Montana
Mac n Cheese 5 review: French Montana delivers hits
French Montana delivers the hits on his latest album, Mac N Cheese 5.
French Montana returns with a new project, Mac n Cheese 5. Although this offering from the Moroccan native raised in the South Bronx is technically classified as a mixtape, it is available on all major streaming services. The prolific hitmaker from New York City sticks to his successful formula of limiting his solo time and using his reputation to attract big-name features.
Mac n Cheese 5 review
“Dirty Bronx (Intro)” is a strong start to the mixtape that shows French talking about a variety of topics he has widely discussed in the past. He talks about where he came from, how fame has made people look at him differently, friends that he lost along the way (the late Chinx Drugz gets a shoutout here), and how at the end of the day he is still the same person that he was growing up in the Bronx. This song is a touching ode to the city that raised him, and it sets the tone for the rest of the project.
Features carry this project
French Montana is an artist who is known more for his features than for his solo songs. That’s not necessarily a bad thing, and it isn’t meant to be an indictment on Montana as an artist. Some artists work better alongside others, and French is at his best when his voice is complemented by other artists.
Therefore, it’s not a big shock that the best songs on Mac n Cheese 5 are those with features on them.
It’s ironic to title a song “Splash Brothers” in 2024, given that Klay Thompson has seen his play fall off recently and Steph Curry is the only member of the “Splash Brothers” duo that is still standing and going strong. Regardless, this song works well to showcase the talents that Lil Wayne and Montana have and they work well together. You can tell that Weezy put effort into his verse and didn’t just give a throwaway 16 for this album.
Lil Wayne steals the show with his best punchlines in years
Wayne’s verse features some of the best punch lines we have heard from him in years. “Young Montana and Lil’ Weezyana / Fat pockets got my pants lookin’ like MC Hammers / I p**s a n***a off until he got an empty bladder / A hustler, baby, I can sell Nevada to Nevada / Huh, I’m on that coke wave / Stay in your own lane, n***a, I got road rage,” Weezy raps. Other standout bars from the New Orleans native include “Okay, I used to run the corner like a jet sweep” and “Dropped the cocaine in the water, that’s a wet dream.”
Wayne’s bars are reminiscent of the Carter 3 and Carter 4 glory days, as well as his iconic mixtape run. It’s hard to believe that Lil Wayne’s heyday was nearly 15 years ago. It even makes it all the more impressive that Weezy sounds fresh and energized, and his lyrics feature some of the most creative rhymes he has dropped in recent memory.
Lil Durk drops by with honest reflections about life in Chicago
Lil Durk shows up to complement Montana on Money Ain’t a Thing and delivers an excellent verse. French is in his bag on this one, rapping with authority in his voice as he shouts out their respective hometowns and touts their murderous lifestyles: “I rep the South Bronx, yeah, the Essex / TEC with the air holes for protection / Yeah, we runnin’ wild, from the Ps in the wild in the east / Certified, I’m a beast, oh my God / You can ask Durk, Chiraq, Ls up from the dirt.”
Durk brings high energy, which differs from some of his most popular songs. While Durk’s two most popular styles are his melodic flow and his more aggressive no auto style, the Chicago-born rhymer does an excellent job of mixing the two styles on this track.
Durk uses his melodic singing voice which is easy on the ears, but his flow is much more reminiscent of his energetic no-auto style. Durk’s verse is hauntingly detailed, with rhymes such as “Man, I know some shorties that’ll stay outside your mama crib / They don’t give a f**k, they serve bags in front Obama crib / I know n****s richer than these rappers driving Bonnevilles / A lot of n****s cappin’ in they raps, we off a lot of pills / When I take a Perc’ on an empty stomach, it make me vomit still / Thinkin’ ’bout my cousin getting murked, it make me vomit still.”
Durk ends the verse by reminding listeners of his street bonafides, rhyming “We make sure n****s know how the chopper feel / They was getting shot for real, if they was on the block for real,” and ending with the line “I’ma claim Lamron forever, you know what it is.”
The result is a standout verse from the 300 star, and Money Ain’t a Thing is one of the best songs on the album.
J. Cole’s protege JID lends his talents to this tape for Praise God, which is arguably the strongest track on the album. JID’s voice is incredible, and his flow is so smooth and effortless over this beat. French has a decent but not great verse, but he really stands out In the chorus. The rhymer from the South Bronx delivers an infectious melody that will stick with listeners for a long time. While writing this review, I find it impossible to get the chorus out of my head. JID’s top-tier verse combined with a classic Montana chorus will keep this track in rotation for many months to come.
