San Francisco, CA
Review: Acclaimed ’90s rock act visits Bay Area for first time in over 25 years
Mike Doughty sure knows how to get a crowd on his side.
“I just want you to know that you are literally the most attractive people we have ever seen in our lives,” the Soul Coughing frontman said. “You freak me out — too (expletive) beautiful.”
Yet, he didn’t really need the sweet talk to gain the audience’s favor on Saturday night (Sept. 14) at The Fillmore. The thousand-plus fans that filled the legendary San Francisco venue to capacity for the first of two nights were clearly already in his corner and ready to enjoy their first Soul Coughing concert in at least a quarter of a century.
And the vocalist-guitarist and his formerly estranged Soul Coughing mates — keyboardist/sampler Mark Degli Antoni, bassist Sebastian Steinberg and drummer Yuval Gabay — certainly sounded great during this local stop on their long overdue reunion tour, powering through 21 numbers of jazzy hip alt-rock tunes in roughly 90 minutes.
The whole thing felt so natural and, well, necessary that it left one wondering how it could’ve possibly taken the band members 25 years to get this show back on the road. Sure, the New York City outfit parted on acrimonious terms in 2000, after putting out three highly enjoyable records during a five-year span, but other acts have certainly buried the hatchet much quicker than this when there was a payday involved.
Still, the consensus mood at The Fillmore was “better late than never” as fans swayed to the music in the packed room and sang along to Doughty’s curiously appealing vocal work, which mixes goofy Beat poetry, rap, one-liners, scatting, deadpan delivery, repetition for the sake of repetition, pure nonsense and rare insight.
Granted, that latter doesn’t always factor into the equation — as Doughty illustrated, first in English, as he sang “Bus to Beelzebub.”
“Get on to the bus that’s gonna take you back to Beelzebub,” he sang. “Get on to the bus that’s gonna make you stop going rub-a-dub.”
And it didn’t sound any more insightful when he mixed in a little French — “Voulez-vous the bus,” he sang — even though, we know, that usually does the trick.
The Soul Coughing songbook is littered with those type of oddities — this is probably a good place to mention that that same song ends with Doughty just repeating “Yellow No. 5” (yes, as in the controversial food dye) over and over again. Yet, he gets away with those lines — in part, due to that great deadpan delivery, but, probably more so, because he often wears cool Beat poetry/jazz cafe hats.
Taking the stage right around 8:30 p.m., the band kicked off its first Bay Area show of the 21st century with a fine version of “Is Chicago, Is Not Chicago.” It was the first of 10 tracks that hailed from “Ruby Vroom,” the group’s 1994 full-length studio debut that turns 30 later this month.
Continuing into “Down to This” (another “Ruby Vroom” offering), Doughty sold his lyrics almost entirely with pure rhythm and cadence, dropping words like notes plucked from Steinberg’s upright bass. Things got even groovier as the troupe ventured into “Irresistible Bliss” — the 1996 sophomore outing that lives up to its title and stands as the band’s best album — for “Collapse,” which proved to be a fine showcase for Gabay’s towering mix of power and technique on the kit.
Even the second (and third) tier Soul Coughing material — “White Girl,” “Sugar Free Jazz,” etc. — was well worth hearing on this night, since the band was operating in such a zone and, well, it just felt so good to be hearing Soul Coughing back in the live arena.
Doughty can be quite chatty in his solo shows, which might have something to do with the fact that there is a lot of space to fill when it’s just you and a guitar up there on the stage, but he was pretty quiet, for the most part, between songs.
He also seemed to downplay the whole front man vibe, instead just coasting through the gig in low gear and showing relatively little energy. I kept wanting him to cut loose, and take the whole thing to a higher level, but he never did — even during what should have been a barnburner of a encore with the Soul Coughing anthem “Super Bon Bon.”
Yet, there were so many highlights — including “Casiotone Nation,” “St. Louise Is Listening” and the main-set-ending “Screenwriter’s Blues” — that it would be wrong to categorize this show as anything but a success, as Soul Coughing rose from its long slumber to once again delight Bay Area fans.
Here’s hoping this is a reunion with legs.
Setlist
1. “Is Chicago, Is Not Chicago”
2. “Down to This”
3. “Collapse”
4. “White Girl”
5. “Sugar Free Jazz”
6. “The Idiot Kings”
7. “Blue Eyed Devil”
8. “Disseminated”
9. “Rolling”
10. “Lazybones”
11. “Misinformed”
12. “Bus to Beelzebub”
13. “Casiotone Nation”
14. “St. Louise Is Listening”
15. “True Dreams of Wichita”
16. “Mr. Bitterness”
17. “I Miss the Girl”
18. “Moon Sammy”
19. “Screenwriter’s Blues”
Encore
20. “Circles”
21. “Super Bon Bon”
Originally Published:
San Francisco, CA
Celebrated San Francisco historic landmark, the Huntington Hotel officially reopens
SAN FRANCISCO (KGO) — First opened as apartments in 1922 and converted into a hotel two years later, the Huntington was once a playground for socialites and Hollywood stars.
It shut its doors in 2020 due to the COVID-19 pandemic and remained shuttered until this week, following new owners and a million-dollar, top-to-bottom renovation.
A ribbon-cutting ceremony was held for The Huntington Hotel in San Francisco’s Nob Hill neighborhood Monday.
The hotel officially reopened on Sunday.
Mayor Daniel Lurie attended the celebration for the hotel on California Street.
