San Francisco, CA
San Francisco Museum of Modern Art: Your ultimate guide
But the San Francisco Museum of Modern Art (SFMOMA) has found a way with its convenient SoMa location, atypical hours, dynamic and diverse programming and exhibits, freebies and its whimsical, pop-art inspired exterior.
Keep reading to learn why SFMOMA might just have the edge over the city’s other art establishments.
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The San Francisco Museum of Modern Art was the first of its kind
When SFMOMA opened in 1935, it was the West Coast’s first museum devoted to modern and contemporary art. In its first decade, SFMOMA showcased works by heavyweights such as Diego Rivera and Henri Matisse. It even hosted Jackson Pollock’s first solo museum exhibition. Today, the museum’s permanent collection includes an extensive mix of 20th- and 21st-century art, with diverse collections that include cubism, fauvism, pop art, abstract expressionism, minimalism, photography and much more.
“He [Bedford] seems to already be making a difference at SFMOMA,” says Landry, who already knew of Bedford’s work when he was at the helm at the Baltimore Museum of Art. “I like that they are doing more with all the space in the building, are trying hard to bring in more diversity and inclusion and presenting art in a new and interesting way. To me, the museum is an exciting place.” Current and upcoming exhibits are a testament to this.
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Experience expanded views at the San Francisco Museum of Modern Art
A few years back, the museum underwent a three-year, $305 million expansion and renovation. The redesigned SFMOMA was unveiled to acclaim in 2016. The remodel expanded the footprint of the museum significantly, doubling its overall size and tripling the exhibition space. The revamped exterior is made up of white fiberglass panels that have been described as both “cliffy” and “cloudlike,” paying homage to the city’s fog and surf. Unfortunately, as of the spring of 2023, the apparatus used to clean the panels is no longer functioning, so the once gleaming white panels are now a dingy greenish gray.
One of the highlights of the expansion is the Living Wall, on the museum’s third floor. It is a large-scale vertical garden made up of 37 species of native plants, living on a beautiful outdoor terrace. In his Artist Statement, the wall’s designer, horticulturist David Brenner, suggests that the best way to fully experience the wall is by walking the length of the terrace “as if it were a trail within a forest. The path offers the viewer a multitude of intimate discoveries of fragrance, color and texture in the foliage.” He also suggests viewing the wall in profile “where the various dimensions of plant forms are showcased and where the undulating white facade of the building is embraced by the soft textures and lushness of the plants. It is where nature and architecture meet and become one.”
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How to experience the San Francisco Museum of Modern Art for free
While most museums stop non-paying visitors at the door, SFMOMA offers access to 45,000 square feet of indoor and outdoor space during museum hours, without an entry fee.
On the first floor, the floor-to-ceiling, 60,000-plus pound Diego Rivera mural, Pan American Unity, currently dominates the free Roberts Family Gallery on Floor 1. (The mural is on display at SFMOMA until March 2024, when it returns to City College of San Francisco.) Also on Floor 1, Julie Mehretu’s sprawling HOWL, eon (I, II) is also free for visitors to view. At 27 feet high and 32 feet wide, Mehretu’s massive canvases are impossible to miss. The museum’s cavernous lobby also houses the museum’s expansive, open-to-the-public Museum Store with something for everyone, from a $1,950 signed Cindy Sherman Film Still Triptych Skateboard set to a $5 SFMOMA stainless steel drinking straw kit and an extensive collection of art and design books.
SFMOMA’s second floor houses a number of free exhibits (in some cases, you still need to make reservations; check the website for details), as well as Steps Coffee, which offers ample seating and does not require a museum ticket. It’s the perfect spot to get inspired over a latte and even get some work done if you need a quiet, although still bustling, spot. A number of the tables have views of Rivera’s mural.
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It doesn’t stop there. Museum entry is free for those 18 and under at all times and free for residents of the nine Bay Area counties the first Thursday of each month. Not bad for a museum with a $25 standard-entry adult fee. Reservations can be made up to two weeks in advance and are highly recommended. (Limit two adult tickets per person.) There are also free family days, in which admission to the museum is free for up to four adults accompanying one child 18 or under.
Beating the Monday blues at San Francisco Museum of Modern Art
Bucking the museum trend of shuttered Mondays, SFMOMA only closes its doors on Wednesdays. Every other day, it is open from 10 a.m. to 5 p.m. (except Thursdays, when it opens at 1 p.m. and closes at 8 p.m.).
