San Francisco, CA
Fortune Tech: The sheer scale | Fortune
Good morning. Extremely lean and mean (well, merry, really) for the rest of this week as we head into our annual winter break.
We’ll hang things up for the year on Dec. 24 and pick things back up on Jan. 5.
Happy holidays. (Yippee-Ki-Yay.) —AN
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What happened when Waymo robotaxis met a San Francisco blackout
Tayfun Coskun/Anadolu/Getty Images
An extraordinary experiment happened over the weekend in San Francisco.
What would a fleet of autonomous vehicles do when a widespread power outage knocked out traffic lights across one-third of the city?
We quickly found out—and the results were plastered all over social media.
On Saturday afternoon, Waymo vehicles throughout SF opted to stop where they were or pull over and throw on their hazard lights—“blocking intersections” and “compounding gridlock,” observed the San Francisco Standard—leading the Alphabet-owned robotaxi operator to suspend service throughout the city. (It resumed Sunday evening.)
In a statement, Waymo said that its vehicles are “designed to treat non-functional signals as four-way stops” but “the sheer scale of the outage led to instances where vehicles remained stationary longer than usual.”
As locals worked through the outage, a moderate debate about the robotaxi fleet continued online. Was it so wrong to expect Waymo’s vehicles to play it safe when infrastructure stopped working? After all, aren’t human drivers predictably chaotic when things go sideways? What exactly should robotaxis optimize for: traffic flow or citizen safety?
And: Just how safe is stopping if you prompt traffic to go around you?
Waymo resumed service Sunday evening, no doubt grappling with these questions (and what city officials might have to say about them). “We are already learning and improving from this event,” it said. —AN
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—Shield AI: Sitting at a global inflection point for fully autonomous warfighting.
—SoftBank cashes out to back OpenAI. The Japanese conglomerate is looking under every rock to fulfill its “all in” OpenAI funding promise.
—Chaos at CISA. A failed, unsanctioned polygraph by its acting director has the U.S. cybersecurity agency in disarray.
—PE firms acquire Clearwater Analytics for $8.4 billion. Permira and Warburg Pincus lead the investor group seeking to buy the fintech firm.
—Uber goes to London. A robotaxi trial in partnership with Baidu will begin in the first half of next year.
—Data center deals reach $61 billion worldwide in 2025, according to S&P Global.
—Chatbots’ uncanny valley. Making AI agents more human-like creates cognitive dissonance and trust issues, researchers say.
—Daylight between David Sacks and tech lobbyists. Tech reps say the AI czar’s push to use Trump’s executive order to suppress state AI regulation is the right idea, wrong execution.
San Francisco, CA
McCaffrey, Juszczyk Talk Team NFC Pro Bowl Win in San Francisco
San Francisco 49ers CB Deommodore Lenoir, DL Mykel Williams, RB Christian McCaffrey, and QB Brock Purdy spoke during postseason locker room clean-outs, discussing the development of young players, lessons learned through injuries and adversity, leadership growth, and how the team’s experiences this season position them for the future.
San Francisco, CA
San Francisco’s renovated Castro Theatre set to reopen this month
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After a $41 million renovation, San Francisco’s iconic Castro Theatre will officially reopen this month with an entertainment lineup that’ll once again shine the spotlight on the storied California movie palace.
The Castro District’s designated historic landmark — a longtime LGBTQ+ cultural epicenter known for its community events and queer film screenings — will reopen on Saturday, Feb. 6, with a sold-out fundraiser for the Castro Community Benefit District.
Marking the first time the theater has opened its doors since 2024, the “Community Opening” will feature a 35MM screening of the cult classic, “The Adventures of Priscilla, Queen of the Desert,” plus a drag queen costume contest in which the audience is encouraged to “serve the best looks and embody the spirit of Priscilla.”
According to the theater, its highly-anticipated reopening will herald “a new era for this cherished San Francisco landmark.”
Other events coming soon to Castro Theatre
The theater will host a second sold-out “Community Opening” on Sunday, Feb. 7, dubbed “D’Arcy’s Drag & Disco.” The celebration — considered the “soft launch” of the Castro — will feature live DJs, go-go dancers, and pop-up drag performances from Bay Area entertainers.
After that event, Grammy Award-winning singer Sam Smith will launch his 20-night “To Be Free: San Francisco Residency” at the Castro beginning Feb. 10. His performances wrap up on March 14 and are all sold out.
On Feb. 12, A24’s sold-out San Francisco premiere of the studio’s upcoming film, “PILLION,” will fill the Castro as the venue’s first official post-restoration premiere.
The BDSM romance film stars Alexander Skarsgård and Harry Melling, both of whom will attend the San Francisco premiere. The film is directed by London-based writer-director Harry Lighton.
Check out the Castro’s full lineup for more events currently scheduled through November 2026, including an April screening of “The Princess Bride” as a tribute to the legacy of Rob Reiner and a two-night stint from the Indigo Girls in May.
The history of the Castro Theatre
The Castro Theatre was built in 1922. Its interior was designed by prominent San Francisco architect Timothy Pfleuger, with architectural influences from Spanish, Asian, Italian, and Art Deco styles.
On its 100th anniversary in 2022, the San Francisco Chronicle reported that the Castro was the oldest continuously operating single-screen theatre in San Francisco.
In 2022, Another Planet Entertainment entered into a partnership with the venue, which led to its $41 million rehabilitation. The theater closed for renovations in March 2024.
While seating remains for screenings and comedy shows, the Castro’s overhaul includes new standing-room space for live music — a first for the venue — as it looks to expand its entertainment offerings in its glow-up era.
Other upgrades patrons will discover at the Castro include:
- NeonWorks’ restoration of the iconic vertical neon blade sign and the theater’s marquee.
- A new movie screen — the old one was upcycled into art by ART by Queer AF.
- Revitalization of the ceiling’s original artwork and historic lighting fixtures by Evergreen Architectural Arts.
- Modernization of the orchestra-level chandelier that has been around since 1937.
- The installation of a digital organ designed by longtime Castro organist David Hegarty.
- A new HVAC system, new additional restrooms, and improved ADA access throughout the orchestra and backstage.
According to a press release, the Castro’s renovations were designed to “ensure this cultural gem will continue to serve as an inclusive global beacon for cultural expression to be enjoyed for generations to come.”
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