Movie Reviews
TIGER Review
TIGER is both engaging and educational. The narrator does a good job at educational storytelling, balancing humor and drama at just the right moments. On top of that, although the story is about one of nature’s greatest predators, there is never any on screen killing. However, there is still some animal violence. After all, tigers are predatory creatures, and the movie shows other dangerous animals such as crocodiles and a python. So, some caution and discretion for younger children is still advised. Ultimately, however, TIGER is grand tale about one of nature’s big cats. It’s a happy addition to the Disney Nature documentaries.
Dominant Worldview and Other Worldview Content/Elements:
This movie has a moral, educational worldview embracing motherhood, the movie’s entire point is to educate viewers about how tiger families survive in the Indian jungle, the tigers aren’t put up on pedestals and humans are not shamed nor mentioned, the sole purpose seems to be to showcase and highlight how a tigress goes about raising such a big brood of cubs, there is a line that compares a tiger to a “spirit,” in the fact that when a tiger is hiding they are “everywhere and nowhere,” but the line has no religious context to speak of;
Foul Language:
No foul language;
Violence:
There are a few moments of animal violence, including a male tiger and female tiger attack each other, there are many times when the cubs are all play fighting amongst themselves, one whole scene is dedicated to frogs kicking each other off of rocks during their mating season, the aftermath of successful hunts are shown where one tiger manages to catch a deer offscreen and another tiger manages to catch a sloth off screen, two crocodiles manage to drown a deer, and a group of vultures feast on a bear cub who doesn’t make it;
Sex:
There is an implied mating between a female and male tiger where the female tiger doesn’t intend to bear cubs, but the female tiger plans to mate with the alpha tiger as his new and permanent mate after her cubs from another tiger are grown old enough to survive on their own;
Nudity:
No nudity;
Alcohol Use:
No alcohol use;
Smoking and/or Drug Use and Abuse:
No smoking or drugs; and,
Miscellaneous Immorality:
Nothing else objectionable.
TIGER is one of newest documentaries to arrive on Disney+. As the name implies it follows the story of a tiger, or rather a tigress, as she teaches her new cubs to hunt. The main characters of this show include five tigers in particular. Ambar, the mother of the brood, is the main focus for most of the film. She has a grand total of four cubs who are identified by both their unique stripe patterns and their personalities. The biggest and bravest male is called Ravi, the clumsy younger male is called Golu, the older female is called Ivy because she loves to climb, and the smallest female is called Charm, who likes her solitude.
Taking place in a jungle forest of India, Ambar is set to raise her unusually large brood of tiger cubs. However, it doesn’t prove to be easy.
The first big obstacle is the fact that anytime a tiger is spotted by any animal, a large warning is spread throughout, which frequently makes it hard for Ambar to hunt. Normally, when tigresses have cubs, the male tiger is usually assisting in some way. However, Ambar’s original mate was fought and scared away by the new alpha male, Shankar. So, on top of having to raise and feed her cubs, she needs to do it in secret because Shankar would kill her cubs if he caught them. The third major issue for Ambar is each of the cubs’ personalities leads to difficulties in her teaching them due to their quirks.
Despite all these obstacles, Ambar and her cubs seem to thrive and grow.
[SPOILERS FOLLOW] Ravi manages to grow into a big and strong alpha male in his own right, although almost gets himself killed when he becomes the tiger equivalent of a teenager and tried to fight Shankar. Luckily, his mother was able to save him. Ivy’s love of climbing ends up serving her well when she grows up and becomes a powerful and clever hunter. Charm at one point during the rainy season is separated from her mother and siblings but manages to survive and becomes more confident and a better hunter than all the rest. Only Golu doesn’t survive to adulthood when he’s eaten by a crocodile and vultures during a time when his mother left the cubs defenseless. After her cubs are grown and leave, Ambar joins Shankar as his new mate to start a new family. As she does that, Charm also mates and produces cubs, continuing the circle of life.
All well-made documentaries should seek to do two things: impart knowledge and tell a compelling narrative. This documentary is successful at both. The narrator is excellent at describing what is going on in an engaging way, making moments either humorous or dramatic when they need to be. On top of that the camera work for some of the shots is excellent, accurately portraying the mood of the movie. Also, TIGER not only teaches viewers about tigers, it also teaches them about other creatures in the Indian jungle, including sloth bears, frogs, mugger crocodiles, Indian pythons, and monkeys.
