Culture
The Steelers’ offense has two quarterbacks … and a slew of unanswered questions
CLEVELAND — As the flakes tumbled from the night sky, turning Huntington Bank Field into a snow globe, Pittsburgh Steelers quarterback Russell Wilson dropped back and let it fly.
The pass, thrown with anticipation, found receiver Calvin Austin III on time and on target in the end zone for the go-ahead, 23-yard touchdown. After failing to score a touchdown for more than seven consecutive quarters dating to Week 10 against the Washington Commanders, Pittsburgh had scored two in less than two minutes to take a one-point lead over the Cleveland Browns with 6:15 remaining.
.@DangeRussWilson ➡️ @CalvinAustinIII for six!!!!
📲 Stream on NFL+: https://t.co/COxKRnr6Mc pic.twitter.com/ucLP4kE2cM
— Pittsburgh Steelers (@steelers) November 22, 2024
It was a miraculous comeback. Until it wasn’t.
“The game is never won until you get on the bus,” Austin said after the game. “So it was definitely an emotional moment (after the touchdown). We were all hype and stuff. But we knew we had an inspired team that was about to get the ball back.”
As it turned out, the Browns got the ball back not once, but twice.
The Steelers’ defense did its job the first time, forcing backup quarterback Jameis Winston into an errant pass that cornerback Donte Jackson intercepted with 4:22 to go. But after Pittsburgh went three-and-out — with Justin Fields in for Wilson at quarterback on second and third down — and Corliss Waitman shanked a punt for the first time as a Steeler, the defense couldn’t get off the field again.
Cleveland got the ball back with 3:22 remaining and drove 45 yards in nine plays. The Browns capped the sequence with a 2-yard Nick Chubb touchdown with 57 seconds remaining, then batted down Wilson’s Hail Mary as time expired to stun the Steelers, 24-19.
GO DEEPER
Browns stun Steelers 24-19 in snow as Chubb scores late TD: Takeaways
A team that made a statement by beating the Baltimore Ravens just four days earlier dropped to 8-3, leaving the door open in the competitive AFC North.
“Missed opportunities,” defensive co-captain Cameron Hayward said. “We have to eat it. They made more plays at the end. Some of that stuff we can have some head-scratching about what was on display. Just take it, move on. I know everybody is pretty pissed off about the loss.”
The weighty moments at the end of the game loom large: coach Mike Tomlin’s decision to accept an illegal touching penalty that gave the Browns a second crack at third down on the final drive, then spending a timeout that would be needed later; the coverage on the ensuing third-and-6 conversion; the decision to tackle Chubb on the 2-yard line with more than 90 seconds remaining instead of letting him score to preserve time and get the ball back.
But the reality is this game was lost much earlier, on the other side of the ball.
“We beat ourselves with a lot of mistakes,” Austin said. “That takes all 11 looking in the mirror and just continuing to push details. They’re a good team. Got to give them credit. But at the end of the day, we just got to perform better.”
Two weeks ago, when Wilson erased a 10-point, second-half deficit against the Commanders, it appeared the offense had finally figured it out after years of instability and inconsistency. At the time, the veteran signal caller had led the Steelers to 31.7 points and 382 total yards per game through three starts. If the offense continued along the same trajectory, it was reasonable to consider the Steelers legitimate Super Bowl contenders that could stand toe-to-toe with Patrick Mahomes or Josh Allen.
But it hasn’t continued.
If those first three games showed the explosive upside of Wilson’s moonball, his veteran presence and his ability to make checks at the line of scrimmage, the past two have revealed many of the Steelers’ offensive warts.
It’s certainly not all on Wilson. However, sacks are becoming problematic, putting the offense behind the chains. This was an obvious area of concern the minute the Steelers signed Wilson, considering he led the NFL in sacks taken in two of the previous five seasons. Initially, when he took over for Fields in Week 7, the Steelers did well enough to protect Wilson that it wasn’t a major red flag.
However, in the first half alone on Thursday, Wilson was sacked four times, as the Browns kept the Steelers’ offensive line off balance with stunts and games up front. Three of those sacks came from Myles Garrett, including a strip-sack that set the Browns up on a short field.
