Utah
Everything Utah Jazz fans need to know about the NBA Draft Lottery
The first of the NBA’s offseason events — the draft lottery — takes place on Sunday afternoon. Here’s everything that Utah Jazz fans need to know ahead of the Sunday festivities:
How to watch
The lottery is held in Chicago and precedes the NBA Draft Combine, which is also in Chicago. The lottery will be broadcast on Sunday at 1 p.m. MDT on ABC.
I will be one of 12 media members in the drawing room at the lottery and will bring a behind the curtain look at the days events here at Deseret.com.
This determines the order in which teams will draft players during the NBA Draft, which will be held on June 26 and 27.
What to expect
The lottery determines the top four picks in the draft. The Utah Jazz will go into the night with the eighth-best odds in the lottery, which means that they’re most likely to end up with the 8th overall pick (34.48% chance), but there is always the chance that they jump up and get a top four pick (about a 26% chance).
Importantly, the Jazz owe their draft pick to the Oklahoma City Thunder if it falls out of the top 10. That means if three teams that have worse lottery odds than the Jazz end up jumping ahead of them into the top four, it would push the Jazz into the 11th spot and they would have to send that draft pick to the Thunder.
It’s an incredibly unlikely scenario (0.38%), but one that is important to know about.
Outside of the lottery, the Jazz will have two more selections in the June 26 draft the 28th pick via Oklahoma City and the 32nd pick via the Washington Wizards.
After the lottery, many NBA executives, scouts, agents and coaches will remain in Chicago for the NBA Combine, where they’ll be able to watch prospects go through drills, scrimmages and various workouts as well as interviews.
How the NBA Draft Lottery works
The 14 teams that missed the playoffs are entered into the lottery. On Sunday, 14 pingpong balls numbered 1 through 14 are placed in a lottery machine. There are 1,001 possible number combinations when four balls are drawn. Prior to the lottery, 1,000 of the 1,001 combinations are assigned to the 14 lottery teams.
The number of combinations assigned to each team are determined by reverse order of regular-season record.
The number of combinations assigned to each team in this year’s draft lottery are as follows: Detroit (140), Washington (140), Charlotte (133), Portland (132), San Antonio (105), Toronto (90), Memphis (75), Utah (60), Brooklyn-to Houston (45), Atlanta (30), Chicago (20), Houston (15), Sacramento (8) Golden State (7).
The team that was assigned the number combination that matches the first four balls drawn gets the No. 1 overall pick in the draft. The team that was assigned the number combination that matches the next four balls drawn gets the No. 2 pick and this process is repeated for the No. 3 and No. 4 pick.
The remaining lottery teams that did not get a top-four pick continue to pick in inverse order of their regular-season record.
During the drawing, if a team’s number combination is drawn a second time after already being awarded a lottery pick, those balls are reset to draw for a different team.
The lottery drawing is completed in a separate and private room just before the NBA broadcasts the results of the lottery. Inside the lottery drawing room, the NBA allows a small number of media members and a representative from each lottery team, along with a few NBA staff and security.
After the top four draft picks are decided by the lottery, the results are put into envelopes and delivered to the ABC broadcast stage, where the results are announced during a live broadcast.
Video of the lottery drawing is later shared by the NBA digitally.
Utah
National Political Scrutiny of Cloud Seeding Looms Over Utah
Utah
How Utah overcame its worst defensive outing of the season to beat Baylor in decisive fashion
Kyle Whittingham most likely wouldn’t have believed it if he had been told prior to Saturday’s Big 12 bout against Baylor that Utah would go on to win by double-digits while giving up over 500 total yards, running 30 fewer plays and losing the time of possession battle by a difference of roughly 6 minutes.
Oh, and that the engine of his offense would be limited all night due to injury, requiring some in-game adjustments and faith in a true freshman quarterback to close out a must-have win on the road.
Those factors and obstacles made for one of the more unique outcomes Whittingham’s been a part of in his 24 full seasons at the helm of the Utes, who managed to overcome an abnormal defensive outing in a 55-28 victory over the Bears from McLane Stadium on Saturday.
“It’s the most unique win, I guess you could say in the the short term past,” Whittingham said after the game. “It was definitely a back and forth and defensively, we usually control things a little bit better.”
Indeed, Utah had been stout all season, allowing just 156.8 yards through the air per game going into Saturday’s matchup against the league’s top-ranked air attack.
The Utes caught some breaks early on but eventually let a few big plays slip through the cracks, leaving the door open for the Bears to hang in the first half despite a rough start from Sawyer Robertson. The nation’s leader in touchdown passes heading into Week 12 missed on eight of his first 11 throws — some of which were gimmes for someone of his talent — though he connected on a 64-yard bomb to Kole Wilson to get Baylor in field goal range, making it 21-10 in the second quarter, then hit Josh Cameron for a score in the final seconds of the first half after a perfect pass to Ashtyn Hawkins got the Bears within striking distance.
Utah’s pass rush was disruptive in key spots, though outside of a few stops in the red zone, the secondary had to try to keep up with Baylor’s plethora of talented receiving threats.
“That receiving core is outstanding, and the tight end (Michael Trigg), you’ll be seeing him play on Sunday for a long time,” Whittingham said. “But we got to do a little better job of winning more of the 50-50 balls.”
Just as Whittingham could’ve expected in the lead up to Saturday’s game that Baylor’s potent air attack would present quite the challenge for his defensive backs group, it would’ve been reasonable for him to think the Utes offense would have success on the ground much they like did through their first nine games of the season.
Even so, he probably didn’t account for three 60-plus yard scores being the difference makers.
