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Mainly Mozart soloist Erin Hannigan a standout on oboe and with animals

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Mainly Mozart soloist Erin Hannigan a standout on oboe and with animals


Last month, Erin Hannigan was preparing for her last two performances as Dallas Symphony’s principal oboist before joining the faculty at the prestigious Shepherd School of Music at Rice University in Houston.

Before making the life-changing leap, Hannigan took time to discuss her big move, love of the oboe, reed-making, support of rescue animals and her longtime affiliation with San Diego’s Mainly Mozart.

She will be one of the 70 top musicians to perform at Mainly Mozart’s All-Star Orchestra Festival beginning Wednesday and concluding June 28. Four festival concerts will take place at the Baker-Baum Concert Hall at the Conrad Prebys Performing Arts Center in La Jolla. The other two will be at UC San Diego’s Epstein Family Amphitheater.

Oboist Erin Hannigan will be one of the featured performers at the 2025 Mainly Mozart All Star Orchestra Festival June 18-28. (Sylvia Elzafon)

Hannigan played seven times, from 1999 to 2007, with Mainly Mozart at its original home, downtown’s Balboa Theatre.

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“I started performing with them again at the outdoor concerts the festival had smartly reconfigured for COVID,” she said, speaking from her Dallas home.

“I’ve liked watching how the organization has evolved. It wasn’t easy navigating all that and Mainly Mozart really did it well. And Michael Francis is just the perfect conductor for this orchestra. He’s excellent professionally, but he’s also very personable. Michael creates such a connection with the audience.”

Francis, in turn, calls Hannigan “a wonderful musician.” He expressed delight that she will share first and second oboe roles at the festival with Frank Rosenwein, Cleveland Orchestra’s principal oboe.

“It’s really charming,” Francis said. “They’re good friends.”

Hannigan believes that cooperative spirit is inherent to the festival.

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“The number one thing to know about Mainly Mozart is it’s an amazing gathering of incredible musicians, but with no ego,” she said. “We just work out our assignments and have a good time. That egoless thing really adds to it all. The audience can tell we’re up there having fun.”

Music Director Michael Francis conducts the Mainly Mozart All-Star Orchestra. The annual classical music festival returns June 18-28. (J. Kat Photography)
Music Director Michael Francis conducts the Mainly Mozart All-Star Orchestra. The annual classical music festival returns June 18-28. (J. Kat Photography)

`Wonderful musical camaraderie’

This year, Mainly Mozart’s Francis is featuring more orchestra veterans as soloists than in other years. Wednesday’s opening night at the Baker-Baum will feature six concertmasters playing solos in Vivaldi’s The Four Seasons and Piazzolla’s The Four Seasons of Buenos Aires.

On Friday, two Mainly Mozart mainstays, clarinetist Boris Allakhverdyan and bassoonist Whitney Crockett, will be in the spotlight performing Strauss’s Duet Concertino.

In another unusual touch, the festival is highlighting the work of a contemporary composer. British violinist Noah Bendix-Balgley will perform his own “A Klezmer Concerto” with the orchestra on June 26.

On June 28 at the Epstein, Bendix-Balgley will join acclaimed pianist Joyce Yang and Robert DeMaine, principal cello of the Los Angeles Philharmonic, for Beethoven’s Triple Concerto. Beethoven’s Symphony No. 7 will close the festival that night.

“This year’s festival has a great balance,” Francis said. “It’s a terrific opportunity for our audience to hear familiar composers alongside slightly unfamiliar repertoire.

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“I know that the musicians are excited because there will be so many solos. They always bring their best. It’s going to be a wonderful musical camaraderie.”

The Epstein now has more food and seating options for picnickers, noted Nancy Laturno, Mainly Mozart’s CEO. Attendees can buy food or bring their own.

“Before the concert, you can mingle,” Laturno said. “You can have appetizers, wine and other beverages, and then sit down — either on our patio furniture, the Adirondack chairs or a blanket on the grass — and watch the concert from the area where you just had your party.”

Michael Francis conducts the Mainly Mozart All-Star Orchestra at the Baker-Baum Concert Hall in La Jolla at the 2024 music festival. (J. Kat Photography)
Michael Francis conducts the Mainly Mozart All-Star Orchestra at the Baker-Baum Concert Hall in La Jolla at the 2024 music festival. (J. Kat Photography)

Artists for Animals

Joining in the camaraderie on stage, Hannigan will be a soloist in the Brandenburg Concerto No. 2 on June 24 at The Conrad.

