Connect with us

Lifestyle

Uzo Aduba thanks her mom: 'I didn't know how many prayers she sent up to heaven for me'

Published

on

Uzo Aduba thanks her mom: 'I didn't know how many prayers she sent up to heaven for me'

Aduba dedicates her new memoir to her mother, Nonyem Aduba. “My self-talk, the way that I motivate myself into pursuing this business … is built out of language that my mother had given me,” Aduba says.

Evan Agostini/Invision/AP


hide caption

toggle caption

Advertisement

Evan Agostini/Invision/AP

Roughly translated, actor Uzo Aduba’s first name — Uzoamaka — means “the road is good” in Igbo. But the Emmy Award-winning Orange Is the New Black actor says the essence of her name runs deeper: “It really means the journey was worth it.”

Aduba explains: Imagine planning to meet up at a friend’s house at 3:00 p.m., but it’s raining and you have a flat tire, and then there’s traffic and you run out of gas. So you wind up getting there almost two hours late. But as you arrive, the sun comes out. When the host asks how the trip was, you respond: “It was hard, but it’s worth it because I’m here now with you,” Aduba says. “Uzoamaka, the journey was worth it.’”

In her new memoir, The Road Is Good, Aduba recounts the winding path of her own life story. The daughter of Nigerian immigrants, Aduba grew up in the predominantly white suburb of Medfield, Mass.

Advertisement

“My mom used to do green, white, green beads for my sister and I in representation of the Nigerian flag,” Aduba says. “I thought those beads were great, and there would always be someone at school who had something to say about the beads in the hair.”

Whether it was comments about her hair or, in one case, being called the n-word, Aduba didn’t tell her parents what she faced at school because she didn’t want to trouble them. “I remember all of the stuff [my parents] had fought through and fought for,” she says. “And I didn’t want them to have to start fighting again.”

Aduba dedicates the memoir to her mother, Nonyem Aduba, who died from pancreatic cancer in 2020. “I knew that I was going to include her story [in the memoir] because so many of the tenets with which I live and motivators that display themselves in me come directly from her,” Aduba says. “She poured so heavily into my cup. My cup is ultimately filled with her.”

Aduba currently stars in the coming-of-age film, The Supremes at Earl’s All-You-Can-Eat.

Interview highlights

The Road is Good

The Road is Good

Penguin Random House

Advertisement


hide caption

toggle caption

Penguin Random House

Advertisement

On the lessons she picked up from her mother

My self-talk, the way that I motivate myself into pursuing this business and going to audition after audition, the way I prepare for it, is built out of language that my mother had given me and my siblings since we were children. It’s her saying constantly to us, “I’ve never heard of nothing coming from hard work.” … And when we were kids, you hear that you’re like, “OK, She keeps saying that.” But then you grow up and you start to see life and you realize, No. 1, she’s living that. You see her through her own conduct, working hard and breeding results. Whether that’s keeping a roof over the head of five kids and bellies full, whether that’s having moved to this country and achieving not one but two masters in social work. Whether that is showing up and shuttling us to whichever activity that we needed to be at and then coming home after a long day’s work and cooking and getting everything ready to check homework, she worked hard and saw the impacts of that hard work. And I know that’s how I talk to myself. I say that expression even still.

On the journals her mother left behind

I was just looking at one yesterday I’ve not read, because I haven’t read them all. And I just opened a page and one of them was like, page 252. I’ve seen another one that’s, like, 400 [pages]. And she writes small. And then sometimes if she’s running out of pages, she takes a ruler and adds, splits the lines and then writes in there, so they’re really, really, really, really, really dense. And if she didn’t have her journal with her because she was traveling, there’s a paper clip held to the page of the entry because she wrote on a piece of paper that day’s event and then paper clipped it, so it’s sequential.

I’m still on the first one, which is like 500, 400 and something pages long. … It took me a minute to start. When I read the first page, I could feel her breath come back into her lungs and she was alive again, which felt very woo-woo intense.

Advertisement

On learning how much her mother prayed for her

Before I started working in film and television, I didn’t know how many prayers she sent up to heaven for me to have my dreams come true. She was just praying for, like, peace of mind. She was praying for my stability. … I didn’t know how much she worried for me, you know, always just that I would be OK.

And that’s true for my other siblings. She loved us so much. … I did not have a good mother. I did not have a great mother. I had an excellent mother. She took that pact, that initiation into that sacred circle so seriously, and it was everything to her to be our mother. And I am just so proud to be the daughter of Nonyem Aduba.

On when she realized she was different from the other kids in her town

Advertisement

I think it first started with my hair. My first real core memory is being in the third grade. And we had a neighbor who had really long brown hair, this girl down the street. And I can remember one day we were all playing in front of our house and I don’t know if we braided her hair, and then she decided to braid mine. I don’t know. But I just know she somehow was now getting ready to braid my hair. And she went to put her hands in my hair and she said, “Ewww, your hair is so greasy.” And there was grease in it because we’re laying down the front [for a ponytail] … And it had never occurred to me. To even attach the word “ewww” to it. … And from that I was also aware that it was different and I had never even thought of it as being different.

