Connect with us

Lifestyle

Alec Baldwin goes on trial this week, nearly 3 years after fatal 'Rust' shooting

Published

on

Alec Baldwin goes on trial this week, nearly 3 years after fatal 'Rust' shooting

Alec Baldwin at a December 2021 event in New York.

Evan Agostini/Invision/AP


hide caption

toggle caption

Advertisement

Evan Agostini/Invision/AP

Actor and producer Alec Baldwin goes to trial in New Mexico this week for involuntary manslaughter. In October 2021, while he was rehearsing a scene for the western film Rust, the gun he was holding went off, fatally shooting cinematographer Halyna Hutchins and wounding director Joel Souza.

The 66-year-old actor faces up to 18 months in prison if he’s convicted, but has pleaded not guilty. Since the shooting, he’s maintained his innocence, saying he was not responsible for the live bullet that was loaded into what was supposed to be a blank prop gun.

A photograph of cinematographer Halyna Hutchins on display during a vigil in her honor in Albuquerque, N.M., Oct. 23, 2021.

A photograph of cinematographer Halyna Hutchins on display during a vigil in her honor in Albuquerque, N.M., in October 2021.

Andres Leighton/AP

Advertisement


hide caption

toggle caption

Andres Leighton/AP

Advertisement

After the accident, Baldwin went on national television to walk through the events on set at Bonanza Creek Ranch. He told ABC News’ George Stephanopoulos that he was handed the revolver and someone yelled “cold gun,” meaning the gun did not have live rounds.

“I take the gun and I start to cock the gun,” Baldwin explained on TV. “I let go of the hammer of the gun and the gun goes off…I didn’t pull the trigger.”

That interview and other statements he made to the press and to police may be part of the evidence presented during his trial. Jury selection begins Tuesday and opening arguments begin the following day. New Mexico special prosecutor Kari Morrissey says she intends to prove his criminal culpability.

Alec Baldwin gestures while talking with investigators following the fatal on-set shooting that killed cinematographer Halyna Hutchins in October 2021. Video of the conversation was released by the Santa Fe County Sheriff's Office in 2022.

Alec Baldwin gestures while talking with investigators following the fatal on-set shooting that killed cinematographer Halyna Hutchins in October 2021. Video of the conversation was released by the Santa Fe County Sheriff’s Office in 2022.

Santa Fe County Sheriff’s Office/AP


hide caption

Advertisement

toggle caption

Santa Fe County Sheriff’s Office/AP

“Mr. Baldwin knew he had a real gun in his hand. Mr. Baldwin specifically asked for the biggest gun that was available. Mr. Baldwin knew and understood that dummy rounds look identical to live ammunition,” Morrissey told the judge in a pretrial hearing two weeks ago. Morrissey said Baldwin didn’t pay attention during a safety training on set. “Halyna Hutchins is dead,” she said, “because he didn’t participate in the safety check.”

Advertisement

Rust armorer is already behind bars

The film’s armorer, Hannah Gutierrez-Reed, was responsible for guns and ammunition on the set. She was convicted of involuntary manslaughter earlier this year and is serving an 18-month prison sentence. Prosecutors argued that her negligence on set led to Halyna Hutchins’ death.

“I am saddened by the way the media sensationalized our traumatic tragedy and portrayed me as a complete monster, which has actually been the total opposite of what’s been in my heart,” Gutierrez-Reed read aloud in a statement during her trial. “When I took on Rust, I was young and I was being naive, but I took my job as seriously as I knew how to. Despite not having proper time, resources and staffing when things got tough, I just did my best to handle it.”

State prosecutors indicated they may call Gutierrez-Reed to testify as a witness in Baldwin’s trial, but it’s not clear if she will end up taking the stand. Judge Mary Marlowe Sommer, who presided over her trial and will preside over Baldwin’s, said in a recent hearing that the armorer would likely not cooperate.

Possible testimony at Baldwin’s trial

Also on the witness list prosecutors submitted for the trial: director Souza, script supervisor Mamie Mitchell and prop master Sarah Zachry, who were all on the set the day of the shooting. Film armorers Seth Kenney and Bryan W. Carpenter and firearms expert Lucien Haag may also be called on as experts.

Advertisement
Hannah Gutierrez-Reed, who worked as armorer on the set of the movie Rust, arrives at her sentencing hearing in April.

