World
Why Cannes Winner ‘All We Imagine as Light’ Was Snubbed by India’s Oscar Committee in Favor of ‘Laapataa Ladies’
Each year, as fall approaches, India’s famously unpredictable Oscar committee takes center stage to pick their candidate in a process as dramatic as any Bollywood blockbuster.
As always, the influential body behind the committee, the Film Federation of India (FFI), brought together a special jury of industry veterans to sift through the year’s cinematic offerings to choose the one film that will represent India. But while the country boasts the world’s most prolific film industry, its track record in the international feature film race has fallen short with many missed opportunities. The most notorious example is Ritesh Batra’s “The Lunchbox” which was not selected in 2013 despite having earned widespread critical laurels.
Some eyebrows were also raised when global hit “RRR” wasn’t picked as India’s Oscar candidate in 2022. The FFI saved face, nevertheless, after its official submission, Pan Nalin’s “Last Film Show,” made the international features shortlist. “RRR” was submitted separately and went on to win the Oscar for original song. But this time around, the snub of “All We Imagine as Light,” which was the first Indian film to play in competition at Cannes in 30 years and was even shortlisted by France’s Oscar committee, may set a new precedent.
This year’s choice, Kiran Rao’s “Laapataa Ladies” (“Lost Ladies”) — despite being an acclaimed film that debuted at the Toronto International Film Festival in 2023 and with a successful box office run in India — could be considered disappointing for some, especially those outside of the Indian film industry. That’s because all the latest heat and noise has been in favor of “All We Imagine as Light,” which broke a 30-year Cannes competition hoodoo for India, went on to win the Grand Jury Prize and suddenly elevated its director Payal Kapadia from documentary-maker to celebrated auteur.
Kapadia became the first Indian woman filmmaker to win the Grand Prize at Cannes and the film is in the process of being one of the most widely distributed Indian indie films of all time. Deals are in place for the U.S., U.K. and France — the three countries with the highest numbers of Academy voters. The selection of the movie as India’s Oscar candidate appeared to be a shoo-in, especially after it made the French Oscar shortlist. Ultimately, the French committee Jacques Audiard’s “Emilia Perez,” leaving “All We Imagine as Light” up for grabs by India’s committee.
So, why did “Laapataa Ladies” win India’s support? Apart from its obvious cinematic merits, the answer could lie in the financial clout of one of its producers — billionaire Mukesh Ambani’s Indian behemoth Jio Studios, part of India’s largest conglomerate, Reliance Industries Limited — and the visibility of another, Aamir Khan, who scored an Oscar nomination for “Lagaan.” Campaigning is expensive business and now that “Laapataa Ladies” is India’s choice, it will need the combined might of its producers to see it reach the international feature shortlist. The film is also already available on Netflix, where it is a streaming success, adding to its accessibility.
In a statement upon its Oscar selection, Jyoti Deshpande, president of media and content business at Reliance Industries Limited, said: ”’Laapataa Ladies’ being selected as India’s entry for Oscar is a true testimony of our vision and commitment to make in India and show the world… This film has got unlimited love from audiences all over the world already and is one of the most watched films globally on OTT [streaming] after its unusually long and resilient theatrical run… Jio Studios will do everything in our power to make India proud on a global stage and I thank the Film Federation of India for this honor and privilege.”
Among the other Indian contenders who didn’t make the cut, Anand Ekarshi’s “Aattam” won best film this year at India’s National Film Awards and was a frontrunner — but not a shoo-in — because, unlike some other countries such as Israel, the national prize winner in India is not guaranteed Oscar selection.
Thematically, all three of India’s frontrunners this year were women-oriented subjects. Both “All We Imagine as Light” and “Laapataa Ladies” are female empowerment stories, while “Aattam” dealt with the aftermath of a sexual assault incident.
The FFI said in its citation: “Indian women are a strange mixture of submission and dominance. Well-defined, powerful characters in one world, ‘Laapataa Ladies’ (Hindi) captures this diversity perfectly, though in a semi-idyllic world and in a tongue-in-cheek way. It shows you that women can happily desire to be homemakers as well as rebel and be entrepreneurially inclined. A story that can simultaneously be seen as one that needs change, and one that can bring about change. ‘Laapataa Ladies’ (Hindi) is a film that can engage, entertain and make sense not just to women in India but universally as well.”
Despite boasting a rich cinematic heritage and a massive film output, India has seen only three of its submissions make it to the final Oscar nominations: “Mother India” (1957), “Salaam Bombay!” (1988) and “Lagaan” (2001). The country is still waiting for its first win in the international category, a lacuna that adds even more pressure to the annual selection process.
