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Mac n Cheese 5 review: French Montana delivers hits

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Mac n Cheese 5 review: French Montana delivers hits


French Montana delivers the hits on his latest album, Mac N Cheese 5.

French Montana returns with a new project, Mac n Cheese 5. Although this offering from the Moroccan native raised in the South Bronx is technically classified as a mixtape, it is available on all major streaming services. The prolific hitmaker from New York City sticks to his successful formula of limiting his solo time and using his reputation to attract big-name features.

Mac n Cheese 5 review

“Dirty Bronx (Intro)” is a strong start to the mixtape that shows French talking about a variety of topics he has widely discussed in the past. He talks about where he came from, how fame has made people look at him differently, friends that he lost along the way (the late Chinx Drugz gets a shoutout here), and how at the end of the day he is still the same person that he was growing up in the Bronx. This song is a touching ode to the city that raised him, and it sets the tone for the rest of the project.

Features carry this project

French Montana is an artist who is known more for his features than for his solo songs. That’s not necessarily a bad thing, and it isn’t meant to be an indictment on Montana as an artist. Some artists work better alongside others, and French is at his best when his voice is complemented by other artists.

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Therefore, it’s not a big shock that the best songs on Mac n Cheese 5 are those with features on them.

It’s ironic to title a song “Splash Brothers” in 2024, given that Klay Thompson has seen his play fall off recently and Steph Curry is the only member of the “Splash Brothers” duo that is still standing and going strong. Regardless, this song works well to showcase the talents that Lil Wayne and Montana have and they work well together. You can tell that Weezy put effort into his verse and didn’t just give a throwaway 16 for this album.

Lil Wayne steals the show with his best punchlines in years

Wayne’s verse features some of the best punch lines we have heard from him in years. “Young Montana and Lil’ Weezyana / Fat pockets got my pants lookin’ like MC Hammers / I p**s a n***a off until he got an empty bladder / A hustler, baby, I can sell Nevada to Nevada / Huh, I’m on that coke wave / Stay in your own lane, n***a, I got road rage,” Weezy raps. Other standout bars from the New Orleans native include “Okay, I used to run the corner like a jet sweep” and “Dropped the cocaine in the water, that’s a wet dream.”

Wayne’s bars are reminiscent of the Carter 3 and Carter 4 glory days, as well as his iconic mixtape run. It’s hard to believe that Lil Wayne’s heyday was nearly 15 years ago. It even makes it all the more impressive that Weezy sounds fresh and energized, and his lyrics feature some of the most creative rhymes he has dropped in recent memory.

Lil Durk drops by with honest reflections about life in Chicago

Lil Durk shows up to complement Montana on Money Ain’t a Thing and delivers an excellent verse. French is in his bag on this one, rapping with authority in his voice as he shouts out their respective hometowns and touts their murderous lifestyles: “I rep the South Bronx, yeah, the Essex / TEC with the air holes for protection / Yeah, we runnin’ wild, from the Ps in the wild in the east / Certified, I’m a beast, oh my God / You can ask Durk, Chiraq, Ls up from the dirt.”

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Durk brings high energy, which differs from some of his most popular songs. While Durk’s two most popular styles are his melodic flow and his more aggressive no auto style, the Chicago-born rhymer does an excellent job of mixing the two styles on this track.

Durk uses his melodic singing voice which is easy on the ears, but his flow is much more reminiscent of his energetic no-auto style. Durk’s verse is hauntingly detailed, with rhymes such as “Man, I know some shorties that’ll stay outside your mama crib / They don’t give a f**k, they serve bags in front Obama crib / I know n****s richer than these rappers driving Bonnevilles / A lot of n****s cappin’ in they raps, we off a lot of pills / When I take a Perc’ on an empty stomach, it make me vomit still / Thinkin’ ’bout my cousin getting murked, it make me vomit still.”

Durk ends the verse by reminding listeners of his street bonafides, rhyming “We make sure n****s know how the chopper feel / They was getting shot for real, if they was on the block for real,” and ending with the line “I’ma claim Lamron forever, you know what it is.”

The result is a standout verse from the 300 star, and Money Ain’t a Thing is one of the best songs on the album.

J. Cole’s protege JID lends his talents to this tape for Praise God, which is arguably the strongest track on the album. JID’s voice is incredible, and his flow is so smooth and effortless over this beat. French has a decent but not great verse, but he really stands out In the chorus. The rhymer from the South Bronx delivers an infectious melody that will stick with listeners for a long time. While writing this review, I find it impossible to get the chorus out of my head. JID’s top-tier verse combined with a classic Montana chorus will keep this track in rotation for many months to come.

