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Steven Spielberg Throws Apple Watch at ‘Sugarland Express’ 50th Anniversary and Remembers Finding ‘Jaws’ Script ‘Sitting Out’ in Producer’s Office

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Steven Spielberg Throws Apple Watch at ‘Sugarland Express’ 50th Anniversary and Remembers Finding ‘Jaws’ Script ‘Sitting Out’ in Producer’s Office

Apple, or at least its technology, was worried about the health and well-being of Hollywood’s greatest director.

In the middle of Steven Spielberg‘s Tribeca Festival talk on Saturday, where the filmmaker was celebrating the 50th anniversary of his debut feature, “The Sugarland Express,” he was interrupted by his Apple watch with a message that read “It looks like you’ve taken a hard fall.” Spielberg jokingly said “I’m not going to press the SOS [button]” before throwing it on the ground. “I’ll pick it up later,” he said, only to retrieve it a few minutes later when it started issuing some sort of distress signal.

Before the Q&A began, a taped message from “The Sugarland Express” star Goldie Hawn appeared on the screen, thanking Spielberg and reminiscing about the pivotal moment in her career—and his. The film was released in 1974, just one year before “Jaws,” and even though it received good reviews, Universal pulled it from theaters after two weeks because of lackluster box office results. “You’re the first audience to ever see ‘Sugarland Express’ in 50 years,” Spielberg said to a packed audience at the BMCC in Lower West Side Manhattan.

The three-time Academy Award-winning filmmaker told moderator and Variety Executive Editor Brent Lang that he was inspired to make the movie after reading an article with the headline “Modern Day Bonnie and Clyde” in a local Los Angeles Valley newspaper, The Citizens News. “It was the story of this couple in Texas, Bobby and Ila Fae Dent who, in order to get their baby back from child welfare, led a multi-car police chase through Texas, and it just seemed like an incredible story,” Spielberg said. He then sent the article to his friends Hal Barwood and Matthew Robbins and asked them if they wanted to work together and write a script.

But Universal wasn’t going to finance the film without a big star’s name above the title. “The movie wouldn’t have gotten made without her,” Spielberg said. Beyond her bankability, Spielberg felt that Hawn was a great fit for the role of Lou Jean Poplin, one of the naive cop car hijackers. “There was an element of the character, a bucolic element, that reminded me of the simplicity of Goldie’s heart,” he said.

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However, filling out the rest of the ensemble inspired Spielberg and his casting director Shari Rhodes to look much farther afield from Hollywood. “I said to Shari, ‘Can you get some real people to be in this movie? Why does everybody have to be an actor? Why can’t you go into a bar and find Buster Daniels? Find a drunk for me,’” Spielberg joked. “She went into a bar, and she pulled this old guy out.” And he ended up being the well-lubricated passenger in the backseat when Hawn and her on-screen husband Clovis (played by William Atherton) steal a cop car and take a patrolman (Michael Sacks) hostage.

Since most of the film takes place in a car that is being followed by a caravan of police cars, news trucks, lookie-loos and well-wishers, Lang asked Spielberg if he thought of the movie during the O.J. Simpson Bronco chase. “I did! I did!” Spielberg replied. “I said, ‘Shit, they’re stealing my thunder!’”

“Sugarland Express” was also the beginning of his legendary collaborations with composer John Williams, and the pair have since worked together on “Jaws,” “Raiders of the Lost Ark,” “E.T. the Extra-Terrestrial,” “Jurassic Park,” “Schindler’s List” and many more. “I had been such a rabid fan of John’s scores, I used to collect soundtrack albums since I was a kid,” Spielberg said. “I vowed that if I ever get a chance to make a feature film, whoever this, I assumed he was British, guy John Williams, I want him to be the one to score it.”

He continued, “When ‘Sugarland’ was a reality…one of the first people I got in touch with was John. We met and had lunch and that was the beginning of…this is our 51st year working together.” To which the audience cheered.

Working on “Sugarland Express” with producers Richard Zanuck and David Brown led him to work with them again on “Jaws.”

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“They had the galleys of this book in their office just sitting out called ‘Jaws’ I didn’t know what it was I was intrigued, and I went over to the assistant of Dick and I said, ‘Can I read this?’” Spielberg said. “I read it over the weekend and I was floored by it. I asked him if they would consider having me direct this, and there had already been a director assigned to it. Then about a month later when that didn’t work out they offered me the movie.”

In a year, when “Jaws” took a bite out of the box office, everyone would know Spielberg’s name and he’d be no one’s second choice to direct a movie about a shark, some dinosaurs or all manner of visitors from outer space.

Bonus trivia: The baby that Hawn and Atherton are trying to reunite with is played by Zanuck’s son, Harrison.

