The trouble with trying to create original sci-fi epics in the vein of Star Wars is that the classics are so culturally ever-present that newer films always tend to feel like pale imitations. Zack Snyder is far from the first director to take that reality as a challenge to prove how, with the right ideas, stars, and studio, the wheel could be reinvented or at least cleverly reimagined. But Snyder’s nascent Rebel Moon film franchise — the second part of which just hit Netflix — is so narratively derivative, emotionally inert, and overlong that it seems as if this entire project is just cruising along on limp vibes rather than heading toward an intended destination.
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Zack Snyder’s Rebel Moon movies are a fandom menace
/cdn.vox-cdn.com/uploads/chorus_asset/file/25408690/RBM_20221019_43454_R_CC.jpg?ssl=1 "Zack Snyder’s Rebel Moon movies are a fandom menace")
Between two (so far) interconnected films that, together, clock in at a little over four hours, the story being told in Rebel Moon – Part One: A Child of Fire and Part Two: The Scargiver seems like it should feel more complex. But there’s a baffling simplicity to almost everything that defines Rebel Moon’s heroic lead, Kora (Sofia Boutella), and her quest to topple a fascist empire with the help of a ragtag group of freedom fighters from different planets across the galaxy.
Part One introduced Kora as a former Imperium soldier hiding on the agrarian planet Veldt after being disowned by her adoptive father, Balisarius (Fra Fee), as part of his plan to seize control of the empire. After years of following Balisarius’ orders to kill alongside his admiral Noble (Ed Skrein), Kora knew the costs that could come with resisting the Imperium’s might. But her love for Veldt and its salt-of-the-earth natives, like wheat farmer Gunnar (Michiel Huisman), was enough to convince her to stop hiding. A Child of Fire never seemed all that interested in establishing how Kora’s small rebellion could become formidable enough to legitimately challenge an intergalactic power. But the movie did introduce other righteous warriors like blacksmith Tarak (Staz Nair), former general Titus (Djimon Hounsou), and cyborg assassin Nemesis (Doona Bae), whose unexplored backstories all felt like they could be vital pieces of a fascinating tale.
The first Rebel Moon played like two hours of throat-clearing as Kora rallied her newfound allies to Veldt’s cause in between set pieces that each felt the sort of mildly imaginative, slowed-down action sequences Snyder’s known for. By closing out on Kora seemingly killing Noble, though, the movie appeared to be setting the stage for The Scargiver to hit the ground running and finally make clear what Snyder was trying to accomplish with his thinly-veiled Luke Skywalker analog. But rather than pushing Rebel Moon’s story forward in a meaningful way, The Scargiver instead retreads ground its predecessor already established.
And while it spends some time gesturing toward the existence of a larger universe brimming with potential for interesting stories, those gestures are clumsy to the point of making it feel like Snyder doesn’t have a solid vision for this franchise beyond its ability to mimic things you’ve seen elsewhere, albeit executed with far more skill. You can almost hear Snyder reminiscing about how blown away he was by The Matrix as a disoriented Noble returns from the dead in The Scargiver with a series of tubes affixed to various parts of his pale body that’s encased in a gooey chrysalis.
Noble isn’t the film’s biggest bad, but The Scargiver frames him as a Darth Vader-like figure as he chokes subordinates to remind them who he is. Back on Veldt, Kora’s relief is quickly dashed as word of Noble’s resurrection spreads, and it becomes clear that the Imperium intends to attack the planet for its defiance. But rather than building on that looming sense of dread, The Scargiver instead doubles down on its Seven Samurai inspiration with a series of sequences designed to emphasize how the people of Veldt are just mere farmers who need Korra and her allies to protect them.
As The Scargiver’s farmers sing solemn hymns while reaping their crops, Snyder seems to be following in the footsteps of the Hunger Games films, where music played an important role in establishing a deeper connection between District 12 and the US’s Appalachian region. But when you actually listen to what the farmers are saying, the biggest takeaway is that they would be helpless to defend themselves against the Imperium because all they know how to do is work land with simple tools. Those details were already readily apparent in the first film, which is part of why Kora spelling them out in The Scargiver feels so silly. At the same time, however, the new film’s story is so thin that it’s hard to imagine Kora having all that much to say to her followers other than warning them that they won’t all survive the coming battle.
