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Seattle Children's Hospital uses video games to help treat patients

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Seattle Children's Hospital uses video games to help treat patients


Seattle Children’s Hospital is turning to video games to help treat patients.

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Hospital staff said it provides accessible entertainment for patients and a healthy distraction during the worst of their treatments.

FOX 13 Seattle met with a young patient, Aria McDonald, who says Mario Kart helped her through cancer.

“There’s a lot of low lows to go through, you know, there’s a lot of scary times,” said Patrick McDonald, Aria’s dad. “You just have to get through. We were getting through day to day.”

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Like a lap around Mario Kart Stadium, this journey came with its own set of obstacles Aria had to push through.

“It was just depressing,” Aria said. “You just sit there, getting chemo, medications. You don’t feel good, and it’s just sad.”

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“I was shocked — shocked was the first thing that came in,” Patrick said. “You never want to hear, you never even want to think that your child has cancer.”

For the last three years of her young life, Aria has been battling high-risk neuroblastoma.

“It starts as a tumor above the pituitary gland, and it spreads,” said Cecily McDonald, Aria’s mom. “So, with Aria — it had spread all over. It also causes fractures within some of your bones. It causes a lot of pain.”

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At one point, Aria’s cancer treatment plan became so intense, she had a three-month stay at Seattle Children’s Hospital.

“We were able to get that tumor out and then chemo started repairing her bones and getting the tumors out of the fractures,” Cecily said. “It just really started shrinking all of that. When she had her bone marrow transplant, that was very intense but it got all of that out of her bone marrow.” 

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Between surgeries and high-potency medications, life in the hospital was taking a toll on Aria emotionally and mentally.

“The hardest part was not getting to interact as much as I used to,” Aria said.

“Often times, it’s yes, you do lose hope — and you are at a point where you can’t go another second, but you just remember there’s so many people cheering for her and supporting our family,” Cecily said.

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In her final lap for the cup, the Seattle Children’s team introduced Aria to competitive video games in hopes of lifting her spirits.

“There was nothing really to do, so we just started gaming and setting up tournaments,” Aria said.

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Aria would play with her nurses, her care team and just about anyone who was prepared to take on her signature Mario character of choice — Blue Shy Guy.

“It just changed everything,” Cecily said. “Even when she was getting these intensive therapies, she’s still playing.”

Instead of walking laps around the hospital wing, Aria was burning rubber underwater and in the sky.

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“It was just so exciting to see her jump around the bed and be excited to play, just dance, and absolutely shellac people against the wall in Mario Kart,” said Maximillian Williams, therapeutic gaming specialist, Seattle Children’s Hospital.

At Seattle Children’s, the hospital has a dedicated department for therapeutic video games and technology for patient care.

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“We have close to a million dollars in video game technology, easily,” Williams said. “We have a hundred consoles, I’d say live on the floors in carts, between outpatient and standalones and consoles to put in the units.”

So that even on their worst days, patients have something to look forward to.

“[Some of] these are huge, cinematic award-winning [games] — with a script, some with writing awards,” Williams said. “Really big, giant stories that you can sink your teeth into and go into this journey with this character.”

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Before they knew it, Aria was pulling into first place, ready to cross her finish line to recovery.

In February, she rang the bell — signifying the completion of her cancer treatment. It’s Aria’s own version of a checkered flag at the end.

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“It was really awesome, because I was done with all of the treatments,” Aria said.

“Her whole care team was there,” Patrick said. “And it’s just a feeling that she did it, and just thinking about all the people she had to go through to get there made it pretty special.”

Aria’s race doesn’t end here, she’s just getting started.

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As of February, Aria is cancer-free.

She still goes to Seattle Children’s Hospital for a check-up every three months.

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Aria is still a fierce competitor on the Mario Kart track, even taking part in online tournaments.

Seattle Children’s told FOX 13 Seattle they have more than a million dollars worth of video game equipment at the hospital. That’s thanks to partnerships they have with different organizations like Starlight Foundation and even Nintendo.

They have consoles and games for all ages to suit any child’s interests.

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The Man Behind Saint Bread, the Wayland Mill, and Tivoli

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The Man Behind Saint Bread, the Wayland Mill, and Tivoli


Yasuaki Saito often hides in plain sight at his restaurants.

Yasuaki Saito’s restaurants are more famous than he is. Saint Bread, his University District waterfront bakery, was called one of the country’s best bakeries by The New York Times and got longlisted for the James Beard Awards last year. This year the Wayland Mill, his Japanese-inspired all-day café and restaurant in Wallingford, is up for the James Beard Award for Best New Restaurant. If you’ve eaten at Saito’s restaurants, you may have unknowingly met the shaggy-headed fortysomething when he greeted you at his Fremont pizzeria, Tivoli, or made your coffee at Saint Bread.

Saito has a way of fading into the background. He resembles a kind-eyed roadie who’s happy to lend you his dog-eared copy of Zen and the Art of Motorcycle Maintenance. The kind of guy who, in a notoriously potty-mouthed profession, will respond to accidentally breaking a plate by exclaiming, “Biscuits and gravy!”

