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Maggie Steffens wants to build U.S. water polo. That's where Flavor Flav comes in

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Maggie Steffens wants to build U.S. water polo. That's where Flavor Flav comes in

Maggie Steffens is the greatest women’s water polo player of all time. And it’s really not close.

If she had been born in Hungary or Greece, countries where the sport is popular, her face might be plastered on magazine covers, billboards and cereal boxes. Instead she was born in California, where she and her Olympic teammates gave up any hope of fame or fortune the first time they jumped in the pool.

“Water polo is such a hard sport, you’re definitely not doing it for money. You’re definitely not doing it for being on a Wheaties box,” Steffens said. “You’re doing it for your dream. You’re doing it for your passion.”

Sure. But when you’ve won three gold medals, five world championships and are the leading scorer in Olympic history, it would be nice if people knew your name.

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Maggie Steffens, left, celebrates after scoring for the U.S. against Hungary in the World Aquatics Championships in Doha, Qatar, in February.

(Lee Jin-man / Associated Press)

So ahead of the Paris Games, where the U.S. opens group play Saturday and chases a record fourth straight Olympic title, Steffens has enlisted the help of two diverse musical artists in Flavor Flav, the clock-wearing co-founder of the groundbreaking rap group Public Enemy, and Taylor Swift, perhaps the most popular entertainer on the planet, to raise the team’s profile.

The unlikely pairings surfaced in May after Steffens, the team captain, lauded her teammates’ talent and dedication in a heartfelt 388-word Instagram post that ended in a plea for support.

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One of the first to respond was Flav, the Hall of Fame rapper. Earlier this month, he signed an unprecedented five-year deal to become the official “hype man” for the men’s and women’s national water polo teams. As part of the agreement, Flav, whose real name is William Drayton, will make an undisclosed financial contribution to the women’s team, appear at USA Water Polo events and leverage his massive social media presence to publicize the sport.

“I’m going to be the biggest hype man that they ever had in their life,” he told the Associated Press. “I’m going to be bigger than any cheerleader that they had in their life. I’m going to cheer this team into winning a gold medal.”

Maggie Steffens and Flavor Flav in July.

Maggie Steffens and Flavor Flav are seen on July 11 in Los Angeles.

(jfizzy / Star Max / GC Images)

Swift’s support for a self-described group of “talented and driven women” is totally on brand.

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For Flav, a 65-year-old Black rap pioneer from Long Island, however, joining a team of blond-haired, blue-eyed “twenty-somethings” from California would appear to mix as well as oil and water polo.

That’s exactly the point, Steffens said.

Some players on the Olympic team have had to work multiple jobs to support their athletic careers. Introducing the game to people outside the sport’s narrow fan base could help increase support and make that unnecessary.

“If we just stay in that water polo community, how do we grow?” Steffens said. “What Flavor Flav has helped do is open up the door to the rest of the world and say, ‘Hey, check this sport out, check these women out.’

“That’s the chance that we need. Now our job is to be the women that we are and showcase what we can do.”

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What they’ve done so far — three consecutive Olympic titles — had never been done before so a fourth gold in Paris would simply add to the record. For Steffens, every score in France will add to her Games record of 56 goals.

However, this competition could prove the most challenging for a team that has relied on age and experience. Seven of the 13 women on the Paris roster are first-time Olympians. With the Tokyo Games having been delayed a year by the COVID-19 pandemic, four years of preparation has been squeezed into three.

“There’s a lot of talk that we’re not as good as we’ve been in the past. I say it to the team all the time. And I mean it,” said coach Adam Krikorian, whose team was fifth in last year’s world championships, equaling its worst finish in a dozen years.

“I’m not trying to create motivation, it’s the reality. If you look at our roster and look at the horses that we lost, it was a big hit.”

It’s difficult to play polo without horses and among those who are no longer in Krikorian’s stable are three-time gold medalist Melissa Seideman; sisters Aria and Makenzie Fischer, who have four gold medals between them; four-time world and Olympic champion Alys Williams, and Stephania Haralabidis, who was third on the Tokyo team in scoring with 13 goals.

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Among the replacements are defender Jordan Raney, the last player cut from the Tokyo roster, and defender Emily Ausmus, at 18 the youngest women’s water polo Olympian since Aria Fischer in 2016.

For Steffens, the journey from Tokyo to Paris has been the most difficult, mentally and physically, of her career. She underwent shoulder surgery after the last Olympics and, at 31, had to work her way back onto the roster for these Games.

If she had done that in search of a fourth straight gold medal in soccer or basketball, she’d be a household name. Instead she still has to flash her driver’s license to get into the team’s Los Alamitos training facility.

If she has any regrets, she keeps them well-hidden.

“Water polo has been my choice. Water polo has been my gift,” said Steffens, whose father played water polo in three Pan American Games for Puerto Rico and was a three-time All-American at California. “It’s my whole life so I would never trade that for the world.“

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U.S. water polo player Maggie Steffens competes during the Tokyo Olympics.

U.S. water polo player Maggie Steffens competes during the Tokyo Olympics.

(Getty Images)

Plus there are some fringe benefits, apart from the opportunity to collect more gold. That’s where Taylor Swift comes in.

Two months ago the team flew to Paris for an Olympic test event at the 5,000-seat Paris Aquatic Centre, where the group-stage matches will be played. What the players really wanted to do, however, was get a look at La Défense Arena, the spacious rugby stadium where water polo’s medal rounds will be held.

“The purpose was [to] see the venue and feel it and visualize ourselves there in a quarterfinal,” Steffens said.

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Swift already had booked the stadium for her Eras Tour, so team manager Ally Beck reached out to the singer’s camp and asked if it would be OK to have a look around.

Swift did better than that, inviting the players and coaches backstage before a concert, then gifting them tickets in a special VIP area and outfitting them in tour jackets and T-shirts.

“They went beyond our wildest expectations,” Beck said.

The 3½-hour concert, Krikorian said, was more than entertaining. It was inspiring for a group of women who soon hope to be performing in that same building.

“I thought to myself, ‘This is exactly what we want to bring to the pool,’” the coach said. “What better way to get in the right mindset and to experience that energy and that joy and that love. Because those are the values that we want to play with.”

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If they get the chance to show off those values in the Aug. 10 gold-medal final, Swift, who will be two hours away in Vienna, has an open invitation to come back and cheer the team.

“I’ll be on the record,” Krikorian said. “Taylor, you have a front-row seat.”

Right next to Flavor Flav.

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Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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