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Rare Performances, Rising Acts Made Noise Pop 2025 Special

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Rare Performances, Rising Acts Made Noise Pop 2025 Special


There’s nothing quite like Noise Pop to remind you that, even with all the entertainment at our fingertips, nothing can replace live music. Throughout the week, as I accumulated hand stamps and wristbands at venues from the Tenderloin to the Panhandle, it was hard not to feel alive and grateful for the many high-caliber musicians and absolutely stoked fans of different ages, backgrounds and subcultures.

Dam-Funk performs at the Noise Pop opening night party at the California Academy of Sciences on Feb. 20, 2025. (Gina Castro/KQED)

The 10-day festival kicked off with a Feb. 20 opening party with Dam-Funk at the California Academy of Sciences, and brought impressive headliners to unique settings (St. Vincent and Ben Gibbard in the gorgeous Grace Cathedral, for one) and storied nightclubs alike. True to the festival’s roots, this year’s edition was heavy on indie rock, both with nostalgic acts like American Football and new-gen stars like Soccer Mommy. It also brought out left-field pop and cult hip-hop acts with passionate, niche followings. (My only complaint was a lack of local hip-hop artists during this vibrant time in the Bay Area scene.)

Below you’ll find a scene report from Noise Pop’s most exciting sets, plus lots more photos.

Rapper Earl Sweatshirt performs at the Great American Music Hall in San Francisco on Feb. 25, 2025, as part of the Noise Pop festival. (Beth LaBerge/KQED)

Earl Sweatshirt brought out the introverts

Earl Sweatshirt doesn’t really write songs with hooks. He says things that most people in the music industry aren’t willing to say (like “free Gaza”). And the beats he chooses are jarring and jagged, made from asymmetrical loops that don’t really work for dancing. Not that his fans care. The dense crowd at his two back-to-back shows at Great American Music Hall rapped along to his deep cuts, spitting each bar with their chests. On Tuesday night, it felt like 400 introverts found their tribe after years of passionately, privately listening to Sweatshirt in their bedrooms.

Rapper Navy Blue performs at the Great American Music Hall in San Francisco on Feb. 25, 2025, as part of the Noise Pop festival. (Beth LaBerge/KQED)

Sweatshirt arrived on stage to the guitar loop from his 2018 instrumental song “Riot!” “I feel like a Pop Tart right now,” he told the crowd. He probably wasn’t the only one having a psychedelic experience. When he delivered the dense, poetic bars of “E. Coli,” with its old-school-sounding choral beat produced by The Alchemist, phones went up and dozens of joints sparked throughout the crowd. During the set he brought back opening acts Navy Blue and Zelooperz, who had delivered heartfelt and moshpit-worthy performances, respectively, earlier in the night.

Glixen performs at Bottom of the Hill in San Francisco on Feb. 25, 2025, as part of the Noise Pop festival. (Beth LaBerge/KQED)

A chance to catch Glixen before they blow up

Glixen’s Tuesday-night show at Bottom of the Hill might have been the last chance to see them in the lovably ramshackle dive before they blow up. The young four-piece shoegaze band from Phoenix is currently on a tour of small clubs before they land in front of 125,000 festival-goers at Coachella in April. At Bottom of the Hill Tuesday, they exuded quiet confidence, mostly letting screechy distortion speak for them instead of bantering with the crowd. An audience aged 18 to 60 — the latter camp probably drawn to the show because of Glixen’s similarities to My Bloody Valentine — bobbed along in a trance as Aislinn Ritchie’s thin vocals floated along in frothy spumes of sludgy instrumentation.

Glixen performs at Bottom of the Hill in San Francisco on Feb. 25, 2025, as part of the Noise Pop festival. (Beth LaBerge/KQED)
The band Cymande plays at August Hall in San Francisco on Feb. 26, 2025. The group was originally formed in the early 1970s by Caribbean born, London based musicians.

Cymande returned in top form

“We’re gonna play you a song that put us on the map before we took a short break for 50 years,” joked Patrick Patterson, Cymande’s guitarist, as a funky bassline kicked off their 1972 hit “Bra.” With each shake of the shaker, trilling guitar riff and sunny burst of trumpet, the audience ascended into ecstatic, full-body dance moves. Folks with grey hair, who probably first heard the Caribbean-British band five decades ago, moved their hips, clearly getting their groove back — if they ever even lost it in the first place.





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San Francisco, CA

Latest California-based gig work app lets people book content creators, editors

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Latest California-based gig work app lets people book content creators, editors


It’s 10 a.m. sharp, and Abby Kurtz gets her first assignment of the day. She’s received a time, a location in San Francisco and a target.

Her weapon of choice: an iPhone.

“Being a social agent is really the coolest thing ever,” she said. 

Kurtz is a content creator working through an app called Social Agent, part of an expanding gig economy where more and more workers are trading stability for flexibility. Work that once required connections, planning, and a big budget can now be booked with a tap —extending the on-demand model from rides and meals to storytelling itself.

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 Just make a request, and someone like Kurtz can arrive within 30 minutes, camera-ready.

“What I look for when I’m shooting events is very crisp and clean content,” she said. 

Her mission this time took her to Sutro Nursery, a nonprofit dedicated to growing native plants and that is hoping to grow its volunteer base, too. Board member Maryann Rainey said booking a Social Agent is a lot cheaper than hiring someone to do their social media full-time. 

“I know I can’t do it myself, and I was certainly hoping that these young people would know how to do a good film,” Rainey said.

A typical job runs about $200, with same-day delivery. Agents earn around $50 an hour, plus tips. And if clients already have footage, they can upload it and have it turned into a finished piece. 

