Connect with us

Lifestyle

'Wicked' defies gravity, if not time

Published

on

'Wicked' defies gravity, if not time

Galinda (Ariana Grande) and Elphaba (Cynthia Erivo) are opposites in every way, forced to room together at Shiz University.

Giles Keyte/Universal Pictures


hide caption

toggle caption

Advertisement

Giles Keyte/Universal Pictures

Goodness knows, it feels as if Cynthia Erivo and Ariana Grande have been attached at the hip for the better part of this century, crying and bantering together while adorned in fabulous ensembles of green, black, and pink, the (un?)official colors of Wicked. The press tour and behind-the-scenes gossip accompanying Jon M. Chu’s long-awaited spectacular have been exhaustingly dramatique – probably to be expected for the film adaptation of a Broadway musical juggernaut beloved by theater kids all over (I was one of them), and starring one of the era’s biggest pop stars.

Ultimately, it’s what lands on the screen that matters. And with regards to Wicked: Part 1 many things are true at once: the excellent Erivo and Grande couldn’t have been better suited to play Elphaba, the Wicked Witch of the West, and Galinda, who goes on to become Glinda the Good Witch; the movie’s themes are evergreen and relevant; and whoever made the decision to divide the stage show into two separate movies deserves to be cursed by a spell from the book of the Grimmerie.

Advertisement

Wicked, very loosely based on Gregory Maguire’s Wizard of Oz revisionist novel Wicked: The Life and Times of the Wicked Witch of the West, tells the origin story of Elphaba and how she became L. Frank Baum’s emblematic villain. She’s shunned by her father and ostracized by her peers for the mere fact of being born with abnormally green skin, and at a young age discovers that in response to their callousness, her rage manifests uncontrollably as a magic force from within. Years later, that ability comes to the attention of Madame Morrible (Michelle Yeoh), the no-nonsense headmistress of Shiz University, who eagerly takes Elphaba under her wing for private tutelage in sorcery.

Two good friends, two best friends

Elphaba is assigned to room with Galinda, the bubbly, supremely vain beauty queen who’s none too happy she now has to share her private suite with the school’s oddball. The two clash for all the expected reasons: if Elphaba’s whole vibe is “emo-goth girl who shops at Hot Topic circa 2003,” Galinda’s is “Barbie.” Galinda’s initially jealous that she herself doesn’t get to study with Madame Morrible. But soon enough, they become friends (best friends, even), just as Oz enters a period of social unrest.

Michelle Yeoh as Madame Morrible, the headmistress at Shiz University.

Michelle Yeoh as Madame Morrible, the headmistress at Shiz University.

Giles Keyte/Universal Pictures


hide caption

Advertisement

toggle caption

Giles Keyte/Universal Pictures

There’s a lot to recommend here, particularly for fans of the show – the humor is punchy, Christopher Scott’s expressive choreography enhances the characterizations, and Paul Tazewell’s costume design details are perfection. But by far the standout of Wicked is that central relationship between these two enemies-turned-friends. Erivo and Grande have the goods: both come from theater backgrounds (the former has won a Tony) but are also naturals on camera, and so they’re able to bring subtlety and grandiosity as needed. Even under the green makeup and against the backdrop of some hideously overwhelming CGI aesthetics, their chemistry is undeniable, whether they’re bickering during one of the show’s highlights, “What Is This Feeling?” or finding common ground during the show-stopping Act I finale “Denying Gravity.”

This is most palpable during the big Ozdust Ballroom sequence, in which Elphaba, once again ostracized by her classmates, defiantly reacts to their laughter with dance, and Galinda, feeling empathy for possibly the first time ever, joins her. It’s both the most musical theater-y thing that could happen in this most musical theater-y of shows, and gets at the essence of the show’s enduring appeal.

Advertisement

A timely allegory — to a tune

Meanwhile, the show’s other central concern is striking to take in at this moment. Gregory Maguire’s 1995 book is a sprawling, bleak meditation on the nature of good vs. evil, and what it means to resist or give over into fascist movements. Oz is a world where animals have evolved to be just as intelligent as humans, with the ability to talk and live just as humans do, though they’ve long faced discrimination for doing so. (In the movie Elphaba’s beloved professor Dr. Dillamond is a goat voiced by Peter Dinklage.) The paternalistic, self-anointed Wizard (Jeff Goldblum, at his Goldblum-iest) is intent on stripping Oz’s animals of their autonomy and rights, and using Elphaba’s powers to do so.

