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Column: This is what it took to expose Sean 'Diddy' Combs' abuse of his girlfriend

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Column: This is what it took to expose Sean 'Diddy' Combs' abuse of his girlfriend

Thank God for hotel security cameras.

Last week, CNN obtained and broadcast footage of music mogul Sean “Diddy” Combs brutally assaulting a young woman in the hallway of a posh Los Angeles hotel in 2016.

As the video begins, a barefoot young woman is seen fleeing down a corridor toward elevators, stopping to hurriedly put on her shoes. Moments later, Combs emerges from a room wearing only socks and a white towel wrapped around his waist. He chases the woman down, throws her to the ground, kicks her, punches her, drags her by her hoodie and hurls a vase at her.

All while deftly managing to keep his towel in place.

The victim is R&B singer Cassie, whose real name is Casandra Ventura. In November, she filed a 35-page federal lawsuit against Combs and his label, Bad Boy Records, alleging that he had physically and sexually abused her for years and frequently forced her into encounters with male prostitutes that he watched and recorded.

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The lawsuit, which left me feeling ill, lays out a disturbing narrative of extreme abuse, coerced drug use and sexual perversion over the course of the pair’s 13-year relationship, which began in 2005. When they met, she was a 19-year-old aspiring singer, while he was a 37-year-old rap icon and record label executive. He held her future in his hands, and she describes being trapped in a classic cycle of abuse.

For more than a decade after he signed Ventura to his label, the suit alleges, Combs orchestrated most aspects of her life, regularly hiding her away in hotels — she alleges one such three-week stay in Hawaii — so the black eyes and split lips he inflicted would heal.

Naturally, Combs’ attorney Ben Brafman feigned outrage at the idea that his client was an abuser:

“Mr. Combs vehemently denies these offensive and outrageous allegations,” he told the New York Times. “For the past six months, Mr. Combs has been subjected to Ms. Ventura’s persistent demand of $30 million, under the threat of writing a damaging book about their relationship, which was unequivocally rejected as blatant blackmail.”

Au contraire, retorted Ventura’s attorney Douglas Wigdor: “Mr. Combs offered Ms. Ventura eight figures to silence her and prevent the filing of this lawsuit. She rejected his efforts.”

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It took tremendous courage for Ventura to file her lawsuit, which was made possible by New York’s Adult Survivors’ Act. The law gave victims a one-year window to file lawsuits for sexual misconduct alleged to have happened before 2019 for which the statute of limitations had expired. About 3,000 lawsuits were filed before the window closed in November, including, most famously, by E. Jean Carroll, who claimed that Donald Trump had raped her in a department store dressing room in 1996. A jury found Trump liable for defamation and sexual assault, which the presiding judge said was rape by another name.

Strangely enough given Combs’ professions of innocence and victimhood, Ventura’s lawsuit was settled confidentially less than two days after it was filed. At the time, his lawyer emphasized that the settlement in no way implied that Combs was guilty.

Except, come on now. The explosive video perfectly matches many of the allegations made in Ventura’s lawsuit; she doesn’t appear to have been making it up.

The lawsuit alleges that people in Combs’ orbit — his attorney, the president of his record label — pressured her to return to him when she tried to escape. “Each time Ms. Ventura tried to run away,” the lawsuit alleges, “Mr. Combs and his powerful network would force her back to him.”

On Sunday, all too predictably, a teary Combs posted a video on Instagram.

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“I was f—ed up,” he says. “I hit rock bottom. I got into going to therapy, going to rehab. I had to ask God for his mercy and grace. I’m so sorry.”

Me, me, me, me. Not a word about the hell he put Ventura through nor even a mention of her name. And anyway, when, exactly, did he hit rock bottom and have his epiphany?

After all, Ventura alleges that in September 2018, more than two years after the hotel hallway incident, he raped her at her home after they met for dinner in Malibu to discuss the end of their relationship.

Within months of Ventura‘s lawsuit, four other lawsuits were filed accusing him of sexual assault and other offenses, including one by a woman who was in college when she alleges that Combs drugged and assaulted her, and another by a woman who was a high school junior when she alleges she was sex trafficked and gang raped by Combs and the longtime president of his record label.

It’s unfortunate that Combs cannot be prosecuted for what he did to Ventura in that hallway. The Los Angeles County district attorney’s office said it is powerless to act because the statute of limitations has expired.

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But Combs’ troubles may be just beginning. In March, his homes in Miami and Los Angeles were raided by agents of the Department of Homeland Security, who seized computers, hard drives and guns, according to news reports, which said the raids were part of a sexual assault and sex trafficking investigation of Combs, a father of seven. He has not been charged with a crime.

Someone leaked photos of the aftermath of the Holmby Hills raid to TMZ. The rooms looked as if a tornado had swept through — papers, clothing, children’s shoes and stuffed animals strewn all over. News video showed two of Combs’ adult children in handcuffs outside.

It was sad, yes, but an apt visual metaphor for the mess Combs has made.

@robinkabcarian

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

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‘Clayface’ trailer teases DC Studios’ first proper horror movie

The DC universe is going full on body horror.

DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.

Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.

The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.

According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”

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“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.

Who is Clayface?

Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”

Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.

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Other versions of Clayface have been introduced in various media since.

Who is in ‘Clayface’?

The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.

Who are the ‘Clayface’ filmmakers?

Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).

The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

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“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

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“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”