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Fox News AI Newsletter: AI bad actors 'not very Christian'

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Fox News AI Newsletter: AI bad actors 'not very Christian'

Welcome to Fox News’ Artificial Intelligence newsletter with the latest AI technology advancements.

IN TODAY’S NEWSLETTER:

– ‘CHiPs’ star Erik Estrada says certain people using AI are not ‘very Christian’
– Las Vegas Sphere’s robot is seen ‘learning about humans’ from her interactions with guests
– OpenAI reportedly looking to strip control from nonprofit board, go for-profit in restructuring

Erik Estrada attends Hollywood celebrity sporting clays invitational luncheon and presentation at Spago on Feb. 5, 2011, in Beverly Hills, California.  (Brian To/FilmMagic)

‘CAN DESTROY LIVES’: During an interview with Fox News Digital, the 75-year-old actor and “Divine Renovation” host acknowledged the benefits of AI but cautioned that the new technology is also frequently being used for nefarious purposes.

WHAT HAPPENS IN VEGAS: Meet Aura, a humanoid robot that serves as a “spokesbot” at the Sphere located at Las Vegas’ Venetian Resort. 

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Aura the robot

Aura the robot, located at the Sphere in Las Vegas, can have conversations with guests and answer any questions he or she has about the venue or about any other topic. (Christine Gregorian)

CHANGE IN STATUS: OpenAI is working on a corporate restructuring plan that would pull control from the ChatGPT creator’s nonprofit board and transform the organization into primarily a for-profit entity, according to a report from Reuters.

Sam-Altman

Sam Altman, CEO of OpenAI, walks from lunch during the Allen & Company Sun Valley Conference on July 6, 2022 in Sun Valley, Idaho. (Kevin Dietsch/Getty Images | Nicolas Economou/NurPhoto via Getty Images)

DEEPFAKE IMPERSONATOR: Authorities are investigating a mysterious “deepfake” video call that successfully impersonated a Ukrainian high official.

Benjamin Cardin

Sen. Ben Cardin, a Democrat from Maryland, during an event in Upper Marlboro, Maryland, on Thursday, Aug. 15, 2024.  (Aaron Schwartz/Bloomberg via Getty Images)

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Welcome to Meta’s future, where everyone wears cameras

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Welcome to Meta’s future, where everyone wears cameras

All around Meta’s Menlo Park campus, cameras stared at me. I’m not talking about security cameras or my fellow reporters’ DSLRs. I’m not even talking about smartphones. I mean Ray-Ban and Meta’s smart glasses, which Meta hopes we’ll all — one day, in some form — wear.

I visited Meta for this year’s Connect conference, where just about every hardware product involved cameras. They’re on the Ray-Ban Meta smart glasses that got a software update, the new Quest 3S virtual reality headset, and Meta’s prototype Orion AR glasses. Orion is what Meta calls a “time machine”: a functioning example of what full-fledged AR could look like, years before it will be consumer-ready.

But on Meta’s campus, at least, the Ray-Bans were already everywhere. It was a different kind of time machine: a glimpse into CEO Mark Zuckerberg’s future world where glasses are the new phones.

I’m conflicted about it.

The Ray-Ban Meta smart glasses.
Photo by Vjeran Pavic / The Verge
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Meta really wants to put cameras on your face. The glasses, which follow 2021’s Ray-Ban Stories, are apparently making inroads on that front, as Zuckerberg told The Verge sales are going “very well.” They aren’t full-fledged AR glasses since they have no screen to display information, though they’re becoming more powerful with AI features. But they’re perfect for what the whole Meta empire is built on: encouraging people to share their lives online. 

The glasses come in a variety of classic Ray-Ban styles, but for now, it’s obvious users aren’t just wearing glasses. As I wandered the campus, I spotted the telltale signs on person after person: two prominent circle cutouts at the edges of their glasses, one for a 12MP ultrawide camera and the other for an indicator light.

This light flashes when a user is taking photos and videos, and it’s generally visible even in sunlight. In theory, that should have put my mind at ease: if the light wasn’t on, I could trust nobody was capturing footage of me tucking into some lunch before my meetings. 

