Lifestyle
I spent 4 hours and 20 minutes in the state fair’s new weed lounge. Here’s how it went
Last month, the California State Fair announced plans to allow cannabis to be sold and consumed on-site for the first time in its 170-year history. On Sunday, I hopped on a flight from L.A. to Sacramento, bypassed the stands of deep-fried foods and whooshing carnival rides and made a beeline for Expo 6 to watch the first symbolic smoke sesh firsthand.
Here’s how the first four hours and 20 minutes went down at the fair’s new weed lounge.
Noon
At the back of the California Cannabis Experience, a brightly colored sign beckoned in a font you might find on a vintage postcard: “This way to the Embarc Oasis, ‘High From California.’” Below it, a hastily printed paper sign taped to the double doors reads: “Sales and consumption start at 12:30 p.m.” Organizers explained that the original 11 a.m. opening had been delayed. The reason? Because of an unexpectedly cool morning, the flame retardant applied to the artificial turf in the consumption lounge tent hadn’t yet dried. (That’s right. Organizers were making sure the fake grass didn’t get burned alongside the real grass.)
Trisha Rogers, a fair worker stationed at the front door of the exhibition hall, told me that around 300 people had inquired about the consumption lounge’s opening since the exhibit’s 10 a.m. start. (According to a spokesperson, by the end of the first day, more than 1,000 fair goers visited the lounge.)
Cardboard cutouts of stoner movie characters Harold and Kumar point the way to the California State Fair’s on-site consumption lounge.
12:15 p.m.
Somehow, without anyone in the crowd appearing to notice, one sign came off the double doors and a new one went up. The lounge opening was being pushed back another half hour to 1 p.m. Some in the crowd of 30-plus decided to busy themselves by retracing their steps through the collection of educational, weed-related exhibits. Others bided their time by adding to the Department of Cannabis Control’s nearby display (a large sign that asked “How do you enjoy your weed?” and invited answers by way of sticky notes). A few grabbed CBD-infused slushies from the bar or familiarized themselves with the recently announced 2024 California State Fair Cannabis Award winners whose names and products filled another entire wall.
The dispensary run by Embarc, one of two on-site, offers a chance to purchase some of the 2024 award-winning weed honored at the fair.
1:15 p.m.
The doors finally swung open to the cheers of a 60-strong crowd. A sign nearby proclaimed what they already know: “You’re making history today. You’re at the first State Fair in the world where cannabis is being legally sold.”
The first stop in making that history was a visit to the on-site dispensaries (outside cannabis products are not allowed) just on the other side of those double doors. One is run by Embarc, which features some of the 2024 gold medal winners honored in the exhibition (they’re noted with gold stars on the menus), and another is run by the Equity Trade Network, which showcases legacy and social equity brands. (Bringing cash is a smart idea. There are also ATMs throughout the fair.)
The vibe in this indoor/outdoor space was energetic, almost electric as people pointed fingers at the wares inside the glass cases and budtenders scurried about bagging orders. THC-infused edibles and drinks purchased here can be consumed without going elsewhere, but no one seemed to be taking advantage of the few couches in the space.
Bobby Dennehy’s freshly rolled, about-to-be-smoked blunt is framed against a dispensary bag emblazoned with “High From California.”
Instead, once their purchases were complete, most people slowly made their way to an exit where they could do one of two things: either hang a right and ease back into the rest of the fair with its fried foods, zooming rides and agricultural displays — but where cannabis consumption is very much not allowed. Or they could enter a gate (clearly marked by cardboard cutouts of stoner movie characters Harold and Kumar), pass through an ID check and then take a short (about .11 miles) stroll along a path that leads under a towering set of bleachers, around the edge of a sports field, ending in a remote tented corner of the fairgrounds that can’t be seen by the general public.
1:20 p.m.
At opening, the mostly empty tent was giving awkward wedding reception vibes. The ground inside was covered completely with artificial turf, and there was a raised stage at one end and two groupings of wooden box-like structures at the other. (Are they seats? Tables? Did it matter?) The propaganda film-turned-cult classic “Reefer Madness” played on a screen at the back of the stage. A few high-top tables were hastily set up when it became apparent there weren’t many suitable places for folks to post up and roll a joint. (Attendees planning to consume on-site should be prepared to roll their own or buy a piece of paraphernalia or papers on-site. Fair rules prohibit bringing your own smoking gear.)
