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Migrants armed with loaded AR-15 attack police in deep blue city, then are released

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Migrants armed with loaded AR-15 attack police in deep blue city, then are released

A suspected pair of migrants – one of whom was strapped with a loaded machine-gun – are roaming New York City streets again after they attacked two police officers while resisting arrest last week.

Abraham Sosa, 20, who lives above a day care center in the Bronx, was spotted trespassing and urinating inside an unauthorized tunnel area of a Bronx subway station on Nov. 5 at around 4:30 p.m. when police approached him and repeatedly asked for his identification, which he refused to provide, the NYPD tells Fox News Digital.

The officers then attempted to place Sosa under arrest on the northbound platform of the Kingsbridge subway station, but he resisted by “stiffening his arms and refusing to be handcuffed,” police say.

A brief struggle then ensued with 20-year-old Christopher Mayren jumping in to interfere with the arrest.

BLUE CITIES RUSH TO DISMANTLE MIGRANT SHELTERS AS TRUMP INAUGURATION APPROACHES

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The AR-15 confiscated by the NYPD (NYPD)

During the altercation, a loaded and defaced Palmetto State Armory PA-15 firearm fell out of Sosa’s backpack, according to police.

Mayren also kicked one of the officer’s body cameras onto the subway track. 

They were both taken into custody, and Mayren was later found in possession of one of the officer’s cell phones.

Two officers suffered non-life-threatening injuries and were transported to area hospitals. They were both knocked to the ground during the struggle, according to a criminal complaint. 

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Sosa was hit with a slew of charges, including criminal possession of a machine gun, criminal possession of a loaded firearm and defaced weapon, resisting arrest and obstruction of governmental administration.

TRUMP LIKELY TO MAKE SEVERAL BORDER SECURITY MOVES ON FIRST DAY, SAYS EXPERT

FILE – Migrants who arrived from Eagle Pass, Texas, walk to the shelters at Floyd Bennett Field in the Brooklyn borough of New York on Feb. 3, 2024. (Charly Triballeau/ AFP)

He was also slapped with trespassing, assaulting a police officer and assault, as well as 25 counts of criminal possession of a weapon with a bullet, police say.

Mayren was charged with obstructing governmental administration, criminal mischief, criminal possession of stolen property, petit larceny, aggravated harassment and harassment.

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Mayren was released without bail, and Sosa was sent to Rikers Island on a $25,000 bond, which he posted on Nov. 12, the Bronx District Attorney’s Office tells Fox News Digital. 

The NYPD tells Fox News Digital that neither Sosa nor Mayren have had any prior arrests.  

Sosa initially claimed he had hurt his ankle. 

“Really?” Sosa told the officers, according to the criminal complaint. “For using the bathroom?

“But miss I hurt my ankle,” he said. “Let me show you my ankle.”

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The New York Post, citing sources, reports that the two suspects are migrants. Post sources said a tattoo on Mayren’s arm links him to a vicious drug cartel.

Law enforcement is prohibited by law from revealing a person’s immigration status. Fox News Digital reached out to ICE for more information on their immigration status.

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A group of migrants were captured kicking two police officers in Times Square in January, sparking national uproar. (Manhattan District Attorney via AP)

“This is crazy,” one Bronx detective told The Post Thursday. “You have a member of a Mexican cartel running around. That tattoo is a billboard for ‘I am a criminal. I don’t care about your laws.’

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“Can it get more dangerous than riding a subway with a loaded rifle? And when he’s not on a train, he’s upstairs from little children in the day care center,” they said. “These are two very dangerous scenarios.”

This is not the first time migrants have been accused of attacking New York City’s finest. 

In a now-viral video, a group of migrants were captured kicking two police officers in Times Square in January, sparking national uproar.  

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New York

‘Every Child Walking by Stared at My New Purple Hair’

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‘Every Child Walking by Stared at My New Purple Hair’

Dear Diary:

It was April Fools’ Day, and the weather kept changing from sunny to drizzle, as if the gusty wind was moving the sun back and forth behind a cloud.

