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Les Miles Faces Multiple Hurdles in Hall of Fame Lawsuit

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Les Miles Faces Multiple Hurdles in Hall of Fame Lawsuit

Former LSU football coach Les Miles, who coached the Tigers to a national championship in 2007 but was tainted by scandal, sued LSU, the NCAA and the National Football Foundation (NFF) and Hall of Fame Monday over his ineligibility for the College Football Hall of Fame.

In a complaint filed in a Louisiana federal district court, Miles, 70, contends he is a victim of a conspiracy to violate his due process rights as guaranteed by the 14th Amendment. He seeks a court declaration that he’s eligible for the Hall of Fame, that vacated wins of games he coached count for eligibility and that “any agreement” between the defendants to exclude vacated wins be deemed void and unenforceable.

Miles finished his head coaching career with a record of 145-73* (66.5% winning percentage), including a 114-34* record from 11 seasons at LSU, where he has the highest winning percentage (77%*) in school history.

Notice the repeating asterisk. In 2023, LSU vacated 37 wins that occurred from 2012 through 2015. As a result, LSU’s official record during that time is 0-14, and Miles’ career record is officially 108-73, a winning percentage of 59.7%. 

The revised calculations reflect an NCAA investigation into recruiting infractions regarding the LSU football and basketball teams. The NCAA found three violations connected to the football team, two of which, Miles stresses, occurred after he left the school in 2016. The one under Miles’ watch involved a booster who offered to employ the parents of LSU guard Vadal Alexander at the Our Lady of the Lake Foundation (a nonprofit for a hospital) and eventually hired the father. The booster later pleaded guilty to federal charges for defrauding the foundation. The NCAA found LSU had failed to monitor the booster. 

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As part of a settlement with the NCAA, LSU agreed to self-impose penalties rather than take the chance of experiencing a more severe punishment. Those penalties included scholarship reductions, recruiting restrictions and—of consequence to Miles—vacating 37 football wins. Vacating wins means the wins no longer count and are treated by the school and NCAA as if they never happened. 

The NFF, which Miles insists is “controlled” by the NCAA, sets criteria for college football coaches’ eligibility for nomination and admission into the Hall of Fame. Coaches must be at least 70 years old (or 75 if still active), have been a head coach for at least 10 years, coached at least 100 games and earned a winning percentage of at least 60%. Miles’ official percentage is 59.7%, and thus Miles is ineligible. 

Through attorney Peter Ginsberg, Miles argues that had LSU not offered to vacate the wins in a settlement, had the NCAA not accepted the offer and had NFF not gone along with the outcome, Miles would be eligible. 

In the coming weeks, the defendants will answer the complaint and motion for its dismissal. 

Expect at least four main defense arguments.

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First, the defendants will likely assert that Miles lacks standing to bring this case. Universities and their member associations, such as an NCAA member school and the NCAA, can reach understandings to resolve disputes. Likewise, individual school employees—even powerful and highly paid ones like a head football coach—can’t block those agreements. The defendants will insist they didn’t need Miles’ blessing and that even if his eligibility for professional achievements was damaged as a result of vacating wins, that is not a legal injury for which they can be held responsible.

Second, expect LSU (a public university) to argue that while Miles may have been owed a hearing and other due process protections before the school fired him in 2016, those protections were connected to his property interest in employment—not his eligibility for a hall of fame. Attorney Tom Mars, who has represented college coaches and college athletes in contractual disputes, said he is “not aware of any precedent for a coach having a property interest in their W/L record.” Wins and losses are attached to a team and school, not a coach or player.

Third, LSU could insist any injury is inherently speculative. Miles was also a head coach at Oklahoma State and Kansas, the latter of which he coached after leaving LSU and finished with a 3-18 record. Miles could have qualified if his teams had performed better. 

Lastly, expect the defendants to suggest Miles’ case advancing could open Pandora’s Box and the floodgates to litigation. If a coach or former coach has a property interest in wins, so too could players who played in those wins. Staff and perhaps even boosters and ticket holders might also say they have a protected stake. 

