Washington
Which music star will join Denzel Washington in Spike Lee’s upcoming feature?
American filmmaker Spike Lee is planning his own version of Akira Kurosawa’s 1963 thriller High and Low. The cast includes Denzel Washington and a new hip-hop star…
Denzel Washington dans Fences (2016) © Bron Studios
Spike Lee’s adaptation of Akira Kurosawa’s thriller “High and Low” starring Ice Spice
Five years after the release of his Netflix production, Da 5 Bloods, starring the late Chadwick Boseman, New York director Spike Lee is tackling a Japanese cinematic monster: Akira Kurosawa.
According to Variety, the filmmaker has convinced his friend Denzel Washington to join his adaptation of High and Low, a 1963 thriller which follows a villain who kidnaps the son of a Japanese industrialist… but ends up abducting the wrong target.
As the shooting of the film produced by A24 and Apple Original Films has already started, Denzel Washington will welcome a famous hip-hop figure as co-star, the rapper Ice Spice, who will be part of the cast of this upcoming feature scheduled for 2025.
Denzel Washington: The Greatest Actor of the 21st Century according to The New York Times
Although The New York Times’ editors debated at length about the ranking of celebrities featured on their “25 Greatest Actors of the 21st Century” list, they admitted that the decision to place Denzel Washington in the first position had been a unanimous choice straight away.
After studying journalism and theater at a private Catholic university, whose campuses bordered Harlem in New York where he grew up, Denzel Washington landed his first major role in the film Carbon Copy (1981), playing the role of a young teenager from a working-class neighborhood who tries to make his way among the Californian middle-class.
A strange prologue for Denzel Washington, who today rules over Hollywood with imposing, testosterone-filled roles (Training Day, Inside Man, Flight) in the tradition of his predecessors John Wayne and Clint Eastwood. Following in Sidney Poitier’s footsteps, the actor also regularly puts his talent to good use in politically committed films (Malcolm X, Hurricane Carter, Fences), making him one of the most listened-to voices in American cinema.
Bande-annonce – “Glory” (1989) de Edward Zwick
1. Denzel Washington as a Civil War martyr in “Glory” by Edward Zwick (1989)
To fill in the blank pages of an American history that forgot the essential role played by the black community during the Civil War, Glory uses one type of ink – the blood of the 200,000 African American soldiers who lost their lives. Shot in 1989 by Edward Zwick (Blood Diamond, The Last Samurai), the feature awakens old demons of a country plagued by racism.
The violence is extreme, especially in the harrowing scene showing the character embodied by Denzel Washington being whipped bloody with a leather strip: “Denzel was ready for anything, and got right into the character’s skin. I sensed an embarrassment he didn’t want to explore, a deep humiliation, the theft of his dignity. I told the cinematographer not to stop, and let the camera roll until Denzel could play the scene. What he discovered was the loss of control. It was one of the most powerful cinematic moments I’ve ever witnessed,” the director recalled during the press tour of the film, which earned Denzel Washington the Oscar for Best Supporting Actor in 1990.
Bande-annonce – “Mo’ Better Blues” (1990) de Spike Lee
2. Denzel Washington as an egocentric trumpet player in “Mo’ Better Blue” by Spike Lee (1990)
Spike Lee didn’t wait for The New York Times to place Denzel Washington as “the greatest actor in the world”. First project of a long cinematic collaboration between the two New Yorkers (Malcolm X, He Got Game, Inside Man), Mo’ Better Blues (1990) stages Denzel Washington as an egocentric jazz trumpet player, whose all-consuming passion for music makes him forget his relatives. While being overall disappointed by the incessant bickering and a plot deemed too flabby, the critics hailed the actor’s performance nonetheless, who carefully learned how to mimic the trumpeter’s movements to perfection, giving the film a real breath of fresh air.
Bande-annonce – “Training Day” (2001) d’Antoine Fuqua
3. Oscar winner as a dirty cop in “Training Day” by Antoine Fuqua (2001)
Denzel Washington made a resounding entry into the 21st century by winning the Oscar for Best Actor for Training Day (2001), a frantic 24-hour race against the misery, violence, drug dealers and crooked cops of the red-light district of Los Angeles. Following the advice of a former member of the LAPD, Denzel Washington shines as an ambiguous anti-drug veteran, alongside Ethan Hawke, rappers Dr. Dre and Snoop Dogg, and a handful of extras casted among the locals.