The one thing that is both good and surprising about TIGER is this documentary about one of the planet’s most dangerous predators to be more bloody and ruthless than this was. There is killing and death in TIGER, but the killing is all done off screen. So, the movie contains less violence than expected. This isn’t to say that no violence or blood is shown.
Overall, TIGER is engaging and educational, well worth its 90-minute viewing time. Disney has done a very good job giving a glimpse into the daily lives of one of nature’s most ferocious and largest wild cats. Children can watch TIGER with some adult discretion. MOVIEGUIDE® advises caution for younger children.
Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.
What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.
You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.
Movieguide® is a 501c3 and all donations are tax deductible.
Now more than ever we’re bombarded by darkness in media, movies, and TV. Movieguide® has fought back for almost 40 years, working within Hollywood to propel uplifting and positive content. We’re proud to say we’ve collaborated with some of the top industry players to influence and redeem entertainment for Jesus. Still, the most influential person in Hollywood is you. The viewer.
What you listen to, watch, and read has power. Movieguide® wants to give you the resources to empower the good and the beautiful. But we can’t do it alone. We need your support.
You can make a difference with as little as $7. It takes only a moment. If you can, consider supporting our ministry with a monthly gift. Thank you.
Movieguide® is a 501c3 and all donations are tax deductible.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
Movie Reviews
‘I Swear’ Review – Heart Sans Sap, Cursing Aplenty
The sixth outing in the director’s chair for filmmaker Kirk Jones, I Swear dramatizes the real-life story of touretter John Davidson (played by Robert Aramayo). Tourette’s Syndrome, for those unfamiliar with the condition, is a nervous system disorder that causes various tics, the most prolific being erratic and explicit language. However, as I Swear expertly showcases, the syndrome is far more than ill-timed outbursts of curse words. Davidson’s story is one of societal frustration, finding your people (both with and without the condition), and using your voice to help others rise. The subject and subject matter are handled with absolute care and understanding under Kirk’s measured vision and Robert Aramayo’s BAFTA-winning performance.
The film kicks off with the greatest exclamation to democracy ever uttered (*%#! the Queen!), as a nervous John Davidson prepares himself before entering an awards ceremony hosted by Britain’s royal family. Right away, the film tells us what it is: a triumph over adversity that blends humor and human drama with education. It’s an important setup, as the film flashes back to Davidson’s 1980s youth, where we see his time as a star soccer recruit flatline as his condition takes hold. Davidson’s life spirals from there. Some aspects, like school bullying and accidental run-ins with authority figures, are expected but important to empathizing with young Davidson’s (young version, played with heart by Scott Ellis Watson) new everyday life. The more tragic, a complete meltdown of his family system, is unsettling if quick. His father (Steven Cree) is never given enough screen time to explore his alcohol coping tendencies. However, his mother Heather’s descent into easy fixes and blaming is crushing and convincing. Harry Potter series actress Shirley Henderson (Moaning Myrtle) gives a layered performance as Heather. Someone who loves her son, but also feels cursed by him as the entire family exits the picture. It’s bitter, she’s tired, and fills each conversation with ‘only medication and your mother can save you’ energy.
From there, the viewer and Davidson find refuge in a host of characters. Maxine Peake plays Dottie, the mother of a childhood friend and a retired mental health nurse. Screen vet Peter Mullan plays maintenance man Tommy Trotter. Together, they help Davidson build a life and an understanding of himself that carries the film forward into its second half. After that, the film is primarily a 3-actor show as director Kirk fills the screen with these tour-de-force performances. Peake and Mullan are great vessels to get the film’s main message across: patience, love, and a shared responsibility between the diagnosed and those who understand their struggle can help change the path for people quickly left behind by a normative world. Together, they are the soul of the movie, with the filmmakers clearly hoping the audience will follow their lead after they exit the theater (in my case, the beautiful Oriental Theater for the Milwaukee Film Festival). Both performances are perfectly warm and reflective and shouldn’t be left out in discussions of I Swear.