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Track-by-track breakdown

  • “Dirty Bronx Intro” (feat. Amber Run): 9/10
  • “Talk to Me”: 7/10
  • “Stand United” (feat Kanye West, SAINt JHN and Buju Banton): 8.5/10
  • “Splash Brothers” (feat. Lil Wayne and Rick Ross): 9.5/10
  • “Okay” (feat. Lil Baby and ATL Jacob): 8/10
  • “Casino Life” 3: 7.5/10
  • “Where They At” (feat. Kanye West and Westside Gunn): 8.5/10
  • “Too Fun” (feat. Kyle Richh and Jenn Carter): 7.5/10
  • “Facts”: 6.5/10
  • “Praise God” (feat. JID): 10/10
  • “Money Ain’t a Thing” (feat. Lil Durk): 10/10
  • “Goals” (feat. Jeremih): 8/10
  • “Other Side”: 6/10
  • “Fake Friends” (feat. Bryson Tiller): 8.5/10
  • “Where We Came From”: 7/10
  • “Made It In USA”: 7.5/10
  • “Millionaire Row” (feat. Rick Ross and Meek Mill): 8/10
  • “Ride The Wave”: 6/10
  • “Documentary” (feat. Mikky Ekko): 7/10

Overall: 7.9/10

About the Author

David Rooney is a former betting and fantasy football writer at ClutchPoints, primarily covering the NFL.



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The Trump-Class Battleship Might Just Be Another Montana-Class Battleship

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The Trump-Class Battleship Might Just Be Another Montana-Class Battleship


Key Points and Summary – Trump’s newly announced Trump-class “Golden Fleet” recalls the U.S. Navy’s never-built Montana-class battleships: huge, heavily armed ships overtaken by changing strategy.

-In 1940, Montanas were conceived as super-battleships, but World War II quickly proved carriers, submarines, and escorts were more decisive, and the program was canceled before keels were laid.

Trump-Class Battleship. Image Credit: Creative Commons/White House.

-Today, Trump’s vision faces different but parallel constraints: hyper-partisan politics, tight shipbuilding capacity, and a fast-moving shift toward missiles, drones, and distributed fleets.

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-The article argues the real lesson of Montana is that strategy and technology can outrun prestige platforms before they ever reach the water. History may be repeating itself.

Trump-Class Battleship Golden Fleet: Another Montana-Class?

In 1940, as war spread across Europe and tensions with Japan continued to rise in the Pacific, the U.S. Navy was still planning for a conflict in which heavily armed surface fleets would play a decisive role. Battleships remained central to American naval thinking, and Congress had just approved a significant expansion of the fleet under the Two-Ocean Navy Act. 

Within that framework, Navy planners authorized a new class of battleships that would be larger, more heavily protected, and more powerfully armed than any the United States had previously built.

Designated the Montana-class, the ships were intended to represent the next step in battleship technology and capability at a moment when naval strategy itself was about to change significantly. 

The program, however, never worked out as planned. In fact, none of the five planned Montana-class ships ever saw steel laid on a dock. The program was canceled before construction began, and the class never entered service. But why?

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The answer isn’t precisely simple: it was a combination of shifting priorities, politics, and a total transformation in naval warfare that effectively made battleships strategically obsolete before they could even be built. 

Trump-Class Battleship

Trump-Class Battleship. Image Credit: Creative Commons/White House Photo.

As U.S. President Donald Trump announces plans for an entirely new class of battleships to form what he calls the “Golden Fleet,” the story of the Montana-class is well worth revisiting today.

The Montana-Class Vision and World War II

In the late 1930s and into the early 1940s, the U.S. Navy’s battleship force was undergoing its most ambitious expansion since World War I. Battleships like the North Carolina, South Dakota, and Iowa classes were designed or authorized after treaties capped armament and displacement. With treaty restrictions effectively ended and global conflict looming, the Navy chose to pursue a new class of super battleships – designated BB-67 through BB-71 – that would surpass even the formidable Iowa-class in terms of size and firepower. 

The Montana-class was set to displace more than 60,000 tons, measure more than 920 feet in length, and carry twelve Mark 7 guns in four triple turrets – significantly more heavy guns than the nine on an Iowa-class ship. Armor protection was also made thicker and more extensive. 

