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How a Sabrina Carpenter song led to a priest's demotion for mishandling church funds

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How a Sabrina Carpenter song led to a priest's demotion for mishandling church funds

A Brooklyn priest allowed Sabrina Carpenter to film a music video inside his church last year. The ensuing controversy kicked off an investigation that uncovered what the diocese calls a “pattern of serious violations” of its policies.

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The New York City priest who was disciplined last year for letting pop star Sabrina Carpenter film a racy music video inside his church is now being accused of mishandling nearly $2 million in parish funds.

Church officials announced this week that Monsignor Jamie Gigantiello has been stripped of more of his duties after an investigation uncovered a “pattern of serious violations of Diocesan policies and protocols” — including making unauthorized financial transfers to a former aide in Mayor Eric Adams’ administration, which is now under a federal corruption probe.

Gigantiello has been relieved of “any pastoral oversight or governance role” at the Annunciation of the Blessed Virgin Mary Church in Williamsburg, Bishop Robert Brennan said in a statement issued by the Roman Catholic diocese of Brooklyn and shared with NPR.

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Brennan said Gigantiello had “mishandled substantial church funds and interfered with the administration of the Parish after being directed not to do so.” NPR has reached out to Gigantiello’s attorney for comment.

Brennan said he also relieved Deacon Dean Dobbins — who had served as the parish’s temporary administrator during the investigation — citing his use of “racist and other offensive language” during private conversations held in the church office. Those conversations were “apparently recorded at Monsignor Gigantiello’s direction” without the deacon’s consent, he added.

“It was wrong to secretly record Deacon Dobbins, but the use of such language by any church employee is unacceptable and will not be tolerated,” he added.

Brennan said he has appointed a new administrator “in order to safeguard the public trust, and to protect church funds.”

Here’s a look at the allegations against Gigantiello — and what any of this has to do with one of pop’s biggest hitmakers.

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What triggered the investigation?

Like a lot of lore, it all started on Halloween. On Oct. 31, 2023, Carpenter released the music video for her song “Feather,” which takes place partially in a Brooklyn church.

To the tune of the upbeat song, it shows a series of incidents in which she either kills or witnesses the deaths of several men who behaved badly toward her. Carpenter drives a pink hearse to the church and, once inside, dances — wearing a short black tutu and veil — around the altar in front of several pastel-colored coffins.

The video certainly has its fans; It’s been viewed over 100 million times on YouTube. But it also ruffled many feathers (no pun intended).

Brennan, the Brooklyn bishop, told the Catholic News Agency at the time that he was “appalled” at what had been filmed at the church.

“The parish did not follow diocesan policy regarding the filming on Church property, which includes a review of the scenes and script,” the diocese said in a statement.

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Days later, Gigantiello — who has served as the church’s pastor for nearly a decade — published a letter to parishioners apologizing for his role in “this shameful representation, which I whole-heatedly renounce.”

In it, he said the parish had been approached by a local film crew scouting locations for “what was presented as ‘a production featuring Sabrina Carpenter,’ ” and that he agreed to the filming “after a general search of the artists involved did not reveal anything questionable.” He said he was not present during the shoot.

“The parish staff and I were not aware that anything provocative was occurring in the church nor were we aware that faux coffins and other funeral items would be placed in the sanctuary,” Gigantiello wrote. “Most of the video was supposed to be filmed outside, near the church, which it was.”

Carpenter, for her part, said at the time that her team had gotten approval in advance, and quipped, “Jesus was a carpenter.” She wore a shirt with that phrase on it during her Coachella performance earlier this year.

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As a result of the incident, Brennan removed Gigantiello as the diocese’s vicar for development — a fundraising position he had held for years — and relieved him from “all administrative and financial oversight.”

Brennan also initiated what he called “a broader administrative review of compliance with Diocesan policies and procedures.”

What did investigators find?

Monsignor Jamie Gigantiello pictured in Brooklyn in 2022.

Monsignor Jamie Gigantiello, pictured in Brooklyn in 2022, lost his leadership roles in the church after an investigation found a pattern of wrongdoing, including making unauthorized financial transfers to a former top aide to New York City Mayor Eric Adams.

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The review was conducted by a management consulting firm, Alvarez & Marsal, and a law firm, Sullivan & Cromwell LLP. Church officials say it revealed a pattern of wrongdoing, including financial mismanagement, by Gigantiello.