I say this because the movie is anchored by The Rings of Power actor Robert Aramayo, who leaves Elrond’s elf ears behind to bring an acute naturalism to his performance of main character John Davidson. Aramayo’s physicality and timing of the fitful Tourettes Syndrome never feel out of place or overplayed. In fact, the movie as a whole does an amazing job of never veering into sentimentality. While many moviegoers left with tissues dabbing their eyes, the filmmaking never felt like it was forcing that reaction out of audiences. It straddles the line between feel-good and reality with every story beat and lands squarely on the side of letting the real inform our feelings. Anyone with an ounce of empathy will grasp the film’s message and hopefully take it with them into life.
I Swear continues at the Milwaukee Film Festival on Tuesday, April 21st, and releases nationwide April 24th, 2026, courtesy of Sony Pictures Classics.
Movie Reviews
Six 100-Word Movie Reviews
Pizza Movie (2026) Director: Nick Kocher and Brian McElhaney, Star: Gaten Matarazzo and Sean Giambrone
Somehow, I got through an hour of this movie. I was seconds away from turning off in the first fifteen minutes because of the juvenile humor. Pizza Movie is too silly, repetitive, and the characters are annoying. Stranger Things Gaten Matarazzo and Sean Giambrone star as college friends, Jack and Montgomery. College angles are rarely seen in films right now, and that’s the one saving grace of the film. Similar to high school, people are also trying to fit in. The story and visuals were too corny. You can only watch someone’s head exploding for so long without letting yours.
The Super Mario Galaxy Movie (2026) Director: Aaron Horvath and Michael Jelenic, Stars: Chris Pratt, Charlie Day, Anya Taylor-Joy
I never saw the first Super Mario Brothers Movie when it was out, but I heard it got positive reviews. My brother always loved playing Super Mario video games as a kid, and I’d watch him. I tagged along with my friends to see Super Mario Galaxy Movie, and it’s a cute and fun film. I like it when movies explore the video game world. The animation creates unique worlds and characters. The characters are split into their own storylines, and for me, I felt like it worked. It adds more action, especially for kids who are seeing the films.
Emily in Paris Season 5 (2025) Creator: Darren Star, Stars: Lily Collins and Ashley Park
After a bright spot in season 4, I thought season 5 of Emily in Paris would continue its growth in the story and its protagonist, but no, it’s all drained out in the usual Emily (Lily Collins) mishaps. Ashley Park (Mindy) has become too good for this show. Emily and Mindy waste several opportunities because of their love lives. The whole relationship angle is ruining it. I don’t understand why Alfie (Lucien Laviscount) is still in the show. I thought writers learned their lesson, but by the last episode, they’re continuing to bring the past into an apparent season 6.
Sarah’s Oil (2025) Director: Cyrus Nowrasteh, Stars: Naya Desir-Johnson and Zachary Levi
There’s always history lurking right beneath our noses. Sarah’s Oil (2025) tells the true story of Sarah Rector, an Oklahoma-born African American girl who became the first black female millionaire in the U.S. Naya Desir-Johnson is fierce and driven as Sarah. Zachary Levi is also along for the ride as Bert, a man who helps Sarah. Kate (Bridget Regan) was another favorite character as an intelligent woman. Cyrus Nowrasteh was drawn to the subject for its story and its themes. Nowrasteh’s direction is compelling as he unearths a hidden story from history. The film is streaming on Amazon Prime.
Jack Goes Boating (2014) Director and Star: Phillip Seymour Hoffman and Amy Ryan
Jack Goes Boating (2014) didn’t quite work for me, largely because of its slow pace and uneven storytelling. The film stars the late Seymour Hoffman as Jack, who also directed the film. This was Hoffman’s first and only time in the directing chair. Amy Ryan also stars in the film, giving a solid performance. This was also based on a play that Hoffman starred in. Jack wants to participate in a swim championship. That’s hardly what the film is about, tracking other characters’ stories. While the film aims for quiet intimacy, it ultimately drags, making it an underwhelming viewing experience.
You Kill Me (2016), Director: John Dahl, Stars: Ben Kingsley, Tea Leoni, Luke Wilson
Meet You Kill Me (2016), yet another film that I found in the museum of underrated gems. The concept revolves around Frank (Ben Kingsley), a hitman, who is sent to an A.A. meeting to get his mind focused again. A different story happens, where Frank falls in love with Laurel (Tea Leoni). Leoni is one of my favorite actresses. It also stars the funny Luke Wilson. I liked the trio’s dynamics. You Kill Me is a mental health movie. It’s okay to make changes if you’re not happy. I recommended that you keep an eye out for this movie.
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