Rao said: “I am deeply honored and beyond delighted that our film ‘Laapataa Ladies’ has been chosen as India’s official entry to the Academy Awards. This recognition is a testament to the tireless work of my entire team, whose dedication and passion brought this story to life. Cinema has always been a powerful medium to connect hearts, transcend boundaries, and ignite meaningful conversations. I hope that this film will resonate with audiences across the world, just as it has in India.”
World
Dakota Johnson Joins Lily Allen to Play ‘Madeline’ on ‘SNL’
Star Dakota Johnson made a surprise appearance on “Saturday Night Live” this week, playing the mysterious “Madeline” during Lily Allen‘s performance of that track. The song was Allen’s second of the night.
During the performance, Johnson was mostly hidden behind a screen through the song, as Allen sang about the mistress. But Johnson performed the spoken word portion of the song, which appears on Allen’s album “West End Girl.” In the track, Allen notes that she and her signficant other “had an arrangement: Be discreet and don’t be blatant. And there had to be payment. It had to be with strangers. But you’re not a stranger, Madeline.”
Later in the song, “Madeline” explains her side of the story via texts to Allen: “I hate that you’re in so much pain right now. I really don’t wanna be the cause of any upset. He told me that you were aware this was going on and that he had your full consent. If he’s lying about that, then please let me know. Because I have my own feelings about dishonesty. Lies are not something that I wanna get caught up in. You can reach out to me any time, by the way. If you need any more details or you just need to vent or anything. Love and light, Madeline.”
After reading those lines, Johnson came out from behind the curtain and walked up to Allen — and gave her a quick kiss.
“Madeline” is one of the standout tracks from Allen’s new album “West End Girl,” and has led to much speculation over who the mysterious pseudonym is (or might be a composite of). At least one person has told the press that she is “Madeline,” although Allen has said that it’s actually a composite of several women.
For her first “SNL” number, Allen performed “Sleepwalking” from “West End Girl,” in a bedroom set under a neon sign. Given the saucy lyrics, Allen did have to censor herself, omitting the lyric, “Why aren’t we fucking, baby?” (She did the same thing with “Madeline,” avoiding part of the line “I’m not convinced that he didn’t fuck you in our house.”)
Allen appeared on “Saturday Night Live” to promote “West End Girl,” which has been met with wide acclaim for its brutal honesty and craftsmanship. The album addresses her split from “Stranger Things” star David Harbour, without ever mentioning him by name. (As characterized through scathing lyrics on songs such as “Pussy Palace,” “Sleepwalking” and “Madeline.”)
In his Variety review, Chris Willman called “West End Girl” a contender for album of the year. He wrote of “savoring every confessional line and wondering what the hell she was going to tell us in the next one to top it. It’s the pleasure of listening to a master storyteller who makes your jaw drop by seeming to have spilled all the tea almost at the outset, and then the tea just keeps on coming. Not since Boston in 1773, maybe, has anyone dumped it this massively, or this fulfillingly.”
“West End Girl” repped Allen’s first album release since 2018. Allen has announced a tour next March to support the album, which marks Allen’s first time touring since 2019.
This is Allen’s second time on “Saturday Night Live,” following an appearance on the Feb. 3, 2007 episode hosted by Drew Barrymore. During that episode, Allen performed the tracks “Smile” and “LDN” from her debut album “Alright, Still.”
World
Australian authorities: Bondi Beach shooting was ‘terrorism … designed to target Sydney’s Jewish community’
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A mass shooting during a Hanukkah celebration at Bondi Beach in Sydney, Australia, on Sunday evening left at least 12 people dead and 29 people hospitalized, authorities say.
The annual celebration, known as “Chanukah By The Sea,” was scheduled to kick off at 5 p.m. to celebrate the first day of the Jewish holiday by lighting the first candle on the Menorah. Police say the attack “targeted” the Jewish community and is being investigated as an act of terrorism.
The New South Wales Police Force (NSWPF) said officers responded to reports of shots fired at about 6:45 p.m. on Sunday. Police say there were at least two gunmen involved in the attack, and they are investigating the possibility of a third. Twelve people were killed in the shooting, including one of the two suspected gunmen, police said. The second alleged shooter is in critical condition.
At least 29 others were hospitalized after the shooting, including two police officers, the agency confirmed. The shooting is the worst attack against Jews since the Oct. 7, 2023, Hamas terror attacks.
ANTISEMITIC ATTACKERS VIOLENTLY TARGET SYNAGOGUE, ISRAELI RESTAURANT IN AUSTRALIA
An investigation is underway after a deadly attack on a Hanukkah event at Bondi Beach in Sydney, Australia, on Sunday. (David Gray/AFP via Getty Images)
Police added that they found evidence of multiple improvised explosive devices in a vehicle near the scene of the attack.
