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Alec Baldwin goes on trial this week, nearly 3 years after fatal 'Rust' shooting

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Alec Baldwin goes on trial this week, nearly 3 years after fatal 'Rust' shooting

Alec Baldwin at a December 2021 event in New York.

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Actor and producer Alec Baldwin goes to trial in New Mexico this week for involuntary manslaughter. In October 2021, while he was rehearsing a scene for the western film Rust, the gun he was holding went off, fatally shooting cinematographer Halyna Hutchins and wounding director Joel Souza.

The 66-year-old actor faces up to 18 months in prison if he’s convicted, but has pleaded not guilty. Since the shooting, he’s maintained his innocence, saying he was not responsible for the live bullet that was loaded into what was supposed to be a blank prop gun.

A photograph of cinematographer Halyna Hutchins on display during a vigil in her honor in Albuquerque, N.M., Oct. 23, 2021.

A photograph of cinematographer Halyna Hutchins on display during a vigil in her honor in Albuquerque, N.M., in October 2021.

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After the accident, Baldwin went on national television to walk through the events on set at Bonanza Creek Ranch. He told ABC News’ George Stephanopoulos that he was handed the revolver and someone yelled “cold gun,” meaning the gun did not have live rounds.

“I take the gun and I start to cock the gun,” Baldwin explained on TV. “I let go of the hammer of the gun and the gun goes off…I didn’t pull the trigger.”

That interview and other statements he made to the press and to police may be part of the evidence presented during his trial. Jury selection begins Tuesday and opening arguments begin the following day. New Mexico special prosecutor Kari Morrissey says she intends to prove his criminal culpability.

Alec Baldwin gestures while talking with investigators following the fatal on-set shooting that killed cinematographer Halyna Hutchins in October 2021. Video of the conversation was released by the Santa Fe County Sheriff's Office in 2022.

Alec Baldwin gestures while talking with investigators following the fatal on-set shooting that killed cinematographer Halyna Hutchins in October 2021. Video of the conversation was released by the Santa Fe County Sheriff’s Office in 2022.

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“Mr. Baldwin knew he had a real gun in his hand. Mr. Baldwin specifically asked for the biggest gun that was available. Mr. Baldwin knew and understood that dummy rounds look identical to live ammunition,” Morrissey told the judge in a pretrial hearing two weeks ago. Morrissey said Baldwin didn’t pay attention during a safety training on set. “Halyna Hutchins is dead,” she said, “because he didn’t participate in the safety check.”

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Rust armorer is already behind bars

The film’s armorer, Hannah Gutierrez-Reed, was responsible for guns and ammunition on the set. She was convicted of involuntary manslaughter earlier this year and is serving an 18-month prison sentence. Prosecutors argued that her negligence on set led to Halyna Hutchins’ death.

“I am saddened by the way the media sensationalized our traumatic tragedy and portrayed me as a complete monster, which has actually been the total opposite of what’s been in my heart,” Gutierrez-Reed read aloud in a statement during her trial. “When I took on Rust, I was young and I was being naive, but I took my job as seriously as I knew how to. Despite not having proper time, resources and staffing when things got tough, I just did my best to handle it.”

State prosecutors indicated they may call Gutierrez-Reed to testify as a witness in Baldwin’s trial, but it’s not clear if she will end up taking the stand. Judge Mary Marlowe Sommer, who presided over her trial and will preside over Baldwin’s, said in a recent hearing that the armorer would likely not cooperate.

Possible testimony at Baldwin’s trial

Also on the witness list prosecutors submitted for the trial: director Souza, script supervisor Mamie Mitchell and prop master Sarah Zachry, who were all on the set the day of the shooting. Film armorers Seth Kenney and Bryan W. Carpenter and firearms expert Lucien Haag may also be called on as experts.

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Hannah Gutierrez-Reed, who worked as armorer on the set of the movie Rust, arrives at her sentencing hearing in April.