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The service is currently available in New York, Los Angeles, and Miami, with a slower rollout now underway in other cities.

 Lisa Jammal, the company’s CEO, said the idea is simple: Let someone else do the shooting.

“We all are missing those beautiful moments because we’re always behind the phone,” she said. 

As for Kurtz, after the shoot, she headed straight to a nearby coffee shop, where the clock started ticking. She had just over an hour to shape her raw material into a polished final cut.

“I think I’m going to give this reel a really peaceful, calming feel, but also informative and inviting,” she said. 

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SF scientists build robotic storm samplers to track pollutants before they reach the Bay

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SF scientists build robotic storm samplers to track pollutants before they reach the Bay


SAN FRANCISCO (KGO) — Environmental Scientist Kayli Paterson from the San Francisco Estuary Institute is hitting the road with colleague David Peterson and a trunk full of water sampling robots.

“Yeah, I think the max we’ve ever done was five. But the sites are very close together. Oh, there it is. Hopefully it samples well,” says Paterson as she turns the mobile sampling lab onto a private oak-lined road.

They’re closing in on a watershed creek flowing through the hillsides near the San Andreas Lake reservoir, west of Highway 280 in Millbrae, part of the larger watershed that eventually drains into San Francisco Bay.

“So, we’ve got our sampler. Look at the battery. Hook that up, red and black. This is a 12-volt lithium battery, and it powers our sampler for probably about six to seven days,” she explains, showing off a self-contained unit miniaturized into a portable case.

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MORE: Futuristic Fight Club: VR-controlled boxing humanoid robots battle in San Francisco

The black cases are their latest innovation in stormwater science. Robotic samplers anchor in key sections of the watershed to monitor not only flow, but also the chemicals and pollutants washing downstream toward the Bay.

“And this is a front-line pollution sampler. It’s getting the stormwater before it enters the Bay. And so, we want to know what’s coming into the Bay and getting these samplers out there in more locations will give us a better idea of where we might have issues, where a hotspot is, or maybe a previously unknown contaminant,” says Paterson.

“It’s important to get out that fast,” her colleague David Peterson adds. “You know, in these storms as they’re happening, because the water is picking up pollutants in real time, and we need to be there to capture them.”

When we first met Peterson several years ago, he and another Estuary Institute team were sampling water along the Bay shoreline by hand, a technique that’s still valuable. But to cover more ground, Kayli and a group of collaborators began developing the robotic samplers over recent storm seasons.

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Kayli and David start by chaining the unit itself to a tree near the creek bank. The system employs remote-controlled pumps that draw samples from the creek and store them in onboard containers. The software controlling the volume and frequency can be operated from a phone app.

MORE: New study of San Francisco Bay fish confirms concentrations of PFAS aka ‘forever chemicals’

One of the key targets in this study is a group of so-called “forever chemicals” known as PFAS, synthetic compounds that persist in the environment and have been detected in widespread areas of the Bay.

“And we capture samples and send them off to analytics labs across the country. Typically, universities or private labs will process these for us,” Peterson explains.

For these two stormwater detectives, it’s a mission that requires a combination of speed and patience**, chasing flowing water** through creeks and storm drains, sampling as they go.

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“So, we’re looking for areas – the point of this is to do source control. Ultimately, we want to be able to trace this back to a possible source,” says Kayli Paterson.

And potentially prevent a source of toxic pollution from reaching San Francisco Bay and our Bay Area ecosystem.

More than a dozen of the robots were given names in a special contest, including the Big Sipper and the Tubeinator.

Copyright © 2026 KGO-TV. All Rights Reserved.



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Floats for San Francisco Chinese New Year Parade get finishing touches

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Floats for San Francisco Chinese New Year Parade get finishing touches


SAN FRANCISCO (KGO) — ABC7 Eyewitness News got a sneak peak as crews put the finishing touches on the floats you’ll see at Saturday’s San Francisco Chinese New Year Festival and Parade.

Since it’s the year of the fire horse, you’ll see a lot of horses and fire symbolism on the floats, housed at Pier 19.

“So Year of the Horse, it’s energy, it’s passion, it’s momentum so a lot of things that we’re really hoping to embody in the new year,” said Stephanie Mufson, owner of San Francisco-based The Parade Guys, which designs and constructs the floats.

She said they’ve been building them for about three months, with the designs starting in November.

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MORE: Bay Area artist brings Year of the Horse statue to life for Golden State Warriors

“We’re in the home stretch,” she said. “We’ve got a couple of days left and we’ve got a nice little team that’s cranking out all the finishing work that needs to go into it.”

Derrick Shavers was sanding some wood that will be painted and become cherry blossom trees on a float.

“It’s exciting,” Shavers said. “I look forward to coming every year and just creating and making things shine and sparkle.”

Bon was painting mountains for a float, making sure everything is perfect in time for the parade.

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MORE: Meet the 2026 San Francisco Chinese New Year Parade mascot, Maverick

“It’s one of the few parades that actually happens at night still,” Bon said. “So we got to make sure all the lighting is in check, and people are safe on the float. It’s all in the details, just for it to walk by you for 10 seconds.”

Ten seconds that bring so much joy to those watching the parade.

Here’s how you can watch the parade on ABC7 Eyewitness News on Saturday, March 7.

Coverage starts at 5 p.m. wherever you stream ABC7.

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SF Chinese New Year Parade 2026: How to watch ABC7 Eyewitness News live coverage


If you’re on the ABC7 News app, click here to watch live

Copyright © 2026 KGO-TV. All Rights Reserved.



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