He doesn’t curse in anger, Saito says, because he doesn’t want to demonstrate to his team that that’s how you deal with challenges and mistakes. “He is so intentional and really believes in everything that he does,” says chef Sam Smith, who worked with Saito in Portland and consulted on Saint Bread.

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When the Wayland Mill opened, Saito spent a lot of time working the register to set the standard for how he wanted guests to be greeted. He often hires people based not on skill level, but on how much they care about hospitality. It’s all part of a formula that has made him one of the most successful Seattle restaurateurs of the past decade.

Saito’s low-key version of leadership shapes his restaurants.

Saito grew up hanging out in the St. Louis teppanyaki restaurant his Japanese immigrant father owned. From age 7, Saito loved the communal, bustling vibe and always wanted to work in restaurants.

It didn’t actually happen until he burned out after a decade working at Borders, quit his job, and wound up helping some friends open the era-defining, now-classic Nopa in San Francisco. In 2014, Saito and his wife moved to Seattle, where he took a job managing the London Plane. Then still relatively new, the ambitious café, bakery, and flower shop in Pioneer Square owned by restaurateur Matt Dillon and florist Katherine Anderson was the ideal landing spot for someone with Saito’s wide-ranging interests.

“He has so much energy and also expertise in so many different things,” says Cassie Woolhiser, who has worked for Saito off and on in various roles for more than a decade. “Like calibrating an espresso machine, but also writing poetry and talking about humanism and how it affects his day-to-day work.”

In 2018, Anderson and Dillon brought Saito on as a partner in London Plane. The following year, he bought Post Alley Pizza, near Pike Place Market, with his longtime coworker Andrew Gregory. They didn’t announce the ownership change publicly, but stealthily reinvented the hole-in-the-wall slice shop, making pies with 24-hour leavened dough and orienting specials around seasonal produce. That transformation would set the tone for Saito’s future ventures: understated but quietly innovative.

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Tivoli serves the same pizza as Post Alley, with a few extras.

The London Plane closed in late 2022 when Saito and Anderson declined to renew the lease. By then, Saito had opened Saint Bread, which retains some of that maximalist spirit. It’s a bakery but also a brunch restaurant where the food gleefully borrows from Japan and Scandinavia; an omelet comes topped with pickled ginger and fishy bonito flakes, an egg sandwich on sweet melonpan instead of a roll. In the warmer months, Saint Bread hosts a cocktail stand (Heave Ho) and a wood-fired food cart (Hinoki) in the unassuming space—a repurposed boathouse and a gravel lot—that manages to be so many things at once.   

Saito followed up Saint Bread with Tivoli in 2023, which anchors its menu on the same style of pizza as Post Alley, but adds dishes like a Caesar salad livened up with chicories and chilled pistachio noodles. Then, with last year’s the Wayland Mill, he leaned further into the mash-up concept: a coffee shop where you can work while sampling a pastry or a date-night spot where you can get sake and Buffalo chicken karaage. Saito dubbed the food “yoshoku Americana,” borrowing the term for Japanese versions of Western dishes and injecting it with homegrown nostalgia. It’s a cuisine that has been back and forth across the Pacific a few times but is instantly recognizable. “The yoshoku idea is something I grew up really enjoying,” says Saito. “[It] allowed me to be that hafu, that liminal space of being a Japanese American kid, it helped me maybe come to terms more with my upbringing and my heritage.”

Saito and chef Jim McGurk infused their shared Midwestern backgrounds into Tivoli.

Nostalgia is something of a North Star for Saito’s operations, says Woolhiser. Customers likely didn’t grow up eating the gochujang snickerdoodle at Saint Bread, but they probably recall being warmed by a cookie on a chilly fall day. People haven’t had anything like the delicate biscuits slathered in umami-rich miso-chashu gravy at the Wayland Mill, but all the elements of that dish are familiar—diner fare filtered through Saito’s experience, interpreted by baker Ellary Collins and chef Jim McGurk.

 

Unlike many star restaurateurs, Saito didn’t start out as a chef. He describes his role as an “operator,” someone who has done practically every job in the restaurant but also handles payroll and balances the books. A chef puts together ingredients to make dishes; Saito puts together people to make restaurants.

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Making pizza at Saito’s restaurants is just one part of making a guest feel welcome.

“He’s very good at finding great talent, bringing that talent together, and letting people’s talents speak,” says Nicole Sakai, an art director whose agency, Factory North, built the stained-glass window at Saint Bread, among other projects for Saito. He looks for people who have “hospitality in their hearts,” or the Japanese idea of omotenashi, which he roughly defines as “hospitality for the sake of it.” He wants people who understand that baking bread or grilling hamburgers or pulling espresso shots is all in service of making a guest feel welcome. Even people who are exceptional cooks or bakers may not care about that second layer of the work, but Saito needs them to.