Most concerningly to officials, between 2019 and 2021 Gigantiello transferred a total of $1.9 million in parish funds to bank accounts and two companies affiliated with the law firm of Frank Carone — a close advisor to Mayor Eric Adams who served as his first chief of staff in 2022 (and now runs a lobbying firm and has previously said he will chair Adams’ reelection campaign).

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“These transfers took the form of three apparent loans made by the Parish to those Carone-affiliated entities,” Brennan said.

He said Gigantiello did not inform Diocesan officials or seek the required approval for the transfers, nor did he properly document the transfers or “obtain necessary details from Mr. Carone about the use of these funds.”

NPR has reached out to a spokesperson for Carone.

Brennan said Gigantiello first transferred $1 million to Carone’s law firm in 2019, and that the firm repaid that amount along with approximately 9% interest between June 2020 and June 2021. Gigantiello made two more transfers worth $900,000 in August and November 2021 to companies affiliated with Carone, apparently “pursuant to notes providing one-year repayment terms at agreed interest rates.”

But he requested early repayment of the principal amounts in February 2022 “without requiring the payment to the Parish of the substantial interest provided for under the notes.”

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Gigantiello told The City that he had approached Carone to see “if there were any investments I could make” for the parish, adding that “the investments were made legally and the investments came back.”

Brennan said the unauthorized loans weren’t the only issue uncovered.

“In addition, the Diocese’s review has identified other instances in which Monsignor Gigantiello used and transferred Parish funds in violation of Diocesan policies and protocols,” he said. “He also used a church credit card for substantial personal expenses. Those transactions remain under investigation.”

Separately, he said, the diocese received evidence earlier this month from Gigantiello’s lawyers of “racist and other offensive comments” made by Dobbins, the deacon who had been serving as temporary administrator since Gigantiello’s demotion.

The evidence included recordings of conversations in the parish office at Gigantiello’s direction, without the deacon’s “knowledge or consent and, in some instances, without the knowledge or consent of the other party to the conversation.”

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What does this have to do with the Adams indictment?

Adams was indicted on federal charges of bribery, fraud and soliciting a political contribution from a foreign national in late September, becoming the first sitting New York City mayor to be charged with a federal crime.

Despite the resignation of many top administration officials — and calls for Adams to do the same — the mayor, who has pleaded not guilty, said he doesn’t plan to step down.

Several media outlets — including NBC 4 New York,The City, the New York Daily News and the National Catholic Reporter — reported that Gigantiello’s church received a subpoena from federal investigators earlier this year requesting information about business dealings between Gigantiello and Carone, describing them as longtime friends.

The two accompanied Adams on his visit to Rome earlier this year, where he met the Pope, according to those outlets.

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The diocese says it “is fully committed to cooperating with law enforcement in all investigations.” It did not respond to NPR’s question about the subpoena.

It’s not clear to what extent the “Feather” music video debacle may have put Gigantiello’s church on investigators’ radar.

But Carpenter joked about her alleged role in Adams’ indictment days after it happened, while her Short n’ Sweet tour was playing New York City’s Madison Square Garden.

“Damn, what now?” the singer said onstage. “Should we talk about how I got the mayor indicted, or … ?

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Jodie Foster plans more French roles after ‘A Private Life’

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Jodie Foster plans more French roles after ‘A Private Life’

Jodie Foster has her first solo lead role entirely in French in A Private Life.

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After dozens of films over a storied six-decade career, Jodie Foster is trying something new, playing the lead role in a French film for the very first time.

There’s hardly a trace of an American accent in Foster’s turn as Parisian therapist Lilian Steiner in A Private Life (Vie privée) and she appears to be very much at home.

The character she plays is an American woman who built her career in France. So director Rebecca Zlotowski added some small asides — and swearing — in English because of Foster’s brisk and fluent French. “People suddenly were just completely confused that I wasn’t a French person,” the actress said.

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All apparent ease aside, “I have a different personality in French than I do in English,” Foster told Morning Edition host Leila Fadel during a recent visit to NPR’s New York studios.

Her voice has a higher pitch in French, something she attributes to the French ladies who taught her at the private school she attended, Le Lycée Français de Los Angeles. Foster also had some smaller roles in three French films prior to A Private Life, including in 2004’s A Very Long Engagement.

“I’m just much more insecure and kind of vulnerable because I never know whether I’m communicating properly. And, you know, am I going to find that word at the last minute?” Foster said.