When the oboist, a native of Mt. Gretna, Penn., makes the move to Houston, she’ll be accompanied by her husband of six years, Fred Tuomi, Gabby, her Siamese cat, and dog, Jophiel.

During her time with the Dallas Symphony, Hannigan co-founded Artists for Animals, which supports nonprofit animal rescue organizations. The group presents Concerts for Kindness, which has raised over $450,000 for rescue organizations.

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“The money we bring in all goes directly to the animals,” said Hannigan, who has fostered 156 dogs. “I hope to transfer this wonderful project to Houston, once I get the lay of the land. Rice University is very interested in community engagement. I’m sure I’ll find a landing spot for Artists for Animals.”

When Hannigan practices the oboe, Jophiel runs the other way. But Gabby will sit for hours while the oboist practices and makes reeds for her instrument. She calculated that she has made 8,000 to 10,000 reeds over the course of a career that began when she joined the Rochester Philharmonic in 1994.

“If you don’t make them yourself, you can end up playing on a setup of oboe and reed that makes it very hard to put your air through,” she said. “The reed needs to be properly balanced.”

Why the oboe, which she has played since the age of 7?

“The sound is incredibly expressive,” Hannigan explained. “Some of the most beautiful solos in the orchestral repertoire were written for the oboe.”

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While teaching at Rice University, she will also be a guest as a soloist and principal for orchestras around the country.

But before embarking on that adventure, Hannigan will be spending two weeks here with Mainly Mozart. Her husband, a former Rancho Santa Fe resident with family in North County, is coming, too.

“I’ve gotten to know San Diego through Mainly Mozart,” Hannigan said. “In the early years, I got to know downtown San Diego, and — these days — La Jolla. Now it’s also family time. Fred spends time with his family, and I join whenever I can.

“It’s a lovely time to visit both San Diego family and the musicians and friends I don’t see other than at Mainly Mozart.”

Mainly Mozart All-Star Orchestra Festival 2025 Schedule

When: All concerts begin at 7 p.m. Each performance lasts 75-90 minutes. Concerts at the Baker-Baum Concert Hall will have a 15-minute intermission.

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Where: Epstein Family Amphitheater at UC San Diego, 9480 Innovation Lane, La Jolla; The Baker-Baum Concert Hall, Conrad Prebys Performing Arts Center, 7600 Fay Ave., La Jolla.

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Wednesday, June 18: Mozart’s Serenade in C Major, Vivaldi’s The Four Seasons and Piazzola’s The Four Seasons of Buenos Aires. Baker-Baum Concert Hall

Friday, June 20: Mozart’s Serenade No. 6 “Serenata Notturna,” Strauss’ Duet Concertino for Clarinet and Bassoon featuring Boris Allakhverdyan and Whitney Crockett, and Beethoven’s Symphony No. 2 in D Major. Baker-Baum Concert Hall

Saturday, June 21: Elgar’s Introduction and Allegro, Mozart’s Symphony No. 40 in G minor and Saint-Saëns’ Piano Concerto No. 2 in G minor featuring pianist Joyce Yang. Epstein Family Amphitheater

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Tuesday, June 24: Stravinsky’s Concerto in E-flat, Bach’s Brandenburg Concertos No. 2 and No. 5, and Mozart’s Symphony No. 35 in D Major. Baker-Baum Concert Hall

Thursday, June 26: Mozart’s Overture to Die Entfuhrung aus dem Serail (The Abduction from the Seraglio), Bendix-Balgley’s A Klezmer Concerto featuring composer and violinist Noah Bendix-Balgley, and Mendelssohn’s Symphony No. 5 in D Major “Reformation.” Baker-Baum Concert Hall

Saturday, June 28: Mozart’s Overture to Così, Beethoven’s Triple Concerto in C Major, and Beethoven’s Symphony No. 7 in A Major. Epstein Family Amphitheater

Tickets: Single tickets for Epstein Family Amphitheater concerts range from $25 to $149. Single tickets for Baker-Baum Concert Hall performances range from $65 to $149. Subscription packages are also available.

Info: 619-239-0100

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Online: mainlymozart.org



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Padres come back, walk off with win over Cardinals to split series

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Padres come back, walk off with win over Cardinals to split series


It seemed like the same tired story.