Track-by-track breakdown
- “Dirty Bronx Intro” (feat. Amber Run): 9/10
- “Talk to Me”: 7/10
- “Stand United” (feat Kanye West, SAINt JHN and Buju Banton): 8.5/10
- “Splash Brothers” (feat. Lil Wayne and Rick Ross): 9.5/10
- “Okay” (feat. Lil Baby and ATL Jacob): 8/10
- “Casino Life” 3: 7.5/10
- “Where They At” (feat. Kanye West and Westside Gunn): 8.5/10
- “Too Fun” (feat. Kyle Richh and Jenn Carter): 7.5/10
- “Facts”: 6.5/10
- “Praise God” (feat. JID): 10/10
- “Money Ain’t a Thing” (feat. Lil Durk): 10/10
- “Goals” (feat. Jeremih): 8/10
- “Other Side”: 6/10
- “Fake Friends” (feat. Bryson Tiller): 8.5/10
- “Where We Came From”: 7/10
- “Made It In USA”: 7.5/10
- “Millionaire Row” (feat. Rick Ross and Meek Mill): 8/10
- “Ride The Wave”: 6/10
- “Documentary” (feat. Mikky Ekko): 7/10
Overall: 7.9/10
About the Author
David Rooney is a former betting and fantasy football writer at ClutchPoints, primarily covering the NFL.
Montana
With No. 1 seed in hand, Montana State now looks toward FCS playoffs
Following a 34-11 victory over rival Montana to clinch the outright Big Sky Conference championship, Montana State received the No. 1 overall seed for the upcoming FCS playoffs when the bracket was announced Sunday.
The Bobcats (12-0) have a first-round bye and will host either No. 16-seed New Hampshire or Tennessee Martin in the second round on Saturday, Dec. 7.
Montana State coach Brent Vigen spoke with the media after the Selection Sunday show on ESPN, which the Bobcats and their fans gathered to watch at Worthington Arena.
For a full recap from Sunday’s event at Worthington Arena, see the video player above.
Montana
Brawl of the Wild Replay: No. 9 Montana at No. 2 Montana State
BOZEMAN — Second-ranked Montana State was seeking regular-season perfection when it welcomed rival Montana to Bobcat Stadium on Saturday, Nov. 23, 2024.
The Bobcats entered the 123rd Brawl of the Wild with an 11-0 overall record with a chance to finish 12-0 for the first time in program history and also win the outright Big Sky Conference championship.
The ninth-ranked Grizzlies, meanwhile, were 8-3 and aiming to play spoiler for Montana State while also improving their own seeding for the FCS playoffs.
Watch a condensed replay of the game between No. 2 Montana State and No. 9 Montana in the video above.
Montana
‘Yellowstone’ highlights influence behind a changing Montana
The popular “Yellowstone” TV series, set and filmed in Montana, taps into a lesser-known chapter of the state’s history: its settlement by Confederates and ex-Confederates during and after the Civil War.
I come to this story with a unique perspective. I’m a fourth-generation Montanan. I’m also a scholar of U.S. Western literary and cultural studies and left the state in my 20s to pursue a career in academia.
Then, during the pandemic, I returned to Montana for a time to lead a statewide cultural organization that connects Montana’s history and literature to its modern-day residents.
That’s why, for me, the story of the show’s protagonist, John Dutton III, who heads a wealthy-but-embattled Montana ranching family, is not just a cultural phenomenon. Rather, “Yellowstone” offers insights into the dynamics that are currently influencing a changing Montana.
Montana’s little-known legacy
One of the series’ prequels, “1883,” provides the crucial backstory for the Dutton family’s journey to Montana.
James Dutton, portrayed by Tim McGraw, was a former Confederate captain; his wife, Maggie, was a nurse for the Confederate Army. In leaving behind their war-torn lives to seek new opportunities, they mirror the historical trend that saw Confederate settlers moving West during and after the Civil War.
According to Montana historian and scholar Ken Robison, Confederate prisoners of war languishing in Union prisons were paroled to western territories like Montana. By 1864, two such parolees had discovered gold in what is still called Confederate Gulch, at the time one of the largest settlements in Montana Territory. Other settlements, such as Dixie Town and Jeff Davis Gulch, dotted the landscape. Montana’s territorial capital was briefly called Varina, named after the Confederate president’s wife.
