COPENHAGEN — He’s the two-Michelin-starred chef at the helm of what one U.K. newspaper called “the world’s weirdest restaurant,” dishing up freeze-dried butterflies, deer blood ice cream and caged chicken claws every night as part of a 50-course gastro-marathon.
Washington
In the search for sustainable food, a top chef homes in on waste
Spora grew out of Alchemist’s Copenhagen test kitchen, where chefs still shape and puff and buff dishes during the first part of each night’s meal. But that bright white test kitchen is now simply a kitchen, with Munk’s ideas finding a second home at a lab mere blocks away in Refshaleøen, a former industrial site.
The goal he is forever working toward, he tells me earnestly, is: “Can you make something that has such a big impact that you change the world?” Alchemist has been his first pass at making political statements about the way we eat (the ice cream comes with a QR code for blood donation), but seats just 55 diners in its one nightly service, which typically runs to six hours. Spora, then, is his chance to make “the products of tomorrow” — primarily by “upcycling” materials discarded in other food processes.
Spora is nothing like the grandeur of Alchemist, the 24,000-square-foot space where the 50 courses (or as Munk calls them, “impressions”) take place in five locations, including a planetarium-style dome on which graphics swirl overhead and a ball pit. Like Munk himself, dressed all in black when we meet, the lab is surprisingly understated.
A chef is checking over his latest batch of cocoa-less chocolate in an otherwise unremarkable kitchen; upstairs is the diminutive lab that looks like a meeting room. There, Mette Johnsen, Spora’s CEO, opens a cupboard door to reveal a colony of leaf cutter ants in a glass case, cultivating fungus — and in the process, teaching Spora’s 20 staff members about the “effective transformation of plant materials into nutrients.” The ants also “release a pheromone with an incredible lemony/ginger/umami flavor, which make them very interesting to explore gastronomically,” she says.
The experiment encapsulates what Spora can offer the world when it comes to sustainable food, Johnsen says — a matter more urgent now than ever, with 40 percent of the food grown in the United States uneaten or unsold. (ReFED, a food waste research organization, says that food waste has the same climate footprint as the whole U.S. aviation industry — the military included — equivalent to 1.8 percent of the U.S. GDP.) To make what we eat more planet-friendly, “you need to bring together science and gastronomy, [as] individually, they’re not going to find these answers,” Johnsen says. Spora “is the intersection or transaction of the disciplines coming together, and asking different questions, and finding different answers.”
The lab has two development streams: repurposing existing waste foods and fermentation. Foods in development include rapeseed (a.k.a. canola) cakes, the solid byproduct formed when oil is extracted from the crop, of which 36.8 million tons are produced each year. I eat it as a taco filling (earlier in the week, they tried it as a meat replacement in spaghetti Bolognese); it tastes earthy, tempeh-like in texture. Their protein bar version, which blends rapeseed cakes with dried fruits and nuts, could be sold tomorrow.
Further behind is the chocolate, which, considering the high land farming required and child labor issues in the cultivation process, they want to make minus cocoa. It is no simple task to re-create “the same properties that we love about chocolate, so snap, smell, mouthfeel; the smoothness and how it melts in your mouth,” Johnsen says. We chomp through variations including honey, raspberry and coffee ganache (made from waste coffee grounds), though Johnsen admits that on deliciousness, “we’re not quite there yet.” (I would agree.)
There are “probably five projects, six projects at least” on the go, Munk says, including partnerships with a San Francisco start-up developing cell-grown salmon (Spora’s role is to replicate the fishy taste), and a major drinks company. Munk doesn’t see Spora’s name ending up on any of the products that will be sold, though two of its creations are now on Alchemist’s menu: a fungi gel developed as part of a study with the University of California at Berkeley; and the cocoa-less chocolate, made from spent grain otherwise discarded during beer production, now used in the restaurant’s petits fours.
The lab may seem an unusual move for someone like Munk, who inhabits a world where his peers are more likely to lend their name to pasta sauces or cookbooks or celebrity collaborations. But he sees it as the logical next step for melding the personal with the political — his animus since the first Alchemist opened. At the restaurant, where tables sell out in minutes and there is a waiting list of 10,000, there have been five walkouts from perturbed diners over the years, and endless arguments as parties fall out over the caged claw (his attempt to highlight the ills of battery farming), or an “impression” addressing garbage in the ocean, which features plaice shrouded in edible “plastic,” made from algae and fish skin collagen.
