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Creating ‘water leaders’: CAP to open a new water education center in north Phoenix

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Creating ‘water leaders’: CAP to open a new water education center in north Phoenix


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Arizonans will have a new opportunity to learn about their most precious resource, potentially as soon as next year.

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The board of the Central Arizona Project approved a contract Jan. 9 to build a new water education center in north Phoenix. With a multipurpose space, board room and informative exhibits, the center will open the CAP, one of Arizona’s most essential pieces of public infrastructure, to the public. 

The 336-mile Central Arizona Project Canal delivers water from the Colorado River on Arizona’s western border to the Phoenix and Tucson areas. The project provides water to 6 million Arizonans — roughly 80% of the state’s population — and accounts for nearly 40% of the water used in Phoenix.

The new center will be built on a bridge over the canal, allowing visitors to appreciate the Colorado River water flowing into their communities and homes. 

“Educating kids on the history of how we got where we are today is incredibly important, and this is our opportunity to do it here in Arizona,” said CAP board member Mark Taylor.

The center will include explanatory exhibits about Arizona’s water sources and the CAP’s history. 

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The project is expected to cost $38-45 million, which will come from the CAP’s tax-fed Extraordinary Cost Reserve Fund. The fund, with a current balance of $342 million, is designed for one-time large expenses.

‘We’re using taxpayer money’

The CAP is managed under a public entity funded through property taxes and water fees. The project is governed by an elected board with members from Maricopa, Pinal and Pima counties. Board members said during their meeting that they supported efforts to cut costs on the project. 

“This is a beautiful design and beautiful building, and for a number of reasons, I believe it’s necessary,” CAP board member April Pinger-Tornquist said during the meeting. “Please, every step of the way, sharpen your pencils, keep in mind we’re using taxpayer money.” 

Staff have selected and pre-ordered construction materials to minimize cots, according to CAP operations director Darrin Francom.

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Construction is scheduled to begin in May, and planners hope to open the center by the end of 2026. The CAP has selected national contractor Mortenson Company for the build. 

The center will end almost a decade of difficulty in providing public education opportunities around the CAP, according to Bridget Schwartz-Manock, CAP’s assistant general manager for public and governmental affairs. Project officials used to provide guided tours of the control room, where operators control infrastructure across the entire project, but staff ended those tours for security reasons in 2017.

“It is the epicenter of how we operate this amazing system,” Schwartz-Manock said in an interview. “And we were bringing in Boy Scout groups and Rotary Clubs, and, you probably shouldn’t for cyber security reasons, people taking pictures of what software we use, accidentally touching buttons they shouldn’t touch, and all sorts of other security issues.”

Since then, Schwartz-Manock has had few ways to give the public hands-on experiences that help them understand their water infrastructure. 

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“There isn’t much,” Schwartz-Manock said.

Center will offer multiple educational points

The CAP has also continued holding public board meetings at its headquarters near Pinnacle Peak Rd and North 7th Street, causing additional security concerns. The new center will sit next to the headquarters in a separate space, allowing the public to attend board meetings and learn about their water infrastructure outside of sensitive spaces. 

The building’s design, created by Tempe-based architecture firm Jones Studio, centers on the bridge over the canal.

“Spanning the canal and allowing everybody to stand above the water and really connect with it and actually feel the microclimate that’s that’s going to occur over top of the water … that’s the beating heart of the facility, connecting people with that water,” the project’s lead designer, Brian Farling, said in an interview. Farling is a principal at Jones Studio.

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Guests will enter the building through a replica of a siphon, one of the massive subterranean pipes that CAP water passes through at several points in its journey through the project. On the other side of the siphon, guests will reach the board room, multipurpose room and conference room. Then, they will step out over the canal itself.

On the other side of the bridge, the educational center will include a small theater, a life-sized replica of a check gate, and a huge metal screen used to control water as it passes through the CAP system. The exhibit space is designed largely with school field trips in mind.