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Cinematography Work at Camerimage Festival ‘Radically Different,’ Jury Members Say

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Cinematography Work at Camerimage Festival ‘Radically Different,’ Jury Members Say

Jurors at the EnergaCamerimage cinematography fest say the Golden Frog main competition films have been remarkably varied and inspiring in the event’s 32nd edition.

The 12 competing films “were radically different from each other,” said “Barbie” and “Killers of the Flower Moon” cinematographer Rodrigo Prieto, whose directorial debut, “Pedro Paramo,” is also screening at the fest. “I enjoyed that.”

The varied styles, approaches and storytellers, he added, defied easy categorization. “Happily, I didn’t notice trends, which I have noticed sometimes in the past in some festivals.”

Juror Anthony Dod Mantle, who won Golden Frogs in 2008 for his lensing of “Slumdog Millionaire” and in 2016 for “Snowden,” said, “I’ve been to this festival before and the overall collection of films and categories, I felt, was even wider. I feel slight absence of certain films from other ethnic backgrounds. They were different, these films, but they could be far more different.”

Greater diversity and inclusion in cinematography has justly been a hot topic this year at Camerimage, he added. “It’s good we embrace that, celebrate it here, because not many festivals do that.”

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Dod Mantle described the current state of cinematography, based on what the jury’s seen this week, as “openly variable and that’s why we praise some films rather than others because they challenge convention.”

He also described the industry as “in a bit of a pickle,” adding, “We know that. We have to applaud ourselves and embrace and encourage every single essence of, molecule of, exploration and challenging cinema.”

Juror Lukasz Zal, who filmed “The Zone of Interest” and “Cold War,” said “I feel really inspired. I feel this kind of positive envy when you just see something which you admire, and love – cinema is still in good condition.”

And, he added, “I’m becoming hopeful that, OK, there’s still a lot to discover. For this, I really love Camerimage. When I was here, when I was a student, I was always coming back home after festival, with this feeling, kind of eager to work, to prepare and to just be really open and be full of ideas.”
Spending time here again as a top professional in his field, Zal said, “I feel again like a student.”

Juror Cate Blanchett said it’s clear cinematography has no crisis of creativity currently.

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Instead, there’s a different issue: “The pickle is how one gets access and is able to see these films in the way that they’re intended to be seen.”

Technology advances in the field are also helping storytelling onscreen evolve, she added, rather than distracting from it. “Sometimes you can see there’s been huge technical advances made, or there’s been big innovations, and they haven’t yet been integrated into the stories that they’re being applied to. Whereas I thought there were so many films here that have really integrated the technology and in a completely adventurous and inventive way that was not pretentious. It was very interwoven and enmeshed with the performances and the stories.”

Jury duty at Camerimage is rewarding, said Dod Mantle, because the Golden Frog award can often help promising cinematographers break through to booming careers.

He described the potential effect of the award as “enormous.”

“The first time I came here, in competition,” he recalled, “it illustrated for me the jury was embracing cinema, celebrating something different and challenging.”

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Cinematographers are keenly aware of the judgment of their peers, Dod Mantle added. “You feel quite vulnerable here. I’ve seen cinematographers leave the festival and go spend the weekend in Krakow and come back. The frog, ultimately is a beautiful thing celebrating our colleagues’ work.”

Juror Anna Higgs, a producer and columnist who works closely with BAFTA, said, “I think we should normalize cinematographers getting asked for their autographs – the fact that this frog is the idolized thing here.”

Blanchett added, “It’s very rare that you go to a festival where every single person in the auditorium sits right through the credit roll to the very end.” She noted “the respect that is shown to every single crewmember.”

Prieto recalled the impact of his own Golden Frog cinematography win in 2000 for “Amores Perros” fondly. “I do cherish that frog. It’s wonderful to get a frog, but more than anything, it’s a place where cinematography is the focus and is celebrated, and to share that obsession with so many people, and the energy of that, is really wonderful.”