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Congress authorized construction of the Montana-class as part of the Two-Ocean Navy Act of July 1940, which aimed to expand U.S. naval capabilities as war engulfed Europe and Asia. The intention was for these battleships to serve as the centerpiece of a powerful surface fleet capable of countering German and Japanese warships. 

However, even as the designs were being confirmed and contracts authorized, larger strategic shifts were underway. The Japanese attack on Pearl Harbor in December 1941 and the Pacific campaign that followed accelerated the prominence and demand for aircraft carriers. The Navy began to allocate resources differently, and shipyard capacity, steel, and manpower became limited during wartime. Ultimately, the need for Essex-class aircraft carriers, destroyer escorts, landing craft, and anti-submarine vessels became more urgent. 

Battleship construction, even for the existing Iowa-class hulls, began to compete with these new priorities. And while the Montana design was impressive on paper, it was also slower than the Iowa class and incapable of keeping pace with fast carrier forces that were increasingly defining U.S. naval operations in the Pacific. That made the Montana less suitable for the evolving (and now primary) mission of fleet air defense and power projection. 

Montana-Class Battleship

Montana-Class Battleship vs. Iowa-Class. Image Credit: Creative Commons.

Recognizing those realities, the Navy suspended work on the Montana project in mid-1942 before any keels were laid. At that point in the war, aircraft carriers had already proven decisive in major battles like Coral Sea and Midway, and naval planners were under intense pressure to prioritize ships that could be delivered quickly and used immediately in combat. Large battleships that would not enter service until 1945 or later no longer made any strategic sense.

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By July 1943, the decision was made official, and the Montana class was formally cancelled.

The steel, manpower, and shipyard space allocated initially for the super battleships were instead redirected toward aircraft carriers, destroyers, submarines, and amphibious ships – platforms that were directly shaping the outcome of the war in both the Pacific and Atlantic theaters. 

The cancellation, however, didn’t necessarily reflect a failure of the Montana design – though a case could be made that its speed was an issue – but rather a recognition that the role battleships had once played was disappearing faster than the ships could be built. 

USS Missouri Battleship

Image of Iowa-class battleship compared to Montana-class battleship that was never built. Image Credit: Creative Commons.

Montana-class

Image is of an Iowa-class battleship. Image Credit: Creative Commons.

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In 2025, as President Trump promises an entirely new class of battleships that the U.S. Navy itself acknowledges it needs, there are different issues to contend with. 

Trump faces an uphill battle in terms of political partisanship, which threatens to veto (or at least rename) the ships if a Democrat wins in 2028. 

In parallel, the changing nature of global combat and the increasing reliance by adversaries on automated systems, drones, and long-range missiles means that strategies and priorities seem to be changing by the year. 

About the Author:

Jack Buckby is a British author, counter-extremism researcher, and journalist based in New York. Reporting on the U.K., Europe, and the U.S., he works to analyze and understand left-wing and right-wing radicalization, and reports on Western governments’ approaches to the pressing issues of today. His books and research papers explore these themes and propose pragmatic solutions to our increasingly polarized society. His latest book is The Truth Teller: RFK Jr. and the Case for a Post-Partisan Presidency.



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Cash crunch triggers lease hikes in Virginia City, Reeder’s Alley

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Cash crunch triggers lease hikes in Virginia City, Reeder’s Alley


Things are escalating into a standoff at Montana’s state-owned ghost towns, where rising rents and theme park ambitions, along with a case of embezzlement, are frustrating the owners of some of the state’s top tourist attractions in neighboring Virginia and Nevada cites in southwest Montana and Reeder’s Alley in Helena.

Operators of popular attractions like the Illustrious Virginia City Players, a beloved seasonal theater and vaudeville show, say new lease terms drafted by the Montana Department of Commerce are unaffordable. The state is asking for a standardized 15% of gross sales from Virginia City restaurants and the town theater troupe, this after years of collecting smaller and varying amounts from businesses. Vendors have been told to accept the new terms or clear out by the end of the month, said Errol Koch, whose family has performed at the Virginia City Opera House for decades. 

“To say that we ever had a gross, like a net profit, is laughable,” Koch said, “because everything we ever made either went to stockpile for the next season, to pay employees or to, like, just survive the winter. The profit part is negligible at best.”