I put my jacket on and off as I walked along Prospect Park. The trees were still bare, but spring was slowly awakening with yellow forsythias, and every child walking by stared at my new purple hair, hungry for color.

A guy in the bike lane yelled, “Hey!”

I turned to him.

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“Sorry,” he said, pointing to someone else. “I’m talking to this guy.”

“But you actually look familiar,” I said.

“So do you,” he said, laughing.

I entered the park to hear pop music near the band shell. Two people with a portable speaker were dancing.

I wanted to join the party, but I realized that I hear the music, so I’m in the party. I danced along from a distance.

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From high above, hundreds of blackbirds swooped down like falling peppercorn into the black-and-white woods ahead. As I got closer, I saw specks of tiny green buds emerging on each tree limb.

I left the park, passing three people who had converged because their dogs could not contain their joy. The people laughed like old friends, but within seconds they had walked off separate ways.

As I passed Seeley Street, I overheard a friend through the open window, cheering on a drum student.

I laughed. I should be getting home before the possible rain, I thought, but today, everywhere was home.

— Mare Berger

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Dear Diary:

It was around 1960, and my mother, my sister and I were in the bargain basement at the S. Klein department store on Union Square.

My sister, 13, was trying on winter coats in the aisle between the bins and discussing two final options with my mother when a woman riding the escalator up to the ground floor weighed in.

“Take the red!” she called out.

We took the red. I miss S. Klein’s.

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— David Hammond


Dear Diary:

I woke up to my alarm at 2:45 on a Saturday morning, then maneuvered trains and city blocks through darkness to an unremarkable warehouse in Brooklyn.

Inside was a cathedral of music. Hips gyrated, and arms exalted rhythm. Fog embraced kissers, dancers, exhilaration, prayer, meditation, community.

I found my intention and connected with my spirit and the energy of bodies around me, alone and together, holding friends as family and strangers as friends.

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I departed at 8:45 a.m. to a cold, golden morning, feeling lighter, freer, learned and loved.

A shopkeeper opening up for the day called out from behind me, his question nearly drowned out by the morning traffic.

“Hey, what’s happening over there?” he asked.

“Just a little dance party,” I replied. “Nothing crazy.”

— Carlie Cattelona

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Dear Diary:

I ride my bicycle 99 percent of the time. It’s just me and the city. I move fast enough to keep things interesting, but slowly enough to catch the weather changing or feel the mood of the people on the sidewalks.

Every so often, I have to take the train. On very rare occasions, it’s me, the train and my bike, a combination no one ever seems thrilled to encounter.

Because I know this, I try to shrink myself into an apologetic bicycle origami project once I’m on the train. I fold. I hover. I whisper “sorry” to people who haven’t even seen me yet.

On one such evening, I was trying to avoid anyone’s shins while hauling my bike up a flight of stairs after getting off the train, when I felt someone close behind me.

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Terrified that I’d clipped someone, I whipped around to see a smiling woman who had one hand casually gripping the back of my bike.

“I got you,” she said, like we were old friends moving a couch.

I told her I had it under control.

“Two hands are better than one,” she said. “I got you.”

So we climbed the stairs together: me, my bike and a total stranger, moving in perfect, unspoken coordination. At the top, she let go, nodded and vanished into the crowd.

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— Evan Abel


Dear Diary:

Years ago, our nanny would take our son and daughter to the Central Park Zoo, where they could be set free from their stroller.

It was safe because the children loved the zoo and always stayed in the nanny’s sight and because the zoo’s walls meant there was no way they could leave.

One spring day when I was not working, I decided to accompany them all on a walk through the park, with the kids in their stroller.

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As we passed the zoo, a guard at the entrance beckoned our nanny over and had a deep consultation with her.

She was laughing when she came back.

