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Alice Munro's daughter says her mother did nothing to stop abusive stepfather

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Alice Munro's daughter says her mother did nothing to stop abusive stepfather

Author Alice Munro in 2009. Her daughter, Andrea Skinner, has come forward with allegations her stepfather abused her as a child and that Munro was aware and stayed with him until his death.

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The daughter of renowned Canadian author Alice Munro has revealed that she suffered sexual abuse at the hands of her stepfather and that her mother, a Nobel Prize winner, turned a blind eye to it.

In an op-ed published Sunday in the Toronto Star, Andrea Skinner wrote that Munro’s husband at the time, Gerald Fremlin, started abusing her in 1976 when she was 9 years old.

She wrote that she was visiting her mother that summer at her home in Clinton, Ontario, when, while Munro was away, Fremlin “climbed into the bed where I was sleeping and sexually assaulted me.”

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Munro died earlier this summer at the age of 92. The author was best known for her short stories, often placing her characters in rural Ontario — where Munro grew up. She was called the “master of the contemporary short story” by the Swedish Academy that awarded her the Nobel in 2013.

Since Skinner’s op-ed was published, the literary world has expressed shock and sorrow, with authors publicly grappling with the formative work of Munro with the impact of her daughter’s allegations.

Rebecca Makkai, a Pulitzer Prize finalist for The Great Believers, posted on X of Munro and the allegations, “I love her work so much that I don’t want to lose it, but am also horrified to see the meanings of many favorite (foundational, to me) stories shift under us.”

Skinner said she is coming forward now because she wants her story “to become part of the stories people tell about my mother. I never wanted to see another interview, biography or event that didn’t wrestle with the reality of what had happened to me, and with the fact that my mother, confronted with the truth of what had happened, chose to stay with, and protect, my abuser.”

Munro's books are displayed at Swedish Academy on October 10, 2013 at the Royal Swedish Academy in Stockholm, Sweden. Jonathan Nackstrand/AFP via Getty Images

The Swedish Academy, which awarded Munro a Nobel Prize in 2013, called her a “master of the contemporary short story.”

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Skinner said the abuse continued for years, with Fremlin often exposing himself to Skinner, telling the young girl about her mother’s sexual needs and the “little girls in the neighborhood” that he told her he liked.

Skinner confided in her stepmother, who told James Munro, Skinner’s father. James Munro did not confront his ex-wife about the abuse, and the assault continued with no adult intervention, Skinner wrote.

The abuse, and the heavy secret and silence she was forced to keep, took a drastic toll on Skinner, who developed debilitating migraines and bulimia as an adult. When she was 25, she wrote a letter to Munro, finally coming forward about the abuse.

Munro told her she felt betrayed and likened the abuse to an affair, a response that devastated Skinner, she wrote.

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In response, Fremlin wrote letters to Munro and the family, threatening to kill Skinner if she ever went to the police. He blamed Skinner for the abuse and described her as a child as a “home wrecker.” He also threatened to expose photos he took of Skinner when she was a girl.

Munro went back to Fremlin and stayed with him until he died in 2013, Skinner wrote. Munro allegedly said “that she had been ‘told too late,’ she loved him too much, and that our misogynistic culture was to blame if I expected her to deny her own needs, sacrifice for her children, and make up for the failings of men. She was adamant that whatever had happened was between me and my stepfather. It had nothing to do with her,” Skinner wrote in her essay.

In 2005, Skinner could stay quiet no longer. She reported Fremlin, who was 80 at the time, to police in Ontario, using letters he sent to the family as evidence. He pleaded guilty to one count of indecent assault and received a suspended sentence and probation for two years.

Skinner said she never reconciled with her mother, but has since rebuilt a relationship with her siblings.

Munro’s Books, the company that Alice and James Munro started together when they were married, issued a statement of support for Skinner. The company has been independently owned since 2014 and wasn’t speaking on behalf of the family.

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The company said, “Learning the details of Andrea’s experience has been heartbreaking for all of us here at Munro’s Books. Along with so many readers and writers, we will need time to absorb this news and the impact it may have on the legacy of Alice Munro, whose work and ties to the store we have previously celebrated. It is important to respect Andrea’s choices over how her story is shared more widely.”

The statement continued, “This story is Andrea’s to tell, and we will not be commenting further at this time.”

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In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings

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In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings

The Tin Soldier, one of Nicolas Coppola’s marionette puppets, is the main character in The Steadfast Tin Soldier show at Coppola’s Puppetworks theater in Brooklyn’s Park Slope neighborhood.

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Every weekend, at 12:30 or 2:30 p.m., children gather on foam mats and colored blocks to watch wooden renditions of The Tortoise and the Hare, Pinocchio and Aladdin for exactly 45 minutes — the length of one side of a cassette tape. “This isn’t a screen! It’s for reals happenin’ back there!” Alyssa Parkhurst, a 24-year-old puppeteer, says before each show. For most of the theater’s patrons, this is their first experience with live entertainment.

Puppetworks has served Brooklyn’s Park Slope neighborhood for over 30 years. Many of its current regulars are the grandchildren of early patrons of the theater. Its founder and artistic director, 90-year-old Nicolas Coppola, has been a professional puppeteer since 1954.