Boutella and her co-stars make an admirable go of trying to make these characters feel like they could be compelling in better circumstances. You can see flashes of genuine imagination where the gang comes together to share their histories as if that knowledge might somehow contain a secret that would help them defeat Noble and Balisarius. It doesn’t, but it does briefly shift The Scargiver’s focus away from Veldt to other, more inspired worlds in flashbacks that all feel like snippets ripped from more exciting films gestating in Snyder’s subconscious. But those moments are regrettably brief and ultimately don’t add much context to the story at hand, which drags at a glacial pace because of how much time The Scargiver spends focusing on Kora and the others, basically waiting to be attacked.
Even in its explosive climax as the Imperium descends on Veldt, The Scargiver has an air of undercookedness because it isn’t all that clear how that one singular battle could change things on a larger scale. Dune was able to steer clear of that issue by making Arrakis a uniquely powerful planet by way of its valuable natural resources. But The Scargiver lacks that sort of worldbuilding — the kind that makes you understand why people want things they’re willing to kill for. Instead, the movie closes out on a cliffhanger and a twist that’s only surprising because of how forgettable the character it involves is.
That is far from the ideal note for the second installment in a sci-fi film franchise that, so far, has cost upwards of $166 million to produce. But it’s one that Snyder’s comfortable landing on. Ironically, it wouldn’t be quite as disappointing if Rebel Moon – Part Two: The Scargiver was a proper period at the end of a sentence. Snyder has made it clear that he wants to keep cranking these things out, though, and with Netflix having recently signed him to a new overall deal, it seems very possible that he might do just that.
Rebel Moon – Part Two: The Scargiver also stars Ray Fisher, Elise Duffy, Anthony Hopkins, Alfonso Herrera, Stuart Martin, Cary Elwes, and Charlotte Maggi. The movie is now streaming on Netflix.
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When Oregon resident Isabelle Reksopuro heard Google was gobbling up public land to fuel its data centers in her home state, she didn’t initially know what to believe. “There’s a lot of misinformation about data centers,” she said. “Google has denied taking that land.”
Technically, she explains, The Dalles, a city near the Washington state border, sought to reclaim that land, “and Google is just a big, unnamed power user.” The city had in fact asked for ownership of a 150-acre portion of Mount Hood National Forest, claiming it needs access to Mount Hood’s watershed to meet municipal needs as its population — 16,010 as of the 2020 census — grows. But critics, including environmentalists, say the city is trying to secure more water for Google, which has a sprawling data center campus in The Dalles that already consumes about one-third of the city’s water supply.
This controversy made Reksopuro curious about the backlash to data centers being built in other communities. So Reksopuro, a student at the University of Washington who studies the connections between tech and public policy, decided to map it out. Using information collected by Epoch AI and data scraped from legislation on data centers, she built an interactive map tracking AI policy around the world. She designed it to be simple enough for anyone to use. “I wanted it to be something that my younger sisters could play through and explore to understand what are the data centers in the area and what’s actually being done about it,” Reksopuro said. She hoped to shift their opinions that way, “instead of like, through TikTok.”
Four times a day, the map searches for new sources and checks them against the existing database Reksopuro built out. “Once it does that, it will write a new summary, add it to the news feed, and populate it on the sidebar,” she said. “I wanted it to be self-updating, since I’m also a student.”
Reksopuro isn’t against data centers, but she thinks tech giants benefit from a lack of transparency around data center policies. “Right now, it’s this really opaque thing — and all of a sudden, there’s a facility,” she said. “I think that if people knew about data centers beforehand, it would give them leverage. They would be able to negotiate: ask for job training programs, tax revenue, environmental monitoring, things to improve their community.”
