Denver, CO
Matt Maltese and Girlpuppy at Denver’s Globe Hall – The Daily Utah Chronicle
![Matt Maltese and Girlpuppy at Denver’s Globe Hall – The Daily Utah Chronicle Matt Maltese and Girlpuppy at Denver’s Globe Hall – The Daily Utah Chronicle](https://newspub.live/wp-content/uploads/2022/04/Globe-Hall.jpg)
When British indie artist Matt Maltese introduced his 2022 scenic tour days without drop in Salt Lake City, regardless of having actually sung on Etta Marcus’s track of the exact same name, it ended up being clear that the World Hall in Denver, Colorado was my only choice to see him survive this scenic tour.
A Climatic Efficiency
The World Hall is the best location for artists like Maltese as well as unique visitor Girlpuppy, additionally referred to as Becca Harvey. Their bed room pop as well as moody melodious tones make both musicians matched to an extra intimate setup. The location is part-Barbecue dining establishment as well as bar with a comfy city really feel that isn’t as well “city” to just hold mainstream musicians. The performance room itself is a dark space where a tiny phase with tools shaded by purple lights welcomes the target market.
Maltese explored to advertise his most recent launch “Greetings It’s Currently Tomorrow.” The cd included tracks “We Required to Talk” as well as “You Are entitled to an Oscar” which Maltese played throughout his collection with a carolers of back-up vocals from those present. Girlpuppy opened up the program with a collection including 3 unreleased tracks as well as acquainted faves such as “Supporter.” Among her most significant tunes, “As High as I Can,” obtained the group relocating as well as transformed fixed kinds right into a dynamic cooperation. Harvey’s vocals are light as well as haunting with an oddly relaxing impact that makes her songs cosmetically as well as sonically hypnotic. She has a striking visibility on phase regardless of the calmness as well as occasionally brooding top quality of her noise.
Harvey was welcomed back onstage to do guest vocals on Maltese’s track “Earliest Technique in Guide” which was given by Bedouine on Maltese’s most recent cd. The mix of Maltese as well as Harvey’s vocals in the track requires a main cover of the track, at the very least in my mind. The artists produced a partnership that really felt psychologically billed as well as given an experience that brought among my preferred tunes from “Greetings It’s Currently Tomorrow” to life in an unanticipated method.
Partnership as well as Discussion
Most individuals aren’t most likely to take a trip to an additional state for a performance including musicians that aren’t thought about mainstream or preferred adequate to offer out bigger locations or perhaps arena-style locations, not to mention smaller sized locations like World Hall, but those that don’t proactively choose the experience of smaller sized locations lose out on intimate efficiencies that musicians like Maltese as well as Harvey enamor target markets with. The experience of seeing somebody play piano a couple of feet away or vocal singing right into a microphone with their eyes shut while brightened prior to a group by above lights of different shades is indescribably stunning.
Where little locations as well as indie musicians are worried, the link in between musician as well as target market is unequaled. Shows come to be much less concerning showcasing creative ability for the customer as well as even more concerning supplying the possibility for cooperation in between artists as well as those that value their ability. Harvey as well as Maltese’s capability to involve with the group pleasantly as well as conversationally strengthens my idea that larger isn’t constantly much better when it concerns artists or the performances that they hold.
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Denver, CO
Details Emerge on Broncos’ Decision Not to Trade Courtland Sutton
![Details Emerge on Broncos’ Decision Not to Trade Courtland Sutton Details Emerge on Broncos’ Decision Not to Trade Courtland Sutton](https://images2.minutemediacdn.com/image/upload/c_crop,w_5022,h_2824,x_0,y_246/c_fill,w_1440,ar_16:9,f_auto,q_auto,g_auto/images/ImagnImages/mmsport/mile_high_huddle/01j6npwpjqt9619ba4rp.jpg)
Recently, the San Francisco 49ers extended disgrunteled wide receiver Brando Aiyuk after months of trade speculation, and along the way, the Denver Broncos were linked. According to reports by ESPN’s Dianna Russini and Sports Illustrated’s Albert Breer, the Broncos were involved in a potential trade that never was.