But as I talked with people around campus, I was always slightly on edge. I found myself keenly aware of those circles, checking to see if somebody was filming me when I wasn’t paying attention. The mere potential of a recording would distract me from conversations, inserting a low hum of background anxiety.   

When I put a pair on for myself, the situation changed

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Then, when I put a pair on for myself, the situation suddenly changed. As a potential target of recording, I’d been hesitant, worried I might be photographed or filmed as a byproduct of making polite eye contact. With the glasses on my own face, though, I felt that I should be recording more. There’s something really compelling about the experience of a camera right at the level of your eyes. By just pressing a button on the glasses, I could take a photo or video of anything I was seeing at exactly the angle I was seeing it. No awkward fumble of pulling out my phone and hoping the moment lasted. There might be no better way to share my reality with other people.

Meta’s smart glasses have been around for a few years now, and I’m hardly the first person — or even the first person at The Verge — to be impressed by them. But this was the first time I’d seen these glasses not as early adopter tech, but as a ubiquitous product like a phone or smartwatch. I got a hint of how this seamless recording would work at scale, and the prospect is both exciting and terrifying.

The camera phone was a revolution in its own right, and we’re still grappling with its social effects. Nearly anyone can now document police brutality or capture a fleeting funny moment, but also take creepshots and post them online or (a far lesser offense, to be clear) annoy people at concerts. What will happen when even the minimal friction of pulling a phone out drops away, and billions of people can immediately snap a picture of anything they see?

Personally, I can see how incredibly useful this would be to capture candid photos of my new baby, who is already starting to recognize when a phone is taking a picture of her. But it’s not hard to imagine far more malicious uses. Sure, you might think that we all got used to everyone pointing their phone cameras at everything, but I’m not exactly sure that’s a good thing; I don’t like that there’s a possibility I end up in somebody’s TikTok just because I stepped outside the house. (The rise of sophisticated facial recognition makes the risks even greater.) With ubiquitous glasses-equipped cameras, I feel like there’s an even greater possibility that my face shows up somewhere on the internet without my permission. 

There are also clear risks to integrating cameras into what is, for many people, a nonnegotiable vision aid. If you already wear glasses and switch to prescription smart glasses, you’ll either have to carry a low-tech backup or accept that they’ll stay on in some potentially very awkward places, like a public bathroom. The current Ray-Ban Meta glasses are largely sunglasses, so they’re probably not most people’s primary set. But you can get them with clear and transition lenses, and I bet Meta would like to market them more as everyday specs.

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Of course, there’s no guarantee most people will buy them. The Ray-Ban Meta glasses are pretty good gadgets now, but I was at Meta’s campus meeting Meta employees to preview Meta hardware for a Meta event. It’s not surprising Meta’s latest hardware was commonplace, and it doesn’t necessarily tell us much about what people outside that world want. 

Camera glasses have been just over the horizon for years now. Remember how magical I said taking pictures of what’s right in front of your eyes is? My former colleague Sean O’Kane relayed almost the exact same experience with Snap Spectacles back in 2016.

But Meta is the first company to make a credible play for mainstream acceptance. They’re a lot of fun — and that’s what scares me a little.

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The messy WordPress drama, explained

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The messy WordPress drama, explained

WordPress is essentially internet infrastructure. It’s widely used, generally stable, and doesn’t tend to generate many splashy headlines as a result.

But over the last week, the WordPress community has swept up into a battle over the ethos of the platform. Last week, WordPress cofounder Matt Mullenweg came out with a harsh attack on WP Engine, a major WordPress hosting provider, calling the company a “cancer” to the community. The statement has cracked open a public debate surrounding how profit-driven companies can and can’t use open-source software — and if they’re obligated to contribute something to the projects they use in return.

The conflict has escalated in the days since with a barrage of legal threats and has left swaths of website operators caught in the crossfire of a conflict beyond their control. WP Engine customers were cut off from accessing WordPress.org’s servers, preventing them from easily updating or installing plugins and themes. And while they’ve been granted a temporary reprieve, WP Engine is now facing a deadline to resolve the conflict or again have their customers’ access fall apart once again.

