World
Video: How a Single Family Was Shot Dead on a Street in Gaza
So last December, there was this brief video that was posted on social media. It showed members of a family, the Abu Salahs, dead on a street in Northern Gaza. I’m going to start the story by showing you that video. But just as a warning, it’s extremely graphic. Two brothers lay huddled with their mother, Inshirah. Two other brothers lay on the street, one next to a stretcher. And next to the hand of their father, Saadi, lay a white flag. What struck us about this video is that for all the scenes of death and destruction that we see out of Gaza, what we see on the street is actually quite rare. Normally, when we see evidence of civilian casualties in Gaza, those people have often been killed by bombs or rockets launched from far away. If and when people have been killed by gunfire, the aftermath is seldom captured. But here they were, members of an immediate family, all seemingly killed at once. And as we’ll show, it was Israeli troops who shot them. But what were the circumstances, and why was the family all together? Why were they carrying a stretcher and two shovels? And what about that white flag? When we presented our findings to the Israeli military, they didn’t deny responsibility. They said their forces in the area, quote, “experienced many encounters with terrorists who fight and move in combat areas while wearing civilian clothes.” But our analysis of what happened showed that the Abu Salahs posed no threat, yet were still targeted with clear intention at close range. Here’s the story of who they were, how they ended up on that street at midday on Dec. 6 and how we determined it was Israeli troops who killed them. So the Abu Salah family was displaced from their home in Northern Gaza on Oct. 8, just as Israel launched its military response to the Oct. 7 attacks. It’s been pretty tough to get in touch with people in Northern Gaza because of the war. However, over the course of several months, we were able to get in touch with Hanady Abu Salah. She’s a sister and daughter of the people we see lying dead in the video. She was sheltering in a school just 200 feet away from her family when they were killed and heard the gunfire. Across many conversations with her, Hanady was eager to talk about her family. Hanady said that home ended up being destroyed during the fighting, and that their father had dreamed of rebuilding it after the war. Like many Palestinians, they were forced to flee. They ended up living with other displaced families at a girls high school turned shelter. Still, the violence followed them. This video was filmed by Hanady’s brother Ahmed. Ahmed was one of the brothers killed just weeks later. The school they lived at is here. It’s one of several schools in the immediate area that are now acting as shelters. And just up the road is the Indonesian Hospital. It has a strategic view of the entire area. The makeup and layout of the neighborhood is important to know because at the time of the killings, it was full of civilians coming and going. But the area had also been the site of several clashes between Israeli troops and militants. The I.D.F. has said its purpose there was to root out Hamas fighters operating in and around the Indonesian Hospital, and has generally accused Hamas of using refugee camps as cover for its activities. “The Indonesian Hospital is being used by Hamas to hide the underground command and control center. They use the area around the hospital as a base of terror against Israel today.” The hospital was damaged during I.D.F. operations at least twice in the weeks before the Abu Salahs were killed. [explosion] In one case, after the I.D.F. claimed militants fired from inside the building. Because of the destruction, the hospital could no longer function. After those operations, a video captured several of the brothers inside the hospital helping to clean up the damage. Ahmed. Mahmoud. Yousif. And Srour. It would likely be the same building they were shot from. The night before the killings, witnesses told us they heard the sound of bulldozers at the hospital, signaling that the I.D.F. was back. Satellite imagery shows several structures were destroyed overnight. What happened the next morning set in motion a chain of events which would lead to the shooting of the Abu Salahs several hours later. Hanady said the next morning seemed calmer, so her teenage nephew, Assad, stepped outside to see what had happened overnight. According to Hanady, it was Israeli soldiers, now in control of the hospital, who fired the shot from the complex. We did put this accusation to the I.D.F., but the response that I noted earlier, that militants were in the area disguising themselves as civilians, didn’t specifically address Assad’s death. Hanady sent us a photograph of Assad’s body wrapped in a white burial shroud with blood soaking through it. The file’s data confirms the photo was taken just three hours before his six other family members were killed. There’s another detail about the photograph worth mentioning. The orange stretcher visible beneath the shroud appears to match the type of stretcher seen in the footage of his dead relatives. This also tracks with another detail: the shovels they were carrying. Because according to Hanady, they were on their way back from burying Assad when they were shot. Hanady told us her family first took Assad from the school to this hospital, then back to the school so other family members could say their goodbyes. And finally, they carried him to a cemetery for burial. So the I.D.F. likely saw the family coming and going with the stretcher multiple times to and from the school. Each time, they held their fire until the family headed back to the school after