Hannah Gutierrez-Reed, who worked as armorer on the set of Rust in New Mexico, arrives at her sentencing hearing in April. She was convicted of involuntary manslaughter in March and is serving an 18-month sentence.

Eddie Moore/AFP via Getty Images


hide caption

toggle caption

Eddie Moore/AFP via Getty Images

Advertisement

Among those Baldwin’s attorneys may call to the witness stand is Rust assistant director David Halls. Last year, he was convicted of unsafe handling of a firearm during the production; at the time, he agreed to testify truthfully at any upcoming hearings or trials related to the Rust shooting.

Baldwin’s attempts to dismiss the charges against him

Baldwin’s attorneys also tried several last-ditch efforts to get the case against their client thrown out. Most recently, they blamed prosecutors for deliberately allowing the gun to be damaged during testing after the shooting. During a pretrial hearing two weeks ago, an FBI agent said he tested the gun to see if it would fire accidentally without pulling the trigger, even if it was jolted violently. He testified that he hammered the gun from different angles with a rawhide mallet. As a result, the gun was broken into pieces.

“It’s kind of ironic in a case conceivably about an accident, the state somehow gets away with intentionally destroying the key evidence and depriving the defense of that evidence,” Baldwin’s attorney Alex Spiro told Judge Sommer. She ruled, however, that prosecutors did not act in bad faith when ordering the test and moved to proceed with the trial.

Meanwhile, Baldwin has been busy in Hollywood

Baldwin has been busy working in Hollywood for the past few years. He’s starring as a logger in the action thriller Clear Cut, which comes out in theaters and on demand July 19, the same day Judge Sommer has said she wants the trial to end.

Advertisement

Baldwin, his wife Hilaria and their seven children recently announced they’ll star in an upcoming reality series on TLC, “The Baldwins.”

Meanwhile, production of the indie film Rust finished last year in Montana, with Halyna Hutchins’ widower Matthew as executive producer — a position he negotiated as part of the wrongful death settlement he made with the production company.

It’s still unclear exactly when or where that film will be shown; Rust still doesn’t have distribution deals.

Lifestyle

With Highway 1 open, Big Sur braces for its busiest summer in years

Published

on

With Highway 1 open, Big Sur braces for its busiest summer in years

On a 75-mile cliff-hugging stretch of highway in California, traffic is way up, despite soaring gas prices. And locals expect the busiest summer in years.

The road is Highway 1 in Big Sur, which reopened in January after three years of repair and reconstruction following a pair of landslides. Drivers can once again embark on the state’s most famous road trip, covering the 100 miles between Cambria to the south and Carmel to the north without leaving the two-lane coastal highway. And they’re heading out in big numbers.

Caltrans estimates that as of May, Big Sur restaurant and retailer guest counts are up 40% from last year, and that northbound traffic at Ragged Point, the southern gateway to Big Sur, has risen 900% year-over-year.

People pose for photos near Bixby Bridge. Monterey County’s Board of Supervisors voted to explore a 12-month ban on parking around the bridge.

Advertisement
Safety cones prevent parking along Coast Road near the Bixby Bridge.

Safety cones prevent parking along Coast Road near the Bixby Bridge.

“Take your time,” said Kirk Gafill, co-owner of the popular Nepenthe restaurant and president of the Big Sur Chamber of Commerce, offering advice to travelers. “You’re going to be sharing the road with a number of people.”

As travelers rediscover the road, the cost of driving has been shooting skyward. California’s average gas price ($6.11 per gallon as of May 26) is up 26% from the year before. In early April, rates hit $9.99 at the isolated gas station in the Big Sur community of Gorda.

For spring and summer travelers, these numbers would seem to pose a stark question: Stay home and save money, or head for the coast because the road is finally open and it’s still cheaper than flying?

So far, the latter answer is winning big.

Advertisement
Fog lingers off the coast of Highway 1.

Fog lingers off the coast of Highway 1.

“We are definitely seeing a huge uptick in our reservations,” said Megan Handy, assistant general manager at the upscale Treebones resort. She estimated that bookings are 30% or more ahead of last year, and rates are unchanged since then. But “it’s still not feeling super crowded, which is nice. Everything still feels kind of calm.”