“He wanted to know who was that strange woman walking with me,” she said.

— Georgia Raysman

Read all recent entries and our submissions guidelines. Reach us via email diary@nytimes.com or follow @NYTMetro on Twitter.

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Illustrations by Agnes Lee

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Boston, MA

Workers at the ICA in Boston opt to unionize – The Boston Globe

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Workers at the ICA in Boston opt to unionize – The Boston Globe


Employees at the Institute of Contemporary Art / Boston are gearing up for contract negotiations with the Seaport museum after quietly opting to unionize last month.

Just over 90 employees, in roles ranging from visitor services to development to curation, are now being represented by the UAW Local 2110, a New York-based union, as they prepare to go to the bargaining table, seeking better pay and other job protections.

The ICA voluntarily recognized the union shortly after the workers went to museum leadership in early April, said Maida Rosenstein, UAW Local 2110’s director of organizing. That meant the employees could sidestep a formal election through the National Labor Relations Board and instead conduct a card-counting process.

“That all happened quite quickly,” said Rosenstein.

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“Our experience with getting voluntary recognition was that the ICA was reasonable about the process,” she added. “So hopefully that will continue through the bargaining process.”

The next step, Rosenstein said, is for the workers to elect a bargaining committee from among their ranks, and then draw up some specific proposals. “We’re hopeful of being able to be negotiating this summer,” she said.

In a statement, the ICA’s director, Nora Burnett Abrams, who stepped into the top job last May, noted that “our exceptional staff are at the heart of what makes the museum so special.”

“We are voluntarily recognizing our employees’ choice to be represented by a union and view the decision to organize as an expression of their deep dedication to the institution,” Burnett Abrams said. “We look forward to working collaboratively and in good faith with Local UAW 2110 toward a collective agreement.”

The ICA is just the latest local institution to see labor action among its workforce. UAW Local 2110 also represents employees at the MFA Boston, who voted to unionize in 2020 and secured compensation increases and other benefit improvements when they ratified their first contract in 2022. Workers at MASS MoCa in North Adams, the Emily Dickinson Museum in Amherst, and the Portland Museum of Art in Maine are also represented by UAW Local 2110.

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Carter Seggev, a 28-year-old events coordinator at the museum, said seeing the MFA go through its own unionization process served as something of a blueprint for the ICA workers.

“It has been a very helpful beginner example, to sort of be like, ‘Oh, yeah, they can do it,’ and especially that scale,” he said.

Rosenstein said a chief concern among workers is improving pay, which is currently “very slightly above minimum wage at the entry level,” she said. Other concerns include protections against layoffs and other “health and safety” provisions, such as adequate rest and seating for visitor-facing employees.

For Seggev, who earns $50,000 a year at the museum, better pay is only one piece of the puzzle. He wants more transparency from museum leadership into policy decisions — and a greater say in the institution’s future.

“I like the ICA a lot. It’s a fun workplace, and I would love to have more of a voice in making sure that everyone is being considered and everyone’s needs are being taken into account,” he said. “For me personally, that’s been the biggest driving force.”

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He added that, since workers went public with their organizing efforts, he’s been happy with leadership’s willingness to talk with workers about their aims. He was also encouraged by the museum’s voluntary recognition of the union.

“I know that is a very rare thing, and so far, the communication has been very positive,” he said. “I think everyone’s sort of looking forward to working together to make the ICA better.”

The ICA, which has been housed in a gleaming glass building perched on the waterfront since 2006, had an operating surplus of about $800,000 in the fiscal year that ended in June 2025, according to its latest publicly released financial statements. That was up more than a quarter-million dollars from the previous year.


Dana Gerber can be reached at dana.gerber@globe.com. Follow her @danagerber6.





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Pittsburg, PA

Panini A. Chowdhury: How much did Pittsburgh buy with its national introduction?

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Panini A. Chowdhury: How much did Pittsburgh buy with its national introduction?






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