By BREANNA WHIPPLE

Starring Brittany Allen, Christina Bennett Lind and Linc Hand
Written and Directed by Gene Gallerano and William Pisciotta
Well Go USA Entertainment 

If you have a soft spot for the striking contrast of blood and snow, THE YETI from filmmakers Gene Gallerano and William Pisciotta is not to be missed. Set just a couple of years after the end of World War II, THE YETI follows an unlikely group as they set out to rescue two men who have vanished in the Alaskan wilderness. However, unknown to them, an ancient beast stalks the woods, feeding on the entrails of those unfortunate enough to cross its path. An abundance of gore and grisliness ensues immediately, sure to warm the hearts of beast-horror heathens. 

In general, cryptid movies come in two varieties: scary and silly. For some reason, comic relief cannot be left out of the equation when it comes to these legendary creatures. For example, Night of the Demon (1983) has a frightening conclusion that features Sasquatch wreaking havoc on an isolated cabin. Yet, earlier on in the film, he rips a motorcyclist’s “appendage” off when he stops on the side of the road to relieve himself. There is always some sort of goofy catch that can detract from the scare factor. Sure, THE YETI has funny moments, but they arrive in the exaggerated archetypes of the outlandish characters. Not a single aspect suffers from a lack of seriousness despite the comedic elements.

 Leaning into the era absolutely works in this case, too. It feels like an examination of American propaganda above all else, but it also commits to the aesthetics and generalized insanity of the atomic age. It carries a vibe not dissimilar to the adventures found in great American novels, while presenting visuals that evoke the colourful romanticism of pulp fiction. Though the creature is always the most important element of monster movies, it is also worth noting that the characters are quite dynamic and keep the film entertaining whe its not on screen. 

The pacing is fantastic. Not a moment of screen time is wasted, and it advances as any good beast-film should. THE YETI works like Jaws (1975) and Grizzly (1976) in that it feels like a slasher film more than anything else. Like slashers, it doesn’t skimp on the gore, either – and the gore looks good! The creature design is also worth complimenting. It is beautiful to see an entire team behind the creature in these days of AI slop. Encounters with the creature are never safe, either; Each feels a little akin to the bear mauling scene in The Revenant (2015). 

With the recent success of the Fallout (2024-) series, the arrival of THE YETI is kismet. Cinema is a form of escapism, one that can come in many shapes and sizes. And with the state of the world right now, we need it more than ever. With its comic book atmosphere, quick pacing, beautifully crafted creature and fantastically written story, THE YETI makes for one hell of a fun getaway.

THE YETI is now streaming on major digital platforms.

Singer Alex Ligertwood, best known for providing lead vocals for Santana over several decades, has died. He was 79.

Ligertwood’s wife and agent, Shawn Brogan, announced in a Saturday evening Facebook post that the vocalist died at his Santa Monica home.

“It’s with great sadness and heartache to announce the passing of my sweet dear Alex Ligertwood, my husband of 25 years, we knew each other for 36 years,” Brogan wrote. “Alex passed peacefully in his sleep with his doggy Bobo by his side yesterday.”

Ligertwood’s cause of death was not revealed.

“Alex was loved by so many. If you knew him, you loved him. He touched so many with his extraordinary voice. He was all heart and soul,” Brogan’s statement continued. “His favorite thing in life was to make music, sing and to share his gift with us. He performed his last show just two weeks ago. I’m grateful for that. He did it his way, on his terms, till the end.”

The singer had five separate stints as Santana’s lead vocalist between 1979 and 1994.

He famously served as the group’s singer when it performed at Live Aid in 1985. His voice was notably featured on the tracks “You Know That I Love You,” “Winning,” “All I Ever Wanted” and “Hold On.”

Ligertwood also co-wrote such songs as “Somewhere in Heaven” and “Make Somebody Happy,” among others.

Aside from his contributions to Santana, Ligertwood played alongside guitar legend Jeff Beck as part of the Jeff Beck Group in the early ‘70s. He also played in jazz-rock keyboardist Brian Auger’s band Oblivion Express.

Auger, who has played with Rod Stewart and Jimi Hendrix, paid tribute to Ligertwood in a Facebook post Saturday evening.

“To me, Alex aka ‘Wee Eck’ was simply the best singer to ever do it. In all my years of music, I never heard anyone who possessed that kind of range or that effortless, carefree ability to soar through a melody. He didn’t just sing songs; he lived them,” Auger wrote. “The world feels much quieter today without his voice, and I will miss my friend more than words can say. The big band in the sky just got infinitely better with Alex’s arrival.”

The singer also appeared on records with French jazz group Troc in the 1970s, American rock band the Dregs in the 1980s, and the Grateful Dead spinoff project Go Ahead in the late 1980s.

Ligertwood was born in Glasgow, Scotland, on Dec. 18, 1946.

He grew up in a musical household as his father was an amateur drummer. His earliest musical influences were the swooning Motown singers of the ‘50s and ‘60s, including Otis Redding, Sam Cooke and Marvin Gaye. He first performed as a vocalist as part of his school’s choir and at family events.

From Wake in Fright (1971) to Wolf Creek (2005) to The Royal Hotel (2023), the movies keep telling us that outsiders who travel to Australia looking for adventure or a vacation, well, they shouldn’t do that. Why? Because there’s probably a gang of ruffians looking to take you on a kangaroo hunt, rape you, or just generally slaughter you. That’s to say nothing of the dangerous terrain and wildlife, seen in Walkabout (1971) and Rogue (2007), all of which seems designed by Mother Nature to be deadly. Apex follows in this cinematic tradition. But as the title of this Netflix original suggests, the protagonist is better equipped to survive Aussie perils than most. Charlize Theron plays Sasha, an American thrillseeker who faces treacherous landscapes and shady characters in the Land Down Under. One might worry that she’s in trouble, except she’s Charlize Theron, star of Mad Max: Fury Road (2015) and Atomic Blonde (2017). Chances are, anyone who tries to mess with her will find themselves in serious trouble.

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