But added traffic has raised some anxiety. On May 19, Monterey County’s Board of Supervisors voted to explore a 12-month ban on parking at Bixby Bridge, one of the region’s top photo spots.

Over the years, the number of cars parking near the bridge — often illegally, sometimes impeding emergency vehicles — has risen. The proposed parking moratorium won’t take effect until the supervisors discuss it further.

Advertisement
  • Share via

Advertisement

Busy as things are, several business owners pointed out that many international travelers have not yet returned — perhaps because most make their plans more than six months ahead, perhaps because of global politics, perhaps a little of each.

The biggest challenge for businesses during this resurgence? “Restaffing and retaining,” said Handy at Treetops.

At Nepenthe, Gafill said his business has seen a 45% boost in guest volume since the road’s reopening. Gafill said he would have expected a 35% pickup, “simply by virtue of reopening the highway.” The additional 10%, he said, might be “all that pent-up demand,” aided by “a very beautiful and very dry winter,” followed by a mild spring.

Advertisement
A lunch crowd dines at popular restaurant Nepenthe.

A lunch crowd dines at popular restaurant Nepenthe.

Another possible factor: Nobody can be sure how long the road will remain open.

To cope with the influx of people, Gafill said, “everybody is trying to recruit and retain their existing staff.”

At the Ragged Point Inn, where rates dropped as low as $149 nightly last fall, rates are back over $200 and staffers are suggesting that customers book at least six months ahead. The inn has reopened its snack bar for the first time since early 2023, and management is investing in capital upgrades and staging live music on weekends throughout the summer.

Business “is up over 100%,” said Diane Ramey, whose family owns the inn. “I know not all of our neighbors are having the same lift, but everybody is doing better.”

Advertisement

Traffic approaching Bixby Bridge.

Advertisement
A visitor poses in an oversized chair at Big Sur River Inn.

A visitor poses in an oversized chair at Big Sur River Inn.

Even at the New Camaldoli Hermitage, a Benedictine monastery above Lucia, the road’s reopening and coming summer season have made a difference. Bookings are up an estimated 30% at the hermitage, which rent rooms and cottages (for two nights or more) to visitors who agree to its requirement of silence.

Big Sur business owners advise visitors to travel on weekdays for less traffic and the best hotel rates, and to get on the road as early as possible.

Since its opening in 1937, the highway has been vulnerable to landslides and shifting ground, operating on a longstanding cycle of landslide, closure, repair, reopening and then another landslide, or sometimes a fire. The U.S. Geological Survey has identified the Big Sur coastline as one of the most landslide-prone areas in the western United States. The 2023-2026 closure was the longest in the highway’s history.

Over time, road crews have used increasingly sophisticated strategies. In the most recent efforts, Caltrans said, it used drones to help survey the slopes and remotely operated bulldozers and excavators to reduce risks to workers.

Advertisement

During the closure, no traffic was allowed on 6.8-mile span from just north of Lucia until about a mile south of the Esalen Institute. Drivers detoured inland by way of U.S. 101.

Continue Reading

Lifestyle

Firings at CBS’ ’60 Minutes’ reflect the fight for media control in the age of Trump

Published

on

Firings at CBS’ ’60 Minutes’ reflect the fight for media control in the age of Trump

Correspondents of CBS’ 60 Minutes pose for a portrait in 2023. From left to right, they are Sharyn Alfonsi, L. Jon Wertheim, Bill Whitaker, Lesley Stahl, Scott Pelley, Cecilia Vega, and Anderson Cooper. Former Executive Producer Bill Owens sits on the far right. Only Wertheim, Whitaker and Stahl remain at the program.

CBS Photo Archive/CBS via Getty Images/CBS


hide caption

toggle caption

Advertisement

CBS Photo Archive/CBS via Getty Images/CBS

Stay up to date with our Up First newsletter sent every weekday morning.

When CBS fired Scott Pelley on Tuesday night, the new 60 Minutes executive producer, Nick Bilton, told Pelley it was for insubordination at a staff meeting the day before.

The veteran correspondent argues he was defending the DNA of 60 Minutes and the integrity of its journalism.

Advertisement

The battle royale over the network’s most prestigious and profitable news program is part of a broader fight over the direction of CBS News.

And given CBS’s acquisition by a billionaire family whose business interests have become intertwined with the political interests of President Trump, it reflects a larger war over control of the media in the current moment.