The musical, both on stage and screen, is a significantly diluted and altogether different take on Maguire’s novel. But its parallels to our real world – currently marked by calls for mass deportations, the erosion of abortion rights; etc. – are still unmistakably apparent to anyone reading today’s news.

The allegories of minority persecution are rendered even more palpable by the fact of casting Erivo, a Black woman, in the role as Wicked Witch of the West. (To date, only one Black actress has played her in an onstage production full-time: Alexia Khadime, in London’s West End over a decade ago and again in the current production.) By coding the outcast-turned-political agitator as Black – her hair is in microbraids, and save for the green makeup, Erivo’s facial features are fully visible – the realities of the world we live in are inescapable. “Her green skin is an outward manifestation of her twisted nature!” a character proclaims to the people of Oz at one point, riling them up to position Elphaba as the common enemy. Arguing that her skin – who she is – is reason enough to demonize her: It isn’t altogether different from, say, recent rhetoric used to target Haitian immigrants in Ohio.

Jonathan Bailey dances through life as Prince Fiyero as Boq (Ethan Slater) watches on.

Jonathan Bailey dances through life as Prince Fiyero as Boq (Ethan Slater) watches on.

Giles Keyte/Universal Pictures


hide caption

Advertisement

toggle caption

Giles Keyte/Universal Pictures

For all its virtues and relevance, however, it’s curious that in this two-hour-41-minute adaptation of the first act of the show – longer, it should be noted, than the entire stage production without intermission – little of substance was added to justify making this affair a two-parter. Chu and screenwriters Winnie Holzman and Dana Fox stay quite faithful to the source material (which Holzman also wrote) and there are no new songs to go alongside all of composer Stephen Schwartz’s original ones. (Reportedly Part 2 will have some new songs, which may be for the best considering Act 2’s numbers suffer in comparison to the stacked first half.) There are few attempts to incorporate more of Maguire’s excessive lore from the book, and other secondary characters, like Elphaba’s younger sister Nessarose (Marissa Bode) and romantic interest Fiyero (Jonathan Bailey) aren’t fleshed out any more than they are in show.

Advertisement

The result is a movie that, while pleasant and occasionally moving, concludes with its apex (“Defying Gravity”) which also happens to be a cliffhanger. It’s an unusually and exceedingly peculiar state – both complete and incomplete at the same time. The feeling isn’t quite loathing, exactly. But it is a bit tiresome, especially since it likely means we have to expect yet another full year of a Wicked press tour. Like its predecessor, it’s an imperfect production that has a lot of heart and brains. If it only had the courage to tell a complete story in a reasonable amount of time.

Lifestyle

Twice the stink! Two rare corpse flowers at the Huntington are set to bloom

Published

on

Twice the stink! Two rare corpse flowers at the Huntington are set to bloom

Get ready to catch a whiff of stink. Not one, but two rare corpse flowers are set to bloom at the Huntington in the coming days, with one of them making its first-ever public bloom.

If both plants unfurl on the same day, it would be just the second time a double bloom has ever occurred at the Huntington.

For those unfamiliar with these funky flora, be warned. Corpse flowers bloom for just 24 to 48 hours, and once opened, they reek of gym socks, rotten eggs and decaying flesh … or, well, a corpse.

Brandon Tam, associate curator of orchids for the Huntington, speaks to reporters in front of two corpse flowers as they prepare to bloom.

(Kayla Bartkowski / Los Angeles Times)

Advertisement

Couple that with their tropical native climate of Sumatra, Indonesia, and you’re in for a sweaty, stinky viewing experience.

The stench is important for pollination, said Brandon Tam, the Huntington’s associate curator of orchids. It attracts carrion beetles and flesh flies, which lay their eggs on rotting animal carcasses.

At the Huntington, pollinators aren’t the only thing it entices. Since the garden exhibited its first corpse flower in 1999, thousands of people flock to its conservatory every summer, just to smell these putrid plants.

Advertisement
  • Share via

Advertisement

It smells like rotting flesh, but thousands of people will be lining up to catch a whiff.

