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As One Alaskan Museum Closed, a Native Heritage Center Prospered

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As One Alaskan Museum Closed, a Native Heritage Center Prospered


On the flip of the century, Edward Anton Rasmuson arrived on the Alaska frontier, a Swedish-born missionary there to show Tlingit youngsters at a time when many small villages didn’t have public faculties.

Earlier than he died in 1949, Rasmuson would rise to steer the territory’s largest financial institution, the Nationwide Financial institution of Alaska, however would by no means lose his curiosity in Native Alaskan tradition.

He and his household collected some 6,000 artifacts, textiles and instruments, most of which ended up in a museum created by the financial institution in downtown Anchorage in 1968.

However that museum, which was taken over by Wells Fargo when it acquired the Nationwide Financial institution of Alaska in 2000, closed its doorways in 2020, a casualty of the coronavirus pandemic.

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Now, a lot of this historic trove has been turned over to the Alaskan Native Heritage Middle, a museum that focuses on Indigenous tradition and is operated by Native Alaskans. The donation by Wells Fargo of greater than 1,700 objects practically doubled the middle’s assortment and enabled the museum, which opened in 1999 as the one statewide middle devoted to celebrating all Alaskan Native cultures, to overtake its programming.

“This stuff will assist us share our cultures with individuals world wide, however they will even assist us work straight with our group,” Emily Edenshaw, the heritage middle’s president and chief govt, mentioned in an interview.

Edenshaw joined the heritage middle in 2019, motivated by her personal expertise being raised 1000’s of miles away from her Yupik and Inupiaq heritage. Her mom was a part of a 1956 pressured adoption program in Texas, however Edenshaw returned to Alaska for faculty and finally took the Yupik identify Keneggnarkayaaggaq, that means an individual with a fantastic persona, spirit, aura and pal.

“For a very long time, I carried disgrace about not realizing my very own tradition,” she mentioned. “A lot of my journey is grounded in reconnecting with who I’m.”

The theme of reconnection has been core to the heritage middle’s programming with workshops on Indigenous meals, dancing and singing; there are additionally group initiatives, like one geared toward serving to Alaskan Native males who wrestle with homelessness.

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Now the museum will even be capable of use most of the new objects to remodel its exhibitions, which haven’t modified in 20 years. A lot of that work will fall to Angie Demma, a curator from the Wells Fargo museum, who has now come to work for the heritage middle. She had solely been working on the financial institution’s museum for a number of months when Wells Fargo determined to shut not solely its Anchorage museum however 10 of its different cultural facilities across the nation, leaving solely its San Francisco location, which focuses on the corporate’s gold-rush origin story.

Demma, who had joined the establishment with a plan to reinvigorate Wells Fargo’s programming, now discovered herself the supervisor of its dissolution.

“It was a logistical nightmare,” Demma mentioned.

In her new position, Demma mentioned, she is keen to showcase masterworks of Native craftsmanship, comparable to a 1900s argillite chest by the Haida artist Charles Edenshaw (a distant relative of Emily Edenshaw by her husband’s household), which encompasses a carved sculpture of a bear and sea lion locked in battle. There may be additionally a chief’s coat from the Athabascan individuals with floral beaded designs, rawhide fringe and pink felt ties from the Fifties.

Sudden, nevertheless, have been a whole lot of different donations that Demma mentioned got here in over the last 12 months as personal collectors and public establishments reckon with the ethics of holding onto artifacts that have been possible stolen or unfairly traded from Native teams.

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“Now we have at all times been a spot the place individuals will drop issues off on the entrance door, however there may be positively an uptick,” Demma mentioned. “We’ve been having a tough time maintaining.”

The inflow of artifacts has fed an ambition to improve the heritage middle’s constructing and the board is beginning a $10 million capital marketing campaign. It’s the form of long-term planning that appeared unfeasible only some years in the past when the group was getting ready to closure.