On her mom working at McDonalds when money was tight

We were in this community that they were scraping to keep us in and give us everything that they could and the American dream. … She was there because she’s trying to pay the bills. She wasn’t there for laughs, she was there to support her family. But me as a kid, I would love when we would go to the McDonald’s … right up the road, and we would go through the drive-thru and she would come and meet us there. And I thought it was the coolest thing.

And by the way, there’s nothing wrong with working at McDonald’s. It’s a job you can be proud of and take pride in. My mom was working there and she would come and we’d get Happy Meals. And because she was getting a discount, we would get so many more things than we would ever get [before]. …

I have a fond spot in my heart for McDonald’s because that helped carry our family through some tough times. … [My mom] was so fiercely protective of her family and would do anything — and I do mean anything — for us. … [She] was not ever too proud to do any job, and didn’t think she was above anything — despite knowing she had graduated with distinction with two masters degrees. She was not too proud to do what she needed to do.

Advertisement

Sam Briger and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

Lifestyle

‘The Invite’ is a marriage comedy with sex and heart

Published

on

‘The Invite’ is a marriage comedy with sex and heart
What happens when a simple dinner party goes off the rails? That’s the premise of The Invite, a very good new comedy directed by Olivia Wilde. Wilde also stars alongside Seth Rogen as a couple who invite their neighbors over for a meal, played by Penelope Cruz and Edward Norton. And it’s a heck of a dinner party, full of frank talk about sex and its complications.If you like slightly absurd relationship comedies, check out these episodes:’Mr. & Mrs. Smith’ is a stylish take on spy marriageIn Tina Fey’s ‘The Four Seasons,’ marriage is far from a vacationConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+
Continue Reading

Lifestyle

L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

Published

on

L.A. Affairs: It’s hot when a man drives to me. But would this new guy make the trek from the Valley?

I met Dan on Hinge.

He lives in Woodland Hills, and I live in Venice. In Los Angeles, this is considered a long-distance relationship. In another city it might be nothing. Here, it’s a factor.

But I believe that with the right person, you can make anything work, so I stay open. I’m a native New Yorker, and if I were living in Brooklyn and a guy lived on the Upper West Side, that would be a 45-minute subway ride, which is truly nothing in New York. So with that same logic, I try to have flexibility with men in L.A.

When we started planning our first date, Dan suggested three options: a hike on mushrooms, a wine tasting or a walk on the beach.

Advertisement

A hike on mushrooms is something I’d only do with someone I already trust, not someone I just met online. I don’t do first-date hikes because I don’t like feeling trapped if the guy’s a dud. So I chose the wine tasting.

Then I learned the wine tasting was in West Hills.

On a Friday night, driving there from Venice would be insane. So I said I didn’t want to meet there because of the traffic. He suggested Malibu. That was also not ideal on a Friday.

I was getting annoyed — this was a pink flag because in my dating world, the guy is supposed to come to the woman’s neighborhood in the early days. I’ve gone out with plenty of men from the Valley who effortlessly suggested they come to me. It’s not rare or impossible.

I suggested he come to the Westside. I didn’t specifically say Venice, and in hindsight, I probably should have. He landed on Brentwood, which was manageable for both of us. On our first date, we met at an Irish pub on Wilshire Boulevard. He was cuter and more interesting than I had expected, and with the Guinness flowing, we had fun.

Advertisement

When I got home, he texted me: “Well, I like you 🙂 Less the tik tok and the lack of rock music in your life, but it’s not a deal breaker — there are other qualities 🙂 What are your thoughts?”

I noticed the slight negativity but was mostly dazzled that a man texted immediately after the date to say he liked me. In the modern dating economy, this felt rare.

The next day, both of our evening plans fell through, so we made a last-minute date. The wine tasting he originally suggested still sounded like fun, and although it meant me driving to the Valley, I was up for it now that we’d met.

We sipped flights at Malibu Wines & Beer Garden in its airy, romantic courtyard and played a flirty version of Truth or Dare. Halfway through, he dared me to kiss him.

We ended with sushi on Ventura Boulevard and a short make-out session in his car. He invited me to Thanksgiving at his uncle’s, which felt too soon, but also sweet.

Advertisement

After the second date, he texted and said he had his kids that week and was also hosting an event on Thursday, so his only day to meet was Wednesday. I said great.

On Tuesday night, he checked if we were still on, and I said yes.

Then he texted: “I’m flexible on time but not on location. I have a big event on Thursday, hopefully you can come to me again.”

My stomach tightened. This again?

So I texted back: “I drove to you last time, which was a bit of an exception for me especially in the early days, but the wine tasting location sounded special. Usually guys come to my area. How about we switch it up this time?”

Advertisement

He replied: “I appreciate the effort! Because of my event, I’d rather be close to a computer just if needed … Here is what i offer:
— I’ll come to your area anytime next week/end
— Lunch/dinner on me
I want to continue where we stopped last time 😉 No pressure of course, but let’s snuggle”

I responded: “Ok let’s meet next week. Snuggles sound nice … let’s see what happens …”

Then he wrote: “So I won’t see you tomorrow?”