UCF commencement speaker Gloria Caulfield (University of Central Florida via Storyful)
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IN TODAY’S NEWSLETTER:
– UCF graduates clobber commencement speaker with boos after she says AI is the ‘next Industrial Revolution’
– OPINION: DIRECTOR KASH PATEL: We brought the FBI out of the past and into the AI age
– OpenAI backs creation of global AI governance body led by the U.S. that would include China as a member
TOUGH CROWD: During a recent commencement ceremony at the University of Central Florida, a speaker was met with loud boos from the graduating class after declaring that artificial intelligence represents the next industrial revolution. Fox News Digital reporting captures this tense cultural moment, illustrating the mixed public sentiment and skepticism surrounding AI’s growing footprint in daily life.
A statue on the campus of the University of Central Florida in Orlando, Florida. (iStock)
BADGE MEETS BYTE: Reflecting on the modernization of national security in a Fox News op-ed, FBI Director Kash Patel explores how the bureau must adapt its strategies to address modern threats and advance beyond the artificial intelligence age.
TECH DIPLOMACY: OpenAI is throwing its support behind the establishment of a new global artificial intelligence governance organization that would be led by the United States while notably including China as a member. Fox News Digital reporting examines the geopolitical dynamics and regulatory implications of this proposed framework as global powers race to set the standards for AI development.
EQUITY ELEVATION: The massive wave of wealth generated by the explosive growth of ChatGPT and the broader AI industry is driving a sudden surge in the San Francisco Bay Area’s luxury real estate market. Fox News Digital reporting breaks down how the influx of new tech capital is reshaping local housing dynamics and fueling a high-end property frenzy.
FBI Director Kash Patel listened as Acting Attorney General Todd Blanche spoke during a press conference at the Department of Justice on April 28, 2026, in Washington, D.C. (Tasos Katopodis/Getty Images)
STRATEGY RESET: Tech giant Cisco is planning to eliminate thousands of jobs as the company shifts its primary focus to accelerate its artificial intelligence initiatives, a move that comes despite the company beating earnings expectations. Fox News Digital reporting details the corporate restructuring and broader economic trends pushing legacy tech firms to aggressively pivot toward AI.
ROAD HAZARD: Waymo is issuing a sweeping recall of its autonomous vehicle fleet following a concerning incident that highlighted significant safety issues with the self-driving technology. Fox News Digital reporting outlines the specifics of the recall, the nature of the safety flaw, and what this setback means for the future of fully autonomous transportation on public roads.
BOTS IN THE BAY: A newly developed, artificial intelligence-powered robot has been engineered to seamlessly change and balance vehicle tires without human intervention. Fox News Digital reporting showcases this latest innovation, exploring how automation and AI mechanics could soon revolutionize the automotive service and repair industry.
OpenAI CEO Sam Altman speaks during the 2026 Infrastructure Summit in Washington, D.C., on March 11, 2026. (Kylie Cooper/Reuters)
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Microsoft Edge is adding a new feature that will allow its Copilot AI chatbot to gather information from all of your open tabs. When you start a conversation with Copilot, you can ask the chatbot questions about what’s in your tabs, compare the products you’re looking at, summarize your open articles, and more.
In its announcement, Microsoft says you can “select which experiences you want or leave off the ones you don’t.” The company is retiring Copilot Mode as well, which could similarly draw information from your tabs but offered some agentic features, like the ability to book a reservation on your behalf. Microsoft has since folded these agentic capabilities into its “Browse with Copilot” tool.
Several other AI features are coming to Edge, including an AI-powered “Study and Learn” mode that can turn the article you’re looking at into a study session or interactive quiz. There’s a new tool that turns your tabs into AI-powered podcasts as well, similar to what you’d find on NotebookLM, and an AI writing assistant that will pop up when you start entering text on a webpage.
You can also give Copilot permission to access your browsing history to provide more “relevant, high-quality answers,” according to Microsoft. Copilot in Edge on desktop and mobile will come with “long-term memory” as well, which can tailor its responses based on your previous conversations. And, when you open up a new tab, you’ll see a redesigned page that combines chat, search, and web navigation, along with the Journeys feature, which uses AI to organize your browsing history into categories that you can revisit.
Meanwhile, an update to Edge’s mobile app will allow you to share your screen with Copilot and talk through the questions about what you’re seeing. Microsoft says you’ll see “clear visual cues” when Copilot is active, “so you know when it’s taking an action, helping, listening, or viewing.”
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