Adapted from an online discussion.
Washington
Advice | Carolyn Hax: 20-year-old listens to racist rapper. Should his parent speak up?
I know my son is no longer a child. I also know, “The ultimate tragedy is not the oppression and cruelty by the bad people but the silence over that by the good people.” I’m trying to respect boundaries. I’m also extremely disheartened. Thank you.
Do I Say Anything?: Ugh. I hate this question. I hate the circumstances that make it so relevant. I hate the messiness that makes it so hard to answer.
I hate that just before this chat, I was enjoying a video by my kid’s team manager — great kid, talented, works hard — set to music by a notoriously Nazi-curious performer.
Here’s all I’ve got: It is a parent’s job to raise children to find their way to sound moral reasoning. It is not a parent’s job to do the moral reasoning for their children, or to get them to the point of perfect soundness today/by tomorrow/immediately upon adulthood. Or to keep trying to rear them when they’re clearly adults. Ahem.
Think back to your beliefs at his age, and before, and after, and I think it’ll be clear that beliefs always evolve and deepen with time. We get there when we get there, at our own pace, using or discarding new information and others’ input as we see fit. You may have listened to offensive artists yourself at 20, but thrown away the recordings at 40.
Plus: A moral adult’s own reckoning with artists of grim character can be complicated. Are there painters whose personal lives you know to be problematic? Okay. Do you turn your eyes away from their works? Or do you look and admire because it was … enough years ago? You’re seeing them free? The artists can’t profit? No one knows you’re looking? Everyone was an oppressor back then!!
What about movies? With so many in the cast and crew and front office, do you boycott for one corrupted influence? The whole Miramax oeuvre: out?
So where does this land as far as advice … good question. That also depends on your kid, and how responsive he is to a parental intrusion on his thoughts. Some young adults will gratefully engage, some will eye-roll — and some are still immature enough to double down just because you butted in. That has a way of blurring even clear moral lines.
Overall, I advise playing the long game. Trust that your moral teachings have hit their mark and will be absorbed as he is receptive to them. If you can’t stop your mouth from moving, then I urge conversation over pronouncements. “How do you feel about X’s music since [relevant events]? I always struggle myself with art vs. the artist.” Then listen, listen, listen, because you’ve reared him already, and because you may just learn something from him.
Part of why this question is so challenging is that soft approaches feel wrong in the presence of such casual dehumanization. If ever there were a time for arm-flapping outrage, this would be it, right?
But what’s the point of the outrage: for its own sake, or to persuade? That’s both the crux of this answer and one entirely unto itself.
Washington
Washington National Opera cuts ties with the Kennedy Center after longstanding partnership | CNN Politics
The Washington National Opera on Friday announced it is parting ways with the Kennedy Center after more than a decade with the arts institution.
“Today, the Washington National Opera announced its decision to seek an amicable early termination of its affiliation agreement with the Kennedy Center and resume operations as a fully independent nonprofit entity,” the opera said in a statement.
The decoupling marks another high-profile withdrawal since President Donald Trump and his newly installed board of trustees instituted broad thematic and cosmetic changes to the building, including renaming the facility “The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.”
The opera said it plans to “reduce its spring season and relocate performances to new venues.”
A source familiar with the dynamic told CNN the decision to part ways was made by the opera’s board and its leadership, and that the decision was not mutual.
A spokesperson for the Kennedy Center said in a statement, “After careful consideration, we have made the difficult decision to part ways with the WNO due to a financially challenging relationship. We believe this represents the best path forward for both organizations and enables us to make responsible choices that support the financial stability and long-term future of the Trump Kennedy Center.”
Kennedy Center president Richard Grenell, who was appointed by Trump’s hand-picked board, said on X, “Having an exclusive relationship has been extremely expensive and limiting in choice and variety.”
Grenell added, “Having an exclusive Opera was just not financially smart. And our patrons clearly wanted a refresh.”
Since taking the reins at the center, Grenell has cut existing staff, hired political allies and mandated a “break-even policy” for every performance.
The opera said the new policy was a factor in its decision to leave the center.
“The Center’s new business model requires productions to be fully funded in advance—a requirement incompatible with opera operations,” the opera said.
Francesca Zambello, the opera’s artistic director, said she is “deeply saddened to leave The Kennedy Center.”
“In the coming years, as we explore new venues and new ways of performing, WNO remains committed to its mission and artistic vision,” she said.
The New York Times first reported the opera’s departure.
Founded in 1956 as the “Opera Society of Washington,” the group has performed across the district, taking permanent residency in the Kennedy Center in 2011.
The performing arts center has been hit with a string of abrupt cancellations from artists in recent weeks including the jazz group The Cookers and New York City-based dance company Doug Varone and Dancers who canceled their performances after Trump’s name was added to the center – a living memorial for assassinated President John F. Kennedy.
The American College Theater Festival voted to suspend its relationship with the Kennedy Center, calling the affiliation “no longer viable” and citing concerns over a misalignment of the group’s values.
American banjo player Béla Fleck withdrew his upcoming performance with the National Symphony Orchestra, saying that performing at the center has become “charged and political.”
The Brentano String Quartet, who canceled their February 1 performance at the Kennedy Center, said they will “regretfully forego performing there.”
CNN has reached out to the Kennedy Center on the additional cancellations.
The opera said, “The Board and management of the company wish the Center well in its own future endeavors.”
CNN’s Betsy Klein and Nicky Robertson contributed to this report.
Washington
Andre Washington’s 20 points help Eastern Illinois take down Tennessee Tech 71-61
CHARLESTON, Ill. (AP) — Andre Washington had 20 points in Eastern Illinois’ 71-61 victory over Tennessee Tech on Thursday.
Washington shot 8 for 13, including 4 for 6 from beyond the arc for the Panthers (5-10, 2-3 Ohio Valley Conference). Meechie White added 13 points and four steals. Kooper Jacobi finished with 11 points and added seven rebounds.
The Golden Eagles (6-10, 1-4) were led in scoring by Jah’Kim Payne, who finished with 11 points. Tennessee Tech also got 10 points from Mekhi Turner.
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The Associated Press created this story using technology provided by Data Skrive and data from Sportradar.
Washington
Stars defeat Capitals to end losing streak at 6 | NHL.com
Hintz scored into an empty net at 19:41 for the 4-1 final.
“Everybody played hard, did the right things, got pucks in deep, especially in the third period when we’re trying to close out a lead,” DeSmith said. “So, I thought top to bottom, first, second and third, we were really good.”
NOTES: The Stars swept the two-game season series (including a 1-0 win Oct. 28 in Dallas) and are 8-1-0 in their past nine games against the Capitals. … Duchene had the secondary assist on Steel’s goal, giving him 900 points (374 goals, 526 assists) in 1,157 NHL games. … Hintz has 11 points (seven goals, four assists) in an eight-game point streak against Washington. He had a game-high 12 shots on goal. … Thompson has lost six of his past seven starts (1-5-1).
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