We learned after the extension that the Niners wanted a receiver to replace Aiyuk, if he were to be traded, and they had their eyes on Courtland Sutton, the Broncos’ top wide receiver. To feel comfortable making the trade, the Niners were reportedly willing to give Denver a third-round pick for Sutton.
When you add in Breer’s report, the pick to be exchanged would’ve been a Niners’ third-round pick by way of the Pittsburgh Steelers. The question is, did the Broncos make the right decision?
In order to answer that question, we must examine all the details that have emerged since Aiyuk’s extension knocked loose a lot of new information. Let’s dive in.
The Broncos moved on from Tim Patrick to ease their log jam at wide receiver and create an avenue for younger receivers like Devaughn Vele, Troy Franklin, and Marvin Mims Jr. to see the field. Releasing Patrick wasn’t a move to help the salary cap situation since the Broncos ate $6 million in dead money while saving a little over $1.1 million in cap space. It was about the log jam at the position.
Sutton has the second-highest cap hit on the Broncos roster, at a hair under $17.3 million, behind left tackle Garett Bolles. Sutton was unsatisfied with his contract, and for months, the Broncos were unwilling to rework his deal.
However, the two sides finally came to an agreement on some bonuses that were considered unlikely to be earned. The fact that they are unlikely to be earned matters a ton here.
When performance bonuses are handed out, they’re dubbed unlikely or likely to be earned based on a player’s track record. If they’re likely to be earned, they’ll count against the current year’s salary cap, and if they go unearned, the team will re-gain that cap space the following season.
As unlikely bonuses, they count against the following year’s salary cap if earned. This is important in this situation with Sutton.
The Broncos wouldn’t be on the hook for any of the money unless he earned those bonuses. If he were with the Niners and earned them, it would go against their salary cap. With no new guaranteed money, the Broncos would save $9.6 million against the salary cap with $7.6 million in dead money.
Had the Broncos traded Sutton, this would likely have kept Patrick on the roster. Remember, Patrick represents roughly $6 million in dead money while freeing up $1.1 million.
Trading Sutton would’ve added $1.6 million more in dead money, but it would have freed up $8.5 million more in usable cap space, which could’ve also been used to roll over into the 2025 season. The Broncos will still be dealing with Russell Wilson’s dead cap hit, so an extra $8.5 million could be useful.
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The other fact here is the additional third-round pick, which, according to Breer, would’ve been from the Steelers. It’s impossible to predict where that third-round pick would end up, but let’s look at where different publications projected them.
Steelers head coach Mike Tomlin has never had a losing season, and the defense they have is excellent, so most outlets view them as a nine or 10-win team. NFL.com had Pittsburgh tied with the Broncos as the 11th team in the AFC, but no record was given.
USA TODAY had the Steelers at 10-7, as did Sports Illustrated. I was unable to find a Steelers record prediction from ESPN or other national sites. That record would have put that pick Denver would have garnered from San Francisco for Sutton at around pick at No. 85 overall or the 20th or 21st pick in the third round. That’s better than if the pick was coming from the Niners, who are projected to be in the late 90s, as they’re one of the favorites to contend for a Super Bowl this year.
The final fact to consider is the uncertainty of Sutton’s future with the team. There was a chance for the Broncos to rework his deal, which could’ve included an extension to secure his future with the team for at least a couple more seasons, but the team passed on that.
Rumors have been circulating about the Broncos wanting to move on from Sutton for almost three years. So, that’s important to remember when talking about the uncertainty of his standing with the team in future years.
The Broncos had a chance to proceed with Patrick, an extra third-round pick, and an additional $8.5 million in salary cap space, but they passed on that avenue. Would that have been better than having only Sutton for the 2024 season with uncertainty beyond 2025, the final year of his deal?
The Broncos are betting that Sutton’s worth more to them on the team than all those other resources combined, and only time will tell whether they made the right decision.
