World
Video: How a Single Family Was Shot Dead on a Street in Gaza
So last December, there was this brief video that was posted on social media. It showed members of a family, the Abu Salahs, dead on a street in Northern Gaza. I’m going to start the story by showing you that video. But just as a warning, it’s extremely graphic. Two brothers lay huddled with their mother, Inshirah. Two other brothers lay on the street, one next to a stretcher. And next to the hand of their father, Saadi, lay a white flag. What struck us about this video is that for all the scenes of death and destruction that we see out of Gaza, what we see on the street is actually quite rare. Normally, when we see evidence of civilian casualties in Gaza, those people have often been killed by bombs or rockets launched from far away. If and when people have been killed by gunfire, the aftermath is seldom captured. But here they were, members of an immediate family, all seemingly killed at once. And as we’ll show, it was Israeli troops who shot them. But what were the circumstances, and why was the family all together? Why were they carrying a stretcher and two shovels? And what about that white flag? When we presented our findings to the Israeli military, they didn’t deny responsibility. They said their forces in the area, quote, “experienced many encounters with terrorists who fight and move in combat areas while wearing civilian clothes.” But our analysis of what happened showed that the Abu Salahs posed no threat, yet were still targeted with clear intention at close range. Here’s the story of who they were, how they ended up on that street at midday on Dec. 6 and how we determined it was Israeli troops who killed them. So the Abu Salah family was displaced from their home in Northern Gaza on Oct. 8, just as Israel launched its military response to the Oct. 7 attacks. It’s been pretty tough to get in touch with people in Northern Gaza because of the war. However, over the course of several months, we were able to get in touch with Hanady Abu Salah. She’s a sister and daughter of the people we see lying dead in the video. She was sheltering in a school just 200 feet away from her family when they were killed and heard the gunfire. Across many conversations with her, Hanady was eager to talk about her family. Hanady said that home ended up being destroyed during the fighting, and that their father had dreamed of rebuilding it after the war. Like many Palestinians, they were forced to flee. They ended up living with other displaced families at a girls high school turned shelter. Still, the violence followed them. This video was filmed by Hanady’s brother Ahmed. Ahmed was one of the brothers killed just weeks later. The school they lived at is here. It’s one of several schools in the immediate area that are now acting as shelters. And just up the road is the Indonesian Hospital. It has a strategic view of the entire area. The makeup and layout of the neighborhood is important to know because at the time of the killings, it was full of civilians coming and going. But the area had also been the site of several clashes between Israeli troops and militants. The I.D.F. has said its purpose there was to root out Hamas fighters operating in and around the Indonesian Hospital, and has generally accused Hamas of using refugee camps as cover for its activities. “The Indonesian Hospital is being used by Hamas to hide the underground command and control center. They use the area around the hospital as a base of terror against Israel today.” The hospital was damaged during I.D.F. operations at least twice in the weeks before the Abu Salahs were killed. [explosion] In one case, after the I.D.F. claimed militants fired from inside the building. Because of the destruction, the hospital could no longer function. After those operations, a video captured several of the brothers inside the hospital helping to clean up the damage. Ahmed. Mahmoud. Yousif. And Srour. It would likely be the same building they were shot from. The night before the killings, witnesses told us they heard the sound of bulldozers at the hospital, signaling that the I.D.F. was back. Satellite imagery shows several structures were destroyed overnight. What happened the next morning set in motion a chain of events which would lead to the shooting of the Abu Salahs several hours later. Hanady said the next morning seemed calmer, so her teenage nephew, Assad, stepped outside to see what had happened overnight. According to Hanady, it was Israeli soldiers, now in control of the hospital, who fired the shot from the complex. We did put this accusation to the I.D.F., but the response that I noted earlier, that militants were in the area disguising themselves as civilians, didn’t specifically address Assad’s death. Hanady sent us a photograph of Assad’s body wrapped in a white burial shroud with blood soaking through it. The file’s data confirms the photo was taken just three hours before his six other family members were killed. There’s another detail about the photograph worth mentioning. The orange stretcher visible beneath the shroud appears to match the type of stretcher seen in the footage of his dead relatives. This also tracks with another detail: the shovels they were carrying. Because according to