However the Ford Basis named the middle as one in every of America’s cultural treasures, alongside establishments just like the Apollo Theater and the Japanese American Nationwide Museum, in a program designed to assist organizations get well from the pandemic. With the title got here a four-year, $3 million unrestricted grant and one other $100,000 for strategic planning and technical help.

Museum officers mentioned the grant was a godsend to a small nonprofit group that doesn’t recurrently obtain state funding, and depends on a mix of federal grants and personal donations to maintain its doorways open.

Arts funding has been one thing of a battleground in Alaska the place, in 2019, the governor of Alaska, Mike Dunleavy, used his veto energy to defund the Alaska State Council on the Arts. The State Legislature finally voted to override the choice, restoring the company.

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At this time, the state gives the council with about $700,000 — about 20 p.c of the council’s total price range of $3.88 million. The remainder comes from federal grants and charitable teams just like the Rasmuson Basis, one of many largest arts funders in Alaska.

“We had a near-death expertise after we have been nearly vetoed out of existence, however these darkish days are behind us now,” mentioned Benjamin Brown, chairman of the humanities council since 2007. He famous that a number of Alaskan heritage facilities obtain funding from Native companies, such because the Sealaska Heritage Institute in Juneau and the CIRI Basis in Anchorage.

Brown described the Alaska Native Heritage Middle as a “key a part of the creative and cultural infrastructure” of the state. Museum specialists additionally mentioned that the nonprofit distinguishes itself as being one of many few tribally unaffiliated arts organizations that’s run by Indigenous individuals. And by serving everybody, the middle has turn into a gathering place for various tribes and folks exterior these Native communities.

Monica Shah, deputy director of conservation and collectors on the Anchorage Museum, which additionally acquired a portion of the Wells Fargo assortment, described the heritage middle as very important.

“With out their partnership, I don’t suppose we may fulfill our mission,” Shah mentioned. She credited the middle with helped to deliver Native tradition to the forefront of Alaskan identification.

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Edenshaw, who additionally sits on the state’s tourism board, mentioned that Alaska, which has one of many highest percentages of Native Individuals in america, must do extra to advertise the cultural significance of its Indigenous teams.

Governor Dunleavy’s administration mentioned that it has directed substantial funding, together with a $10.5 million current federal grant, to the Alaska Journey Trade Associations, which incorporates Native tourism in its promotion. The governor’s workplace mentioned one other tourism promotion grant of practically $1 million was given to Kawerak Inc., a regional nonprofit company within the Bering Strait area that’s predominately populated by Native Alaskans.

However Edenshaw mentioned an excessive amount of of the state’s advertising and marketing is concentrated on “brown bears, Denali and fishing.”

“The place are the Indigenous individuals?” Edenshaw requested. “Our tales, if they’re advised, aren’t even advised by us.”




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Alaska

The tribulations of how ZIP codes were woven into American (and Alaskan) life

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The tribulations of how ZIP codes were woven into American (and Alaskan) life


Part of a continuing weekly series on Alaska history by local historian David Reamer. Have a question about Anchorage or Alaska history or an idea for a future article? Go to the form at the bottom of this story.

When phone numbers first proliferated, some Americans were concerned that aspects of their existence had been reduced to a series of digits. When Social Security numbers were first issued in 1936, some Americans believed a numerical identity was dehumanizing. People complained about the transition to area codes for phone numbers in 1947, though not Alaskans. The future 49th state did not receive its area code, the familiar 907, until a decade later. But in 1963, Alaskans were a party to the national mockery of ZIP codes, the newest number to remember.

The concept of ZIP codes, from the acronym Zone Improvement Plan, originated in the 1940s. Beginning in 1943, the Postal Service divided larger cities into two-digit postal zones. The following year, a postal inspector in Philadelphia, Robert Moon, proposed a national coding system. After years of delays, partially prompted by hesitant public adoption of area codes, the ZIP code program was publicly unveiled at a postmasters’ convention in October 1962.