“The kids that first came in 1999 are now bringing their kids — their own kids — to experience this over 20 years later,” Tam said. “It’s amazing, this plant, the impact that it has had over many generations.”

Glendale resident Trinity Shi, 42, witnessed three blooms at the Huntington in 2022 and 2023 and compared the smell to rotten fish: pungent, but not unbearable. She was excited to feature such an unusual specimen on her Instagram plant blog, @cubehousejungle, and hopes to make it to this year’s bloom too.

Advertisement

“It feels really prehistoric to look at this plant, because it is so giant,” Shi said of the corpse flower, which can grow over 12 feet tall. “It’s become kind of like a mascot for the Huntington.”

Thanks to cultivation techniques, the Huntington coaxes the plants to bloom every two to three years, not four to six like they do in their natural habitat, where they’re endangered.

Still, the blooms are notoriously unpredictable, Tam said. He guessed one of the plants will bloom in the coming days.

This upcoming bloom spotlights a plant nicknamed Odora, who last opened in 2024, and Odorysseus, a rookie public bloomer. Visitors offered name suggestions for Odorysseus on the Huntington’s Instagram page, where contenders included Stinkerbell, Gagatha and Count Flatula, among others.

It’s not unusual for the Huntington to have multiple soon-to-be bloomers on display. But only once, in 2018, did two plants actually unfurl on the same day.

Advertisement
A detailed view of a corpse flower as it prepares to bloom.

A detailed view of a corpse flower as it prepares to bloom.

(Kayla Bartkowski / Los Angeles Times)

For Odora and Odorysseus, siblings from a 2002 pollination, a double bloom is unlikely, Tam said. The plants are inclined to bloom out of sequence, “because they want to pollinate another plant that’s in the vicinity.” That can’t happen if they bloom simultaneously.

Though many refer to these plants as “flowers,” they are actually an “inflorescence,” a flowering structure containing hundreds of smaller blooms inside.

When it’s almost time for the plant to open, the spadix — a conic protrusion from inside the plant — emerges and accelerates in growth, climbing up to six inches per day. After a few days, its growth slows down.

Advertisement

“When it gets to about the one-inch range, we’ll know it’s about to bloom for us fairly soon,” Tam said.

When it does bloom, the spathe — leaflike structures encasing the plant — unfurl around 3 or 4 p.m., reaching maximum size in the early hours of the morning. The odor comes from the spadix, which heats up to about 98 degrees to strengthen the smell.

Brandon Tam, associate curator, walks past the corpse flowers as they prepare to bloom at the Huntington.

Brandon Tam, associate curator of orchids at the Huntington, walks past the corpse flowers as they prepare to bloom.

(Kayla Bartkowski / Los Angeles Times)

From there, visitors have until about 3 to 5 p.m. to smell the plant before it closes back up and collapses, losing its odor. Eventually, the plant returns as a leaf or a flower, photosynthesizing energy in preparation for its next bloom.

Advertisement

Today, the Huntington houses 43 corpse flowers, making it one of the largest corpse flower collections in North America. The Huntington cultivates them on-site and has distributed many to botanic gardens and zoos across the country.

“It’s important when it comes to conservation that we make plants accessible,” Tam said. “If we’re able to share these plants with other organizations and other hobbyists, we’re able to decrease the amount of plant theft that occurs in the wild, where a lot of conservation work is much needed.”

Eager sniffers can visit the Huntington from 10 a.m. to 5 p.m. Wednesday to Monday. Be sure to stay hydrated, cool and patient, as it’s humid inside the conservatory and lines can be long. For those who want to track the blooms’ progress from afar, catch the Huntington’s online livestream.

Library, art museum, botanical garden

The Huntington

Advertisement

Address: 1151 Oxford Road, San Marino

Admission: $13-34; children 3 and under, free; “Museums for All” (SNAP EBT) program, $5.

Info: huntington.org

Advertisement

Continue Reading

Lifestyle

Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove

Published

on

Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove

Entrepreneur David Huang tests out a VR headset while conducting demonstrations of the social dance lesson app Dance Guru at the Augmented World Expo in Long Beach, Calif., June 17, 2026.

Chloe Veltman/NPR


hide caption



toggle caption

Advertisement

Chloe Veltman/NPR

Wedding season is in full swing, bringing with it a familiar sense of dread for anyone who fears the dance floor.