Hanady, they were on their way back from burying Assad when they were shot. Hanady told us her family first took Assad from the school to this hospital, then back to the school so other family members could say their goodbyes. And finally, they carried him to a cemetery for burial. So the I.D.F. likely saw the family coming and going with the stretcher multiple times to and from the school. Each time, they held their fire until the family headed back to the school after burying Assad. Hanady had been waiting hours for their return and was starting to get worried. Then, around midday, they heard a loud burst of gunfire. Hanady and another person at the scene all said that gunfire was coming from the direction of the Indonesian Hospital. We know the I.D.F. controlled the hospital, not only from witnesses, but from footage released by the Israeli military itself. The footage shows an operation to recover evidence related to the Oct. 7 attacks. Even though its undated, there are clues that place it on the day of the killings. First, look here. The pavement has been torn up. A satellite image taken just two days before on Dec. 4 shows smooth, unbroken pavement in the same location. So the video had to have been filmed after the 4th. Let’s take a look at this structure in the video. A satellite image from Dec. 7 shows the same building here completely destroyed. That means the video had to have been filmed before the satellite image was taken. The video also shows clear skies. Since Dec. 5 was overcast, it must have been filmed on the 6th. Not only that, but the length and direction of the shadows tell us the video was filmed around 9 a.m., showing the soldiers were at the hospital just a few hours before the Abu Salahs were killed. Beyond the hospital, we found the I.D.F. had taken up other positions within visibility and range of the shootings, including at these towers, where soldiers posted photos of themselves on social media taken around the time the family was killed. Other areas in range of the shootings were either occupied by displaced Palestinians or lack a direct line of sight to the family. So now let’s examine the footage of the bodies more closely. We spoke to a forensic pathologist and an expert in crime scene reconstruction to learn more about the shooting. While we weren’t able to find witnesses to the shooting itself, both experts said the state of the family’s bodies indicates the footage was filmed shortly after they were killed. Jonathyn Priest, the former head of the Denver Police Homicide Unit, said that because we see three of the Abu Salah family members huddled together, it, quote, “suggests a potential cowering or defensive position.” He said that this likely meant that they weren’t acting in any sort of aggressive way. He also said it’s likely that some of the shots that killed them were fired as they were already on the ground, attempting to shield each other from the gunfire. Both experts also agreed that all of the family’s wounds were to their upper bodies, which implies they were killed by aimed shots rather than random gunfire. Neither the I.D.F. nor witnesses we spoke to mentioned any fighting between Israeli troops and militants on the street when the family was killed. So that also rules out the possibility that they were killed in a crossfire. In some social media posts, at least one family member appeared to sympathize with Hamas before the Oct. 7 attacks, and Hanady did so too with the attacks themselves. But there’s no evidence these opinions played any role in the family’s killings. The I.D.F. told us that the killing of the Abu Salahs has been referred to military investigators who examine potential cases of misconduct by Israeli forces. But those findings are seldom made public, and human rights groups say that the Israeli military rarely penalizes soldiers for harming Palestinians. Despite our multiple requests for updates on the investigation, the I.D.F. said they had nothing to add. As for the white flag that Saadi Abu Salah carried, it’s a practice we’ve seen used by other civilians in Gaza to signal to I.D.F. troops that they’re not a threat. In several instances, civilians carrying such flags — [gunshot] have still been shot at, including three Israeli hostages using makeshift white flags to identify themselves to Israeli forces. The I.D.F. rarely comments on civilians carrying white flags who were killed, but admitted their mistake after the shooting of the hostages. The I.D.F. has also said Hamas militants have carried white flags as a way to blend in with civilians and hide their movements. The next morning, I.D.F. troops began conducting mass arrests of people left in the neighborhood. The military said those arrests were necessary to determine if Hamas fighters were hiding among civilians. Hanady and her surviving relatives left that day for Central Gaza, but the bodies of her family remained on the street. Several weeks later, Israeli forces withdrew from the area and residents ventured outside. A local reporter filmed video of what at first appeared to be piles of bulldozed rubble. But soon, one could see limbs, a head and a torso, with clothing and wounds matching the Abu Salahs. These were the family’s remains, bulldozed into a pile of garbage not far from where they were shot.