Instead, it was the same thriller.

The Padres pushed their offensive lethargy as long as possible without paying for it Sunday, tying the game with two outs in the ninth inning on Nick Castellanos’ two-run homer and then celebrating after Manny Machado’s sacrifice fly in the 10th inning gave them a 3-2 victory over the Cardinals.

“Getting it done,” Machado said.

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That’s it. That is all they are doing.

And at what is essentially the quarter mark of the season, the Padres are 24-16 and tied with the Dodgers atop the National League West.

The shocking component of their having the major leagues’ fifth-best record is that the Padres rank in the bottom three among MLB’s 30 teams in batting average and OPS.

They split with the Cardinals despite having 14 hits, their fewest in a four-game series in franchise history. Their 61 hits over their past 10 games are the fewest in a stretch that long since 2019, and they are 5-5 in those games.

“It sucks; we need to hit; Machado said. “I mean, you know, look, it’s obvious. We’re not hitting. It’s obvious, but we’re getting things done, man.”

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Nick Castellanos #21 of the San Diego Padres watches his two-run home run in the ninth inning against the St. Louis Cardinals at Petco Park on May 10, 2026 in San Diego, CA. (K.C. Alfred / The San Diego Union-Tribune)

Sunday was the Padres’ 12th victory this season in which the decisive run was scored in the seventh inning or later. That is exactly half their victories.

It was their fourth walk-off victory, their second in extra innings. It was the seventh time that a run scored in their final offensive half-inning decided a victory.

So it is no small thing to proffer that Sunday was possibly their most dramatic triumph. Because it was possibly their most unlikely one.

Not only were they a strike away from defeat, but they began the ninth inning having gotten two hits all day.

The Cardinals took a 2-0 lead in the fourth inning on their first two hits off Walker Buehler — a single by Alec Burleson and a home run by Jordan Walker with two outs. Buehler pitched six innings, allowing just one more hit before Ron Marinaccio worked two scoreless innings.

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But the Padres were unable to make anything of their seven at-bats with runners in scoring position over the first eight innings. They had walked five times but had just Jackson Merrill’s third-inning single and Xander Bogaerts’ fourth-inning double to that point.

“Really good teams find ways to win games when they’re not doing their best,” Gavin Sheets said. “… We’re not clicking on all cylinders by any means. And I don’t think any of us would say that he’s on a roll right now, but we’re getting hits in a timely fashion and it’s someone different every night.”

Almost.

The Padres have game-winning RBIs from 10 different players. They have go-ahead RBIs from 13 of the 14 position players who have been on their roster this season. Sunday was Castellanos’s third game-tying RBI.

His home run, on the ninth pitch of his at-bat against Cardinals closer Riley O’Brien, was something of a clinic by a veteran hitter who is in his first season as a role player.

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Castellenos, who entered the game as a pinch-hitter in the seventh inning and remained in right field, came to the plate with Bogaerts at first base with two outs.

Bogaerts’ single leading off the inning had been followed by two strikeouts, and Castellanos fell behind 0-2 before working the count full and then sending a 99 mph sinker on the inner edge of the plate almost to the ribbon scoreboard fronting the second level of seats beyond left field.

“The first pitch started, and I was probably looking to do what I did,” he said. “And then I ended up getting 0-2 and chasing. After that, just took a deep breath and tried to shorten up as much as possible and just compete. Just find a way on base. And then found myself in a full account and was able to get the job done.”

It was the first home run allowed by O’Brien this season.

Nick Castellanos #21 of the San Diego Padres is dunked by Gavin Sheets #30 after a 3-2 win against the St. Louis Cardinals at Petco Park on May 10, 2026 in San Diego, CA. (K.C. Alfred / The San Diego Union-Tribune)
Nick Castellanos #21 of the San Diego Padres is dunked by Gavin Sheets #30 after a 3-2 win against the St. Louis Cardinals at Petco Park on May 10, 2026 in San Diego, CA. (K.C. Alfred / The San Diego Union-Tribune)

With closer Mason Miller not available after throwing 29 pitches over 1⅓ innings on Saturday, Jeremiah Estrada got the first two outs of the 10th. With runners on first and second, Adrian Morejón entered the game and got an inning-ending pop out on his first pitch.

