Lifestyle
This could be the way we watch movies in the future
Visitors watch Jesus VR: The Story of Christ during the 73rd Venice Film Festival in 2016.
Andreas Rentz/Getty Images
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Andreas Rentz/Getty Images
Marvel Studios’ What If…? — An Immersive Story is tricky to describe. Part interactive game, part narrative-driven movie and part 3D comic book, it puts you — the viewer? the player? — at the center of a narrative that reimagines the fates of superheroes and villains from the Marvel Cinematic Universe.
To experience What If…? you must wear an Apple Vision Pro headset, which is considered “mixed reality.” That means that it incorporates both virtual reality, or VR — transporting you to a different world — as well as augmented reality, or AR — where other video is layered on top of the actual room that you are in. The story toggles between scenes in AR in which characters appear to materialize in the user’s real room, and a series of dizzying VR landscapes in the Multiverse.
Some parts involve passive viewing, like a sequence in which the supervillain Thanos is on trial for theft. But there’s also a lot of interactivity: one character explains how to use hand gestures, like making a fist, to defend yourself against enemies and cast magic spells.
A screenshot from What If…? — An Immersive Story.
Marvel Studios/ILM Immersive
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Marvel Studios/ILM Immersive
This is a much different experience than traditional TV or movie watching, and industry insiders think it will change the face of entertainment.
“It’s kind of creating a new canvas,” said ILM Immersive’s Shereif Fattouh, the executive producer of the immersive version of What If…?.
Although interactivity is at the heart of the experience, viewers can opt out.
“There’s a lot of audience that are traditional gamers that really want to shoot things,” Fattouh said. “And there’s folks that don’t play games and want to just see a great story.”
Catering to a wide variety of tastes
Gamers have been using VR systems for decades. But in the last 10 years or so, new headsets — with more powerful graphics and motion tracking technologies — have started to broaden audiences.
The current entertainment offerings cater to a wide variety of tastes. For example, Meta headset users can sit with friends at an NBA basketball game with its Xtadium app, explore a haunted Irish castle in The Faceless Lady, a VR live action horror series, or take in pop star Sabrina Carpenter’s recent immersive VR concert.
Trailer for ‘The Faceless Lady,’ a VR horror TV series
YouTube
“Sitting courtside at your favorite basketball game or seeing your favorite superhero is a completely different experience [in virtual reality],” said Jason Thompson, the creator and host of The Construct, a consumer VR-focused YouTube channel. “It can’t really be compared to watching things on a flat screen.”
Thompson said he uses apps like Bigscreen to watch traditional TV shows and films in his headset. If he chooses, it can be a social experience; users can chat with others at a watch party or mute them if there’s too much conversation. They can also change their surroundings, so a living room couch transforms into what seems like a plush movie theater, complete with virtual popcorn. Thompson said he sometimes watches in Bigscreen’s bedroom setting, lying flat on a bed.
“The screen is actually on the ceiling,” said Thompson. “And you have to lay back to see the screen.”
Lying down to watch content in VR isn’t just whimsy. It serves a practical purpose. Most of today’s headsets are heavy and awkward to wear. Thompson said reclining to watch takes the load off the head and neck.
“In order for VR to excel it has to become comfortable,” he said.
An industry finding its feet
Tech players are working on it.
NPR correspondent Chloe Veltman tries What If…? An Immersive Story at ILM Immersive’s headquarters in San Francisco.
Chloe Veltman/NPR
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Chloe Veltman/NPR
“As every year passes and we improve the technology, make it easier to set up, more seamless to what you do on other devices, we see more and more people actually adopt,” said Sarah Malkin, director of immersive entertainment at Meta, the current market leader in consumer VR. “We knew we would be investing in what is essentially the future of computing and that it would take time.”
Malkin said Apple’s arrival in the market — it launched the Apple Vision Pro in February — is a good sign that headsets are becoming more mainstream, even as they cost anywhere from $300 to more than $3,000. However, Apple and Meta are not disclosing specific sales figures, so it’s hard to know for sure how the market is developing.
“The key for this market is consumer adoption,” said Ben Arnold, a consumer technology analyst with the market research firm Circana. “Because that is something that makes development of the applications more attractive.”
Adoption depends on both tech and content
Filmmakers say that the technology also needs to be friendly to creatives, so they can tell better stories in VR.
“The basic interaction methods have yet to be figured out,” said VR film writer and director Eugene Chung of Penrose Studios, the company behind several VR movies, including Arden’s Wake, a post-apocalyptic ocean adventure which won the first Lion Award for Best VR at the Venice Film Festival in 2017. “It should feel as natural as using your iPhone. And we’re so far away from that.”
Penrose – Arden’s Wake – Trailer
YouTube
Chung said it’s easy for people to get frustrated with many of the current TV and film VR offerings because users don’t know where to direct their attention in a given scene, or they want to fully interact with a character but often can’t.
“You see stuff happening, but things aren’t reacting to you the way that you think they should,” Chung said. “For example, you can’t just go up to a character and talk to them about Shakespeare or ask them about what they ate for lunch.”
Yet he’s excited about continuing to explore the creative potential of this new medium, especially since many young people today are growing up as VR natives.
“I have no doubt that this will be the future of all of entertainment and really all of computing,” he said.
Jennifer Vanasco edited the audio and digital versions of this story. Isabella Gomez Sarmientomixed the audio version.
With thanks to Will Mitchell and James Mastromarino
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
Lifestyle
‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle
Panel Questions
The Toot Tracker
Bluff The Listener
Our panelists tell three stories about a travel hack in the news, only one of which is true.
Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings
Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
Panel Questions
Cleaning Out The Cabinet; Bedtime Stacking
Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
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