WP Engine is a third-party hosting company that uses the free, open-source WordPress software to create and sell its own prepackaged WordPress hosting service. Founded in 2010, WP Engine has grown to become a rival to WordPress.com, with more than 200,000 websites using the service to power their online presence.

“Silver Lake doesn’t give a dang about your open source ideals, it just wants return on capital.”

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Mullenweg leads two different WordPresses. There’s WordPress.org, the open source project that develops the backbone of the WordPress publishing platform, and then there’s WordPress.com, a company that sells a hosted version of the open-source WordPress software — just like WP Engine. Mullenweg runs Automattic, which owns WordPress.com. Data suggests that around 43 percent of all websites use WordPress, but it’s not clear how many are hosted by WordPress.com or another party.

Along with selling plans on WordPress.com, Automattic contributes a lot of development effort to the open source project, which itself relies on donations and community contributions to run. According to Mullenweg, the team contributes 3,988 hours per week. The company may not have to pay to use WordPress, but it certainly pays to develop and improve it.

WP Engine operates a bit differently. It says it focuses on investing in the community through sponsorships and encouraging the adoption of the platform. The hosting platform was acquired by the private equity firm Silver Lake in 2018, and Mullenweg views it as a business that profits off of open-source code without giving anything back.

That frustration came to a head last week when Mullenweg took the stage at WordCamp — a WP Engine-sponsored WordPress conference — and took direct aim at WP Engine. “The company is controlled by Silver Lake, a private equity firm with $102 million in assets under management,” Mullenweg said. “Silver Lake doesn’t give a dang about your open source ideals — it just wants return on capital. So, it’s at this point I ask everyone in the WordPress community to go vote with your wallet. Who are you going to give your money to: someone who is going to nourish the ecosystem or someone who is going to frack every bit of value out of it until it withers?”

Mullenweg followed up this statement with a September 21st blog post, where he lambasted WP Engine for contributing just 40 hours per week to the WordPress.org open source project. “WP Engine is setting a poor standard that others may look at and think is ok to replicate. We must set a higher standard to ensure WordPress is here for the next 100 years,” Mullenweg wrote in the blog. He ripped into WP Engine even more, saying it’s “strip-mining the WordPress ecosystem” and giving users a “crappier experience so they can make more money.”

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Mullenweg isn’t just defending the ethos of open source — he’s also defending his competing WordPress provider

Mullenweg doesn’t appear to be wrong about WP Engine’s contributions. But WP Engine is ultimately abiding by the rules of WordPress’ open-source license: it’s generally free to use, and WP Engine doesn’t have to give back to the WordPress community just because it’s banking off the open-source code. Of course, it’d be nice if WP Engine did, but nothing requires that it do so.

Complicating this further: Mullenweg isn’t just defending the ethos of open source — he’s also defending his competing WordPress provider. In his blog post, he claims WP Engine is “profiting off of the confusion” caused by the company’s branding. Mullenweg alleges that WP Engine is promising to give customers WordPress but that the company is actually offering a distilled version of the service. He goes on to say WP Engine will need a commercial license for the “unauthorized” use of the WordPress trademark, which is controlled by the WordPress Foundation and later sent a cease and desist letter in an attempt to make the company pay up.

WP Engine isn’t staying silent. It sent a cease and desist letter that tells a very different story of what has been going on behind the scenes. In its letter, WP Engine claims Automattic demanded a “very large sum of money” days before Mullenweg’s keynote at the September 20th WordCamp convention — and if the company didn’t receive it, Mullenweg allegedly threatened to carry out a “scorched earth nuclear approach” toward WP Engine.

WP Engine alleges Mullenweg harassed the company through text messages and calls, with one screenshotted text saying: “If I’m going to make the case to the WP community about why we’re banning WPE I need to do it in my talk tomorrow.” The texts, which Mullenweg confirmed he sent in an interview with Twitch streamer ThePrimeagen, say he prepared several presentation slides for his WordCamp talk, with the working title “How Private Equity can Hollow out and Destroy Open Source Communities, a Story in 4 Parts.”