“This is crazy. It’s getting it to where we want it to be — equalized [and] not just treating it like a criminal thing.”
— Ray Ochoa
1:28 p.m.
Ray Ochoa, 28, of Sacramento, stepped into the tent, sparked a CGO Hash Hole (a type of concentrate-infused pre-rolled joint) and became the first person to legally get high at the California State Fair. When told he was the first to fire up, Ochoa let out an enthusiastic whoop. His friends Yogi “Rollz” Romello, 27, and LaMar Mixon, 31, also from Sacramento, followed suit, sparking their own joints and marking the moment.
“This is crazy,” Ochoa said about having a dedicated place to smoke weed at the fair. “It’s getting it to where we want it to be — equalized [and] not just treating it like a criminal thing. We want to be able to smoke with the homies wherever everybody else goes.” His post-partaking plan? “I’m going to go get a little lemonade,” he said. “Gotta mix the terps with the terps. Then I’m just going to go walk around and chill and spend time with the homies.”
The California Cannabis Experience, the gateway to the consumption lounge, includes a wall bearing the question “How do you enjoy your weed?” and invites attendees to answer via sticky note.
1:35 p.m.
On the other side of the tent, a trio of men in wide-brimmed sun hats leaned against a table and got down to business. Pete Telles, 55, of Roseville, Calif., came to the fair with his father, Noel Telles, 85, visiting from Buckeye, Ariz., and their friend from Sacramento, John Matijasic, 73. The latter leaned his cane against the table and focused intently on rolling a joint of Pure Beauty New Jack City (a 2024 indoor flower gold medal winner).
A few attempts later, Matijasic had a functional joint that he proudly lit up and passed to his friends. “I’m smoking dope at the California State Fair,” he said with a sense of bemusement. “After this, I’m going to just sit down and watch people.”
Noel Telles, 85, left, and John Matijasic, 73, are among the first folks to legally light up a joint at the California State Fair. “It doesn’t get any better than this!” Telles told The Times.
(Adam Tschorn / Los Angeles Times)
“This is the exact reason why I’m here today,” Pete Telles said. “To have the ability to purchase and consume and be with like-minded people — and to be with my father, who is a legend to me. We’ve been coming to the fair every year since the mid-’80s.” The younger Telles described being able to consume cannabis legally in public with his father as the best feeling in the world. “It’s like heaven,” he said.
A few puffs later, Noel Telles looked out from under the wide brim of his Ace Hardware sun hat and offered his own assessment. “This is wonderful,” he said. “It doesn’t get any better than this!”
1:53 p.m.
The tent felt less cavernous. Part of that had to do with the 31 people here, most of them smoking up in couples, troikas or quartets, but it also had to do with a handful of folding chairs that materialized out of nowhere. “Reefer Madness” continued to play, but the dialogue was all but drowned out by the social smoking scene. I ducked out of the consumption lounge briefly to stroll the fair. Even though I was very much not high, I managed to eat a sausage the length of my forearm.
3 p.m.
When I returned, Ochoa was gone (presumably on his quest for lemonade), but his buddies Romello and Mixon were holding court near an industrial-sized fan that was circulating their smoke like dry ice vapor across a film set. They were joined by a bunch of friends wearing matching T-shirts emblazoned with the name Frosted Flavors, a Sacramento-based social equity brand specializing in indoor cannabis grown under LED lights.
“[I]t feels like we’re living in the future a little bit …”
— Heidy Santamaria
Heidy Santamaria tries to get a joint rolled in time to spark up in the tent by 4:20 p.m.
(Andri Tambunan / For The Times)
Dustin Mahoney Villafuerte lights up a joint on the first day of legal on-site consumption at the California State Fair.
LaMar Mixon is one of the first three people to light up legally at this year’s state fair along with buddies Ray Ochoa and Yogi Romello (not pictured).
4:15 p.m.
Heidy Santamaria, 26, and Stefania Gagnon, 21, both from Sacramento, sat on folding chairs in the middle of the room. Santamaria was attempting to roll a joint from a jar of Sync SF Strawberry Runtz flower in time for a 4:20 p.m. celebratory smoke. It was a task made more challenging by her exquisite nail art. “This is cool,” Santamaria said about the ability to buy — and consume — cannabis on-site. “I was telling her inside at the little bar[-like] dispensary that it feels like we’re living in the future a little bit. Because when we were growing up, we never thought we’d be able to do something like this.”