burying Assad. Hanady had been waiting hours for their return and was starting to get worried. Then, around midday, they heard a loud burst of gunfire. Hanady and another person at the scene all said that gunfire was coming from the direction of the Indonesian Hospital. We know the I.D.F. controlled the hospital, not only from witnesses, but from footage released by the Israeli military itself. The footage shows an operation to recover evidence related to the Oct. 7 attacks. Even though its undated, there are clues that place it on the day of the killings. First, look here. The pavement has been torn up. A satellite image taken just two days before on Dec. 4 shows smooth, unbroken pavement in the same location. So the video had to have been filmed after the 4th. Let’s take a look at this structure in the video. A satellite image from Dec. 7 shows the same building here completely destroyed. That means the video had to have been filmed before the satellite image was taken. The video also shows clear skies. Since Dec. 5 was overcast, it must have been filmed on the 6th. Not only that, but the length and direction of the shadows tell us the video was filmed around 9 a.m., showing the soldiers were at the hospital just a few hours before the Abu Salahs were killed. Beyond the hospital, we found the I.D.F. had taken up other positions within visibility and range of the shootings, including at these towers, where soldiers posted photos of themselves on social media taken around the time the family was killed. Other areas in range of the shootings were either occupied by displaced Palestinians or lack a direct line of sight to the family. So now let’s examine the footage of the bodies more closely. We spoke to a forensic pathologist and an expert in crime scene reconstruction to learn more about the shooting. While we weren’t able to find witnesses to the shooting itself, both experts said the state of the family’s bodies indicates the footage was filmed shortly after they were killed. Jonathyn Priest, the former head of the Denver Police Homicide Unit, said that because we see three of the Abu Salah family members huddled together, it, quote, “suggests a potential cowering or defensive position.” He said that this likely meant that they weren’t acting in any sort of aggressive way. He also said it’s likely that some of the shots that killed them were fired as they were already on the ground, attempting to shield each other from the gunfire. Both experts also agreed that all of the family’s wounds were to their upper bodies, which implies they were killed by aimed shots rather than random gunfire. Neither the I.D.F. nor witnesses we spoke to mentioned any fighting between Israeli troops and militants on the street when the family was killed. So that also rules out the possibility that they were killed in a crossfire. In some social media posts, at least one family member appeared to sympathize with Hamas before the Oct. 7 attacks, and Hanady did so too with the attacks themselves. But there’s no evidence these opinions played any role in the family’s killings. The I.D.F. told us that the killing of the Abu Salahs has been referred to military investigators who examine potential cases of misconduct by Israeli forces. But those findings are seldom made public, and human rights groups say that the Israeli military rarely penalizes soldiers for harming Palestinians. Despite our multiple requests for updates on the investigation, the I.D.F. said they had nothing to add. As for the white flag that Saadi Abu Salah carried, it’s a practice we’ve seen used by other civilians in Gaza to signal to I.D.F. troops that they’re not a threat. In several instances, civilians carrying such flags — [gunshot] have still been shot at, including three Israeli hostages using makeshift white flags to identify themselves to Israeli forces. The I.D.F. rarely comments on civilians carrying white flags who were killed, but admitted their mistake after the shooting of the hostages. The I.D.F. has also said Hamas militants have carried white flags as a way to blend in with civilians and hide their movements. The next morning, I.D.F. troops began conducting mass arrests of people left in the neighborhood. The military said those arrests were necessary to determine if Hamas fighters were hiding among civilians. Hanady and her surviving relatives left that day for Central Gaza, but the bodies of her family remained on the street. Several weeks later, Israeli forces withdrew from the area and residents ventured outside. A local reporter filmed video of what at first appeared to be piles of bulldozed rubble. But soon, one could see limbs, a head and a torso, with clothing and wounds matching the Abu Salahs. These were the family’s remains, bulldozed into a pile of garbage not far from where they were shot.
World
Naomi Watts to Star as Ballerina Margot Fonteyn in Romantic Drama ‘Margot & Rudi,’ With WestEnd Films Selling in Cannes
Naomi Watts is set to star in romantic drama “Margot & Rudi,” which tells the true story of ballet legends Margot Fonteyn and Rudolf Nureyev. The film, to be directed by “Mrs. Harris Goes to Paris” filmmaker Anthony Fabian, has been boarded by world sales agency WestEnd Films.
The story unfolds when Fonteyn, the greatest ballerina in the West, is 42 and sensing her career is over. Nureyev is 23, a rebellious Soviet defector — magnetic, explosive, unstoppable. Together, they ignite the stage and become icons of the Swinging Sixties. Fonteyn is reborn by Nureyev’s wild energy, but their bond is complicated by her marriage and his affair with another dancer. To preserve what they have, they will risk everything for one defining ballet—because the only place they can truly be together… is on stage.