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Today, ZIP codes are just one tiny aspect of modern life, five numbers to remember whenever you mail a letter or package. Maybe you’ve written it on an envelope. Or, more likely, you’ve entered it into an online form, ensuring you get that package you ordered from outside Alaska. You’ve probably given those numbers little thought. Americans were less accepting back when ZIP codes were first introduced.

The Postal Service claimed ZIP codes would streamline its operation and potentially speed deliveries. Mail delivery a day sooner, they said. Yet, Americans struggled to accept the new system. An early Postal Service poll found only 25% of respondents supported ZIP codes.

Resistance to ZIP codes came in a variety of flavors. Amid the Cold War and rampant Communism fears, some Americans believed the codes were, like Social Security numbers, dehumanizing and erasing individuality. Others thought it was too complicated, that Americans would never endure the hassle of remembering five-digit codes every time they mailed something. And others thought it was just a waste of money, a government spending boondoggle. Many postal workers also opposed ZIP codes as the system was a step toward mechanical mail processing, thus threatening their jobs.

The Peanuts comic strip creator Charles Schulz was one of the many ZIP code opponents. He introduced a character into the strip solely to express his irritation with ZIP codes. The spiky-haired boy was named 5, short for 555 95472. From his 1963 debut, 5 said, “My dad says we have so many numbers these days we’re all losing our identity. He’s decided that everyone in our family should have a number instead of a name.” If you’ve ever watched “A Charlie Brown Christmas” or seen the GIF of the kids dancing from it, you’ve seen 5. He’s the dancing kid in the front, in a yellow shirt and bobbing his head to the music.

Mockery was perhaps the most common active response to ZIP codes. Countless comics and cartoons ran variations of a “name, rank, and ZIP code” gag. Others suggested Christmas was threatened, as letters to Santa would fail to be delivered without a correct ZIP code. In a 1963 letter to advice columnist Ann Landers, a father tries to run off his daughter’s date because the young man did not know his ZIP code. “I don’t think you ought to go out with a fellow who is too lazy to memorize his ZIP code number.”

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The reaction was no different in Alaska. One of the early letters delivered to the Anchorage Daily News after ZIP codes were implemented was marked “zip” before the number and “unzip” after. Most notably, the Fairbanks Daily News-Miner opined, “We’ll wager it will be abandoned in a few months as someone’s highly expensive bright idea. It won’t work because people are tired of living in a numerical society. The long numbers are also contrary to human nature. Most folks are just too lazy to write out a zip code number let alone try to remember them. Business may use them, but as long as they are given a choice, John Q. Public won’t.”

In Fairbanks, two brothers tested the system. As they saw it, either the town name or ZIP code was superfluous. One of them mailed two postcards to the other from Seattle. One was addressed with “Fairbanks, Alaska,” but no ZIP code. The other was sent with the appropriate ZIP code but no “Fairbanks, Alaska.” Both postcards were dutifully delivered. The first postcard arrived unaltered. On the second postcard, some postal employee had handwritten “Fairbanks.” As one of the brothers declared, “Our conclusion — the name of the town is necessary, therefore how does the addition of a number speed the delivery of the mail.”

The program was implemented on July 1, 1963. The Anchorage Bowl was initially divided into six ZIP codes. Downtown and Government Hill was 99501. Everything south of International Airport Road was 99502. Everything between Chester Creek and International Airport Road, and west of the Seward Highway, was Spenard, 99503. Definitions of what is and is not Spenard have varied over the years. In my experience, no two people agree on Spenard’s borders. The rest of the Anchorage Bowl east of downtown and the Seward Highway, between Fort Richardson and Tudor Road, was 99504. Fort Richardson and Elmendorf Air Force Base were 99505 and 99506, respectively.