“This is another sign that San Francisco is on the rise, when you have major institutions and major hotels reopening,” Lurie said. “We’re seeing it in Union Square. We’re seeing it now up here on Nob Hill. This is an exciting moment for San Francisco.”
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The hotel, known for its iconic sign, will be restoring the landmark sign to its former glory.
Many say it’s a symbol of what’s going on in San Francisco.
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“It came to symbolize San Francisco’s decline during COVID when it shut and it now, I think, symbolizes San Francisco’s rebirth,” said Greg Flynn, Flynn Group Founder, Chairman, and CEO. “It’s sort of the perfect symbol of it because it’s coming back better than it ever was.”
Alex Bastian, President and CEO of the Hotel Council of San Francisco, said hotel occupancy rates are up in 2024.
“Our data team crunched the numbers, and the four-week rolling hotel occupancy rate for San Francisco Bay Area hotels is 55.1 percent as of January 17 of this year. Compare that to January 17 of 2021, during the pandemi,c when it was 13.1 percent.”
Of course, the Super Bowl helped.
Here’s what Super Bowl LX visitors are saying about San Francisco
“There’s no marketing campaign better than what we achieved as San Franciscans,” Bastian said. “The mayor and his team really elevated the game. They did an incredible job. We are so fortunate, as a city, because so many came here and they left their hearts here in San Francisco.”
Eyewitness News wasn’t allowed to gather video of the hotel’s features, but the hotel provided renderings of a sample room.
Matthew de Quillien, The Huntington Hotel General Manager, said the hotel has 143 rooms, many of them suites. Also, the Nob Hill Spa, Arabella’s Cocktail Salo,n and a reopening of The Big Four Restaurant, featuring its famous chicken pot pie.
“Our owner was able to find the original recipe from the 70’s and we remastered it and we’re … serving it to our guests,” de Quillien said.
He said rates range from $600 a night to $7,000 a night for its Presidential suite.
The restaurant opens to the public on March 17.
If you’re on the ABC7 News app, click here to watch live
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San Francisco, CA
Vigil held for 2-year-old girl killed in SF Mission Bay crash
SAN FRANCISCO, Calif. – Walk SF and Families for Safe Streets held a vigil Monday evening to honor a 2-year-old girl who was struck and killed by a driver Friday night in San Francisco’s Mission Bay neighborhood.
The crash happened just before 9 p.m. at Fourth and Channel streets near Oracle Park. Police said the child’s mother was also injured and taken to a hospital with non-life-threatening injuries. The driver remained at the scene, and authorities said drugs or alcohol are not believed to be factors.
Community heartbroken
Community members gathered at the intersection Monday to light candles and lay flowers. Among them was the Howard family.
“We’re just heartbroken and sad,” said Hidelisa Howard.
“I was thinking about heartbroken parents, someone who cannot get their daughter back,” said John Howard.
The intersection is designated as part of San Francisco’s 2022 High Injury Network, identifying streets with the highest concentration of severe and fatal traffic crashes. Speed cameras were recently installed in the surrounding neighborhood.
Jodie Medeiros, executive director of Walk SF, called the crash a tragedy, noting a previous fatal collision involving a child at Fourth and King streets several years ago.
Traffic intensifies
Parents in the area said traffic has intensified with nearby events and development.
“We love having people here in the neighborhood, and it’s brought a lot of life to the area,” said Hidelisa Howard, who lives nearby. “But at the same time, we have people coming in from out of the area. They’re not familiar with the streets, they’re running the lights, they’re running the crosswalks.”
District 6 Supervisor Matt Dorsey said the intersection has been problematic.
“Sometimes people go too fast. I don’t know that this was the issue here, but we need to do everything we can to make our neighborhoods and our streets safer,” Dorsey said.
On Monday, crews with the SFMTA repainted crosswalks and re-timed traffic signals at the intersection.
“It just feels like there’s so many young children in this neighborhood that there should be improvements made to the way that the traffic flows around here,” said Aanisha Jain, a San Francisco resident.
San Francisco, CA
Yes, an $8 Burger Exists in Downtown San Francisco
Sometimes life requires an easy hang, without the need for reservations and dressing up, and preferably with food that’s easy to rally folks behind. The newish Hamburguesa Bar is just such a place, opening in December 2025 and serving a tight food menu of smash and tavern burgers (made with beef ground in-house), along with hand-cut duck fat fries, poutine, and Caesar salad. The best part? Nothing here costs more than $20. Seriously, this spot has so much going for it, including solid cocktails and boozy shakes. It’s become a homing beacon for post-work hangs, judging by a recent weekday crowd.
Hamburguesa Bar’s drinks are the epitome of unfussy: Cocktail standards, four beers on tap, two choices of wine (red or white), boozy and non-boozy shakes, plus 21 beers by the can or bottle. Standards on the cocktail menu are just that, a list of drinks you’ve heard before — such as an Old Fashioned, daiquiri, gin or vodka martini, or Harvey Wallbanger — with no special tinctures or fat-washed liquors to speak of (that we know of, at least). I’m typically split on whether boozy shakes are ever worth it, but the Fruity Pebbles option ($14) makes a convincing case, mixed with a just-right amount of vodka and some cereal bits. (I’ll leave the more adventurous Cinnamon Toast shake made with Fireball to others with more positive experiences with that liquor.)
Downtown and SoMa has a reputation for restaurants closing early, but Hamburguesa Bar keeps later hours, closing at midnight from Monday through Saturday (closed Sundays). It’s also open for lunch at noon during those days, with the exception of Saturdays when it opens at 5 p.m.
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