That father and son, Larry and David Ellison, bought CBS’ parent company, Paramount, last summer. In January, they became co-owners of TikTok’s U.S. operations. Now they’re seeking approval from Trump’s regulators to buy Warner Bros. Discovery, the parent company of CNN.

A glamorous show shorn, for now, of most its stars

CBS fired Cecilia Vega, a correspondent, and Tanya Simon, the executive producer, from 60 Minutes last week. They are shown in this photo at the 2026 White House Correspondents' Association Dinner on April 25, 2026 in Washington, D.C.

CBS fired Cecilia Vega, a correspondent, and Tanya Simon, the executive producer, from 60 Minutes last week. They are shown in this photo at the 2026 White House Correspondents’ Association Dinner on April 25, 2026 in Washington, D.C.

Kristina Bumphrey/Variety via Getty Images/Variety


hide caption

Advertisement

toggle caption

Kristina Bumphrey/Variety via Getty Images/Variety

But the specifics of this individual episode matter — for 60 Minutes, CBS, its audience of millions, and even the news business itself.

Advertisement

The program has been the most glamorous post in broadcast news. The correspondents are the stars of the show. And now, there are just three of them.

Anderson Cooper left last month, concerned over the direction of the network’s coverage. Last week was a virtual bloodbath: correspondents Cecilia Vega and Sharyn Alfonsi were fired. So were a producer and two show executives — including Tanya Simon, a longtime staffer who had stepped up as executive producer when her predecessor resigned in protest before the Ellisons’ takeover.

With Pelley’s ouster, only correspondents Lesley Stahl, Bill Whitaker, and Jon Wertheim remain. Now they are considering whether to resign, according to two associates with knowledge.

Their brand-new boss, Bilton, was previously a tech reporter for The New York Times and an investigative reporter for Vanity Fair. He executive-produced a documentary for Netflix about a couple accused of laundering Bitcoin and has been a producer on several other films.

Notably, he has no experience in television news.

Advertisement

Neither does Bari Weiss, whom David Ellison installed as the network’s editor in chief last October. The Ellisons also bought her center-right views-and-news site, The Free Press.

She has maintained that the network of Walter Cronkite needs a makeover for the digital moment. She has also contended for years that CBS, along with the rest of mainstream media, is too reflexively anti-Trump, anti-Israel, and too woke.

A rejection of CBS News executives’ overtures

The new executive producer of 60 Minutes, Nick Bilton, has been a tech journalist and documentary filmmaker, but lacks experience in broadcast news.

The new executive producer of 60 Minutes, Nick Bilton, has been a tech journalist and documentary filmmaker, but lacks experience in broadcast news.

Matt Winkelmeyer/Getty Images/Getty Images North America


hide caption

Advertisement

toggle caption

Matt Winkelmeyer/Getty Images/Getty Images North America

Bilton attempted to set a conciliatory tone at Monday’s meeting — his first with the show. Pelley, a formidable veteran correspondent and former CBS Evening News anchor, wasn’t having it.

Pelley called Bilton unwelcome and unqualified. And Pelley said that Weiss was attempting to “murder” the program.

Advertisement

In firing Pelley on Tuesday, Bilton said the journalist had hijacked the meeting and rejected overtures to work constructively through their differences. (NPR obtained a copy of the firing notice.) Bilton wrote that Pelley’s “antipathy to the future of the show came through loud and clear.”

In his own statement late Tuesday evening, shared with NPR, Pelley accused CBS’s new news leadership of killing 60 Minutes‘ DNA and pushing him “to inject falsehoods and bias into a politically sensitive story” and “to include assertions that are unverified.”

The accusations, to which CBS has not yet responded, echo those made by Alfonsi and Vega, the two correspondents fired last week.

Earlier this year, Alfonsi publicly complained after Weiss held one of her stories at the last minute, and kept it frozen for weeks, demanding an on-camera interview with a Trump White House official that never played out. It ran, unchanged from the intended version, with additional statements from the administration tacked on to the end.

After being fired, Vega said in a statement obtained by NPR that her team had “experienced efforts to insert political bias into our stories.”

Advertisement

“Let’s call this what it is: censorship, both censorship and self-driven” Vega continued. “It is dangerous for the show and dangerous for democracy.”