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This frustration is also built into the script itself. When we first meet Steiner, she’s constantly frazzled, barely listening to her patients and hardly sparing a minute for her newborn grandson.

Lilian Steiner (Jodie Foster) and Gabriel Haddad (Daniel Auteuil) rekindle an old flame in A Private Life.

Lilian Steiner (Jodie Foster) and Gabriel Haddad (Daniel Auteuil) find love again — for each other — years after their divorce in A Private Life.

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Then, her eyes start watering constantly, something someone more grounded would call crying, but not Steiner, who grows increasingly frustrated that water is coming out of her eyes.

It turns out to be especially fitting for someone who is a Freudian psychoanalyst. “In true Freudian fashion [she] is having a physical demonstration of a psychic ill,” Foster explains.

That psychic ill is caused by the death of a patient (the Franco-Belgian social drama star Virginie Efira), purportedly by suicide.

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But Steiner suspects her patient has been murdered and launches her own — inconclusive, darkly comedic — investigation, enlisting help from her ex-husband (played by Daniel Auteuil, a mainstay of French cinema), and rekindling their old flame in the process.

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All of those disparate plot lines play into the film’s French title, Vie privée, which Foster explains is a double entendre: “So private life, meaning everything that you think that would mean the opposite of a public life — an internal life. But private also means has been deprived of, so somebody who has been deprived of life, meaning somebody who’s died potentially.”

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In her own life, Foster said she’s had to fight for privacy, ferociously. “I had to say I will go to Disneyland and I will not have a film crew following me… I will go to college and I will not give everything to the public eye, in order to make sure that I survived intact,” she explained.

After a frenetic pace of filming in her teens and twenties, Foster says she became more deliberate about the roles she accepted so that she could bring more depth to the screen. “I really was careful to make sure that I had real life and I worked more sporadically than most other actors,” she said.

In a dream sequence, Lilian (Jodie Foster), left, is transported to WWII-era Paris, where she knows her present-day patient Paula (Virginie Efira) under a different light.

In a hallucinatory dream sequence while under hypnosis, Lilian (Jodie Foster), left, is transported to WWII-era Paris, where she and her present-day patient Paula Cohen-Solal (Virginie Efira) were lovers.

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Today, she’s especially excited about working with women directors. She also directs herself. Recounting that she only worked with one female director — Mary Lambert for 1987’s Siesta — in the first four decades of her career, Foster said she’s now working more with women.

“It’s been a shift that’s a long time coming… But it came very, very late,” she added, noting that the prevailing bias against women directors has only “recently” changed in mainstream cinema.

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Foster also hopes to take part in more French movies, maybe even direct a film in France. “That’s something I’ve always wanted to do and something that would be a great challenge for me,” she said.

Director Rebecca Zlotowski, shown her on the set of A Private Life, says she long had dreamed of directing a film featuring Jodie Foster.

Director Rebecca Zlotowski, shown here on the set of A Private Life, says she had long dreamed of directing a film featuring Jodie Foster.

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She urged American audiences to embrace learning to speak languages other than English.

“It’s surprising how Americans don’t hear other languages… how you can go your whole life without really hearing other languages spoken in your state,” she said. “We have to make an effort to connect to a wider world and understand that we’re all part of the same universe.”

The broadcast version was produced by Julie Depenbrock. The digital version was edited by Treye Green.

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Gene Hackman’s House Goes Up for Sale Less Than a Year After Deaths

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Gene Hackman’s House Goes Up for Sale Less Than a Year After Deaths

Gene Hackman And Wife
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Tig Notaro talks growing up in Mississippi, parenthood and her friendship with poet Andrea Gibson : Wild Card with Rachel Martin

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Tig Notaro talks growing up in Mississippi, parenthood and her friendship with poet Andrea Gibson : Wild Card with Rachel Martin

A note from Wild Card host Rachel Martin: Tig Notaro has built a career dissecting her own life. In her stand up, podcasts, even a TV show – Tig has brought her audience into some of the most personal parts of her own living: growing up as a gay kid in the South, falling in love with her wife, and her struggle through breast cancer.

But in her latest creative project, Tig turned the spotlight on a close friend of hers – the poet Andrea Gibson. Andrea died from cancer last year. Tig produced a documentary about Andrea’s incredible life – it’s called “Come See Me in the Good Light.”

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