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After WP Engine refused to pay WordPress, the company alleges Mullenweg followed through on his threats. “Mr. Mullenweg’s covert demand that WP Engine hand over tens of millions to his for-profit company Automattic, while publicly masquerading as an altruistic protector of the WordPress community, is disgraceful,” WP Engine’s letter states. “WP Engine will not accede to these unconscionable demands which not only harm WP Engine and its employees, but also threaten the entire WordPress community.”

WordPress.org has now made it clear that it’s going after WP Engine for not only failing to give back to the WordPress project but also for its alleged misuse of the WordPress trademark. Mullenweg now says Automattic has given WP Engine two ways to “pay their fair share”: either by paying a licensing fee or making contributions to the open source WordPress project. “This isn’t a money grab: it’s an expectation that any business making hundreds of millions of dollars off of an open source project ought to give back, and if they don’t, then they can’t use its trademarks,” Mullenweg said. 

The WordPress Foundation — the charitable organization that backs the open source WordPress project — is led by Mullenweg and other lesser-known board members who aren’t displayed on its website. It seems the WordPress Foundation has made some tweaks to its trademark guidelines in recent days. As of September 19th, the policy said you are “free” to use the WP abbreviation in “any way you see fit.” But now WordPress has deleted that language, replacing it with a line that says not to use WP “in a way that confuses people. For example, many people think WP Engine is ‘WordPress Engine.’” The updated policy also explicitly states: “If you would like to use the WordPress trademark commercially, please contact Automattic, they have the exclusive license.”

WordPress.org banned WP Engine from accessing its servers free over their “legal claims and litigation” — a move that has made it more difficult for customers to use WP Engine. However, Mullenweg decided to temporarily remove the block just two days later. He’s given WP Engine until October 1st to create their own mirror or resolve the conflict. “Why should WordPress.org provide these services to WP Engine for free, given their attacks on us?” Mullenweg wrote. WP Engine says it only sent a cease and desist order to WordPress and has not yet filed a lawsuit.

When asked about the ban on WP Engine, Automattic spokesperson Megan Fox said in a statement to The Verge that “trademark violations have resulted in the company being blocked from some WordPress resources.” WP Engine pointed The Verge to its statements on X when reached for comment.

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The fight has garnered a mix of reactions. On one side, people think WP Engine is in the wrong, with some saying the company should contribute more to the open source project and that its use of “WP” is misleading. On the other, some WordPress community members are calling on Mullenweg to step down and accuse of him abusing his power over WordPress.org and WordPress.com. Others believe the situation could result in a fork of WordPress and brought up concerns about whether WordPress will take action against other companies using the “WP” abbreviation or trademark.

But in a dispute that’s meant to clarify what is and isn’t WordPress, Mullenweg risks blurring the lines even more. WordPress.org and WordPress.com both have a point — but it looks an awful lot like they’re working together to make it.

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Threads now lets you tag your location

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Threads now lets you tag your location

Meta is rolling out the ability to tag your location on your Threads posts. If you have the feature, you’ll see a pin in the post composer that you can tap so you can include where you are.

Note that adding your location to a Threads post doesn’t share an exact pin on a map. Instead, the feature lets you give your users an approximate idea of your location by sharing things like a city name, a neighborhood, or a restaurant. And if you see a Threads post that includes a location, you can tap that location to see other posts from the same place.

I have the feature, and I’ve been messing around with it. When I tap the pin in the post composer, Threads shows me a range of options: I can stay broad by tagging myself in Portland, OR, which is where I live, or I can pick from some more specific locations. If you’ve tagged your location in an Instagram post, Threads’ approach should feel pretty familiar.

Threads’ location-tagging feature only appears to be available on the mobile app right now; I have it on iOS, but I’m not seeing it on the web. Hopefully, it won’t be too long until it shows up in desktop browsers.

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