Gordon Graceffo was on the mound for the Cardinals, and Ramón Laureano was the Padres’ automatic runner in the 10th. The Cardinals intentionally walked Merrill at the start before Fernando Tatis Jr. whittled a 1-2 count into a walk to load the bases.

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The game was over one pitch later, when Machado sent a fastball to right-center field and Laureano slid across the plate well in front of right fielder Jordan Walker’s throw.

It was a somewhat subdued but still enthusiastic celebration along the first-base line, as teammates bounced around Machado.

“It’s hard to win a game like that,” Padres manager Craig Stammen said. “Their pitchers pitched great, and they’re bringing in one of the best closers in the game. And we just stuck with it. It just speaks to how those guys believe in themselves and how they believe in what we’ve got going on as a team.”



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It’s ‘trust, but verify’ for new AI spine surgery system

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It’s ‘trust, but verify’ for new AI spine surgery system


On a recent morning, Dr. Joseph Osorio arrived in the operating room ready to sink six surgical screws into his patient’s spine, and he did not seem remotely nervous that their placement and size had been recommended by artificial intelligence software.

Osorio was the first neurosurgeon on the West Coast to begin using Medtronic’s new “Stealth AXiS” surgical robotic system, conducting a spinal fusion procedure to treat degenerative scoliosis at Jacobs Medical Center in La Jolla by anchoring two small custom-shaped metal rods across three vertebrae in his patient’s lower spine.

The process started with a CT scan, identifying the segment of spine that needed reinforcement. A program analyzed the resulting three-dimensional image, using an AI model trained on information from previous successful surgeries, not just where screws should go, but also the best path for their insertion.

An X-ray is taken of a patient’s spine before a spinal fusion surgery at Jacobs Medical Center at UC San Diego Health in La Jolla on Wednesday, April 29, 2026. (Kristian Carreon / The San Diego Union-Tribune)

Board-certified with thousands of such surgeries in his past, having completed a fellowship at Columbia University after a surgical residency at UC San Francisco, Osorio is well-qualified to make these calls with zero help from technology. So, why bother using an algorithm to plan these crucial, but routine details?

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The utility, he said, is similar to what many are now experiencing when they use AI writing tools. The software can quickly get a person to the neighborhood of what they intend to say.

“You might say, ‘write me a paragraph on this,’ and it’s going to cut down your time, but you might still need to change some words, add a comma, tweak a sentence … that’s essentially what the AI is doing here,” Osorio said.

In this particular case, the AI system’s recommendations for screw length and diameter seemed on point, allowing the army of surgical technicians assisting with the procedure to pull the proper supplies ahead of time. The suggested locations, though, did require minor adjustment.

“It was slight, very slight, I’d say probably, like one or two millimeter adjustments,” Osorio said.

And the AI auto planning feature, he added, is even more useful in situations where a patient’s health insurance company will not pay for a pre-surgical CT scan, meaning that the guiding image must be taken after the patient is already sedated in an operating room on the day of their surgery.

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An X-ray is taken of a patient's spine before a spinal fusion surgery at Jacobs Medical Center at UC San Diego Health in La Jolla on Wednesday, April 29, 2026. (Kristian Carreon / The San Diego Union-Tribune)Dr. Joseph Osorio, a neurosurgeon, uses the Medtronic Stealth Axis Autopilot during a spinal fusion surgery at Jacobs Medical Center at UC San Diego Health in La Jolla on Wednesday, April 29, 2026. The machine uses artificial intelligence to help navigate a patient's spine.(Kristian Carreon / The San Diego Union-Tribune)
An X-ray is taken of a patient’s spine before a spinal fusion surgery at Jacobs Medical Center at UC San Diego Health in La Jolla on Wednesday, April 29, 2026. (Kristian Carreon / The San Diego Union-Tribune)

Once a digital surgical plan is created and approved by a qualified surgeon, a surgical robot can use a system of cameras and electromagnetic sensors, registered against each patient’s anatomy with an initial X-ray, to move its arm to each screw location, placing a drilling guide at the exact angle needed to put each anchor in the correct spot. Here, too, AI is at work comparing previously recorded X-rays with real-time sensor data to compensate for any patient movements that may occur.

It is an evolution of Medtronic’s previous “Mazor” robotic spike system, which had already achieved levels of anatomy navigation using sensors and cameras that have reduced the need for X-ray images during surgery. And other medical device companies have launched similar systems, building in AI functions as the entire industry begins to see such augmentation as table stakes to play in a market that has always been as competitive as a high-stakes table in a Las Vegas casino.