“We need to inspire the next generation of water professionals and water leaders,” said CAP board member Karen Cesare during the board meeting. “Kids today, who get their information from screens, need real hands-on places to go and see the real life-sized scale of things.”

For all visitors, Farling said he hopes the building reinforces the importance of water and responsible resource use in the desert. Before they reach the entrance, guests will walk past a tiered garden fed by collected rainwater from the building’s roof. 

Staff hope the multipurpose space and boardroom will also provide meeting areas for Arizona’s water management community.

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“We are really exploring future partnerships with other water organizations,” Schwartz-Manock said. “We hope it becomes a gathering space where all sorts of people can come and learn and discuss water.” 

Austin Corona covers environmental issues for The Arizona Republic and azcentral. Send tips or questions to austin.corona@arizonarepublic.com

Environmental coverage on azcentral.com and in The Arizona Republic is supported by a grant from the Nina Mason Pulliam Charitable Trust.

Sign up for AZ Climate, our weekly environment newsletter, and follow The Republic environmental reporting team at environment.azcentral.com and @azcenvironment on Facebook and Instagram.





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Detroit Lions NFL Draft Injury Report: Arizona State CB Keith Abney

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Detroit Lions NFL Draft Injury Report: Arizona State CB Keith Abney


Due to significant injuries to the CB position last year which includes a shoulder surgery for Terrion Arnold, the Lions CB position scored a 6/10 need on my Lions Defensive Draft Need Rankings. Thus, an early-round selection of a young, healthy prospect like Keith Abney would not come as a surprise. He enters the draft with very low medical concern level.

Here is the excerpt from my medical report on Keith Abney:

(Ages in parentheses are at start of 2026 season and are factored into the concern level. Injury info and ages based on available public information are unverified and subject to update. Games played data courtesy of sports-reference.com.)

Keith Abney, CB (21) – Arizona State

Projected round 2-3. #43 on Jeff Risdon board Feb 19.

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Concern level 0/10

There is an isolated report of a hand injury but no corroborating information. Even if the hand injury is true, that’s of minimal to no long-term concern.

His availability in his final two seasons has been perfect. Overall, Abney appears to be medically clean and is at an excellent age.

He finished college with 6 INT and 21 PBU.

For more Lions coverage, follow us on X, @TheLionsWire, and give our Facebook page a likeFollow Jimmy on X, @JimmyLiaoMD

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Arizona baseball drops low-scoring series opener to Kansas State

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Arizona baseball drops low-scoring series opener to Kansas State


Arizona baseball had won five of its last seven games, which included three road wins, entering Friday evening’s matchup with Kansas State.

In the first game of the series, Arizona (14-23, 5-11 Big 12) battled in a low-scoring affair but fell short in a 2-1 loss to Kansas State (24-12, 8-8 Big 12). The Wildcats from Tucson held the Wildcats from Manhattan at bay for a good majority of the night.

Given that Kansas State leads the Big 12 in conference play in batting, on-base percentage, and slugging, Arizona had a rather good performance, but it was not enough.

Owen Kramkowski pitched seven scoreless innings before allowing the first Kansas State run in the top of the eight. He finished with six strikeouts and kept the high octane Wildcats at bay.

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“I thought the defense played well behind him too,” said head coach Chip Hale. “There’s a lot of ground balls, and we made plays where we were positioned in good places, and he was pitching in the eighth inning. That’s unbelievable.”

Garrett Hicks (3-1) came in to try and stop the bleeding for the Wildcats and did so by not allowing Kansas State to take the lead in the eighth. It was in the ninth when the lead was surrendered.

It took until the sixth inning but the first run was scored by Arizona. Andrew Cain singled to left field and after Maddox Mihalakis flew out, it was Beau Sylvester bringing Cain home with a triple through right center field.

Sylvester extended his hitting streak to eight games and it proved to be not enough to get Arizona to the finish line.

Kansas State tied the game at the top of the eight when back to back singles got runners on at first and third. Then a passed ball allowed the third base runner to come home.