A group of cannathusiasts takes to the stage inside the consumption lounge tent at 4:20 p.m. to the sounds of Rick James’ “Mary Jane” and celebrates being able to get high legally at the California State Fair for the first time.
4:20 p.m.
The smoking tent’s population grew to 53, the highest (literally and figuratively) of the day so far. Rick James’ song “Mary Jane” started playing as a handful of celebrants, including the Frosted Flavors guys, took to the stage with joints in hand.
“Welcome to 4:20 for the first time legally at the fair!” someone yelled into the microphone. “Light ’em up!” Everyone in the tent obliged, inhaling deeply and then exhaling one very large — and now very legal — communal cloud of smoke into the air.
Know before you go
There’s no guarantee you’ll have the same level of lounge experience that I did, but if you’re planning to visit the cannabis exhibit at the California State Fair (Cal Expo, 1600 Exposition Blvd., Sacramento), here are a few things you should know:
- Bring a government-issued photo ID card. (You must be 21 to enter.)
- Don’t consume cannabis products outside of the designated lounge.
- If you leave the dispensary or lounge with any opened cannabis product packages, they’ll need to be sealed inside a tamper-proof bag by security personnel upon exiting.
The cannabis exhibit is open from 11 a.m. to 10 p.m. Monday through Thursday and from 10 a.m. to 10 p.m. on Friday, Saturday and Sunday through July 28. Also, the hours for on-site cannabis sales are 11 a.m. to 9 p.m. daily (except for July 19), and the consumption area is open from 11 a.m. to 10 p.m. daily for the duration of the state fair (except for July 19).
Single-day tickets for the fair are $18 for adults and $14 for seniors 62 and older.
Oh, and one more thing: Once you’ve had your history-making smoke, skip the fried foods and carnival rides and instead go right next door to Expo 4. You’ll get to enjoy the visual feast that is the Animation Academy. You can thank me later.
Lifestyle
In ‘No Other Choice,’ a loyal worker gets the ax — and starts chopping
Lee Byung-hun stars in No Other Choice.
NEON
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NEON
In an old Kids in the Hall comedy sketch called “Crazy Love,” two bros throatily proclaim their “love of all women” and declare their incredulity that anyone could possibly take issue with it:
Bro 1: It is in our very makeup; we cannot change who we are!
Bro 2: No! To change would mean … (beat) … to make an effort.
I thought about that particular exchange a lot, watching Park Chan-wook’s latest movie, a niftily nasty piece of work called No Other Choice. The film isn’t about the toxic lecherousness of boy-men, the way that KITH sketch is. But it is very much about men, and that last bit: the annoyed astonishment of learning that you’re expected to change something about yourself that you consider essential, and the extreme lengths you’ll go to avoid doing that hard work.
Many critics have noted No Other Choice‘s satirical, up-the-minute universality, given that it involves a faceless company screwing over a hardworking, loyal employee. As the film opens, Man-su (Lee Byung-hun) has been working at a paper factory for 25 years; he’s got the perfect job, the perfect house, the perfect family — you see where this is going, right? (If you don’t, even after the end of the first scene, when Man-su calls his family over for a group hug while sighing, “I’ve got it all,” then I envy your blithe disinterest in how movies work. Never change, you beautiful blissful Pollyanna, you.)
He gets canned, and can’t seem to find another job in his beloved paper industry, despite going on a series of dehumanizing interviews. His resourceful wife Miri (Son Ye-jin) proves a hell of a lot more adaptable than he does, making practical changes to the family’s expenses to weather Man-su’s situation. But when foreclosure threatens, he resolves to eliminate the other candidates (Lee Sung-min, Cha Seung-won) for the job he wants at another paper factory — and, while he’s at it, maybe even the jerk (Park Hee-soon) to whom he’d be reporting.
So yes, No Other Choice is a scathing spoof of corporate culture. But the director’s true satirical eye is trained on the interpersonal — specifically the intractability of the male ego.
Again and again, the women in the film (both Son Ye-jin as Miri and the hilarious Yeom Hye-ran, who plays the wife of one of Man-su’s potential victims) entreat their husbands to think about doing something, anything else with their lives. But these men have come to equate their years of service with a pot-committed core identity as men and breadwinners; they cling to their old lives and seek only to claw their way back into them. Man-su, for example, unthinkingly channels the energy that he could devote to personal and professional growth into planning and executing a series of ludicrously sloppy murders.