Bande-annonce – “Antwone Fisher” (2002) de Denzel Washington
4. Denzel Washington’s first steps behind the camera with “Antwone Fisher” (2002)
When producer Todd Black discovered the unique story of a security guard working at Sony Pictures Studios in Los Angeles, he convinced the latter to write an autobiographical screenplay. Indeed, the man grew up in an extremely tense environment – his mother killed his own father, so he decided to enlist in the navy before consulting a psychiatrist who rescued him from his fate, making him a man of admirable integrity… Denzel Washington was chosen to handle the film adaptation, the actor’s debut feature as a director. Antwone Fisher (2002) is full of coarse lines and melodramatic situations that might have led us to guess this unlikely anecdote: a few years after the release, Denzel Washington would direct episode 9 of season 12 of Grey’s Anatomy…
Bande-annonce – “Fences” (2016) de Denzel Washington
5. “Fences”, a feature film made for the Oscars (2016)
Adapted from a famous play written by August Wilson in 1983, Fences recounts the painful story of a working-class black family struggling to live in America during segregation in the 1950s. If the honors were reserved for the charismatic Viola Davis, who won the Oscar for Best Supporting Actress, the third film directed by Denzel Washington gives us an understanding of why his name appears at the top of The New York Times’ list. Both behind and in front of the camera, Denzel Washington films himself as he knows best – performing authority, anger, remorse… So many flamboyant emotions that, while lacking any form of nuance or subtlety, work wonders when it comes to building characters designed for the mainstream and Hollywood cinema.
The release date of Spike Lee’s new feature film, starring Ice Spice and Denzel Washington, is unknown yet.
Traduction by Emma Naroumbo Armaing.
Washington
Caps Fall in Montreal, 6-2 | Washington Capitals
Cole Caufield scored in the first minute of the first period and added another goal later in the frame, sparking the Montreal Canadiens to a 6-2 win over the Capitals on Saturday night at Bell Centre.
Washington entered the game with a modest three-game winning streak and six wins in its last seven games. Although they were able to briefly draw even with the Habs after Caufield’s opening salvo, Caufield and the Canadiens responded quickly and the Caps found themselves chasing the game for the remainder of the night.
“I didn’t mind some of the things that we did tonight,” says Caps coach Spencer Carbery. “I thought we created enough offensively, we just made way too many catastrophic mistakes to be able to sustain that.”
In the first minute of the game, Caufield blocked a Jakob Chychrun point shot, tore off on the resulting breakaway and beat Charlie Lindgren for a 1-0 lead for the Canadiens, half a minute into the contest. Lindgren was making his first start since Jan. 29, following a short stint on injured reserve for a lower body injury he sustained in that game.
After the two teams traded unsuccessful power plays, the Caps pulled even in the back half of the first. With traffic in front, Declan Chisholm let a shot fly from the left point. The puck hit Anthony Beauvillier and bounded right to Alex Ovechkin, who had an easy tap-in for career goal No. 920 at 13:16 of the first.
But Montreal came right back to regain the lead 63 seconds later, scoring a goal similar to the one Ovechkin just scored.
From the left point, Canadiens defenseman Jayden Struble put a shot toward the net. It came to Nick Suzuki on the goal line, and the Habs captain pushed it cross crease for Caufield to tap it home from the opposite post at 14:19.
Less than two minutes later, Lindgren made a dazzling glove save to thwart Caufield’s hat trick bid.
Midway through the middle period, Montreal went on the power play again. Although the Caps were able to kill the penalty, the Habs added to their lead seconds after the kill was completed; Mike Matheson skated down a gaping lane in the middle of the ice and beat Lindgren from the slot to make it a 3-1 game at 12:22.
Minutes later, Montreal netminder Jakub Dobes made a big stop on Aliaksei Protas from the right circle, and Suzuki grabbed the puck and took off in the opposite direction. From down low on the right side, he fed Kirby Dach in the slot, and Dach’s one-timer made it 4-1 for the Canadiens at 16:34 of the second.
In the waning seconds of the second, Dobes made one of his best stops of the night on Beauvillier, enabling the Canadiens to carry a three-goal lead into the third.
Those two quick goals in the back half of the second took some wind out of the Caps, who were playing their third game in four nights following the three-week Olympic break.
“We kill off a penalty, and then we end up going down 3-1right after the penalty,” says Caps center Nic Dowd. “Those are challenging to give up, right? You do a good job [on the kill], it’s a 2-1 game, and then all of a sudden, before you blink, it’s 4-1 and then the game gets away from you.