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Denver, CO
What Happened To Bob Denver After Gilligan’s Island? – SlashFilm
![What Happened To Bob Denver After Gilligan’s Island? – SlashFilm What Happened To Bob Denver After Gilligan’s Island? – SlashFilm](https://www.slashfilm.com/img/gallery/what-happened-to-bob-denver-after-gilligans-island/l-intro-1724953718.jpg)
The culture at large seems to be very ambivalent about Sherwood Schwartz’s 1964 sitcom “Gilligan’s Island.” On the one hand, it was massively popular and, thanks to plum syndication deals, remained in the pop culture consciousness for literally decades, feeding its goofy reruns to multiple generations. The seven stranded castaways are all easily recognizable by millions, and kids grew up chuckling to Gilligan’s antics. On the other hand, “Gilligan’s Island” is often lambasted, critically, as the nadir of television. The series takes place in a lightweight, cartoonish universe, and it doesn’t ever reach deeply into the souls of the characters to analyze how they adapt to being stranded on a tropical island. There is no madness or deterioration, just shenanigans.
Anything as popular as “Gilligan’s Island” at least deserves a robust and healthy regard, however. Its seven stars may have been playing broad, slapstick archetypes, but their performances certainly struck a chord. At the center of the show was Bob Denver, a comedic actor who had been performing professionally since the 1950s. Indeed, prior to “Gilligan’s Island,” Denver already had a hit sitcom under his belt with “The Many Loves of Dobie Gillis,” on which he played the character Maynard G. Krebs for 144 episodes. He also appeared in the feature films “For Those Who Think Young” (which also starred his future “Island” co-star Tina Louise), “Take Her, She’s Mine,” and “A Private’s Affair.”
“Gilligan’s Island” made Denver a household presence, although, as an actor, Denver merely continued to work at an average clip. After “Gilligan’s Island,” Denver would reprise the role multiple times on a few spinoffs, and play himself in many “Island” retrospectives. This was while also taking many notable TV jobs, mostly as a guest performer on some of the biggest shows of the day.
Bob Denver’s post-Gilligan career
Denver kept busy during “Gilligan’s Island,” also appearing on episodes of “I Dream of Jeannie.” As soon as “Island” went off the air in 1967, Denver already had another leading role lined up on “The Good Guys,” a show about a cab driver (Denver) and a fry cook (Herb Edelman) who were constantly trying to get rich. “The Good Guys” lasted for 42 episodes over two seasons, getting canceled in 1970. At about the same time, Denver also appeared in three feature films, “Who’s Minding the Mint?,” the biker flick “The Sweet Ride,” and the Phyllis Diller vehicle “Did You Hear the One About the Traveling Saleslady?”
From 1970 to 1973, Denver appeared on three episodes of “Love, American Style” before landing the title role in the Western sitcom “Dusty’s Trail,” also created by Sherwood Schwartz. “Dusty’s Trail” was more or less a Western retooling of “Gilligan,” as it featured the same seven archetypal character as its tropic island counterpart. The series only lasted 26 episodes over one season. Four episodes of the show were re-edited into a feature and it was released in theaters as “The Wackiest Wagon Train in the West.”
“Trail” then led directly into the animated series “The New Adventures of Gilligan” in 1974. It was the first time Denver would return to the role.
In 1975, Denver took another leading role in Sid and Marty Krofft’s kid-friendly sci-fi series “Far Out Space Nuts.” One can admire Denver for always managing to play lead characters and title characters. He frequently played bumbling characters and slapstick boobs, but he did an exemplary job. “Space Nuts” only lasted 15 episodes, ending in 1976. From this point forward, a lot of Denver’s acting career would begin to calcify around Gilligan, and he would return for other shows and TV movies.
