Movie Reviews

‘Tiny Lights’ Review: Empathetic Czech Drama Sees the World Through a Child’s Eyes

Published

2 years ago

July 2, 2024

‘Tiny Lights’ Review: Empathetic Czech Drama Sees the World Through a Child’s Eyes

If you’re lucky enough to remember memories from your early childhood, you’ll know they tend to be fragmentary, skewed from an outlook incapable of fully grasping the adult world. Czech filmmaker Beata Parkanova captures that feeling beautifully in her film receiving its world premiere at the Karlovy Vary International Film Festival. Related entirely through the viewpoint of a six-year-old girl, Tiny Lights emerges as a small gem.

It helps that the little girl, Amalka, is played by adorable child actress Mia Banko, possessing wide, saucer eyes that are endlessly expressive and long red hair of which Heidi would be jealous. In the opening scene, Amalka hears voices emanating from a closed-door room and, naturally curious, attempts to listen. She hears her grandmother angrily say to her mother, “Happiness? Save it for the fairy tales,” but she has no idea of what it means.

Tiny Lights

The Bottom Line

Skillfully observed.

Venue: Karlovy Vary International Film Festival
Cast: Mia Banko, Elizaveta Maximova, Marek Geisberg, Veronika Zilkova, Martin Finger
Director-screenwriter: Beata Barkanova

1 hour 16 minutes

So she goes to play with her very submissive cat, apparently named Mr. Cat. But she tests Mr. Cat’s patience by putting him inside a wooden chest, from which her grandfather (Martin Finger) soon rescues him. She returns to the room, and when she opens the door, the adults grow silent. “I’m bored,” Amalka says petulantly, and her grandmother (Veronika Zilkova) tries to assuage her by promising that she’ll take her to the lake that afternoon.

After naughtily picking flowers that we later learn came from a neighbor’s garden, Amalka has soup for lunch, unaware of the tensions surrounding her. Her grandparents live up to their promise by taking her to the lake, where her grandfather teaches her how to dive. They hike in the woods and pick blueberries, but Amalka throws a tantrum when told they have to leave.

And so the film goes, with Amalka trying to amuse herself as the adults seem to be engaged in tense confrontations, especially when her mother (Elizaveta Maximova) shows up with a strange French man and announces that she’s going with him to Prague. Amalka, of course, doesn’t comprehend what’s happening except when it relates to her, as when her father (Marek Geisberg) gently upbraids her for picking the flowers and tells her that she’ll have to apologize to the neighbor. As the day ends, she goes to bed, unaware of the fissure in her parents’ relationship, and her father wearily reads her a bedtime story that she’s heard a thousand times before but clearly still finds fascinating.

Even with its brief running time, Tiny Lights demands a certain degree of patience with its intense focus on banal childhood preoccupations. The filmmaker also indulges in stylistic flourishes — principally quick inserted shots that look like they were captured on 8mm and feature a series of close-up views of objects and facial features — that are more distracting than illuminating. The strained attempts at artiness just feel self-conscious.

But for most of the film’s running time, Parkanova maintains tight control over her material, making us fully identify with little Amalka and her preoccupations. The film presents things from her viewpoint, even physically; DP Tomas Juricek often places the camera low down, aligning with her diminutive size. The story takes place over the course of a single day, and its poignancy derives from the fact that we, if not Amalka, are fully aware that her life is going to change, possibly forever.

Or maybe she does realize it, as evidenced by the haunting, lingering final shot, in which we see the silhouette of her body as she peers through the large windows of her bedroom, as if trying to see the world beyond her limited perspective.

Related Topics:Karlovy Vary International Film Festival

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Movie Reviews

Mana Shankara Vara Prasad Garu Review: USA Premiere Report

Published

2 hours ago

January 11, 2026

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Mana Shankara Vara Prasad Garu Review: USA Premiere Report

U.S. Premiere Report:

#MSG Review: Free Flowing Chiru Fun

It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.

#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.

With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi

Rating: 2.5/5

First Half Report:

#MSG Decent Fun 1st Half!

Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.

– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.

U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.

Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa

Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas

Mana Shankara Vara Prasad Garu Movie Review by M9

Movie Reviews

Primate

Published

14 hours ago

January 11, 2026

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Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …

Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

Published

1 day ago

January 10, 2026

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1986 Movie Reviews – Black Moon Rising | The Nerdy

by Sean P. Aune | January 10, 2026

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.