Utah, which entered the game with 16 scoring drives of 10 plays or more on the season, didn’t need to worry about moving the chains with Wayshawn Parker and Byrd Ficklin ripping off chunk plays every time they touched the ball. Ficklin broke off a 67-yard score in the second quarter courtesy of some solid blocking up front, giving the Utes a spark while Devon Dampier took it easy due to an injury.
Parker’s turn came a few minutes later, as the sophomore back took advantage of Baylor putting just five defenders in the box with a 64-yard burst right up the middle, extending Utah’s lead to 28-10 with just over 4 minutes left in the first half.
Just like that, Utah went from 11 rushes for 43 yards in the first quarter to 19 for 179 at the halftime break. Baylor, though, racked up 362 total yards of offense, the most Utah had allowed in a first half since 2022, but had to settle for three field goal tries inside the Utes’ 25-yard line after failing to put the ball in the end zone.
Baylor finished with 563 total yards of offense — the most Utah’s allowed through its first 10 games — and ran 91 total plays to the Utes’ 59. Scooby Davis’ 65-yard interception returned for a touchdown in the first quarter probably skewed how the final stats looked, though the junior’s first touchdown of the season set the tone for the kind of night it was going to be for Utah.
Ficklin kept it rolling in the third quarter with an incredible individual effort on a 74-yard touchdown run, in which he shrugged off a tackle attempt from Bears safety Tyler Turner with a stiff arm to record the Utes’ longest rush of the season from scrimmage. That made it 35-20 in favor of the Utes after Robertson and company cut their deficit to eight on the previous drive.
The Utes continued to lean on their offensive line to get the job done in the trenches for the remainder of the second half. Between Ficklin and Dampier, Utah attempted just five passes after halftime, yet the Utes never relinquished control when it seemed like the Bears were ready to make a late push.
Led by Ficklin’s 166 rush yards, Utah tallied 380 yards on the ground while averaging 8.8 per carry. Parker crossed the 100-yard threshold for the third consecutive game, finishing with 129 on 15 attempts. As a team, the Utes went for over 200 rush yards for the fifth consecutive game, their longest such streak since 2018.
“That offensive line is a huge reason why we’re able to do that week in and week out,” Whittingham said. “Credit the way they played.”
Despite its inconsistencies all night, Utah’s secondary helped deliver the final nail in the coffin early in the fourth quarter with a second interception off Robertson, who got drilled on a nickel blitz by Jackson Bennee as his pass was picked off by Trey Reynolds, setting the Utes up on the Bears’ 9-yard line following a 31-yard return from the 6-foot-1 junior.
Utah scored moments later after Dampier swung a short pass out to Parker for his second touchdown of the night, making it 49-20 with just over 11 minutes left in regulation.
And so, in a game where Robertson throws for 430 yards and Baylor has two 100-yard receivers, plus a running back who had almost 100 yards on the ground, Utah’s knack for explosive plays wound up outweighing its defensive lapses and subsequently, keep the Utes’ College Football Playoff hopes alive with a decisive victory.
Even if it wasn’t the script Whittingham had drawn up in his head going in.
“There was a lot of back and forth there for a while, but we just kept, kept at it, and answered the bell every time,” Whittingham said. “A lot a lot of things in that game that both sides did well, but we did enough to get the win.”
MORE UTAH NEWS & ANALYSIS
Utah
Country music star dead at 59 after mysterious illness and Utah arrest
Country music star Todd Snider, known for his alt-country hits like “Alright Guy” and “Just Like Old Times,” has died following a battle with a mysterious illness. He was 59.
Snider passed away on Friday, according to an Instagram post shared by the singer’s record label, Aimless, Inc. Headquarters.
“Where do we find the words for the one who always had the right words, who knew how to distill everything down to its essence with words and song while delivering the most devastating, hilarious, and impactful turn of phrases?” the statement read.
“Always creating rhyme and meter that immediately felt like an old friend or a favorite blanket. Someone who could almost always find the humor in this crazy ride on Planet Earth.”
“He relayed so much tenderness and sensitivity through his songs, and showed many of us how to look at the world through a different lens,” the Saturday statement continued.
“He got up every morning and started writing, always working towards finding his place among the songwriting giants that sat on his record shelves, those same giants who let him into their lives and took him under their wings, who he studied relentlessly.”
Snider’s family previously revealed in a Friday statement that the singer was diagnosed with pneumonia during his stay at a hospital in Hendersonville, Tennessee.
After his condition worsened due to complications, the “Trouble” hitmaker was transferred to another facility.
At the time, the family requested that Snider’s fans “say a prayer, light a candle, roll one up, send strength, or just keep him close in your heart” during the tough time.
“You’ve carried him through so much over the years, and he needs that from all of us now more than ever,” the message continued.
His death comes shortly after his tour in support of his most recent album, “High, Lonesome and Then Some,” which released in October, was canceled earlier this month.
The tour was axed after he was allegedly the victim of a violent assault in the Salt Lake City area, according to a Nov. 3 statement from his management team.
However, Snider was later arrested by Salt Lake City police after he caused a disturbance at the Holy Cross Hospital where he was being treated.
The singer was reportedly yelling and cursing at the hospital staff after they discharged him before he was apparently ready, per the Salt Lake Tribune.
He was charged with disorderly conduct, criminal trespassing and threatening violence.
Born and raised in Oregon, Snider’s musical influences were based on artists like Kris Kristofferson, Guy Clark and John Prine.
He got his start in the music industry as a young artist signed to Jimmy Buffet’s record label, Margaritaville, which released his first two albums 1994’s “Songs for the Daily Planet” and 1996’s “Step Right Up.”
He went on to write songs for several major artists including Jerry Jeff Walker, Billy Joe Shaver and Tom Jones. He also co-wrote a song with Loretta Lynn that appeared on her 2016 album, “Full Circle.”
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