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Arizona had a chance to retake the lead in the bottom of the ninth after Cain singled to deep right field. With Sylvester back at the plate, it seemed like it was a perfect set up.

A wild pitch nearly got past Kansas State and Cain tried to take advantage of it and steal home. However, Kansas State was able to corral the pitch and get Cain out at home.

AJ Evasco started the ninth inning with a double for Kansas State and back to back fly outs eventually got him home to give Kansas State the lead and the win.

With eight players being left on base, Arizona will need to bring those runners in more often than not if they want to tie the series Saturday afternoon.

As a young team, the Wildcats have had to walk a very tight line between disappointment and dejection and will need to continue handling these losses with grace if it wants to turn a corner.

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“It’s the way it goes, it’s baseball,” said Hale. “If we don’t handle it, we will come out tomorrow and won’t be ready to go, so hopefully they handle it.”



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Hair shows are a staple of Black culture. This Arizona competition is in its 4th year

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Hair shows are a staple of Black culture. This Arizona competition is in its 4th year


Over the last 75 years, hair shows have become a staple of Black culture in the U.S. These events celebrate textured hair through the creative, and often sculptural, styling of centuries-old techniques like braiding and barbering.

The biggest hair shows in the country take place in cities with a much larger Black population than Phoenix — like Bronner Bros. in Atlanta, which can bring in around 30,000 people semi-annually.

But as the Black community here grows and newer Arizona residents bring the culture with them, hair shows have started to pop up in town.

The fourth annual Arizona Fantasy Expo Hair Show will return Sunday in Phoenix.

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Show producer Athena Ankrah attended the third annual Fantasy Expo Hair Show in Phoenix last April, and shares what she saw.

About 200 people crowd La Princesa event hall in north Phoenix on a Sunday evening in 2025. Music blasts from speakers on either side of a stage and flows into the dance floor below. There are people of all ages here. Most attendees are dressed in white, to match the all-white ball theme, but there’s no shortage of color atop models’ heads.

Attendees and hair models at the Fantasy Hair Expo in Phoenix on April 27, 2025.

Lauren Jackson, 20, just graduated from a barber school in Phoenix. 

We’re watching a competition between two barbers — who can shave the cleanest tapered fade the fastest — when she tells me her plans for the event she’s competing in: the loc battle. 

“So I made a basketball hoop out of locs,” Jackson said.

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Hair shows give local hair stylists, barbers and braiders the chance to show off their creative talents through showcases and competitions. 

Some stylists had been working on their entries for more than a year leading up to the Fantasy Hair Expo. But that wasn’t the case for Jackson. The event’s organizers promoted the show at Jackson’s barber school shortly before that day.

“I’m like, OK, bet! …  Mind you, this was a week before the hair show,” Jackson said.

Hair shows are a Black American tradition dating back about 75 years. The creative hair styling can be so eccentric, it’s almost performance art. 

Because it’s not just the hair style on display. It’s a message conveyed through clothes, and sometimes choreography. And a chance to delight in hair textures and styles that have historically been a target of discrimination.

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“A lot of us are like really creative and they’re styles that you just can’t do on a daily basis. So the hair show just kind of gives you the platform to just have fun with it, you know, just be really artistic,” Aisha Wesley said.

Wesley is a cosmetologist who organized the event with fellow cosmetologist and friend LaTricia Williams. 

“I definitely think that the hair show is empowering to the community because it’s like, if nobody else accepts us, we accept us, right,” Wesley said. “I’ve had clients before that have had to come back and get their hair redone because their job was like, ‘you can’t wear that.’ You know? the hair show just kind of gives that freedom …” 

“I can wear whatever I wanna wear,” Williams said.

That freedom and ingenuity was on display at the show. 

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Now, seeing 40 inches of dollar bills sewn into the bottom of a pixie haircut would have been enough.

Cherie Nelson prepares a model's hair, including bright blue hair as headphones and a helicopter rotor on top in April 2025.
Cherie Nelson prepares a model’s hair, including bright blue hair as headphones and a helicopter rotor on top in April 2025.