Patients may wonder whether this push toward AI guidance is a good thing. After all, this is a technology that has made headlines for its ability to “hallucinate” convincing, but incorrect details.

ECRI, an independent non-profit organization that works to improve patient safety and cost effectiveness in health care, has been watching these systems develop.

In an email, Scott Lucas, ECRI’s vice president of devices, therapeutics and technology, said that the organization does not comment on any individual case or procedure, but has found that AI-enabled systems do have their merits.

“We can say that AI seems to be particularly helpful when it is used to support imaging, planning, navigation and precision in technically demanding procedures such as spine surgery,” Lucas said. “These tools may help surgeons in multiple ways, including tailoring procedures to a patient’s anatomy and improving consistency in implant placement and alignment.”

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An AI-enabled display depicts the position of surgical screws being inserted into a patient's vertebra during a spinal fusion surgery at Jacobs Medical Center at UC San Diego Health in La Jolla on Wednesday, April 29, 2026. (Kristian Carreon / The San Diego Union-Tribune)
An AI-enabled display depicts the position of surgical screws being inserted into a patient’s vertebra during a spinal fusion surgery at Jacobs Medical Center at UC San Diego Health in La Jolla on Wednesday, April 29, 2026. (Kristian Carreon / The San Diego Union-Tribune)

That said, the executive makes it clear that there is no argument for blind loyalty. In these early days, he argues, AI assistance should be less involved with surgeries, and there must be a clear path that allows surgeons to verify the work that their algorithmic assistants perform.

“Used well, AI may strengthen surgical safety; used without appropriate governance, human oversight, training and monitoring, it could introduce new risks, including overreliance, workflow disruption, planning errors or automation bias,” Lucas said.

Such bias, he added, occurs when a surgeon “fails to recognize when the technology is wrong.”

Osorio said that he believes the checks and balances built into the new system he is now using weekly do give him solid checkpoints to make sure that the machine is not hallucinating. While screw placement calculations will automatically calculate for straightforward placements, those with particularly complicated circumstances, such as anatomy that significantly deviates from the norm, will not proceed.

“If things aren’t lining up perfectly in the image, or they’re getting some feedback, it will just refuse to place a screw in that corridor,” Osorio said. “So, it’s only making recommendations in locations that meet the highest standards, and it still requires the surgeon to validate every level.”

AI is now also involved in the calculations used to move the robotic arm to the correct locations for screw insertions and also to make real-time corrections for any patient movement, Medtronic confirmed by email.

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Here too, Osorio said, there are ways to verify that the robot’s calculations are pointing at the correct vertebrae, even though this type of minimally invasive surgery does not expose the target bone before screw insertion.

Surgeons use a bony projection at the back of each vertebra called the spinous process to check the robot’s accuracy, laying a special navigation ring over the landmark to verify that what is showing on the computer’s calculated location screen matches the robot’s arm position.

“A very common statement is ‘trust, but verify’,” Osorio said.

While robotic spine surgery is the latest to begin the process of AI integration, other systems have already made similar moves in knee and hip replacements, urologic procedures, and in some aspects of general surgery.

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Del Mar enacts new attendance rules for board, commission, committee members

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Del Mar enacts new attendance rules for board, commission, committee members


The Del Mar City Council approved an ordinance May 5 adopting attendance requirements for city commission, board and committee members due to “recent meeting attendance issues.”

The goal of the ordinance is to address “provisions that are somewhat ambiguous and subjective making them difficult to implement consistently.” A Committee Efficiencies Taskforce consisting of Mayor Tracy Martinez and Councilmember Terry Gaasterland were evaluating the issue.

The new rules are scheduled to go into effect on June 4.

“The purpose of establishing committee attendance requirements is to ensure committees function effectively with consistent member attendance and to have a fair and consistent method for handling absences, while recognizing that members may occasionally be absent due to illness or other circumstances beyond their control,” according to a council agenda report.

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Previous rules said that if a commission, board or committee member reached three absences within a 12-month period, their term was vacated, according to the report.

“This procedural change will help eliminate redundancy with the Council Policy and give the Council more flexibility to amend attendance requirements in response to the City’s changing needs,” according to the agenda report.



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