“We have our rescue bomb disposal unit there at the moment working on that,” he said.
Israeli President Isaac Herzog acknowledged the attack while speaking at an event in Jerusalem recognizing immigrants’ extraordinary achievements on Sunday.
“At these very moments, our sisters and brothers in Sydney, Australia, have been attacked by vile terrorists in a very cruel attack on Jews who went to light the first candle of Chanukah on Bondi Beach,” Herzog said. “Our hearts go out to them. The heart of the entire nation of Israel misses a beat at this very moment, as we pray for the recovery of the wounded, we pray for them and we pray for those who lost their lives.”
AUSTRALIA’S JEWISH COMMUNITY ALARMED BY RISING ANTISEMITISM: ‘FEAR AND ANXIETY’
A health worker moves a stretcher after a shooting incident at Bondi Beach in Sydney, Australia, on Dec. 14, 2025. (Saeed Khan/AFP via Getty Images)
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Herzog also called on the Australian government to “seek action and fight against the enormous wave of antisemitism which is plaguing Australian society.”
World
In Khartoum, exhumation of makeshift graves reawakens families’ grief
Khartoum, Sudan – Iman Abdel-Azim had to bury her brother in the courtyard of her home in Khartoum North when he died as fighting between the Sudanese military and the paramilitary Rapid Support Forces raged around them.
Her brother died of cholera in September last year, unable to access medical care.
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Her neighbours had to help her bury him because it was impossible to access cemeteries during the fighting. She was not the only resident of the capital region’s three cities – Khartoum, Khartoum North and Omdurman – who had to do this.
After Khartoum State announced at the beginning of December a major effort to exhume the remains of people buried in this makeshift manner and move them to cemeteries, Abdel-Azim feels her grief has been renewed as she relives the pain of losing a loved one.
Organised campaign
State and local committees were formed to implement the exhumations. They are made up of representatives from forensic medicine, Civil Defence, the Sudanese Red Crescent, and neighbourhood management and services committees.
Ahmed Abdel Rahman, executive director of Khartoum North, told Al Jazeera that the campaign aims to alleviate the psychological burden on families and improve the health and humanitarian situation in the capital region.
According to Abdel Rahman, the campaign is being overseen by the High Committee for Collecting the Remains of Those Who Died During the Battle of Dignity.
The process will unfold in stages, the first of which is identifying makeshift burial sites.
After that, families are notified and allowed to nominate a representative to be involved in every step, from exhumation to burial.
Forensic medicine specialists will supervise the exhumations and reburials in cemeteries with full documentation of the remains.
The process of transferring these remains began as early as when the Sudanese army took control of Khartoum State, Hisham Zain al-Abidin, director of the Forensic Medicine Authority in Khartoum State, explained to Al Jazeera.
He affirmed that by the first quarter of 2026, Khartoum and its seven districts would be free of any makeshift graves.
However, he added, the field teams responsible for the exhumations and reburials are facing a number of challenges, including a shortage of body bags, “which could affect the work being carried out as required”.
Sabotage
According to Zain al-Abidin, the Rapid Support Forces sabotaged the DNA units used to preserve samples from several buried bodies, which has made it difficult to identify many victims.
He said teams are numbering and documenting the burials of unidentified bodies, then burying them in graves specifically for unidentified individuals.
He called on stakeholders, organisations and citizens for help in preparing the graves and stressed that the work ahead is extensive and requires concerted efforts between the government and citizens.
For her part, Shireen Al-Tayeb Nour Al-Daem, vice president of the Steering and Services Committee in the Shambat neighbourhood of North Khartoum, told Al Jazeera that the committee had surveyed graves in homes, mosques and public squares in several neighbourhoods as a preliminary step before the arrival of medical teams and the commencement of exhumations and transfers of bodies.
Nour Al-Daem said the committee informs victims’ families to attend and follow up on the official procedures with the legal and medical teams until the transfers and burials are completed.
The committee is working on identifying and surveying the locations of makeshift graves, collecting data and communicating with families, Nour Al-Daem said, urging citizens to report the locations of makeshift graves so field teams can access them.
When teams arrive to undertake the exhumations and reburials, the committee will also undertake the logistics and support for those teams. This includes coordinating between the field teams and the families of the deceased to ensure the presence of the family or a representative.
If no relatives of the deceased are present, she added, the High Committee has instructed that the exhumation be halted.
She indicated that the country needs further efforts to complete reconstruction and rebuilding and what the committees are doing “paves the way for a safe environment for the return of citizens” despite the difficulty of people experiencing a second farewell to their loved ones.
The streets of Khartoum are also filled with bodies that have not yet been buried, some of which have decomposed, representing a challenge to identify them and dangers to public health.
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