But the same stylist, Cherie Nelson of Majestik Handzz Beauty Demand in Mesa, put together a whole crew of models with ’90s-inspired streetwear and exuberant hair to match. 

Nelson put one model in vivid bubblegum pink afro puffs, and another with huge headphones over her ears — made entirely of braids. 

And for the finale: A young woman crawls on stage, covered in wigs. She’s wearing crimped wigs from head to toe. Underneath, the leather catsuit, knee-high boots and afro wreath around her face gives her a sort of Janet Jackson lioness look. 

She stalks downstage, rises to her feet and pulls the lion’s mane onto her shoulders to reveal bantu knots: sleek sectioned hair twisted into knots, a protective style dating back to Zulu women in South Africa. 

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The crowd is loving it.

“She went from hoodie, to a lion’s mane, to a jacket, to Catwoman – how do you do that?” the host said.

Finally, it’s time for Lauren Jackson’s event — the loc battle.

It’s all about who can craft the most creative and colorful style out of locs and accessories, with extra points for technique and details. 

For the uninitiated, locs aren’t always dreadlocks. The term often refers to a more structured twist or coiling of hair rather than the Rastafari-style organic loc-ing of hair.

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Loc specialists — also called locticians — can build their styles ahead of time, but on competition day they only have 30 minutes to attach everything to their model’s head and make any finishing touches. 

“Y’all ready? Get set! Go!” the host exclaimed.

Woman in white two piece outfit poses for the camera
Anna Holly drove for 12 hours from San Francisco to attend the Fantasy Hair Expo in Phoenix on April 27, 2025.

Anna Holly drove from San Francisco the night before to compete with her mom as her hair model. 

“It was about 12 hours. But it wasn’t bad,” Holly said while laughing.

Despite the time constraint, Jackson’s entry is not insignificant. 

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She super-glued, painted and shaped synthetic hair onto a basketball hoop with about a foot tall backboard. 

“So I bought a box of those, the sandwich bags, and I’m like, ‘well, I can use this.’ At Dollar Tree, they also had a hoop already made. So I basically wrapped the whole thing with locs,” Jackson said. “Then I took some orange loc hair and I wrapped that with the rim. And then I took some silver grayish lock hair as well for the, the net to the basketball hoop.”

“It was so hard, I’m not gonna lie. I stayed up like day and night trying to figure it out between school,” Jackson said.

 And it’s functional, too — she brought a teeny tiny basketball to prove it.

“Now, if Steph Curry come out of there and shoot a 3? You won!” the host said.

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Another loctician, Elisha Davis, has built a sea goddess look that’s essentially a huge halo of locs sticking straight up. It’s woven with seashells. The stylist and her model have matching glittery siren makeup. The design is minimal enough that you can really see the details. 

“She sells seashells by the seashore. … Aphrodite ain’t playin’!” the host said.

And Holly is installing a replica of a famous landmark on her mother’s head. 

“Is that traffic on her head, y’all? … It’s the Golden Gate Bridge!” the host said to cheers from the crowd.

Yes, the Golden Gate Bridge, made entirely of hair.

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“I’m like, dang, I didn’t even know that was possible, y’all! And she had cars on the bridge!” Jackson said.

Master loctitian and cosmetologist Jai Davis is this event’s judge. 

“I’m looking for detail, creativity. …  I like integrity more than flash. I like skill more than flash,” Davis said.

It was a tight race. But a winner and runner-up are announced. 

“This one was super, super hard, we had to go all the way down to details. We had to look at edges and fresh retwists because the creativity in this competition was so cold,” Davis said. “So, because we had to go down to detail and crispy edges. … We gon’ give it to the Golden [Gate] Bridge!”

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So Jackson’s basketball hoop didn’t win. 

But despite that, she said, “it was so worth it. If I can go back, I would do it all over again.”

And next time, she’ll be ready. 

“Oh my God, I’m gonna do so much more next year. Oh my goodness, I can not wait for next year. ‘Cause I’m gonna do so much more,” Jackson said.

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