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Dakota Johnson Joins Lily Allen to Play ‘Madeline’ on ‘SNL’

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Dakota Johnson Joins Lily Allen to Play ‘Madeline’ on ‘SNL’

Star Dakota Johnson made a surprise appearance on “Saturday Night Live” this week, playing the mysterious “Madeline” during Lily Allen‘s performance of that track. The song was Allen’s second of the night.

During the performance, Johnson was mostly hidden behind a screen through the song, as Allen sang about the mistress. But Johnson performed the spoken word portion of the song, which appears on Allen’s album “West End Girl.” In the track, Allen notes that she and her signficant other “had an arrangement: Be discreet and don’t be blatant. And there had to be payment. It had to be with strangers. But you’re not a stranger, Madeline.”

Later in the song, “Madeline” explains her side of the story via texts to Allen: “I hate that you’re in so much pain right now. I really don’t wanna be the cause of any upset. He told me that you were aware this was going on and that he had your full consent. If he’s lying about that, then please let me know. Because I have my own feelings about dishonesty. Lies are not something that I wanna get caught up in. You can reach out to me any time, by the way. If you need any more details or you just need to vent or anything. Love and light, Madeline.”

After reading those lines, Johnson came out from behind the curtain and walked up to Allen — and gave her a quick kiss.

“Madeline” is one of the standout tracks from Allen’s new album “West End Girl,” and has led to much speculation over who the mysterious pseudonym is (or might be a composite of). At least one person has told the press that she is “Madeline,” although Allen has said that it’s actually a composite of several women.

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For her first “SNL” number, Allen performed “Sleepwalking” from “West End Girl,” in a bedroom set under a neon sign. Given the saucy lyrics, Allen did have to censor herself, omitting the lyric, “Why aren’t we fucking, baby?” (She did the same thing with “Madeline,” avoiding part of the line “I’m not convinced that he didn’t fuck you in our house.”)

Allen appeared on “Saturday Night Live” to promote “West End Girl,” which has been met with wide acclaim for its brutal honesty and craftsmanship. The album addresses her split from “Stranger Things” star David Harbour, without ever mentioning him by name. (As characterized through scathing lyrics on songs such as “Pussy Palace,” “Sleepwalking” and “Madeline.”)

In his Variety review, Chris Willman called “West End Girl” a contender for album of the year. He wrote of “savoring every confessional line and wondering what the hell she was going to tell us in the next one to top it. It’s the pleasure of listening to a master storyteller who makes your jaw drop by seeming to have spilled all the tea almost at the outset, and then the tea just keeps on coming. Not since Boston in 1773, maybe, has anyone dumped it this massively, or this fulfillingly.”

“West End Girl” repped Allen’s first album release since 2018. Allen has announced a tour next March to support the album, which marks Allen’s first time touring since 2019.

This is Allen’s second time on “Saturday Night Live,” following an appearance on the Feb. 3, 2007 episode hosted by Drew Barrymore. During that episode, Allen performed the tracks “Smile” and “LDN” from her debut album “Alright, Still.”

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Australian authorities: Bondi Beach shooting was ‘terrorism … designed to target Sydney’s Jewish community’

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Australian authorities: Bondi Beach shooting was ‘terrorism … designed to target Sydney’s Jewish community’

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A mass shooting during a Hanukkah celebration at Bondi Beach in Sydney, Australia, on Sunday evening left at least 12 people dead and 29 people hospitalized, authorities say.

The annual celebration, known as “Chanukah By The Sea,” was scheduled to kick off at 5 p.m. to celebrate the first day of the Jewish holiday by lighting the first candle on the Menorah. Police say the attack “targeted” the Jewish community and is being investigated as an act of terrorism.

The New South Wales Police Force (NSWPF) said officers responded to reports of shots fired at about 6:45 p.m. on Sunday. Police say there were at least two gunmen involved in the attack, and they are investigating the possibility of a third. Twelve people were killed in the shooting, including one of the two suspected gunmen, police said. The second alleged shooter is in critical condition.

At least 29 others were hospitalized after the shooting, including two police officers, the agency confirmed. The shooting is the worst attack against Jews since the Oct. 7, 2023, Hamas terror attacks.

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ANTISEMITIC ATTACKERS VIOLENTLY TARGET SYNAGOGUE, ISRAELI RESTAURANT IN AUSTRALIA

An investigation is underway after a deadly attack on a Hanukkah event at Bondi Beach in Sydney, Australia, on Sunday.  (David Gray/AFP via Getty Images)

Police added that they found evidence of multiple improvised explosive devices in a vehicle near the scene of the attack.

“We have our rescue bomb disposal unit there at the moment working on that,” he said. 

Israeli President Isaac Herzog acknowledged the attack while speaking at an event in Jerusalem recognizing immigrants’ extraordinary achievements on Sunday.