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East Bay resident Lynn Landry has been a SFMOMA member for about a decade, and visits whenever she gets the chance. “I love SFMOMA because it’s easy to access by BART, they are open on Mondays and they have the late evening open hours on Thursdays,” she says. “It makes for a perfect date or meeting with friends.”
How to get to the San Francisco Museum of Modern Art
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How much time should you plan for visiting the San Francisco Museum of Modern Art?
With seven floors, it would be hard to make it through the museum in less than a couple of hours; one could easily spend a whole day at SFMOMA. There is that much art — and good art. If you get hungry, you have three choices for dining. In addition to Steps Coffee, there is the restaurant grace on the first floor (no museum ticket required). The name pays homage to Grace McCann Morley, the museum’s first director. And on the fifth floor is Cafe 5, an indoor/outdoor cafe that connects to the museum’s sculpture garden (museum ticket required). You’ll want to linger at Cafe 5 with its view of the city’s skyline and the terrace’s large-scale sculptures.
Find it: SFMOMA, 151 Third St., San Francisco, CA 94103; 415-357-4000
This story was edited by Hearst Newspapers Managing Editor Kristina Moy; you can contact her at kristina.moy@hearst.com.
San Francisco, CA
IEEE Trips To Singapore, Japan, New Jersey, San Francisco, Bologna And Milan
This is the last month of my IEEE Presidency and still a few things to do. I estimate I have been away from home over 250 days this year, flown on 17 different airlines and given over 100 talks either in person, remotely or via recordings at various IEEE and other events. It has been quite a year!
We had a virtual board of directors meeting this month to approve the winner of the 2025 IEEE Medal of Honor, who will be awarded a $2M prize in April of 2025 in Tokyo. This month I visited and spoke at IEEE Tencon, a Region 10 conference in Singapore, attended and spoke at a YP/student-oriented event and visited a milestone in Kyoto, Japan as well as the Nintendo Museum with other IEEE volunteers and staff. I then flew to San Francisco, CA to give out some IEEE field awards at the IEDM and then to Italy to give some talks in Bologna and another IEEE field award in Milan, Italy.
At Tencon, I spoke about IEEE AI Ethics activities in a keynote talk as well as giving a talk on recent IEEE board activities and encouraging our younger members to stay with us and make IEEE their professional home. I also visited the local Schneider Electronics Office, a startup called Black Sesame, the IEEE Singapore office and A-Star, a Singapore government funded research organization. The image below is me during my keynote talk. The shirt was a gift from the Singapore IEEE office, a batik print shirt, which are common wear in this part of the world.
Below is an image of me at the Schneider Electric visitors center in Singapore. We were shown their various electric power and facilities management products and services and spoke with them about stronger engagement between industry and the IEEE. We had a similar conversation with Black Sesame, who have offices in the same building as the Singapore IEEE office and make chips for electric vehicles. At A-star we talked about various IEEE activities include those related to sustainability efforts, including port electrification for ships to connect to the electric grid when in port and for charging electric boats.
In Kyoto, Japan I gave a talk at a virtual and physical event for students and young professionals about recent activities approved at the IEEE November board of directors meeting, about stronger engagement with industry and how IEEE can the professional home for our younger members and support their careers. I also visited two milestones in Kyoto.
The first was to Shimadzu Corporation, a biomedical company in Kyoto. There I joined Nobel laureate Koichi Tanaka, shown with me below next to the milestone plaque at Shimadzu, who invented the matrix-assisted laser desorption/ionization technique, which allowed ionization of large organic molecules so they could be detected by a mass spectrometer. This allows detection of useful large organic molecules for various medical and biological research applications. This milestone was installed in November 2024.
The image below is from my visit to the Keage Hydro Power Station in Kyoto, which used water from the lake Biwa Canal to create electricity for the city starting in 1897. The first power plant was DC powered and later converted to AC. In 1936 a new facility near to the original building was completed which used water from a second canal to increase the AC power output. This facility is still working to provide low-carbon power to Kyoto. The image below shows me next to one of three copies of the milestone plaque near the hydro-power generators.
Nintendo recently opened a museum near Kyoto. I visited it with 2020 IEEE President Toshio Fukuda, IEEE Council Office’s Makiko Koto and my Kyoto host, Tomohiro Hase-sensei, from left to right, shown below with some animated Nintendo Toads, Toadstools, at the museum. Nintendo started in the 19th century making card games, expanded into board and other games in the mid-20th century and offered its first electronic game devices in the 1970’s.