But relief may finally be at hand with the help of a new app, Dance Guru, and a virtual reality (VR) headset.

The social dance instruction app transports users to a spacious, digital dance studio. Waiting inside is a computer-generated coach: a handsome, male avatar wearing a shirt open to his navel. He speaks with a slightly gravelly English accent.

Advertisement

“Watch me now,” he instructs at the start of a waltz lesson — which NPR tried out at the Augmented World Expo in Long Beach, Calif., an annual conference showcasing the latest developments in virtual and augmented reality.

The avatar then demonstrates a basic box step.

From there, the lesson becomes interactive. The coach tells the user to hold his hand while an electric pinging sound tracks the student’s foot placement.

“One, two, three, four, five, six,” the virtual teacher counts down.

When the user stumbles, he remains remarkably patient. “Do not worry, foundations take time. Let’s try that again. Work on grounding your steps more intentionally.”

Advertisement

Solving the beginner’s dilemma

Dance Guru creator David Huang said he came up with the idea for the app a couple of years ago out of frustration.

“I always wanted to learn to dance and I was always terrible at it,” Huang said. “And I always ended up stopping midway through the lessons.”

He soon realized that many beginners hit the exact same roadblocks.

“Private lessons are too expensive, and you feel like you’re always forgetting the dance steps,” Huang said. “You cannot find a partner to dance with. So I figured maybe I can create something like this.”

The Dance Guru platform currently offers tutorials in salsa, bachata, waltz, and cha-cha, in both lead and follow modes. To make the digital instruction feel authentic, Huang used motion-capture technology to record the movements of real-life dance teachers — with their permission.

Advertisement

Building on the legacy of online tutorials and video games

Dance Guru belongs to a small but growing wave of apps using VR to demystify social dance. At a nearby booth, conference attendee Victor Chen is testing out a competing app called Trip the Light. It currently offers salsa lessons, as well as freestyle options, where a user can dance with a partner without having to learn specific steps.

Trip the Light's booth at the Augmented World Expo included posters of the app's virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.

Trip the Light’s booth at the Augmented World Expo included posters of the app’s virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.

Chloe Veltman/NPR


hide caption



toggle caption

Advertisement

Chloe Veltman/NPR

“A lot of times when you’re trying to learn a choreography, it’s watching a YouTube video and you have to pause it, rewind, and play it,” Chen said. “If you were to have a virtual avatar dancing in front of you and correcting for any parts that you missed, it might be a lot easier.”

Continue Reading

Lifestyle

How to have the best Sunday in L.A., according to Deidre Hall

Published

on

How to have the best Sunday in L.A., according to Deidre Hall

For half a century, Deidre Hall has taken on every kind of disaster in the drama-packed town of Salem, Ill., as a star of “Days of Our Lives.”

There was the time — actually, it happened twice — when her character, Dr. Marlena Evans, was famously possessed by the devil and even levitated.

Sunday Funday infobox logo with colorful spot illustrations

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Advertisement

Or the time a serial killer, who was actually Marlena under hypnosis, seemed to kill several beloved characters. The long-running show’s storylines have become legendary, and in March, while promoting “Hail Mary,” actor Ryan Gosling even gave Hall a shout-out, admitting he was a fan, praising the hard work of soap opera actors and calling her an “OG acting inspiration.”

But Hall’s real life in Santa Monica is much quieter than her character’s, and she likes it that way.

“When I bought my house in Santa Monica, I didn’t realize how great it would be to live near Montana Avenue,” says Hall, 78, about the popular shopping spot. Every day, she walks to the main street with her golden retriever, Riley, and enjoys Pilates, art and good food along the way. “The owners of the Farms Market even keep dog biscuits, so guess where the dog wants to go every time we walk — the Farms, of course,” she says, laughing.

When she isn’t filming the daily soap opera, which airs on Peacock, Hall enjoys raising monarch butterflies, exploring the shops and restaurants on Montana, and hosting movie nights at home with her two sons.

Here’s what a perfect day in L.A. looks like for her.

Advertisement

This interview has been lightly edited and condensed for length and clarity.