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“At these very moments, our sisters and brothers in Sydney, Australia, have been attacked by vile terrorists in a very cruel attack on Jews who went to light the first candle of Chanukah on Bondi Beach,” Herzog said. “Our hearts go out to them. The heart of the entire nation of Israel misses a beat at this very moment, as we pray for the recovery of the wounded, we pray for them and we pray for those who lost their lives.”

AUSTRALIA’S JEWISH COMMUNITY ALARMED BY RISING ANTISEMITISM: ‘FEAR AND ANXIETY’

A health worker moves a stretcher after a shooting incident at Bondi Beach in Sydney, Australia, on Dec. 14, 2025. (Saeed Khan/AFP via Getty Images)

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Herzog also called on the Australian government to “seek action and fight against the enormous wave of antisemitism which is plaguing Australian society.”

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In Khartoum, exhumation of makeshift graves reawakens families’ grief

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In Khartoum, exhumation of makeshift graves reawakens families’ grief

Khartoum, Sudan – Iman Abdel-Azim had to bury her brother in the courtyard of her home in Khartoum North when he died as fighting between the Sudanese military and the paramilitary Rapid Support Forces raged around them.

Her brother died of cholera in September last year, unable to access medical care.

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Her neighbours had to help her bury him because it was impossible to access cemeteries during the fighting. She was not the only resident of the capital region’s three cities – Khartoum, Khartoum North and Omdurman – who had to do this.

After Khartoum State announced at the beginning of December a major effort to exhume the remains of people buried in this makeshift manner and move them to cemeteries, Abdel-Azim feels her grief has been renewed as she relives the pain of losing a loved one.

Organised campaign

State and local committees were formed to implement the exhumations. They are made up of representatives from forensic medicine, Civil Defence, the Sudanese Red Crescent, and neighbourhood management and services committees.

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Ahmed Abdel Rahman, executive director of Khartoum North, told Al Jazeera that the campaign aims to alleviate the psychological burden on families and improve the health and humanitarian situation in the capital region.

According to Abdel Rahman, the campaign is being overseen by the High Committee for Collecting the Remains of Those Who Died During the Battle of Dignity.

The process will unfold in stages, the first of which is identifying makeshift burial sites.

After that, families are notified and allowed to nominate a representative to be involved in every step, from exhumation to burial.

Forensic medicine specialists will supervise the exhumations and reburials in cemeteries with full documentation of the remains.

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The process of transferring these remains began as early as when the Sudanese army took control of Khartoum State, Hisham Zain al-Abidin, director of the Forensic Medicine Authority in Khartoum State, explained to Al Jazeera.

He affirmed that by the first quarter of 2026, Khartoum and its seven districts would be free of any makeshift graves.

However, he added, the field teams responsible for the exhumations and reburials are facing a number of challenges, including a shortage of body bags, “which could affect the work being carried out as required”.

Forensic experts and the Sudanese Red Crescent exhume remains from makeshift graves  in Khartoum’s al-Azhari on August 2, 2025 [Ebrahim Hamid/AFP]

Sabotage

According to Zain al-Abidin, the Rapid Support Forces sabotaged the DNA units used to preserve samples from several buried bodies, which has made it difficult to identify many victims.

He said teams are numbering and documenting the burials of unidentified bodies, then burying them in graves specifically for unidentified individuals.

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He called on stakeholders, organisations and citizens for help in preparing the graves and stressed that the work ahead is extensive and requires concerted efforts between the government and citizens.

For her part, Shireen Al-Tayeb Nour Al-Daem, vice president of the Steering and Services Committee in the Shambat neighbourhood of North Khartoum, told Al Jazeera that the committee had surveyed graves in homes, mosques and public squares in several neighbourhoods as a preliminary step before the arrival of medical teams and the commencement of exhumations and transfers of bodies.

Nour Al-Daem said the committee informs victims’ families to attend and follow up on the official procedures with the legal and medical teams until the transfers and burials are completed.

The committee is working on identifying and surveying the locations of makeshift graves, collecting data and communicating with families, Nour Al-Daem said, urging citizens to report the locations of makeshift graves so field teams can access them.

When teams arrive to undertake the exhumations and reburials, the committee will also undertake the logistics and support for those teams. This includes coordinating between the field teams and the families of the deceased to ensure the presence of the family or a representative.

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If no relatives of the deceased are present, she added, the High Committee has instructed that the exhumation be halted.

She indicated that the country needs further efforts to complete reconstruction and rebuilding and what the committees are doing “paves the way for a safe environment for the return of citizens” despite the difficulty of people experiencing a second farewell to their loved ones.

The streets of Khartoum are also filled with bodies that have not yet been buried, some of which have decomposed, representing a challenge to identify them and dangers to public health.

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