It means saying “welcome in” and meaning it, a bit of sincerity you can’t quite describe but feel when you walk in. It means that when a construction worker wanders into the Wayland Mill when it’s closed, Saito will (politely) pause the interview with the journalist he’s conducting to make a coffee. It means that if you say how much you love a cup at the Wayland Mill, as a friend of mine recently did, you may find yourself being given one when you leave.

That hospitality extends beyond paying customers. At the London Plane, people from the neighborhood would wander in from the street in varying degrees of distress. “Sometimes people were destructive, and Yasu had to ask them to leave,” Woolhiser says. “But most of the time, people would just come in and sit down and be like, on their own mental journey, and Yasu would offer them a cup of coffee or ask if they wanted anything.”

The sainted glass window at Saint Bread.

Saito’s philosophy around those interactions is to show up for the world the way that he thinks the world should show up for him. With a glass of water, directions, simply a place to sit for a while. “There’s a version of that help that could actually put that person on a different path,” he says. “And I’m not going to say that I’ve done anything to save anybody’s life or any of those things, but oftentimes it’s small things like that that can help somebody understand that they’re not alone in the world.” 

Some guests might notice this spirit of hospitality, all these layers of meaning. Some of them probably don’t, just as some glaze over the custom stained-glass window at Saint Bread. They don’t need to see any individual action, any tangible evidence of Saito’s hard work. His kindness, his attention to detail, the way he cares about so many things, it all seeps into his restaurants. A vibe, something in the air, the way customers feel after a visit. They might not notice it, but it leaves a mark anyway.

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Trio helps Ottawa beat Seattle 2-0, spoiling return of Torrent captain Hilary Knight

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Trio helps Ottawa beat Seattle 2-0, spoiling return of Torrent captain Hilary Knight


Sarah Wozniewicz gave Ottawa the lead, rookie Peyton Hemp scored her first goal and Gwyneth Philips posted her first shutout of the season as the Charge blanked Seattle 2-0 on Sunday despite the return of Torrent’s captain Hilary Knight.

Ottawa (6-7-1-9) moved two points in front of the Toronto Sceptres for the fourth and final playoff spot with a match in hand and seven remaining in the regular season.

Seattle Torrent captain, Olympic champion Hilary Knight activated from injured reserve

Wozniewicz was in the right place to bang in a deflection after a shot by Kathryn Reilly hit the skate of a Seattle defender in front of the net at the 9:09 mark of the first period.

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Hemp gave the Charge a 2-0 lead when she scored with 1:23 left in the second period. Hemp collected six assists through her first 22 matches.

Seattle began the third period on a two-minute power play after Ottawa forward Brianne Jenner was called for interference in the final second of the second. But Philips was up to the task, finishing with 25 saves.

Corinne Schroeder totaled 27 saves for Seattle (6-1-2-14). She saved a penalty shot by Jenner with 13:58 left to play.

Ottawa came in with a league-high 14 power-play goals but went 0 for 3 against Seattle. The Torrent came up empty on six tries with an extra skater.

Seattle activated Knight from long-term injured reserve before the match. Knight had three goals and seven assists in 14 games before sustaining an injury at the Winter Olympics.

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The Charge beat the Torrent for a third straight time following a 4-1 loss in Seattle on Dec. 17.

Ottawa had been the only team without a regulation victory away from its primary home this season.

Up next

  • Ottawa: Hosts the Toronto Sceptres on Wednesday.
  • Seattle: Visits the New York Sirens on Saturday.



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Where to watch Cleveland Guardians vs. Seattle Mariners: Live stream, start time, TV channel, odds for Sunday, March 29

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Where to watch Cleveland Guardians vs. Seattle Mariners: Live stream, start time, TV channel, odds for Sunday, March 29


The Cleveland Guardians, ranked #1 in the AL Central, face the Seattle Mariners, ranked #4 in the AL West. The Mariners are favored with a moneyline of -170 and a spread of -1.5. Cleveland’s Slade Cecconi (ERA: 4.30) will start against Seattle’s Emerson Hancock (ERA: 4.90).

How to Watch Cleveland Guardians vs Seattle Mariners

  • Time: 7:20 PM ET / 4:20 PM PT

  • Where: T-Mobile Park, Seattle, WA

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Team Records

  • Cleveland Guardians: 2-1 (#1 in AL Central)

  • Seattle Mariners: 1-2 (#4 in AL West)

Odds (via BetMGM)

  • Spread: Seattle Mariners -1.5

  • Moneyline: Seattle Mariners -150 / Cleveland Guardians +125

Starting Pitchers

  • Cleveland Guardians: Slade Cecconi (2025 stats: 7-7, ERA: 4.30, K: 109, WHIP: 1.19, BB: 32)

  • Seattle Mariners: Emerson Hancock (2025 stats: 4-5, ERA: 4.90, K: 64, WHIP: 1.38, BB: 31)

Weather: 44°F at first pitch



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