The commerce department estimates that, before expenses, the Opera House brought in $126,000 in 2025. Rent would be $19,000 under the new lease terms. That would leave $107,000 to cover four months of payroll for roughly 15 employees.

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Actors spend the summer performing original plays and vaudeville acts in a small opera house anchoring the west end of the Wallace Street wooden boardwalk. The players are a main draw of the 1860s gold rush town that sprang up along the banks of Alder Creek and was the territorial capital until 1875. 

The acting troupe lives in a collection of small cabins, also owned by the state. In addition to wanting a 15% cut in gross income, Koch said the state also wants rent for the cabins, and it wants the copyright for any material written by the performers, an ownership requirement Koch said is typically associated with major entertainment companies like Disney. The commerce department told Montana Free Press the copyright language has been in opera house contracts since 2009. 

In a state budget committee hearing last week, commerce Deputy Director Mandy Rambo told legislators that Montana heritage properties in Virginia City, Nevada City and Helena’s Reeder’s Alley have fallen hundreds of thousands of dollars short of annual revenue expectations for several years. Tourist season revenues have been expected to exceed $1 million, but have mostly come in at $750,000 for the three locations. 

Rambo cited mismanagement by the Montana Heritage Commission, a part of the commerce department that oversees the properties. Losses include a years-long embezzlement by a former executive director, Michael Elijah Allen, who earlier this month was sentenced to three years in prison and ordered to pay $280,000 in restitution. An accomplice, Casey Jack Steinke, was sentenced to one year in state custody and ordered to pay $100,000 in restitution.

“It is a mismanagement of funds through several scenarios, not charging rent to people, not charging market rents to people who are renting from the Heritage Commission, overspending funds that the commission did not have,” Rambo told lawmakers. 

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LUXURY LODGINGS?

The changes come as the state eyes 99-year leases for parties to invest a “substantial amount” in improving heritage property. The change in the law, passed by the Legislature earlier this year, preceded by several months an elaborate proposal by California-based developer Auric Road to transform Nevada City into “a living frontier village — a 21st-century homestead camp where guests can immerse themselves in  Montana’s heritage while enjoying modern comforts.”

Nevada City is the site of several buildings and antiques relocated from various locations by the former Virginia City curator Charles Bovey, whose estate sold its heritage assets to the state of Montana in 1997 for $6.5 million. The location is a less robust attraction than Virginia City.

The commerce department said last week that Auric Road withdrew its plan sometime after presenting it to the Montana Heritage Commission in September.

The pitch was luxurious, especially when compared to current Nevada City conditions. The local hotel is closed for major repairs. The proposal included three-star accommodations at a restored 14-room Nevada City Hotel, guest cabins with multiple bedrooms and enough extras to transform Nevada City into a year-round destination, according to Auric Road. There were also wall tents and Conestoga wagons with full indoor bathrooms. There was to be candle making, gold panning and glamorous camping, or “glamping,” at an area dubbed the “River of Gold.” The plans also called for adding a speakeasy railcar where craft cocktails would be served.

Auric Road, which operates Lone Mountain Ranch, withdrew a proposal for luxury lodging options in Nevada City, including glamping and Conestoga wagons with full indoor bathrooms.
Credit: From the Auric Road proposal submitted to the Montana Heritage Commission

Rambo, testifying for the law change before the House Administration and Veterans Affairs Committee last February, specifically offered Nevada City Hotel renovations as an example of why the change in law was needed to attract companies with deep pockets, including a $1 million cost estimate for raising the two-story building to do foundation work. 

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Auric made inroads into Montana’s heritage properties this summer when it took over management under contract for Virginia City’s Bale of Hay Saloon, which touts itself as Montana’s oldest bar. State officials said the contract, awarded July 24, spanned the remainder of the 2025 season. A contract for 2026 hasn’t been created. 

Like other Virginia City properties, the 1863 bar is a state-owned enterprise leased to private vendors. After the commerce department parted ways with the previous vendor, Marie Clark, Clark took to social media, accusing the state of driving her out to make room for what she called “Lone Mountain Ranch,” a Big Sky-area resort property also owned by Auric Road.

Auric Road did not respond to an interview request made through the company’s website for this article. Clark said in an email this week that she and the state have reached a settlement over her dismissal from the lease. The department confirmed last week that it had paid Clark $20,000. The agreement prevents her from further disparaging the department, Clark said, and she has removed her earlier criticisms of the commerce department from social media.

