton House Executive Director Joël Díaz told me. “There’s a presence here that sits at attention.”
Sometimes, rooms where famous writers worked can be places of ineffable magic. Other times, they can just be rooms.
Princeton University Press
Katie da Cunha Lewin is the author of the new book, The Writer’s Room: The Hidden Worlds That Shape the Books We Love, which explores the appeal of these rooms. Lewin is a big Virginia Woolf fan, and the very first place Lewin visited working on the book was Monk’s House — Woolf’s summer home in Sussex, England. On the way there, there were dreams of seeing Woolf’s desk, of retracing Woolf’s steps and imagining what her creative process would feel like. It turned out to be a bit of a disappointment for Lewin — everything interesting was behind glass, she said. Still, in the book Lewin writes about how she took a picture of the room and saved it on her phone, going back to check it and re-check it, “in the hope it would allow me some of its magic.”
Let’s be real, writing is a little boring. Unlike a band on fire in the recording studio, or a painter possessed in their studio, the visual image of a writer sitting at a desk click-clacking away at a keyboard or scribbling on a piece of paper isn’t particularly exciting. And yet, the myth of the writer’s room continues to enrapture us. You can head to Massachusetts to see where Louisa May Alcott wrote Little Women. Or go down to Florida to visit the home of Zora Neale Hurston. Or book a stay at the Scott & Zelda Fitzgerald Museum in Alabama, where the famous couple lived for a time. But what, exactly, is the draw?

Lewin said in an interview that whenever she was at a book event or an author reading, an audience question about the writer’s writing space came up. And yes, some of this is basic fan-driven curiosity. But also “it started to occur to me that it was a central mystery about writing, as if writing is a magic thing that just happens rather than actually labor,” she said.
In a lot of ways, the book is a debunking of the myths we’re presented about writers in their rooms. She writes about the types of writers who couldn’t lock themselves in an office for hours on end, and instead had to find moments in-between to work on their art. She covers the writers who make a big show of their rooms, as a way to seem more writerly. She writes about writers who have had their homes and rooms preserved, versus the ones whose rooms have been lost to time and new real estate developments. The central argument of the book is that there is no magic formula to writing — that there is no daily to-do list to follow, no just-right office chair to buy in order to become a writer. You just have to write.
Lifestyle
Bruce Johnston Retiring From The Beach Boys After 61 Years
Bruce Johnston
I’m Riding My Last Wave With The Beach Boys
Published
Bruce Johnston is riding off into the California sunset … at least for now.
The Beach Boys legend announced Wednesday he’s stepping away from touring after six decades with the iconic band. The 83-year-old revealed in a statement to Rolling Stone he’s hanging up his touring hat to focus on what he calls part three of his long music career.
“It’s time for Part Three of my lengthy musical career!” Johnston said. “I can write songs forever, and wait until you hear what’s coming!!! As my major talent beyond singing is songwriting, now is the time to get serious again.”
Johnston famously stepped in for co-founder Brian Wilson in 1965 for live performances, becoming a staple of the Beach Boys’ touring lineup ever since. Now, he says he’s shifting gears toward songwriting and even some speaking engagements … with occasional touring member John Stamos helping him craft what he’ll talk about onstage.
“I might even sing ‘Disney Girls’ & ‘I Write The Songs!!’” he teased.
But don’t call it a full-on farewell tour just yet. Johnston made it clear he’s not shutting the door completely, saying he’s excited to reunite with the band for special occasions, including their upcoming July 2-4 shows at the Hollywood Bowl as part of the Beach Boys’ 2026 tour. The run celebrates both the 60th anniversary of “Pet Sounds” and America’s 250th birthday.
“This isn’t goodbye, it’s see you soon,” he wrote. “I am forever grateful to be a part of the Beach Boys musical legacy.”
Lifestyle
On the brink of death, a woman is saved by a stranger and his family
In 1982, Jean Muenchrath was injured in a mountaineering accident and on the brink of death when a stranger and his family went out of their way to save her life.
Jean Muenchrath
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Jean Muenchrath
In early May 1982, Jean Muenchrath and her boyfriend set out on a mountaineering trip in the Sierra Nevada, a mountain range in California. They had done many backcountry trips in the area before, so the terrain was somewhat familiar to both of them. But after they reached one of the summits, a violent storm swept in. It began to snow heavily, and soon the pair was engulfed in a blizzard, with thunder and lightning reverberating around them.
“Getting struck and killed by lightning was a real possibility since we were the highest thing around for miles and lightning was striking all around us,” Muenchrath said.
To reach safer ground, they decided to abandon their plan of taking a trail back. Instead, using their ice axes, they climbed down the face of the mountain through steep and icy snow chutes.
They were both skilled at this type of descent, but at one particularly difficult part of the route, Muenchrath slipped and tumbled over 100 feet down the rocky mountain face. She barely survived the fall and suffered life-threatening injuries.

This was before cellular or satellite phones, so calling for help wasn’t an option. The couple was forced to hike through deep snow back to the trailhead. Once they arrived, Muenchrath collapsed in the parking lot. It had been five days since she’d fallen.
”My clothes were bloody. I had multiple fractures in my spine and pelvis, a head injury and gangrene from a deep wound,” Muenchrath said.
Not long after they reached the trailhead parking lot, a car pulled in. A man was driving, with his wife in the passenger seat and their baby in the back. As soon as the man saw Muenchrath’s condition, he ran over to help.
”He gently stroked my head, and he held my face [and] reassured me by saying something like, ‘You’re going to be OK now. I’ll be right back to get you,’” Muenchrath remembered.
For the first time in days, her panic began to lift.
“My unsung hero gave me hope that I’d reach a hospital and I’d survive. He took away my fears.”
Within a few minutes, the man had unpacked his car. His wife agreed to stay back in the parking lot with their baby in order to make room for Muenchrath, her boyfriend and their backpacks.
The man drove them to a nearby town so that the couple could get medical treatment.
“I remember looking into the eyes of my unsung hero as he carried me into the emergency room in Lone Pine, California. I was so weak, I couldn’t find the words to express the gratitude I felt in my heart.”

The gratitude she felt that day only grew. Now, nearly 45 years later, she still thinks about the man and his family.
”He gave me the gift of allowing me to live my life and my dreams,” Muenchrath said.
At some point along the way, the man gave Muenchrath his contact information. But in the chaos of the day, she lost it and has never been able to find him.
”If I knew where my unsung hero was today, I would fly across the country to meet him again. I’d hug him, buy him a meal and tell him how much he continues to mean to me by saving my life. Wherever you are, I say thank you from the depths of my being.”
My Unsung Hero is also a podcast — new episodes are released every Tuesday. To share the story of your unsung hero with the Hidden Brain team, record a voice memo on your phone and send it to myunsunghero@hiddenbrain.org.
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