Zal had a similar career boost, he said, after winning for lensing “Ida” by Pawel Pawlikowski in 2013. “That’s really the moment when somehow my career changed. I was always dreaming while having student films here.  And it was beautiful to get an award from colleagues and being here and being among amazing cinematographers.

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“I was put in competition with the people who I admire. Even now, sitting with Rodrigo, who for me was a huge inspiration. I was shooting my films in school inspired by ‘Amores Perros.’ Now we’re sitting together on the jury. That’s amazing, that’s beautiful.”

Blanchett described the close proximity of students and top international lensers as a unique strength of Camerimage, praising “the mentorship that goes on, how you’ll champion the works of other people.”

“I think that’s why it’s so vitally important that there’s an increased level of female participation. Because of the networking and mentorship opportunities and championing the work. The conversations and the opportunities that arise from those conversations are really important.”

Oscar-winning costume designer Sandy Powell (“Shakespeare in Love,” “The Aviator” and “The Young Victoria”) and cinematographer and documentary filmmaker Jolanta Dylewska also served on the Camerimage jury, calling earlier this week for greater diversity and inclusion in the industry.

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Ukraine to analyze fragments of missile fired by Russia capable of carrying nuclear warheads

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Ukraine to analyze fragments of missile fired by Russia capable of carrying nuclear warheads

Investigators in Ukraine are analyzing the debris of a new intermediate-range ballistic missile (IRBM) fired by Russia at the city of Dnipro on Thursday, marking the first time the weapon had been used on the battlefield.

On Sunday, Ukraine’s Security Service showed the remaining fragments of the IRBM called Oreshnik – Russian for Hazel Tree – that struck a factory to The Associated Press.

Russian President Vladimir Putin confirmed the attack on Thursday evening in an address to the nation and said it was in direct response to the U.S. and the U.K. jointly approving Ukraine’s use of Western-supplied long-range missiles to target Russia.

The Pentagon has said the missile is based on Russia’s RS-26 Rubezh intercontinental ballistic missile (ICBM), though the wreckage has not yet been analyzed, according to security officials on site in an undisclosed location in Ukraine.

‘NEW’ RUSSIAN MISSILE USED AGAINST UKRAINE NOT HYPERSONIC, DEFENSE OFFICIALS SAY

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Fragments of a rocket which struck Dnipro on November 21 are seen at a center for forensic analysis in undisclosed location, Ukraine, Sunday Nov. 24, 2024. (AP Photo/Evgeniy Maloletka)

The AP and other media were permitted to view the fragments before being taken over by investigators.

The wire service showed images of what it described as mangled and charred wires, along with an ashy airframe about the size of a large snow tire. The remains were all that were left of the IRBM, which can carry nuclear or conventional warheads.

“It should be noted that this is the first time that the remains of such a missile have been discovered on the territory of Ukraine,” a specialist with Ukraine’s Security Service said. The specialist only identified himself by his first name Oleh because he was not authorized to discuss the issue with the media.

1,000 DAYS OF WAR IN UKRAINE AS ZELENSKYY DOUBLES DOWN ON AERIAL OPTIONS WITH ATACMS, DRONES AND MISSILES

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Fragments of a rocket which struck Dnipro on November 21 are seen at a center for forensic analysis in undisclosed location, Ukraine, Sunday Nov. 24, 2024.  (AP Photo/Evgeniy Maloletka)

Ukraine’s Main Intelligence Directorate said the missile was launched from the 4th Missile Test Range, Kapustin Yar, in Russia’s Astrakhan region. Once launched, Ukrainian officials said, it flew for 15 minutes before striking Dnipro. The missile was carrying six warheads, each carrying six subunitions, and its speed was Mach 11.