World
Christopher Nolan Defends ‘The Odyssey’ Armor and Casting Travis Scott After Online Backlash: ‘What Is the Best Speculation?’
Arguably the most hotly anticipated movie of the summer is none other than “The Odyssey,” celebrated filmmaker Christopher Nolan’s follow-up to his Oscar-winning “Oppenheimer.”
It is a film the likes of which Hollywood rarely signs off on nowadays — an ambitious sword-and-sandals epic with massive sets, some practical effects, and a cast of thousands. The $250 million-budgeted tentpole, adapted from Homer’s epic and hitting theaters July 17, is the first in Nolan’s career to be shot entirely on 70 mm Imax cameras. It stars Matt Damon as Odysseus, a Greek king who’s embarked on a long journey home filled with one outstanding obstacle after another to return to his fearlessly devoted wife, Penelope (Anne Hathaway). The all-star cast is rounded out by Tom Holland as Telemachus, Robert Pattinson as Antinous, Lupita Nyong’o as Helen of Troy, Zendaya as Athena, Charlize Theron as Calypso, Jon Bernthal as Menelaus, and Benny Safdie as Agamemnon.
In a series of interviews with Time magazine, Nolan and his creative team opened up about the making of “The Odyssey” and addressed the wave of online criticism regarding the armor of his warriors, which many online felt resembled Batman’s more modern-looking Batsuit.
“There are Mycenaean daggers that are blackened bronze,” Nolan said. “The theory is they probably could have blackened bronze in those days. You take bronze, you add more gold and silver to it and then use sulfur… With Agamemnon, Ellen [Mirojnick], our costume designer, is trying to communicate how elevated he is relative to everyone else. You do that through materials that would be very expensive.”
Nolan also defended the casting of rapper Travis Scott as a bard, whose appearance in an early trailer caught some by surprise.
“I cast him because I wanted to nod towards the idea that this story has been handed down as oral poetry, which is analogous to rap,” Nolan said.
Anyone who’s been following Nolan’s career knows the British filmmaker is painstaking when it comes to accuracy. On “Interstellar,” he hired a team of scientists to get the physics to be as accurate as possible. He took a similar approach to “The Odyssey.”
“For ‘Interstellar,’ you’re looking at, ‘What is the best speculation of the future?’ When you’re looking at the ancient past, it’s actually the same thing,” Nolan said. “‘What is the best speculation and how can I use that to create a world?’”
He added, “Hopefully they’ll enjoy the film, even if they don’t agree with everything. We had a lot of scientists complain about ‘Interstellar.’ But you just don’t want people to think that you took it on frivolously.”
World
Macron takes the stage uninvited at Africa summit to scold crowd for ‘total lack of respect’
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French President Emmanuel Macron sparked a firestorm of criticism after he interrupted a youth-focused session at the Africa Forward Summit in Nairobi on Monday, publicly scolding attendees for talking over speakers and calling the disruption “a total lack of respect.”
Video from the event showed Macron rising from his seat and walking onto the stage during the “Africa Forward: Creation in Motion” session, which featured artists and young entrepreneurs speaking about culture and innovation.
“Excuse me, everybody. Hey, hey, hey,” Macron told the audience. “I’m sorry, guys. But it’s impossible to speak about culture, to have people like that super inspired, coming here, making a speech with such a noise.”
“So this is a total lack of respect,” he continued. “I suggest if you want to have bilateral or speak about somebody else, I mean something else, you have bilateral rooms, or you go outside. If you want to stay here, we listen to the people, and we’re playing the same game.”
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A screenshot of French President Emmanuel Macron stopping a session at the Africa Forward Summit in Kenya. (Reuters)
Macron was immediately criticized for his uninvited remarks on social media. A former member of Parliament from Zimbabwe, Fadzayi Mahere, called the French leader out on X. “Respectfully @EmmanuelMacron I don’t believe that it’s courteous or appropriate for you to come onto our Continent and talk down at people like this. They are not your kids. Don’t be condescending. Imagine if a guest of the state did the same in your country? Would it fly? I don’t think so.”
Another post from a Kenyan-Canadian lawyer with 3.1 million followers announced, “Africans don’t need @EmmanuelMacron’s permission to speak in Africa,” said Dr. Miguna Miguna, who in January announced he was running for the Kenyan presidency in 2027, according to local reports.