7 a.m.: Breakfast and dog walk

I usually kick off my day with a protein shake, feed our golden retriever and take her out for a walk. She’s a phenomenal girl. When we adopted her, her name was Riley, but I did think about naming her after Mrs. Hughes from “Downton Abbey.”

10 a.m.: Church and garden time

After I walk the dog and go to church, I like to spend some time in my yard. I’m not a natural gardener, but I really enjoy it. I started raising monarch butterflies because my identical twin sister, who played my twin on the show, planted a butterfly garden. Monarchs are amazing because they are transitional. Every year, they travel from Mexico to southern New England, but it’s getting harder for them. Their numbers have dropped by about 80%. To help, I plant milkweed, which is what they need to survive. I buy my milkweed from the Staghorn Garden on Wilshire Boulevard in Santa Monica. Julie, who owns the nursery, is delightful and has a wide variety of milkweed. The monarchs always seem to find my garden. Julie was raising some caterpillars too, and she cared a lot about them. We talked about how important it is to help the butterflies. That’s why I do this. Sometimes I get milkweed with eggs already on it, and Julie knows her butterflies are going to a good home.

Advertisement

1 p.m.: Walk to Montana Avenue for some lunch

I live near Montana and love taking long walks, going to Pilates and trying out the great restaurants nearby, like R+D Kitchen and La La Land. I’m a big fan of the waffles at the Courtyard Kitchen. Just a few days ago, I had a chicken salad on raisin bread with an Arnold Palmer, and it was delicious. It is right on Montana and has a nice outdoor seating area. It’s one of my favorite spots. La La Land always has a long line in the morning, which is perfect if you want coffee. They serve coffee, doughnuts, croissants and avocado toast. There’s plenty of outdoor seating, and you can even bring your dog.

2 p.m.: Peek inside a clock shop

There’s a small clock shop on Montana Avenue that’s closed on Sundays, but if you walk by, you’ll see all kinds of clocks — standing, table and wall clocks. The owner is great at fixing them. Once, I bought a wall clock from MacKenzie-Childs, but it didn’t work. And I was really upset because it matched everything else on my countertop. I brought it to the owner and said, “I love this, but I can’t make it work.” He fixed it right away. His name is John, but I call him Geppetto. And we all know why. He really does have a magic touch.

2:30 p.m.: Visit a neighborhood art gallery

Advertisement

Ten Women Gallery is run by 10 artists, all of whom show their work there. I was drawn to some watercolors there, bought a few cards and spoke with one of the artists. She told me, “You seem to love watercolors,” and mentioned that the artist who painted them, Pamela Harnois, lives in Los Angeles and teaches nearby. I got Pamela’s name and found out she taught at the Brentwood Art School. I was so inspired by her gift that I started taking private lessons with her on Saturdays. That gallery is where I discovered my love for watercolor painting.

3 p.m.: Grab some ice cream at Rori’s

The other day, my longtime girlfriend wanted to get ice cream and told me, “We are walking to Rori’s Artisanal Creamery.” It’s a small shop on Montana near Lincoln. They make everything themselves, using local ingredients from grass-fed cows with no added hormones. The place is family-owned and probably has the healthiest ice cream you’ll find. They switch up their flavors often, but my favorite is the salted caramel.

6 p.m.: Family dinner and movie night at home

R+D Kitchen is always packed, so my sons, who are 31 and 33, do the cooking. They come over, and together we make salads and cook dinner. There’s a neighborhood grocery store called the Farms, off Montana, a small family-run place that has everything we need. Everyone knows each other there, and people bring their dogs. We try to have movie night every Sunday. Sometimes the day changes, but we always make sure to have one night a week where we cook a meal and sit down as a family. Keeping that tradition has become really important to us. My sons are great cooks, which is funny because they definitely didn’t get that from me. [Laughs]

Advertisement

9 p.m.: Take Riley for one last walk and visit neighbors

After dinner, I take my dog for a walk. It’s a great way to meet neighbors. We always go around the same block. We’ve met so many people, and since she’s a golden retriever, she loves meeting everyone.

10 p.m.: News, knitting and bedtime

I am a news junkie, so I usually watch whatever is on the news before I go to bed. I have a long-standing passion for knitting. Lately, though, the news would make me drop a stitch.

Advertisement

Continue Reading
Advertisement

Trending