Last week, Deputy Pentagon press secretary Sabrina Singh confirmed to reporters during a press briefing that Russia had launched the IRBM, noting that it was a “new type of lethal capability that was employed on the battlefield.”

She also said the U.S. was notified briefly before the launch through nuclear or risk reduction channels.

US EMBASSY IN KYIV CLOSED AS ‘POTENTIAL SIGNIFICANT AIR ATTACK’ LOOMS

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Fragments of a rocket which struck Dnipro on November 21 are seen at a center for forensic analysis in undisclosed location, Ukraine, Sunday Nov. 24, 2024. (AP Photo/Evgeniy Maloletka)

Putin also said last week that the missile attacked targets at a speed of Mach 10.

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Despite Ukraine’s and Putin’s claim that the rocket reached speeds greater than Mach 10, two U.S. defense officials told Fox News on Thursday the missile was not hypersonic, which, according to NASA, is a speed greater than 3,000 mph and faster than Mach 5.

Along with launching the IRBM for the first time on the battlefield, Putin signed a law to grant debt forgiveness to those who enlist in Russia’s army to fight in Ukraine.

US BRIEFED UKRAINE AHEAD OF PUTIN’S ‘EXPERIMENTAL INTERMEDIATE-RANGE BALLISTIC’ ATTACK

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Fragments of a rocket which struck Dnipro on November 21 are seen at a center for forensic analysis in undisclosed location, Ukraine, Sunday Nov. 24, 2024. (AP Photo/Evgeniy Maloletka)

The AP reported that the measure highlights the country’s need for military personnel as it continues its war against Ukraine.

Russian state news agency Interfax said the new legislation allows new recruits enlisting for a one-year contract, to write off debts up to 10 million rubles, or about $96,000.

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The law reportedly applies to debts in which a court order for collection was issued, and enforcement proceedings had commenced before Dec. 1, 2024. The legislation also applies to spouses of new recruits.

The Associated Press contributed to this report.

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Voters in Switzerland say no to bigger motorways

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Voters in Switzerland say no to bigger motorways

The federal government argues that the volume of traffic on the motorway network has increased more than five times over the past sixty years.

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Swiss voters took to the polls on Sunday to vote no to bigger motorways, no to easier evictions and tighter subletting rules and yes to a new healthcare financing model.

The Swiss government’s proposal to allocate €5.3 million for expanding motorways and constructing new roads at six key locations, including near Bern and between Geneva and Lausanne, was rejected by 52.7% of voters.

The plan, approved by parliament last year, faced opposition from those concerned about its environmental impact and effectiveness.

The federal government, argues that the volume of traffic on the motorway network has increased more than five times over the past 60 years.

The result was celebrated by the Green Party which called the proposal “an out-of-date transport policy”.

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Together with left-wing and environmental groups, the Greens campaigned against the project, highlighting its environmental impact and the concern that wider roads would only lead to more traffic. They now advocate for the funds to be used for public transport, active mobility, and the renovation of existing motorways.

Mattea Meyer from the no camp expressed her satisfaction with the referendum result.

“I am incredibly pleased that a majority of the population does not want a highway expansion, and instead wants more climate protection, a transport transition that is climate-compatible, which the highway expansion is not,” she said.

According to local media to counter this decision the yes campaign, plans on moving forward with expansion projects separately through agglomeration programs, reducing the chance for cantonal referendums.

No to easier evictions

On Sunday, Swiss voters decided on multiple housing issues, such as subletting and lease termination.

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53.8% of them rejected the proposal which would make it easier for landlords to terminate leases early in order to use properties for their own purposes.

Additionally, 51.6% voted against a plan for stricter regulations on subletting residential and commercial properties. According to local media, these issues attracted significant attention because tenancy laws affect the majority of Swiss citizens, with about 60% of the population renting their homes, the highest rate in Europe.

The proposal to ease eviction rules faced strong opposition, especially in French-speaking cantons, with Geneva seeing 67.8% of its voters against the plan due to the city’s ongoing housing shortage.

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