Running Alchemist (which doesn’t open unless Munk is there), a February pop-up with Ferran Adria of El Bulli (the father of molecular gastronomy, whose restaurant was voted best in the world before its 2011 closure), a string of Super Bowl events in Las Vegas and opening Spora have resulted in a “crazy” period for the millennial provocateur.
All the same, he is pressing on with his sustainability crusade, of which he is an unlikely leader. Munk grew up on a farm in Randers, Jutland, 3½ hours outside Copenhagen, where the food highlight of his youth was a weekly visit to McDonald’s. He had never heard of organic fare until his late teens, when he began culinary training. But with the knowledge and status he has now, he believes it is on him — as well as others in the industry — to change our outlook.
“I think a lot of chefs have voices out there, and some use it on telling stories about childhood memories” through their dishes, he says. “But I also think you can take it further” — to use it as a medium through which “to discuss, and sometimes to create a debate” about the meaning of what we eat. While musicians or painters convey a deeper message through their art, “it seems like when you use food as a medium for that, we’re still maybe a little bit conservative.”
Still, he is not the only Michelin-starred chef looking to the future. Noma, ranked the world’s best restaurant multiple times (and just a mile away from Alchemist) is closing down this year to restart life as “Noma 3.0” come 2025, when chef-patron René Redzepi will herald its transformation “into a giant lab — a pioneering test kitchen dedicated to the work of food innovation and the development of new flavors,” as he wrote on the restaurant’s website. (El Bulli also has a lab running research programs and various culinary projects, with the goal being “to share knowledge in various formats,” according to the El Bulli Foundation.) Meanwhile at Eleven Madison Park, crowned the world’s best in 2017, new flavors have been on the menu since Daniel Humm in 2021 pivoted its famed duck, lobster and caviar dishes to all vegan fare, because, as he told Wallpaper magazine, “We’re just running out of resources.”
Munk acknowledges the hypocrisy in his own mission. It would be far better for the planet to shut Alchemist down, he knows: to turn off the projectors that adorn the dome, stop people flying in from around the world to visit, to end the nightly regimen of putting tiny circles of food on diners’ plates and doing away with the rest.
With the oil still burning at Alchemist, for Munk, Spora is his own personal offsetting scheme — even if he worries that the goals he started out with as a young chef hopeful of earning a Michelin star are “so much bigger now, and maybe also sometimes too big.” Still, he is pressing on, optimistic that greater change is coming — and inside of six months. “It’s very important that Spora’s [work] is not just in small, romantic little bakeries” in Copenhagen; “it needs to have a broader perspective,” Munk says, ideas for our future that are “possible to scale up for millions of lives.”
Washington
Dynamite, Floods and Feuds: Washington’s forgotten river wars
A look back at Washington’s historic flooding
It’s been a few weeks since the historic flooding hit the streets of western Washington, and if you scroll through social media, the shock still seems fresh. While some insist it was a once-in-a-generation disaster, state history tells a different story.
TUKWILA, Wash. – After floodwaters inundated western Washington in December, social media is still filled with disbelief, with many people saying they had never seen flooding like it before.
But local history shows the region has experienced catastrophic flooding, just not within most people’s lifetimes.
A valley under water
What may look like submerged farmland in Skagit or Snohomish counties is actually an aerial view of Tukwila from more than a century ago. Before Boeing, business parks and suburban development, the Kent Valley was a wide floodplain.
In November 1906, much of the valley was underwater, according to city records. In some places, floodwaters reached up to 10 feet, inundating homesteads and entire communities.
“Roads were destroyed, river paths were readjusted,” said Chris Staudinger of Pretty Gritty Tours. “So much of what had been built in these areas got washed away.”
Staudinger has been sharing historical images and records online, drawing comparisons between the December flooding and events from the late 1800s and early 1900s.
“It reminded me so much of what’s happening right now,” he said, adding that the loss then, as now, was largely a loss of property and control rather than life.
When farmers used dynamite
Records show flooding was not the only force reshaping the region’s rivers. In the late 1800s, farmers repeatedly used dynamite in attempts to redirect waterways.
“The White River in particular has always been contentious,” explained Staudinger. “For farmers in that area, multiple different times starting in the 1890s, groups of farmers would get together and blow-up parts of the river to divert its course either up to King County or down to Pierce County.”