“And they defended well tonight; It’s tough to score goals in this League, and you go into the third period, and you’ve got to score three. You saw that [Friday] night when we played Vegas; they were able to score two, but it’s tough to get that third one. I think we have to manage situations a little bit better. It’s a 2-1 game on a back-to-back, we just kill a penalty off, or maybe we just have a power play – whatever it is – we have to manage that, especially in an arena like this, where the crowd gets into it on nothing plays. They can really sway momentum – and in a good way – for their home team.
“We just have to understand that if we don’t have our legs in certain situations, because of travel, it’s back-to-back or whatever, we really have to key into the details of the game and not let things get away from us quickly.
With 7:28 left in the third, Ovechkin netted his second of the game – and the fifth goal he has scored in this building this season – on a nice feed from Dylan Strome to pull the Caps within two goals of the Habs, who have coughed up some late leads this season.
But Montreal salted the game away with a pair of late empty-net goals from Suzuki and Jake Evans, respectively.
In winning six of their previous seven games, the Caps had been playing with a lead most of the time. But playing from behind virtually all night against a good team in a tough building is a tall task under any circumstances. And it was exactly that for the Caps on this night.
“They score on the first shift,” says Strome. “Obviously, Saturday night in Montreal is as good and as loud as it gets. They just got a fortunate bounce; puck was off Caulfield’s leg, and a perfect bounce for a breakaway. It’s just one of those things where we got down early and now they kind of fed off the momentum of the crowd.
“But I still think our game is in a good spot, and we’ve just got to keep stacking wins. Obviously, we’ve played more games than everyone so we’re going to need some help, but we’ve just got to keep stacking wins. It’s tough on the back-to-back in Montreal, but we’ll find a way to bounce back on Tuesday [vs. Utah at home] and then go from there.”
Washington
The Fallout From the Epstein Files
The Department of Justice is facing scrutiny this week after it was revealed that records involving President Trump were missing from the public release of the Epstein files. On Washington Week With The Atlantic, panelists joined to discuss the ensuing political fallout for the Trump administration, and more.
“The key thing to remember about the Epstein story is that it is a case that has been mishandled for decades. The reason that we’re hearing about this now and why it’s exploding into public view is because, for the first time, Republicans in Congress and Democrats in Congress were willing to openly defy their leadership and call for the release of these files,” Sarah Fitzpatrick, a staff writer at The Atlantic, said last night. “That has never been done before, and I think it really is changing the political landscape in ways that we’re still just starting to learn.”
“What’s been so striking is how many of those very same Republicans who were calling for the release of those files, who had promised to get to the bottom of them, are now saying things that are just the opposite,” Stephen Hayes, the editor of The Dispatch, argued.
Joining guest moderator Vivian Salama, a staff writer at The Atlantic, to discuss this and more: Andrew Desiderio, a senior congressional reporter at Punchbowl News; Fitzpatrick; Hayes; and Tarini Parti, a White House reporter at The Wall Street Journal.
Watch the full episode here.
Washington
Man charged with shooting co-worker in Washington Heights
A 26-year-old man had an argument with a co-worker before allegedly fatally shooting the colleague in Washington Heights, prosecutors said Friday.
Bobby Martin, who was charged with first-degree murder Thursday, made his first appearance Friday in Cook County court.
Martin, is accused of killing his co-worker, Antoine Alexander, 32, in a parking lot at 9411 S Ashland Ave about 3:30 p.m. on Tuesday, according to Chicago police.
Prosecutors said Martin and Alexander worked together at an armed security company and got into a verbal altercation inside the guard shack on Tuesday afternoon. During the altercation, prosecutors said Alexander removed his bullet proof vest and threw it to the ground. A witness, another co-worker, then told the defendant and the victim to take the altercation outside.
After stepping outside, the defendant pulled his firearm and fired one shot into the victims abdomen, prosecutors said. The victim’s firearm was holstered at the time of the argument and the shooting. The defendant fled the scene and came into contact with another co-worker, whom he told that he had just shot Alexander.
Alexander was then taken to Advocate Christ Medical Center in Oak Lawn, where he was pronounced dead.
Martin was arrested by authorities three blocks from his home approximately 20 minutes after the shooting, prosecutors said.
Martin was detained and will appear in court again on March 17, authorities said.
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