Weiss previously rejected Alfonsi’s and Vega’s allegations. (CBS said Vega’s claims, for example, were “not based in reality” while expressing appreciation for her work.)

Weiss and Bilton say digital threat requires a 60 Minutes overhaul now

In a meeting this morning, Weiss said that Pelley chose his own path — that is, to be fired rather than to find a way to work through his concerns, according to attendees. The network and Weiss have not yet publicly addressed Pelley’s accusations of interference. 

Bilton and Weiss say they respect the show’s traditions, its accomplishments and its legacy of enterprise reporting, extended interviews and visual storytelling. It rose in the ratings 9% over the past season under Simon.

The two news leaders say, however, 60 Minutes needs to be overhauled before it becomes increasingly irrelevant in the era of streamers and other sources of news, information and entertainment in the digital age.

Advertisement

Interviews with 12 current and former CBS News staffers, from producers to executives, suggest great reservations and suspicions remain about Weiss’ judgment and her ability to handle the prominent and even famous journalists on whom her division relies.

Weiss had initially sought to reinvent the CBS Evening News, dropping a two-anchor format that had sagged in the ratings. Cooper turned down Weiss’ overtures to anchor it and left the network altogether, concerned about her approach, according to associates. (They spoke on condition of anonymity because Cooper has not chosen to speak publicly on the matter.)

David Ellison became chairman and CEO of CBS' parent company, Paramount, after buying it last year.

David Ellison became chairman and CEO of CBS’ parent company, Paramount, after buying it last year.

Noam Galai/Getty Images for Paramount/Getty Images North America


hide caption

Advertisement

toggle caption

Noam Galai/Getty Images for Paramount/Getty Images North America

The ratings have continued to sag under new anchor Tony Dokoupil. And some CBS journalists, including producers who have left the Evening News, have publicly accused Weiss of making editorial decisions driven by politics. She has rejected those claims.

The decision to take on overhauling two key shows — one listing, one highly profitable, both high profile — carries significant risks for Weiss and the network, even apart from other considerations.

Advertisement

But the Ellisons’ presence cannot be ignored.

When Shari Redstone was negotiating the sale of CBS’s parent company, Paramount, to the Ellisons’ Skydance Media last year, the network announced the end of Stephen Colbert’s late night show. He had been one of the president’s most biting and acerbic critics.

David Ellison also made a series of concessions directly to Trump’s chief broadcast regulator, Federal Communications Commission Chair Brendan Carr, gutting CBS’s diversity, equity and inclusion initiatives and appointing a conservative ombudsman to field complaints of bias against its news reporting.

Carr and other regulators approved the Paramount deal last summer.

The accommodations echo those made by other media titans.

Advertisement

Amazon and Blue Origin founder Jeff Bezos remade the editorial pages of the Washington Post, which he owns, into a far more hospitable zone for Trump at the outset of his second term. So did Los Angeles Times owner Dr. Patrick Soon-Shiong, a noted medical device inventor. Amazon and Blue Origin have multi-billion dollar contracts with the federal government. Soon-Shiong’s medical research firm routinely has patent applications up for review with federal regulators. One was approved Tuesday.

The Ellisons are hoping to win approval from federal regulators next month for their purchase of Warner Bros. Discovery in a deal valued at more than $110 billion. It would include Warner Bros. Studio, HBO and CNN, among other properties.

As Weiss routs CBS News’ old guard, the question of what role she might play at CNN — and what changes that portends at CBS — hangs over journalists at the two networks. The fate of 60 Minutes serves as a high-stakes case study for both.

Continue Reading

Lifestyle

We’re having a main character summer. Are you? : It’s Been a Minute

Published

on

We’re having a main character summer. Are you? : It’s Been a Minute
Are you ready for a whirlwind summer romance?Making plans to capitalize on summer can get overwhelming – from finding the right spot to hang or feeling comfortable in your clothes in the sweltering summer heat. So what does it mean to approach summer with a romantic joie de vivre?  Brittany is joined by Carly Olson, freelance journalist covering architecture and business, and Garrett Schlichte, writer and chef, to walk us through how to have a rom-com summer where you’re the star.Want more on how to be the best version of yourself? Check out these episodes:How to make friends & get good gossipIt only takes 30 minutes to be a good momSupport Public Media. Join NPR Plus.Follow Brittany on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
Continue Reading
Advertisement

Trending