A report published Monday by Modern Ghana, the interruption carried a symbolic irony, as Macron had traveled to Kenya to promote what Paris describes as a more equal and respectful partnership with African nations, moving away from what critics have long viewed as a paternalistic post-colonial model.
The incident took place during the Africa Forward Summit in Nairobi, where more than 30 African leaders, business executives and young entrepreneurs gathered for discussions focused on economic development, innovation and cooperation between Africa and Europe.
Kenya’s Standard Media reported that the exchange “cast an unusual shadow” over the summit, noting that some civil society groups characterized the two-day summit as a “reengineering of imperialism.”
The moment underscored the balancing act facing Macron as France attempts to redefine its relationship with Africa following years of political tensions and military withdrawals from several West African countries.
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French President Emmanuel Macron, arrives at the White House, Monday, Feb. 24, 2025, in Washington. (Manuel Balce Ceneta/AP Photo)
Earlier Monday, Macron told students at the University of Nairobi that “Africa is succeeding” and argued the continent needs investment to strengthen its sovereignty rather than dependence on development aid, according to Modern Ghana’s report by Mustapha Bature Sallama. The report also noted Macron acknowledged France’s own financial constraints during the remarks.
Macron has increasingly emphasized partnerships with African youth, entrepreneurs and cultural leaders as Paris recalibrates its Africa strategy amid growing competition from Russia, China and Turkey for influence across the continent.
Reuters contributed to this report.
World
EU countries back suspending funding for the Venice Biennale
Published on •Updated
A vast majority of EU member states criticised the reopening of the Russian pavilion at the Venice Biennale during a “heated discussion” among the bloc’s culture ministers on Tuesday in Brussels.
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Many ministers also expressed support for the European Commission’s move to freeze a €2 million grant to the Biennale Foundation for allowing Russia’s participation, several diplomats told Euronews.
The issue was raised by Latvian Minister of Culture Agnese Lāce, who called for preventing what she described as “the instrumentalization of cultural institutions by Russia.”
According to people in the room, a total of 14 ministers denounced Russia’s presence but stopped short of directly criticising Italy, which was represented at the meeting by Ambassador Marco Canaparo in place of Culture Minister Alessandro Giuli.
Several countries, such as Belgium, Spain and Poland, argued that culture cannot be used to whitewash the war of aggression launched by Russia against Ukraine and stressed the importance of avoiding any sanction circumvention by Russian individuals involved in the exhibition.
The Commission and Cyprus’s EU rotating presidency called for a suspension of funding, reallocating the Biennale’s money to Ukraine’s reconstruction.
Brussels has so far strongly condemned the Biennale’s decision to allow Russia to reopen its national pavilion, claiming that culture “should never be used as a platform for propaganda” and warning that the Russian stand could become a “platform to individuals who have actively supported or justified the aggression against Ukraine.”
In April, the Commission initiated proceedings to cut funding, notifying the Biennale of a breach of the grant’s conditions, which, if not addressed, could lead to the suspension or termination of the grant.
The foundation maintains that the event should remain “a place of dialogue, openness and artistic freedom” and that it cannot prevent a country from participating, as any state recognised by the Italian Republic can apply to join the exhibition.
Russia maintains a pavilion within the exhibition area and, under the rules, can independently decide whether to take part in each edition of the Venice Biennale. Its last participation was in 2019, as Russian artists withdrew in 2022 and the country did not present a pavilion in 2024, instead lending its space to Bolivia.
Russia’s participation in 2026 sparked controversy within the Italian government, as Culture Minister Alessandro Giuli boycotted the opening ceremony, while vice prime minister Matteo Salvini defended the “freedom of art” and even paid a visit to the Russian pavilion.
This year’s edition opened on Saturday, amid protests for the participation of Russia and Israel. The Russian dissident collectives Pussy Riot and Femen displayed slogans against Vladimir Putin while wearing balaclavas and topless.
The Biennale’s international jury, which will assign the main awards to the pavilions, collectively resigned after criticism for its decision to exclude from prizes those countries whose leaders are currently accused of crimes against humanity by the International Criminal Court.
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