The quantity of the ZIP code debate likely influenced its eventual success. Indeed, it was almost impossible for anyone in the 1960s to miss the innumerable editorials, comic strips, crossword puzzles, television references and other media devoted to the issue, very much including the U.S. Postal Service’s own prolific advertising campaign featuring Mr. Zip. People knew that ZIP codes existed, the most challenging step toward acceptance. Within two to three years, the complaints faded and there were the occasional declarations of “ZIP codes really work.” In 1983, the Postal Service announced nearly 100% compliance. And Santa had his own code, originally 99701, before the 1963 Christmas season began.

Today, it seems almost quaint that Americans once worried about remembering a five-digit number, particularly after the codependent rises in the internet and passwords. There’s no special characters or varying capitalizations to a ZIP code, just five numbers. That’s it.

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• • •

• • •

Key sources:

Cronin, Brian. “Which Peanuts Character Was Invented as a Protest . . . Zip Codes?!” CBR, July 30, 2024.

Henderson, Jonathan. Letter to editor. Fairbanks Daily News-Miner, September 11, 1963, 6.

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Landers, Ann. “Ann Landers . . . Answers Your Problems.” Fairbanks Daily News-Miner, December 30, 1963, 5.

“On the Inside.” Fairbanks Daily News-Miner, July 26, 1963, 4.

“The Echo Chamber.” Anchorage Daily News, July 15, 1963, 1.

“The Zip Code Challenge: Response of the American Public.” National Postal Museum, undated.

United States Postal Service Office of Inspector General. The Untold Story of the ZIP Code. United States Postal Service, 2013.

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Alaska Railroad Depot opens its doors to crowded Open House

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Alaska Railroad Depot opens its doors to crowded Open House


FAIRBANKS, Alaska (KTVF) – Hundreds of families, locals and tourists alike, turned out at the Alaska Railroad Depot on Saturday for the popular open house. The guests not only got to see the sights, meet the engineers and conductors, as well as learn more about the railroad, but they also got to climb aboard the trains and take a ride down the rail.

“So for the free train rides today our goal is to get as many people out to enjoy a train ride,” said Meghan Clemens, Alaska Railroad External Affairs Director, “so we’re keeping them pretty short. We’ve got eight 30-minute departures that we’re running today, and each of those trains can hold about 300 people so there’s room for everybody.”

Each trip took about 20 minutes for visitors to climb into the train coaches and ride down the rail and back. Meanwhile inside the depot, a variety of educational and fun displays were set up.

“It’s a great event that we like to do at the end of the season,” Clemens added, “to be able to welcome out folks from Fairbanks to come take a free train ride, have a chance to get on board a locomotive, we’ve got some static equipment out here we’ve got some heavy equipment people can learn about, we’ve got prize giveaways, we’ve got magician, we’ve got all sorts of fun things for the family to do out here at the depot today!”

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Filipino-Alaskans gather to celebrate culture and community

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Filipino-Alaskans gather to celebrate culture and community


ANCHORAGE, Alaska (KTUU) – The 14th annual Mat-Su Kabayan Gala invited Filipinos, and those who appreciate the culture, to Wasilla to celebrate and appreciate their heritage on Saturday.

The Filipino community in Alaska is about 30,000 strong, staff at the event said, and is a tight-knit community. Event coordinator Lhing McNeal said she believes it’s crucial to connect Filipino families with each other, especially those who might not know exactly what their culture looks like.

“We are so far away from home, we need that community,” said McNeal.

Dancing and traditional food are the highlights of the event every year. McNeal said the event is also about young Filipinos needing see themselves represented in the community.

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“To pass it on with our culture and traditions,” said McNeal. “That way our children will be able to see it and promote it to the next generation.”

Deputy commissioner of the Department of Labor and Workforce Development, Nelson San Juan, said the Mat-Su Kabayan Gala makes him proud to call Alaska home.

“I couldn’t ask for a better community,” said San Juan. “This group is just so communal. The state of Alaska in general is communal.”



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