Auric Road’s now-withdrawn plans for Nevada City sound out of tune to Virginia City vendors, who say their combined community is a regional draw, attracting Montanans who want to see an intact territorial mining town. 

“There’s nothing they want to do that matches us at all,” said Shauna Laszlo Belding, who operates Bob’s Place, a pizza and sandwich restaurant, with her husband, Kirk Belding. “I go to (Auric’s) website, and you’re not staying in a room for $300 a night. Lone Mountain is $800 a night. Our clientele is regional families. They can’t afford that.”

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In Virginia City, a community with about 500 full-time residents, the reality of the frontier west is grittier than fiction. It’s a place where alleged outlaws led by a mining town sheriff were accused of robbing miners and hanged on “boot hill” by vigilantes who apprehended and killed more than 20 people. The deformed foot of one of those hanged, “Clubfoot” George Lane, was removed from his body and put on display in 1907. The foot didn’t stop being a tourist attraction for a century, but was cremated at the request of Lane’s family in 2017, when the community received a replica foot for display.

Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscape Survey (HABS/HAER/HALS) Collection
This photo of Virginia City was taken in 1866. Today the town is home to about 500 year-round residents and many more tourists in the summer sesaon. Credit: Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscape Survey (HABS/HAER/HALS) Collection

Rocky dredge piles churned by mining operations that sifted through Alder’s placer 160 years ago are still heaped along the waterways, aka “River of Gold,” trailing from this community. 

Virginia City is changing, Koch said. There’s a seasonal housing shortage. Homes that once provided affordable shelter for seasonal workers are now vacation rentals. Virginia City is still the Madison County seat. Taxes are still paid and divorces are still filed in the historic brick courthouse. There’s a two-cell jail with bars down in the basement.

Still, one bald mountain pass to the east, Montana’s modern gold rush of real estate, fly fishing and cattle is spreading fast in Ennis, population 1,100. The runway at the county airport accommodates personal jets. There’s a private mountain backroad to the ski resorts of Big Sky, which otherwise takes an 87-mile trip around the Madison Range to access. 

The Beldings were five years into a 20-year lease when the commerce department informed them that the state wanted 15% of their gross income and their old lease was void. The new lease, non-negotiable, was also subject to annual revisions by the state.

Explaining the new terms to legislators last week, Rambo said the 15% was standard for “turnkey businesses,” meaning businesses with landlord-provided equipment and branding, capable of operating without tenant investment.

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REEDER’S ALLEY

Tenants say not all the properties are ready for business. In Helena’s Reeder’s Alley, it took the state 10 months to bring the stairway and deck leading to Chris Starr’s barbecue business into compliance with local regulations. The brick-paved alley is the oldest part of Helena, built in the 1870s alongside housing for miners.

Starr said he learned the stairs were out of compliance the hard way, on his second day of business in Reeder’s Alley operating RockStar BBQ. Helena safety inspectors told him the stairs would have to be roped off until they were repaired. He then learned that the same order about fixing the stairs had also been issued 10 years earlier. This time, the poor conditions of the deck and stairway resulted in a pause in his liquor license.

In the winter months, the icy walk to Rockstarr’s back entrance made the restaurant uninviting, Starr said. The business became fully accessible in August, about nine months after Starr moved in November 2024. Starr said the condition of the site during his first year as a tenant almost broke him financially.

Last week, the commerce department published a list of new lease terms for 24 historic properties in Virginia and Nevada cities and Reeder’s Alley. RockStarr’s rent was listed as $800 a month with utilities paid, a “partial kitchen and brand-new deck.” 

One legislator from the Virginia City area bristled last week at the commerce department suggesting the Legislature mandated an increase in lease revenue by assuming that a percentage of the Heritage Commission Budget would come from leasing.

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“I understand that, and appreciate [it], that you can’t spend money you don’t have, but I think the terminology is a little bit misleading that, you know, the Legislature demanded or mandated that you do that,” Rep. Ken Walsh, R-Twin Bridges, told Rambo in committee Dec. 17.

Walsh said he recently consulted with former vendors of seasonal businesses and learned that a revenue share of 6% to 12% to the state was more feasible. Rambo had said the 15% rate was similar to what county fairs charge concessioners. 

Lawmakers representing the Virginia City area were instrumental in making changes to the law sought by the commerce department concerning the management of the state’s heritage properties. Walsh carried a bill to allow the state to issue leases of up to 99 years.