Although there is no way to know for certain, it’s possible that during the latter half of the war, half of Montana Territory’s residents — maybe 30,000 — were pro-secession. Some had been in Confederate service; the rest shared their sentiments.
After the war, many of those Confederates stayed. By the late 1800s, Montana was home to 13 United Confederate Veterans organizations totaling 176 members. In 1916, the Montana Chapter of the Daughters of the Confederacy erected a Confederate memorial in Helena, the state capital; it stood for a century. The 1920s saw the rise of about 40 Ku Klux Klan chapters across the state to promote xenophobic policies against immigrants and racist policies against nonwhites. Today, Montana remains one of the whitest states in the U.S. — about 85% of Montanans are white; less than 1% are Black.
Recasting the ‘Lost Cause’
Numerous historical echoes surface briefly in “Yellowstone.”
In Season 2, there’s a violent confrontation involving a militia group that displays Confederate and “Don’t Tread on Me” flags. This subplot speaks to Montana’s long history as a hub for populist and anti-government movements. The Southern Poverty Law Center reports that Montana has 17 hate and anti-government groups, which include three defined as white supremacist or neo-Nazi.
This depiction of militia groups in “Yellowstone” represents the broader history of populist resistance in the American West. From the Sagebrush Rebellion of the 1970s to the Montana Freemen’s standoff with federal agents in the 1990s, Westerners have often resisted federal control over land and resources — tensions that perhaps trace back to the Confederacy’s own secession, a resistance rooted in defiance of federal authority, particularly over slavery.
After the Confederacy’s defeat, the “Lost Cause” narrative, in an attempt to preserve Southern pride, recast the South’s secession as a fight for states’ rights, and not a defense of slavery.
Those Lost Cause connections reverberate through John Dutton III’s relentless battle to preserve his family’s ranch. Fighting overwhelming political and economic pressures, Dutton remains steadfast in his determination to hold onto the land, even when it goes against his best interests.
This tenacity reflects the Lost Cause mindset — a clinging to a nostalgia-tinged, yet unattainable, past. Dutton embodies the archetype of the “aggrieved white man,” a figure central to many populist movements, who feels displaced from his former position of power in politics, work and family life.
Populist contradictions
It’s hard to discern to what degree recent changes in Montana can be attributed to “Yellowstone.” What is certain: Today’s longtime Montana residents find themselves exposed to a fresh set of political, economic and cultural forces.
Tourism and the local economy are up, due in part to the “Yellowstone” effect. But so are concerns about the rising costs of most everything, particularly houses.
These trends have been spurred, in part, by outsiders moving to Montana — newcomers who romanticize the state’s hardscrabble past and what they perceive as its current rough-hewn lifestyle.
What’s more, Montana has morphed from a purple state known for its political independence into a reliably conservative stronghold.
The drastic shift from purple to red solidified in 2020 with the election of a Republican governor after 16 years of Democratic leadership. It was further underscored by the defeat of Democratic Sen. Jon Tester by Republican Tim Sheehy in the 2024 election.
In “Yellowstone,” as Dutton is sworn in as Montana’s new Republican governor, he tells his constituents that he is “the opposite of progress” in response to changes that outside influences are bringing to the state.
Yet the politics of “Yellowstone” are “hard to pin down,” and the Duttons themselves espouse various versions of left- and right-wing populism as they simultaneously battle and embody the political and economic elite.
By the same token, Montanans resent wealthy outsiders but have given them political power by voting them into office.
Montana’s current governor, Greg Gianforte, is a tech millionaire, originally from Pennsylvania; Sheehy, similarly, is a wealthy out-of-stater.
Neither one might approve of the fictional Gov. Dutton’s proposed policy of doubling property and sales taxes for out-of-state “transplants” — though many Montanans probably would. For some, the rapid changes of the past few years have been, like life for the Dutton family, a challenge.
Randi Lynn Tanglen served as professor of English at Austin College in Texas (2008-2020), executive director of Humanities Montana (2020-2022), and is currently vice provost for faculty affairs at the University of North Dakota (2023-present). She holds degrees from Rocky Mountain College, the University of Montana and the University of Arizona.
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