I replied: “Unless you wanna come to me and bring your laptop along, let’s rain check until you have more flexibility.”

He said: “Dang, you are hard. I’ll let you know tomorrow around midday if it’s ok.”

Advertisement

And then — surprise — he decided to come.

He drove to Venice for a 5 p.m. date. He said his ETA was 5 p.m., and it ended up being 5:25 p.m., typical 405 Freeway.

When he showed up, he was in a cranky mood. On our way to KazuNori in Marina del Rey, I thanked him for picking me up and told him I think it’s hot when the guy comes to the girl.

“You’re just saying that because you want me to come to you more,” he said, not playfully, but aggressively.

That was basically the end for me. But there I was, in his car, heading to dinner. So I stayed pleasant and tried to make the best of it.

Advertisement

I shared that in the early stages of dating, I find it’s good etiquette for the guy to come to the woman’s neighborhood. He immediately disagreed and started ranting about how dating rules are ridiculous and how they swing in women’s favor. He resented paying for dates and declared he wasn’t looking to “sponsor a woman’s life.”

“If women want equality and equal rights,” he said, “then it should apply all across the board, including dating, and the man shouldn’t have to pay.”

I said women don’t actually have equal rights because we get paid less than men and often receive lower salaries than men in the same position.

I tried to change the subject and reset the mood, but he insisted we keep hashing it out.

I tried to explain masculine/feminine dynamics: providing and protecting, giving and receiving.

Advertisement

“What does the man get out of this arrangement?” he asked.

It was like watching someone’s personality warp into Mr. Hyde. Then he brought up another point: He’s a single dad of two kids, so he gets tired; and because I don’t have kids, that should factor into who drives where.

At this point, I was barely engaging and focused on eating my hand rolls, and I couldn’t wait to get home.

The check came, and I happily split it, wanting nothing further from him.

In the car back to my place, he remarked: “It’s obvious we’re never gonna see each other again.”

Advertisement

Obvious, but did it need to be stated?

Then he showed me a Spotify playlist he’d made for me of his favorite electronic music, because he knows I like EDM.

“Oh, that’s sweet,” I said.

“Yeah, that’s how I show interest. Through things like this, not who drives to who,” he replied.

When I got out of the car, we wished each other luck, and I headed inside and shut the door.

Advertisement

Two hours later, he sent me the playlist. I’ve yet to listen to it.

It wasn’t the distance that ruined it. It was the resentment. I’m not looking for a man who feels burdened by the effort. I’m looking for a man who sees the value of courting a woman in the first place.

The author is a writer, comedian and former psychologist who lives in Venice. She is the creator of the new vertical series “Manfari.” She’s on Instagram: @solange_neue and @manfari.show.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

Advertisement

Continue Reading

Lifestyle

Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Published

on

Smithsonian chief emphasizes ‘accuracy and integrity’ after White House report

Lonnie Bunch III is the 14th Secretary of the Smithsonian. He’s pictured above in September 2017.

J. Scott Applewhite/AP


hide caption



toggle caption

Advertisement

J. Scott Applewhite/AP

In a memo addressed to staffers sent Tuesday, the secretary of the Smithsonian, Lonnie G. Bunch III, defended the institution after the White House issued a 162-page report that characterizes the National Museum of American History as a place which has become “subject to institutional capture by a radical, activist ideology that is fundamentally opposed to telling the noble, honest story of the great country we know and love.”

In his email, which NPR has obtained, Bunch wrote in part: “While there will always be room for improvement, this report is not a fair characterization of the work and totality of the National Museum of American History. At the Smithsonian, our work is driven by scholarship, accuracy and an uncompromising commitment to tell the fullness of America’s story. As public servants and the keepers of this institution, we are charged with helping a nation find understanding, hope and clarity and as part of that duty, we are dedicated to excellence, reflection and growth.”

He continued: “We remain focused on what grounds us: a steadfast commitment to scholarship, nonpartisanship, independence, accuracy and integrity. For nearly 180 years, the Smithsonian has worked alongside partners across government — from the White House to Congress to our governing Board of Regents — guided by our enduring mission to increase and diffuse knowledge. That purpose remains: to pursue knowledge with rigor and to serve the American public with clarity and care.”

Advertisement

The White House report was issued on July 4 by the Domestic Policy Council under the title “Saving America’s Story: How Ideological Capture at the Smithsonian Institution’s National Museum of American History Erases Our Heritage.”

The council faults the National Museum of American History on a multitude of fronts, saying it underemphasized the Founding Fathers and early colonial and Revolutionary history; was not sufficiently celebratory of the country’s 250th anniversary; and that it engaged in “anti-white,” “illegal alien” and transgender activism.

It also accuses the museum of trying to “indoctrinate” teachers and students through its exhibitions, programming and teaching resources.

In the report, the council also specifically criticizes museum director Anthea Hartig, who has led the National Museum of American History since 2019 and is concurrently the president of the Organization of American Historians, calling her “an activist advancing an ideological agenda contradictory to the museum’s founding purpose of fostering patriotism.”

Continue Reading
Advertisement

Trending