Hannah Gutierrez-Reed, who worked as armorer on the set of Rust in New Mexico, arrives at her sentencing hearing in April. She was convicted of involuntary manslaughter in March and is serving an 18-month sentence.

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Among those Baldwin’s attorneys may call to the witness stand is Rust assistant director David Halls. Last year, he was convicted of unsafe handling of a firearm during the production; at the time, he agreed to testify truthfully at any upcoming hearings or trials related to the Rust shooting.

Baldwin’s attempts to dismiss the charges against him

Baldwin’s attorneys also tried several last-ditch efforts to get the case against their client thrown out. Most recently, they blamed prosecutors for deliberately allowing the gun to be damaged during testing after the shooting. During a pretrial hearing two weeks ago, an FBI agent said he tested the gun to see if it would fire accidentally without pulling the trigger, even if it was jolted violently. He testified that he hammered the gun from different angles with a rawhide mallet. As a result, the gun was broken into pieces.

“It’s kind of ironic in a case conceivably about an accident, the state somehow gets away with intentionally destroying the key evidence and depriving the defense of that evidence,” Baldwin’s attorney Alex Spiro told Judge Sommer. She ruled, however, that prosecutors did not act in bad faith when ordering the test and moved to proceed with the trial.

Meanwhile, Baldwin has been busy in Hollywood

Baldwin has been busy working in Hollywood for the past few years. He’s starring as a logger in the action thriller Clear Cut, which comes out in theaters and on demand July 19, the same day Judge Sommer has said she wants the trial to end.

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Baldwin, his wife Hilaria and their seven children recently announced they’ll star in an upcoming reality series on TLC, “The Baldwins.”

Meanwhile, production of the indie film Rust finished last year in Montana, with Halyna Hutchins’ widower Matthew as executive producer — a position he negotiated as part of the wrongful death settlement he made with the production company.

It’s still unclear exactly when or where that film will be shown; Rust still doesn’t have distribution deals.

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In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings

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In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings

The Tin Soldier, one of Nicolas Coppola’s marionette puppets, is the main character in The Steadfast Tin Soldier show at Coppola’s Puppetworks theater in Brooklyn’s Park Slope neighborhood.

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Every weekend, at 12:30 or 2:30 p.m., children gather on foam mats and colored blocks to watch wooden renditions of The Tortoise and the Hare, Pinocchio and Aladdin for exactly 45 minutes — the length of one side of a cassette tape. “This isn’t a screen! It’s for reals happenin’ back there!” Alyssa Parkhurst, a 24-year-old puppeteer, says before each show. For most of the theater’s patrons, this is their first experience with live entertainment.

Puppetworks has served Brooklyn’s Park Slope neighborhood for over 30 years. Many of its current regulars are the grandchildren of early patrons of the theater. Its founder and artistic director, 90-year-old Nicolas Coppola, has been a professional puppeteer since 1954.

The outside of Puppetworks in Park Slope.

The Puppetworks theater in Brooklyn’s Park Slope neighborhood.

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A workshop station behind the stage at Puppetworks, where puppets featured in the show are stored and regularly repaired.

A workshop station behind the stage at Puppetworks, where puppets are stored and repaired.

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A picture of Nicolas Coppola, the founder and artistic director of Puppetworks, in the theater space.

A picture of Nicolas Coppola, Puppetworks’ founder and artistic director, from 1970, in which he’s demonstrating an ice skater marionette puppet.

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For just $11 a seat ($12 for adults), puppets of all types — marionette, swing, hand and rod — take turns transporting patrons back to the ’80s, when most of Puppetworks’ puppets were made and the audio tracks were taped. Century-old stories are brought back to life. Some even with a modern twist.

Since Coppola started the theater, changes have been made to the theater’s repertoire of shows to better meet the cultural moment. The biggest change was the characterization of princesses in the ’60s and ’70s, Coppola says: “Now, we’re a little more enlightened.”