Watts, who studied dance before becoming an actress, will star as Fonteyn. She broke through with her performance in “Mulholland Drive” and earned Academy Award nominations for her leading roles in “21 Grams” and “The Impossible.”
She next stars in “The Housewife,” as well as Cody Fern’s untitled debut feature film, with Sarah Paulson, Dianne Wiest and Odessa A’Zion.
On television, she received Emmy, Golden Globe and Critics Choice nominations for her performance in “Feud: Capote vs. The Swans,” and recently starred in “Love Story.”
Alexandr Trush, principal dancer with the Hamburg Ballet, will portray Nureyev. A Russian-speaking Ukrainian ballet star, he has headlined major productions including “Giselle” and “Romeo and Juliet.”
The film also stars Academy Award nominee Richard E. Grant (“Can You Ever Forgive Me?,” “Saltburn,” “Nuremberg”), Academy Award nominee Demián Bichir (“A Better Life,” “Land,” “The Hateful Eight”) and BAFTA nominee Harriet Walter (“Succession,” “The Crown,” “Sense and Sensibility”), with additional cast to be announced.
The screenplay is written by BAFTA nominee Olivia Hetreed (“Girl With a Pearl Earring,” “Mrs. Harris Goes to Paris”).
The creative team includes Academy Award nominee hair and makeup designer Karen Hartley Thomas (“Golda,” The Son,” “The Courier”), choreographer Arthur Pita (“Ex Machina,” “Charlie’s Angels,” “Sunshine on Leith”), and BAFTA-winning costume designer Fotini Dimou (“The Children Act,” “King Lear”), with additional crew to be announced.
The film, which is set to shoot in October, is produced by Mike Goodridge for Good Chaos (“Triangle of Sadness,” “Ballad of a Small Player,” “Quo Vadis, Aida?”), Anthony Fabian for Elysian Films (“Skin,” “Mrs. Harris Goes to Paris”), Olivia Hetreed for Sympathetic Ink and Chris Coen (“Funny Games,” “The Childhood of a Leader,” “Shadow Dancer”). Executive producers are Thom Mount, Jeffrey Berg and Andy Paterson.
Fabian said: “Growing up in Mexico City, watching Margot and Rudi’s performances in the cinema sparked my passion for stories that blend music, theater and dance. The film explores the private joy and pain behind their public personas, capturing their unique chemistry. Ballet sequences from the duo’s most iconic roles and performances together drive the story, using movement and cinematic fantasy to reveal the truth behind a couple as famous in their day as The Beatles. Their love, defying barriers of culture, age, class and sexuality, is romantic, unconventional and thrilling — a love story like no other.”
Fabian’s previous film “Mrs. Harris Goes to Paris” was released worldwide by Focus Features/Universal International Pictures in 2022. It grossed over $30 million at the box office and received BAFTA, Golden Globe and Oscar nominations.
Watts said: “Dance was my first love, and I’ve long dreamed of making a dance film. I feel deeply honored and excited to be playing Margot Fonteyn, one of the greatest dancers of all time. Her relationship with Rudolf Nureyev was extraordinary — both artistically and emotionally — and I’m thrilled to be exploring it with such sensitivity and imagination under the direction of Anthony Fabian.”
Maya Amsellem, managing director of WestEnd Films, said: “’Margot & Rudi’ is a sweeping and beautiful story about two iconic artists who redefine each other at a pivotal moment in their lives. Naomi Watts is set to deliver one of the most transformative performances of her career, combining emotional intensity with the physicality of dance. With Anthony Fabian’s visionary direction and the film’s bold, cinematic use of ballet, this will be a powerful big-screen experience we’re excited to bring to the international market.”
WestEnd will introduce the film to buyers at Cannes Film Festival.
Watts is repped by CAA, Untitled and HJTH. Fabian is repped by Jon Cassir at CAA and Olivia Gray at Independent Talent. He is managed by Ensemble Entertainment.
World
Iran reportedly fires on three ships in Strait of Hormuz
Ships reportedly attacked in Strait of Hormuz as blockade turns 28 vessels around
Daniel Turner, Power The Future founder and executive director, analyzes the US blockade against Iranian ships in the Strait of Hormuz and Iran’s strategy to outlast the US economically. He details the impact on oil and gas prices, arguing that markets need confidence to stabilize. Turner critiques current climate policies, stating they’ve made lives expensive and hurt the US economically and militarily.
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Iran reportedly opened fire upon three vessels in the Strait of Hormuz on Wednesday.
The British military’s United Kingdom Maritime Trade Operations (UKMTO) Centre noted that a container ship was fired upon by an IRGC gunboat near Oman Wednesday, causing “heavy damage to the bridge.”
“No fires or environmental impact reported. All Crew reported safe,” the notice said.