Gilligan Rising
By the late 1970s, reruns of “Gilligan’s Island” became ubiquitous, and there was seemingly a public demand for the show’s return. Rather than merely reboot or revive the series, however, Sherwood Schwartz put out a series of TV movies and animated shows that featured most of the original cast (Tina Louise bowed out) in the same roles. 1979 saw the release of “The Castaways of Gilligan’s Island,” and in 1981, the seminal American classic “The Harlem Globetrotters on Gilligan’s Island” hit the airwaves. Denver also played Gilligan in all 13 episodes of “Gilligan’s Planet,” an animated series that moved the castaways to an abandoned planet, many lightyears from Earth. They were able to build a spacecraft out of wood, you see.
Denver also returned to the role of Maynard G. Krebs a few times, once in 1977 in “Whatever Happened to Dobie Gillis?” and again in 1988 in “Bring Me the Head of Dobie Gillis.” Denver would also appear as Gilligan in several other sitcoms, usually there to visit characters who were fans of “Gilligan’s Island.” Gilligan showed up in “The New Gidget,” “ALF,” and even in an 1992 episode of “Baywatch.” Denver entered a “resting on his laurels” phase in his career, mostly appearing on TV to play Gilligan, or to play himself. One of his last acting jobs was on the 1997 sci-fi series “Meego,” also playing Gilligan. His last role was playing himself on a 1998 episode of “The Simpsons.”
Denver passed away in 2005 at the age of 70, having left a deep mark in popular culture, even if he never was heavily awarded as a comedic actor. His “Island” fame was seemingly a blessing and a curse, bringing him national attention, but also pigeonholing him into a series of Gilligan-like roles, or constant revivals of the part. He seems like a decent, hardworking, funny fellow. All credit to Denver for creating a silly, but memorable character.
Denver, CO
The ‘youth movement’ by the 2024 Broncos is loved by fans
![The ‘youth movement’ by the 2024 Broncos is loved by fans The ‘youth movement’ by the 2024 Broncos is loved by fans](https://cdn.vox-cdn.com/thumbor/SMwarlUPkt3_HMh7UyVXl00P794=/0x0:1080x1350/fit-in/1200x630/filters:fill(ffffff)/cdn.vox-cdn.com/uploads/chorus_asset/file/25596905/Denver_1_082924.png)
Earlier this week, I dropped a survey about the youth movement this team has experienced heading into Week 1 compared to last year. In 2023, Denver entered Week 1 as the third oldest team in the NFL and today they are the 10th youngest. That is a rapid shift towards youth.
71% of fans are loving the move and 28% are neutral on it. Then we have a Las Vegas Raiders and Kansas City Chiefs fans filling out the last 2%.
The movement to get younger has not gone unnoticed by the local media. In fact, veteran defensive lineman John Franklin-Myers was asked about what it means for a team to be ‘young and hungry’ in the NFL. Myers actually had a really good explanation of how a young team feels different from a more veteran-heavy one.
“I think there’s a different level of physicality [and] there’s a different level of effort playing with guys who are young and hungry,” Myers explained. “What’s kind of understood is that when you first get into the league, we’re all excited. We all just want to run and hit. You see that a lot here. Guys just want to run, they want to hit and they play with extreme effort and physicality. Those are the two things [I said] in my first press conference [that] if you ask anybody about my game, that’s what they’re going to tell you I play with. So I fit right in with these guys, and [I’m] looking forward to the season.”
The seven-year veteran enjoys the kind of atmosphere this young locker room has in Denver this season and he went on to say that the hunger to win is always there with him.
“It’s been a while,” Myers said of winning. “I went to the Super Bowl my rookie year, and I’m in year seven now. The hunger is [there].”
As a rookie, Myers was with the Los Angeles Rams when they lost to the New England Patriots. He ended up with the New York Jets every year since and that franchise has been stuck in a long rut just like the Broncos have.
Hopefully that changes this season for Denver.
However, if you ask most NFL fans the optimism that Denver is heading in the right direction is about 50-50.
While that might seem like a bad number, its actually the 13th best rank out of all 32 teams. This survey was of all NFL fans, not just Broncos fans. Obviously, we’re about as close to 100% as we can be after two un-bo-lievable preseason games.
What did you think of these results? Share in the comments section below.
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