The outside of Puppetworks in Park Slope.

The Puppetworks theater in Brooklyn’s Park Slope neighborhood.

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A workshop station behind the stage at Puppetworks, where puppets featured in the show are stored and regularly repaired.

A workshop station behind the stage at Puppetworks, where puppets are stored and repaired.

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A picture of Nicolas Coppola, the founder and artistic director of Puppetworks, in the theater space.

A picture of Nicolas Coppola, Puppetworks’ founder and artistic director, from 1970, in which he’s demonstrating an ice skater marionette puppet.

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For just $11 a seat ($12 for adults), puppets of all types — marionette, swing, hand and rod — take turns transporting patrons back to the ’80s, when most of Puppetworks’ puppets were made and the audio tracks were taped. Century-old stories are brought back to life. Some even with a modern twist.

Since Coppola started the theater, changes have been made to the theater’s repertoire of shows to better meet the cultural moment. The biggest change was the characterization of princesses in the ’60s and ’70s, Coppola says: “Now, we’re a little more enlightened.”

Michael Jones, the newest addition of puppeteers at Puppetworks with Jack-a-Napes, one of the main characters in "The Steadfast Tin Soldier." (right) A demonstration marionette puppet, used for showing children how movement and control works.

Right: Michael Jones, Puppetworks’ newest puppeteer, poses for a photo with Jack-a-Napes, one of the main characters in The Steadfast Tin Soldier. Left: A demonstration marionette puppet, used for showing children how movement and control works.

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Marionette puppets from previous shows at Puppetworks hanging on the wall.

Marionette puppets from previous Puppetworks shows hang on one of the theater’s walls.

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A child attending a 12:30PM showing at Puppetworks on December 6, dressed up in holiday attire featuring the ballerina and tin soldier also in "The Steadfast Tin Soldier."

A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire that features the ballerina and tin soldier in The Steadfast Tin Soldier.

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Streaming has also influenced the theater’s selection of shows. Puppetworks recently brought back Rumpelstiltskin after the tale was repopularized following Dreamworks’ release of the Shrek film franchise.

Most of the parents in attendance find out about the theater through word of mouth or school visits, where Puppetworks’ team puts on shows throughout the week. Many say they take an interest in the establishment for its ability to peel their children away from screens.

Whitney Sprayberry was introduced to Puppetworks by her husband, who grew up in the neighborhood. “My husband and I are both artists, so we much prefer live entertainment. We allow screens, but are mindful of what we’re watching and how often.”

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Left: Puppetworks’ current manager of stage operations, Jamie Moore, who joined the team in the early 2000s as a puppeteer, holds an otter hand puppet from their holiday show. Right: A Pinocchio mask hangs behind the ticket booth at Puppetworks’ entrance.

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A child attending a 12:30PM showing at Puppetworks on December 6, dressed up in holiday attire.

A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire.

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Left: Two gingerbread people, characters in one of Puppetworks’ holiday skits. Right: Ronny Wasserstrom, a swing puppeteer and one of Puppetworks’ first puppeteers, holds a “talking head” puppet he made, wearing matching shirts.

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Other parents in the audience say they found the theater through one of Ronny Wasserstrom’s shows. Wasserstrom, one of Puppetworks’ first puppeteers, regularly performs for free at a nearby park.

Coppola says he isn’t a Luddite — he’s fascinated by animation’s endless possibilities, but cautions of how it could limit a child’s imagination. “The part of theater they’re not getting by being on the phone is the sense of community. In our small way, we’re keeping that going.”

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Attendees of a 12:30PM showing of "The Steadfast Tin Soldier" and "Nutcracker Sweets" at Puppetworks on December 6, 2025.

Puppetworks’ 12:30 p.m. showing of The Steadfast Tin Soldier and The Nutcracker Sweets on Saturday, Dec. 6.

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Children meeting and seeing up close one of the puppets in "The Steadfast Tin Soldier" after the show.

Children get a chance to see one of the puppets in The Steadfast Tin Soldier up close after a show.

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Left: Alyssa Parkhurst, Puppetworks’ youngest puppeteer, holds a snowman marionette puppet, a character in the theater’s holiday show. Right: An ice skater, a dancing character in one of Puppetworks’ holiday skits.

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Community is what keeps Sabrina Chap, the mother of 4-year-old Vida, a regular at Puppetworks. Every couple of weeks, when Puppetworks puts on a new show, she rallies a large group to attend. “It’s a way I connect all the parents in the neighborhood whose kids go to different schools,” she said. “A lot of these kids live within a block of each other.”

Three candy canes, dancing characters in one of Puppetworks' holiday skits, hanging in the space waiting to be repaired after a show.

Three candy canes — dancing characters in one of Puppetworks’ holiday skits — wait to be repaired after a show.

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Anh Nguyen is a photographer based in Brooklyn, N.Y. You can see more of her work online, at nguyenminhanh.com , or on Instagram, at @minhanhnguyenn. Tiffany Ng is a tech and culture writer. Find more of her work on her website, breakfastatmyhouse.com.

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