Myles strips the ball and we recover it 🙌😤 #PITvsCLE | @NFLonPrime pic.twitter.com/36WalR8R8h
— Cleveland Browns (@Browns) November 22, 2024
Even beyond the negative plays, Pittsburgh’s offense has become too boom or bust. Yes, once again, Wilson’s deep shot was a catalyst. He connected with Austin on a 46-yard bomb up the seam, hit Van Jefferson on a 35-yard gain and found George Pickens for 31 yards. Those big plays helped bolster what was a solid stat line from Wilson, as he completed 21 of 28 passes for 270 yards and a touchdown with no interceptions for a 116.7 passer rating.
The problem is, when the Steelers aren’t producing touchdowns on these deep shots, they’re having a hard time finishing drives. The issues emerged on the opening drive. On third down, Wilson took an 8-yard sack on third-and-2, turning a potential 50-yard field goal attempt into a 58-yarder that the reliable Chris Boswell missed.
The Steelers, who rank 26th in success rate (37.2 percent, per TruMedia) since Wilson took over, tried to use every resource available to keep the offense going. However, another first-half drive was halted on the 40-yard line. This time, they deployed Fields on a fourth-and-2 QB keeper, failing and turning the ball over on downs. The offense also fizzled at the 30 (made field goal), its own 46 (failed fourth-and-1 run by Jaylen Warren) and the Cleveland 9-yard line (made field goal).
“We had some really good, explosive plays down the field, throwing the ball with Van (Jefferson) — he made some great catches — and Calvin (Austin),” Wilson said. “And then we got stalled for whatever reasons. We’ve got to watch the film and see what that was. … We needed one or two more plays.”
Complicating matters is the unique quarterback dynamic. After utilizing the Fields package for three plays on Sunday against the Ravens, the Steelers featured their mobile QB on seven snaps (plus an eighth that didn’t happen because of a false start) on Thursday.
The results were mixed. After coming up short on fourth down early in the game, Fields provided a second-half spark when he kept the ball on a zone read and raced 30 yards along the right sideline. That played helped jump-start the offense, and later in the same drive, the threat of Fields keeping the ball on the zone read helped Warren burst into the end zone to snap the Steelers’ touchdown-less skid and kindle the rally.
Jaylen Warren in for the TD! The @Steelers answer right back.#PITvsCLE on Prime Video
Also streaming on #NFLPlus pic.twitter.com/aDPce0i8CM— NFL (@NFL) November 22, 2024
The Steelers also put the ball in Fields’ hands in a four-minute situation with the lead. It was a reasonable time to play the running quarterback, with the Steelers trying to burn the clock. However, on third-and-4, his deep shot for Pickens sailed incomplete, stopping the clock and giving the Browns plenty of time to score the go-ahead touchdown.
Asked if he would have liked to be in the game in that critical moment, Wilson was somewhat transparent.
“Listen, I always want to be in there,” he said. “That’s just the competitor in me. But at the same time, we have great trust in Justin, our team, our coaches and everything we’re doing.”
It’s also not the easiest challenge for Fields. He said after the game that he felt “kind of stiff” on his 30-yard run after standing on the sideline for the entirety of the second and third quarters, adding he felt he could have scored on the play. Asked if it’s difficult to enter the game mid-stream and virtually without warning, Fields admitted it is.
“But at the end of the day, that’s what my job is,” he said. “So you can’t complain. Anytime I get a chance and an opportunity to go on the field and help my team, I’m happy to do it.”
Sitting behind a keyboard and watching the game from the press box, it’s honestly hard to say what the right balance should be. Fields has often been the Steelers’ best offensive weapon, and his mobility might be able to help them rectify their red zone woes. Using both quarterbacks allows the Steelers to adjust on the fly if the offense needs a jolt or if the opposing pass rush is becoming too big of a factor. On the other hand, it does seem that, at times, rotating quarterbacks can disrupt the passers’ rhythm and timing.
Still, it’s important to remember that the Steelers got to 8-2 thanks to the contributions of both players. If they’re going to prove that this two-game stretch of offensive woes was a blip on the radar, and that this offense can in fact provide an edge in the postseason, they’re probably going to need to continue to use both.
Finding that right balance and rediscovering a way to finish drives will help determine how far this offense — and the team as a whole — goes.
“We’ve got a lot of football left,” Wilson said. “We’ve got a lot of opportunities to respond in the highest way, highest level. I think that everything that we want is still in front of us.”
(Photo of Russell Wilson: Kevin Sabitus / Getty Images)
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Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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