Another UKMTO warning said “an outbound cargo ship” west of Iran reported “having been fired upon and is now stopped in the water.” The notice said the crew was safe and accounted for.
“There is no reported damage to the vessel,” it added.
IRAN FIRES ON 2 SHIPS IN STRAIT OF HORMUZ AFTER TRUMP EXTENDS CEASEFIRE
Maps4Media processed and enhanced Sentinal-2 satellite imagery shows a broad view of the Strait of Hormuz between southern Iran and Oman’s Musandam Peninsula, including surrounding islands, coastal terrain, and turquoise shallow-water zones at the entrance to the Persian Gulf. (Photo enhanced and published by maps4media via Getty Images)
Iranian media said the Islamic Revolutionary Guard Corps (IRGC) was bringing two ships to Iran after seizing them in the Strait of Hormuz, according to The Associated Press.
The Islamic Revolutionary Guard Corps Navy (IRGCN) Command claimed in an X post that the two vessels, the MSC-FRANCESCA and EPAMINODES, “had endangered maritime security by operating without the necessary permits and tampering with navigation systems.”
It said the vessels “were seized by the IRGC Navy and escorted to Iran’s coast,” according to a translation.
“Disruption of order and safety in the Strait of Hormuz is our red line,” the command wrote.
It also claimed the MSC-FRANCESCA is “linked to the Zionist regime.”
IRAN’S REVOLUTIONARY GUARD SIDELINES PRESIDENT AS MILITARY GRIP EXPANDS
Motorists ride past the Imam Sadiq (AS) mosque with a giant Iranian flag installed on its front at the Palestine Square in Tehran on April 19, 2026. (ATTA KENARE / AFP via Getty Images)
Iranian media also reported that the IRGC attacked a third ship, identified as the Euphoria, according to the AP.
The development comes after U.S. President Donald Trump announced Tuesday afternoon that the United States was extending a ceasefire.
“Based on the fact that the Government of Iran is seriously fractured, not unexpectedly so and, upon the request of Field Marshal Asim Munir, and Prime Minister Shehbaz Sharif, of Pakistan, we have been asked to hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal,” the president wrote on Truth Social..
ISRAEL UNVEILS GAME-CHANGING ARTILLERY AGAINST IRAN-BACKED HEZBOLLAH AMID FRAGILE CEASEFIRE
President Donald Trump speaks to members of the media outside the Oval Office of the White House in Washington, D.C., on Monday, April 13, 2026. (Salwan Georges/Bloomberg)
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“I have therefore directed our Military to continue the Blockade and, in all other respects, remain ready and able, and will therefore extend the Ceasefire until such time as their proposal is submitted, and discussions are concluded, one way or the other,” he added.
The Associated Press contributed to this report
World
Moldovan oligarch sentenced to 19 years in prison over $1bn fraud
Published on
A court in Moldova sentenced oligarch Vladimir Plahotniuc to 19 years in prison on Wednesday in a case linked to the disappearance of $1 billion (€850 million) from the country’s banking system.
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A former businessman, lawmaker and kingpin in the Democratic Party of Moldova, Plahotniuc fled Moldova in 2019, as he faced a series of corruption charges.
That included complicity in the scheme that led to money disappearing from Moldovan banks in 2014, which at the time was equivalent to around one-eighth of the country’s GDP.
He was extradited from Greece last year, after being arrested at Athens airport under an Interpol international alert.
A Chișinău judge announced the ruling on Wednesday.
The court also ordered the seizure of some $60 million (€51 million) from Plahotniuc’s accounts, said prosecutor Alexandru Cernei after the sentencing.
Plahotniuc, 60, was not present in court on Wednesday.
He had previously dismissed the charges, calling his trial “political” and “flawed from the outset.”
His lawyer Lucian Rogac said he would appeal the decision, deeming it “clearly illegal.”
“The entire process was conducted in a tremendous rush, with numerous violations of the defendant’s rights,” Rogac said.
After Plahotniuc’s return to the country, Moldovan prosecutors had demanded 25 years in jail, the maximum provided by law, in a case linked to the disappearance of money from three banks in 2014.
They accused Plahotniuc of forming and leading a criminal organisation, fraud and money laundering on a particularly large scale.
The influential businessman and politician was added to a US State Department sanctions list in 2022 for alleged corruption.
The charges included controlling the country’s law enforcement to target political and business rivals and meddling in Moldova’s elections.
He was added to a UK sanctions list in 2022 and barred from entering the country. His assets were frozen in Britain and its overseas territories.
Plahotniuc was accused of involvement in pro-Russian political campaigns and efforts to derail Moldova’s pro-EU course.
Additional sources • AP, AFP
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