It’s all satisfyingly pulpy stuff, loaded with showy, cinematic homages to old-school suspense cinematography and editing — cross-fades, reverse-angles and jump cuts that are deliberately and unapologetically Hitchcockian. That deliberateness turns out to be reassuring and crowd-pleasing; if you’re tired of tidy visual austerity, of films that look like TV, the lushness on display here will have you leaning back in your seat thinking, “This right here is cinema, goddammit.”
Narratively, the film is loaded with winking jokes and callbacks that reward repeat viewing. Count the number of times that various characters attempt to dodge personal responsibility by sprinkling the movie’s title into their dialogue. Wonder why one character invokes the peculiar image of a madwoman screaming in the woods and then, only a few scenes later, finds herself chasing someone through the woods, screaming. Marvel at Man-su’s family home, a beautifully ugly blend of traditional French-style architecture with lumpy Brutalist touches like exposed concrete balconies jutting out from every wall.
There’s a lot that’s charming about No Other Choice, which might seem an odd thing to note about such a blistering anti-capitalist screed. But the director is careful to remind us at all turns where the responsibility truly lies; say what you will about systemic economic pressure, the blood stays resolutely on Man-su’s hands (and face, and shirt, and pants, and shoes). The film repeatedly offers him the ability to opt out of the system, to abandon his resolve that he must return to the life he once knew, exactly as he knew it.
Man-su could do that, but he won’t, because to change would mean to make an effort — and ultimately men would rather embark upon a bloody murder spree than go to therapy.
Lifestyle
Austin airport to nearly double in size over next decade
AUSTIN, Texas – Austin-Bergstrom International Airport will nearly double in size over the next decade.
The airport currently has 34 gates. With the expansion projects, it will increase by another 32 gates.
What they’re saying:
Southwest, Delta, United, American, Alaska, FedEx, and UPS have signed 10-year use-and lease agreements, which outline how they operate at the airport, including with the expansion.
“This provides the financial foundation that will support our day-to-day operations and help us fund the expansion program that will reshape how millions of travelers experience AUS for decades to come,” Ghizlane Badawi, CEO of Austin-Bergstrom International Airport, said.
Concourse B, which is in the design phase, will have 26 gates, estimated to open in the 2030s. Southwest Airlines will be the main tenant with 18 gates, United Airlines will have five gates, and three gates will be for common use. There will be a tunnel that connects to Concourse B.
“If you give us the gates, we will bring the planes,” Adam Decaire, senior VP of Network Planning & Network Operations Control at Southwest Airlines said.
“As part of growing the airport, you see that it’s not just us that’s bragging about the success we’re having. It’s the airlines that want to use this airport, and they see advantage in their business model of being part of this airport, and that’s why they’re growing the number of gates they’re using,” Mayor Kirk Watson said.
Dig deeper:
The airport will also redevelop the existing Barbara Jordan Terminal, including the ticket counters, security checkpoints, and baggage claim. Concourse A will be home to Delta Air Lines with 15 gates. American Airlines will have nine gates, and Alaska Airlines will have one gate. There will be eight common-use gates.
“Delta is making a long-term investment in Austin-Bergstrom that will transform travel for years to come,” Holden Shannon, senior VP for Corporate Real Estate at Delta Air Lines said.
The airport will also build Concourse M — six additional gates to increase capacity as early as 2027. There will be a shuttle between that and the Barbara Jordan Terminal. Concourse M will help with capacity during phases of construction.
There will also be a new Arrivals and Departures Hall, with more concessions and amenities. They’re also working to bring rideshare pickup closer to the terminal.
City officials say these projects will bring more jobs.
The expansion is estimated to cost $5 billion — none of which comes from taxpayer dollars. This comes from airport revenue, possible proceeds, and FAA grants.
“We’re seeing airlines really step up to ensure they are sharing in the infrastructure costs at no cost to Austin taxpayers, and so we’re very excited about that as well,” Council Member Vanessa Fuentes (District 2) said.
The Source: Information from interviews conducted by FOX 7 Austin’s Angela Shen
Lifestyle
After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
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Hear The Original Interview
Television
After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
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