Michael Jones, the newest addition of puppeteers at Puppetworks with Jack-a-Napes, one of the main characters in "The Steadfast Tin Soldier." (right) A demonstration marionette puppet, used for showing children how movement and control works.

Right: Michael Jones, Puppetworks’ newest puppeteer, poses for a photo with Jack-a-Napes, one of the main characters in The Steadfast Tin Soldier. Left: A demonstration marionette puppet, used for showing children how movement and control works.

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Marionette puppets from previous shows at Puppetworks hanging on the wall.

Marionette puppets from previous Puppetworks shows hang on one of the theater’s walls.

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A child attending a 12:30PM showing at Puppetworks on December 6, dressed up in holiday attire featuring the ballerina and tin soldier also in "The Steadfast Tin Soldier."

A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire that features the ballerina and tin soldier in The Steadfast Tin Soldier.

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Streaming has also influenced the theater’s selection of shows. Puppetworks recently brought back Rumpelstiltskin after the tale was repopularized following Dreamworks’ release of the Shrek film franchise.

Most of the parents in attendance find out about the theater through word of mouth or school visits, where Puppetworks’ team puts on shows throughout the week. Many say they take an interest in the establishment for its ability to peel their children away from screens.

Whitney Sprayberry was introduced to Puppetworks by her husband, who grew up in the neighborhood. “My husband and I are both artists, so we much prefer live entertainment. We allow screens, but are mindful of what we’re watching and how often.”

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Left: Puppetworks’ current manager of stage operations, Jamie Moore, who joined the team in the early 2000s as a puppeteer, holds an otter hand puppet from their holiday show. Right: A Pinocchio mask hangs behind the ticket booth at Puppetworks’ entrance.

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A child attending a 12:30PM showing at Puppetworks on December 6, dressed up in holiday attire.

A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire.

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Left: Two gingerbread people, characters in one of Puppetworks’ holiday skits. Right: Ronny Wasserstrom, a swing puppeteer and one of Puppetworks’ first puppeteers, holds a “talking head” puppet he made, wearing matching shirts.

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Other parents in the audience say they found the theater through one of Ronny Wasserstrom’s shows. Wasserstrom, one of Puppetworks’ first puppeteers, regularly performs for free at a nearby park.

Coppola says he isn’t a Luddite — he’s fascinated by animation’s endless possibilities, but cautions of how it could limit a child’s imagination. “The part of theater they’re not getting by being on the phone is the sense of community. In our small way, we’re keeping that going.”

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Attendees of a 12:30PM showing of "The Steadfast Tin Soldier" and "Nutcracker Sweets" at Puppetworks on December 6, 2025.

Puppetworks’ 12:30 p.m. showing of The Steadfast Tin Soldier and The Nutcracker Sweets on Saturday, Dec. 6.

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Children meeting and seeing up close one of the puppets in "The Steadfast Tin Soldier" after the show.

Children get a chance to see one of the puppets in The Steadfast Tin Soldier up close after a show.

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Left: Alyssa Parkhurst, Puppetworks’ youngest puppeteer, holds a snowman marionette puppet, a character in the theater’s holiday show. Right: An ice skater, a dancing character in one of Puppetworks’ holiday skits.

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Community is what keeps Sabrina Chap, the mother of 4-year-old Vida, a regular at Puppetworks. Every couple of weeks, when Puppetworks puts on a new show, she rallies a large group to attend. “It’s a way I connect all the parents in the neighborhood whose kids go to different schools,” she said. “A lot of these kids live within a block of each other.”

Three candy canes, dancing characters in one of Puppetworks' holiday skits, hanging in the space waiting to be repaired after a show.

Three candy canes — dancing characters in one of Puppetworks’ holiday skits — wait to be repaired after a show.

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Anh Nguyen is a photographer based in Brooklyn, N.Y. You can see more of her work online, at nguyenminhanh.com , or on Instagram, at @minhanhnguyenn. Tiffany Ng is a tech and culture writer. Find more of her work on her website, breakfastatmyhouse.com.

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