I flew from Kyoto to New Jersey to give out the Charles Proteus Steinmetz award to Gary Hoffman at the IEEE Standards award event and then flew back to San Francisco to attend the IEEE IEDM, International Electron Devices Meeting, to give out three more technical field awards and attend some sessions at the IEDM and the MRAM Forum following the IEDM on Thursday. I also attended an IEEE Magnetics Society standards meeting on Wednesday night.
After half a day at home in San Jose I then headed to Bologna and Milan Italy to give some talks in Bologna, including at the Italian Academy of Science and give out the IEEE Control Systems Society award at the IEEE Conference on Decision and Control, CDC, in Milan Italy before heading home for some time with my family.
The picture below shows me with my gracious hosts Cecilia Metra, left, and Carlo Alberto Nucci, right, at the amazing meeting room where I spoke at the Italian Academy of Science about the IEEE and things that our IEEE board has been working on in 2024. Those are hand painted drawings on the ceiling of this room and there were busts of famous Italian scientists on the walls.
Cecilia is an IEEE Fellow and a professor in Electrical Engineering at the University of Bologna, the world’s oldest university, founded in 1088. She has been very involved in fault-tolerant design of digital circuits and systems and is a past President of the IEEE Computer Society and will be an IEEE director again in 2025. Carlo Alberto is a member of the Italian Academy of Science and is a professor of Electrical Power Systems at the University of Bologna and the Editor and Chief of the Electric Power Systems Research Journal.
I also gave a talk at the University of Bologna to students and faculty about IEEE and other sustainability efforts for data centers, particularly involving digital storage and memory technologies. I visited the Marconi estate, Sasso Marconi, near Bologna where I had a chance to see where Guglielmo Marconi did his pioneering radio work. The image below shows me with the IEEE Engineering milestones outside of the house in front of the hill where he and his associates were able to demonstrate radio communication beyond line of sight, using a spark gap transmitter.
The next day I traveled to Milan to participate in an awards ceremony to present an IEEE Technical Field Award, TFA, at the IEEE Conference on Decision and Control, CDC, put on by the Control Systems Society. We had social events at the Alfa Romeo Museum and at the National Museum of Science and Technology near and in Milan. On December 19 I flew home to be with my family for the holidays.
This trip was my last as IEEE President. I have been honored to have been part of the 2024 IEEE board and I am very proud of the things we have been able to accomplish this year. I look forward to working with the 2025 IEEE President, Kathleen Kramer, as IEEE Past President in 2025.
San Francisco, CA
San Francisco Giants Boss Building Franchise in His Image, Insider Says
When the San Francisco Giants hired Buster Posey to replace Farhan Zaidi, it was clear that San Francisco would be heading in a new direction, but unclear what direction that was. The new regime has now made their first big signing and the direction and type of player that Posey and company want is becoming clear.
That type of player are ones like Posey himself, as Susan Slusser of the San Francisco Chronicle explained on the show Foul Territory.
“I think Buster Posey really wants gritty guys,” she said. “There was a lot of talk the other day, and this won’t come as a surprise to anyone, during the WIlly Adames press conference. He played in 161 last year, wanted to play 162, he wants those kind of guys, he wants guys that play like he did.”
Chapman played 154 games last year, the first Giants player to appear in 150 or more games since WIlmer Flores in 2022. Chapman’s ability to play everyday and show that type of grit is why San Francisco felt comfortable giving him a huge extension.
Adames has played in at least 140 games each of the past two years, including that 161 number last season.
Another player who they are currently a “favorite” for is that same type of gritty guy, just from the mound. Corbin Burnes has made at least 32 starts in each of the last three seasons, including at least 190 innings all three years and even a 200 inning season. That is something not seen as often in the game anymore.
One of the big complaints during the Zaidi era was that the Giants didn’t always hav that one player who played everyday. There was a lot of platooning, and it now seems like Posey wants to get away from that and find players who will be there everyday.
“He wants Chapman’s, Adames’ guys who are going to go out and really fight and lift up their teammates and hold them accountable, too, which is exactly what Buster did when he was a player. I think that’s important for him,” Slusser continued.
The president of baseball operations wants to re-work this team and build a new identity in his vision, which is something he has begun to do. However, in order to do that, Posey will need time and patience to turn over a roster like that.
With the addition of Adames, though, he joins Webb and Chapman as those type of gritty players who will be out there everyday.
San Francisco, CA
San Francisco DA Brooke Jenkins reacts to 2nd degree murder verdict in Nima Momeni trial
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