Republican Sen. Tony Tezak, R-Ennis, carried a bill giving the commerce department more supervisory control over the heritage properties, a move away from the loose management by the Montana Heritage Commission during the embezzlement scandal.

The state’s heritage properties number 250. There are also 1.3 million historic artifacts, according to testimony from commerce department officials to the Legislature in February. 

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LATEST STORIES

Cash crunch triggers lease hikes in Virginia City, Reeder’s Alley

Things are escalating into a standoff at Montana’s state-owned ghost towns, where rising rents and theme park ambitions, along with a case of embezzlement, are frustrating the owners of some of the state’s top tourist attractions in neighboring Virginia and Nevada cites in southwest Montana and Reeder’s Alley in Helena.


State judge allows 2025-2026 wolf hunting and trapping regulations to stand

The order, issued by district court Judge Christopher Abbott on Dec. 19, 2025, keeps the existing wolf hunting and trapping season in place, but nods to ongoing concerns regarding Montana Fish, Wildlife and Parks’ population models and the possibility that driving down wolf numbers harms environmental groups’ Constitutional right to a “clean and healthful environment.”


Gianforte appoints Montana Department of Corrections deputy director to lead the agency 

Gov. Greg Gianforte appointed Eric Strauss, who currently serves as the state Department of Corrections’ deputy director, to lead the agency. The announcement comes two months after President Donald Trump appointed the agency’s current director, Brian Gootkin, to become the U.S. Marshal for the District of Montana.


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Montana Lottery Powerball, Lucky For Life results for Dec. 22, 2025

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The Montana Lottery offers multiple draw games for those aiming to win big. Here’s a look at Dec. 22, 2025, results for each game:

Winning Powerball numbers from Dec. 22 drawing

03-18-36-41-54, Powerball: 07, Power Play: 2

Check Powerball payouts and previous drawings here.

Winning Lucky For Life numbers from Dec. 22 drawing

09-16-23-34-46, Lucky Ball: 07

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Check Lucky For Life payouts and previous drawings here.

Winning Lotto America numbers from Dec. 22 drawing

01-09-18-19-44, Star Ball: 02, ASB: 05

Check Lotto America payouts and previous drawings here.

Winning Big Sky Bonus numbers from Dec. 22 drawing

10-11-16-19, Bonus: 08

Check Big Sky Bonus payouts and previous drawings here.

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Winning Powerball Double Play numbers from Dec. 22 drawing

14-32-47-48-69, Powerball: 17

Check Powerball Double Play payouts and previous drawings here.

Feeling lucky? Explore the latest lottery news & results

When are the Montana Lottery drawings held?

  • Powerball: 8:59 p.m. MT on Monday, Wednesday, and Saturday.
  • Mega Millions: 9 p.m. MT on Tuesday and Friday.
  • Lucky For Life: 8:38 p.m. MT daily.
  • Lotto America: 9 p.m. MT on Monday, Wednesday and Saturday.
  • Big Sky Bonus: 7:30 p.m. MT daily.
  • Powerball Double Play: 8:59 p.m. MT on Monday, Wednesday, and Saturday.
  • Montana Cash: 8 p.m. MT on Wednesday and Saturday.

Missed a draw? Peek at the past week’s winning numbers.

Winning lottery numbers are sponsored by Jackpocket, the official digital lottery courier of the USA TODAY Network.

Where can you buy lottery tickets?

Tickets can be purchased in person at gas stations, convenience stores and grocery stores. Some airport terminals may also sell lottery tickets.

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You can also order tickets online through Jackpocket, the official digital lottery courier of the USA TODAY Network, in these U.S. states and territories: Arizona, Arkansas, Colorado, Idaho, Maine, Massachusetts, Minnesota, Montana, Nebraska, New Hampshire, New Jersey, New York, Ohio, Oregon, Puerto Rico, Washington D.C., and West Virginia. The Jackpocket app allows you to pick your lottery game and numbers, place your order, see your ticket and collect your winnings all using your phone or home computer.

Jackpocket is the official digital lottery courier of the USA TODAY Network. Gannett may earn revenue for audience referrals to Jackpocket services. GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). 18+ (19+ in NE, 21+ in AZ). Physically present where Jackpocket operates. Jackpocket is not affiliated with any State Lottery. Eligibility Restrictions apply. Void where prohibited. Terms: jackpocket.com/tos.

This results page was generated automatically using information from TinBu and a template written and reviewed by a Great Falls Tribune editor. You can send feedback using this form.



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