Staudinger says at times they used too much dynamite and accidentally sent logs lobbing through the air like missiles.
In one instance, King County farmers destroyed a bluff, permanently diverting the White River into Pierce County. The river no longer flowed toward Elliott Bay, instead emptying into Commencement Bay.
Outraged by this, Pierce County farmers took their grievances to the Washington State Supreme Court. The court ruled the change could not be undone.
When flooding returned, state officials intervened to stop further explosions.
“To prevent anyone from going out and blowing up the naturally occurred log jam, the armed guards were dispatched by the state guard,” said Staudinger. “Everything was already underwater.”
Rivers reengineered — and erased
Over the next century, rivers across the region were dredged, dammed and diverted. Entire waterways changed or disappeared.
“So right where the Renton Airport is now used to be this raging waterway called the Black River,” explained Staudinger. “Connected into the Duwamish. It was a major salmon run. It was a navigable waterway.”
Today, that river has been reduced to what Staudinger described as “the little dry trickle.”
Between 1906 and 1916, the most dramatic changes occurred that played a role in its shrinking. When the Ballard Locks were completed, Lake Washington dropped by nine feet, permanently cutting off its southern flow.
A lesson from December
Despite modern levees and flood-control engineering, December’s storms showed how vulnerable the region remains.
“For me, that’s the takeaway,” remarked Staudinger. “You could do all of this to try and remain in control, but the river’s going to do whatever it wants.”
He warned that history suggests the risk is ongoing.
“You’re always one big storm from it rediscovering its old path,” said Staudinger.
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The Source: Information in this story came from the Tukwila Historical Society, MOHAI, Pretty Gritty Tours, and FOX 13 Seattle reporting and interviews.
Washington
Deputies shoot armed suspect in Leesburg Walmart parking lot
Deputies shot an armed suspect in the parking lot of a Walmart store in Leesburg, Virginia, late Tuesday morning, authorities say.
Detectives, deputies and special agents from the FBI had tracked the suspect down after he tried to rob the Bank of America at Dulles Crossing on Monday, the Loudoun County Sheriff’s Office said. The suspect, who still hasn’t been named, didn’t get any money before taking off from the bank.
Authorities found the suspect was parked at the back of the Walmart parking lot just before noon Tuesday.
Deputies pulled up behind the suspect’s blue sedan at the back of the Walmart parking lot about 11:40 a.m. Tuesday. As they approached, the suspect got out with a gun, Sheriff Mike Chapman said.
Deputies then fired their guns at the suspect, hitting him. Chapman did not say how many times the suspect was shot or give specific information about his injuries.
Medics took the suspect to a hospital.
No deputies were injured, the sheriff’s office said.
Chapman said it was too early in the investigation to say if the suspect fired his gun or how many officers were involved in the shooting.
Stay with News4 for updates to this developing story.
Washington
The American story projected on the Washington Monument came from North Texas
Steve Deitz walks with the energy of a coach; however, he does not hide that he and his team are digital nerds and storytellers who specialize in large-scale visual content and software development. More specifically, the 48-year-old makes a living creating the wow factor at his agency, “900lbs.”
“We started the company working for the Dallas Mavericks, telling large-scale visual content on the Jumbotron, and next thing you know, Activision, Blizzard calls,” he said. “We get to work in the Perot Museum on the biggest exhibit in the museum, and then fast-forward another 12 years, and here we are now.”
His current project is wrapping up in the nation’s capital — sorta. Since Dec.31, projections of America’s story have been given to his agency.
“We’re telling the story of the 250-year birthday of America in the biggest way possible on the facade of the Washington Monument on all four sides,” Deitz said.
He said they started testing out the results a couple of nights before New Year’s Eve. Scenes from Thomas Edison’s light bulb, the Empire State Building, the Model T Ford, and the Industrial Revolution, to name a few, are projected onto the Washington Monument.
Deitz gives his team a ton of credit from the moment he received the call about the project. He also thinks back to the times when he was an athlete who loved to draw in Merkel, Texas. The kid who dared to dream beyond the city limits and outside of the box. The CEO is giving advice to that child who may need a little inspiration.
“Hard work, perseverance, dedication, surround yourself with a team of brilliant people that are way smarter than you, and do the best you possibly can,” he said.
Deitz said there is a likelihood his team’s creations will return to the nation’s capital this year.
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