Entertainment
Crystal Kung Minkoff says her 'Real Housewives' days are over: 'It was a blessing'
Bravo’s “Real Housewives” franchise is down another star.
Crystal Kung Minkoff of “The Real Housewives of Beverly Hills” revealed she is stepping away from the cameras and will not return for Season 14 of the series. Kung Minkoff announced her departure in a laid-back Instagram video shared Monday. “It’s very bittersweet,” she said.
“Never did I think I would’ve been asked to do this show in a million years, let alone film it for three seasons,” the entrepreneur, wearing a blush-colored hoodie, told fans. “Every single year I was asked back, it was a blessing. It was an honor.”
Kung Minkoff, the wife of filmmaker Rob Minkoff and mother of two, joined the hit Bravo series when Season 11 premiered in May 2021. She became the first Asian American housewife to take the “RHOBH” spotlight. Representing the Asian American community, the Real Coco coconut water boss, 41, said in her video, was “a lot of weight” on her shoulders, but she has come to understand “what that meant for people.”
In October 2021, Kung Minkoff told The Times that she didn’t seek out the “Real Housewives” opportunity but rather was approached “during the height” of the Black Lives Matter movement in 2020. The rise in crimes against Asians the next year was also an impetus for her to join the show.
“When I thought about it, I was like, you know, if I don’t do it, they’re gonna pick someone else, and they might not be Asian. And then that’s one less person in the AAPI community that won’t be on TV, right?,” she said in 2021. “So then it just was this constant, like, pressure of representation that I take very seriously.”
During her “Real Housewives” tenure, Kung Minkoff traded shade with multiple housewives (including Erika Jayne), shared her experience with an eating disorder and used her platform to spread awareness about her father’s battle with Alzheimer’s.
She continued her announcement by telling fans that she has more in store, but did not reveal what was on the horizon. She added that she hopes to stay connected with them, because “that has been my biggest gift filming this show.”
“I’m so grateful for everyone’s love and support. You guys are an incredible audience, with your own unique stories to tell,” she said. “I hope you guys all one day have your opportunity.”
In her Instagram caption, Kung Minkoff thanked NBCUniversal, Bravo, Andy Cohen and “Real Housewives” executive producer Alex Baskin for the opportunity. A representative for Bravo did not immediately respond to The Times’ request for comment Tuesday.
Kung Minkoff is the second “Real Housewives” star to confirm their exit from the franchise this week. On Monday, Robyn Dixon confirmed that she is leaving “The Real Housewives of Potomac” behind. In Monday’s episode of her “Reasonably Shady” podcast, she said Bravo did not invite her back for another season.
“I was fired, for lack of better words,” Dixon alleged. “I will not sugarcoat the situation and say, ‘Oh, I am walking away and this is a break’ or anything like this. This is a network decision.”
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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