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Remembering Wilt Chamberlain’s 1 year with the Globetrotters: A ‘childhood dream’

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Remembering Wilt Chamberlain’s 1 year with the Globetrotters: A ‘childhood dream’

(Editor’s note: This week, in honor of Black History Month, The Athletic will highlight the Harlem Globetrotters and their contributions to basketball, vision for entertainment and overall commitment to goodwill. This series will conclude on Sunday, Feb. 16.)


Sonny Hill recalls a time when he and his childhood friend, Wilt Chamberlain, would go to the movies to watch newsreels where the Harlem Globetrotters often appeared. Seeing players like Reece “Goose” Tatum and Marques Haynes, two of the franchise’s top showmen during that time, resonated with Chamberlain and sparked an ambition.

The Globetrotters’ mission of breaking down racial barriers and stereotypes grabbed Chamberlain’s attention. But the concept of entertainment was something that stuck with Chamberlain until he died on Oct. 12, 1999.

Chamberlain played 14 seasons in the NBA, but the one season before he became a face of the league, he was a face of the Globetrotters.

“Playing with the Globetrotters was Wilt’s childhood dream,” Hill, a Philadelphia Sports Hall of Famer and current sports radio personality, told The Athletic, “and he was able to fulfill it.”

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Chamberlain did not have the lengthy tenure other Globetrotters had. He played the one full season, 1958-59, and sparingly during some NBA offseasons and post-retirement. But Chamberlain didn’t need much time to set a bar for the future of both the Globetrotters and the NBA, becoming a basketball and societal icon who bridged two entities.

“When Wilt and I grew up together, the Globetrotters were the team that we wanted to identify with,” Hill said. “So, upon seeing them, when he got older, he wanted to play for the Globetrotters.”

Chamberlain, in an interview on “MSG’s Vault,” said playing with the Globetrotters first rather than starting his career in the NBA was all about “the roots.”

“The days with the Harlem Globetrotters were some of the most pleasant ones of my life,” he said. “They were fun. They were a chance to see the world, learn and meet people. Also, let it be known that it was the Harlem Globetrotters that helped the NBA really get started. They are so powerful right now and at the apex of popularity, but back years gone by, they weren’t doing so well. Guys like the Globetrotters came in and helped to bring people to the stands to watch NBA teams.”


Remembered by many for his 100-point scoring outing against the New York Knicks in Hershey, Pa., in 1962, Chamberlain led the NBA in scoring for seven consecutive seasons and was the NBA rebounding leader for 11 of his 14 seasons. He also won two league championships and was a four-time league MVP.

Chamberlain is one of the game’s most dominant athletes of all time, but his stint with the Globetrotters was an opportunity to showcase his skills as an entertainer. He began his professional career with the Globetrotters in 1958 as part of a sold-out world tour in Moscow following his collegiate career at the University of Kansas. He spent three years in Lawrence, Kan., intertwining basketball with a coveted track and field career. In addition to averaging 29.6 points and 18.9 rebounds per game on the court, he also was a three-time Big Eight Conference champion in the high jump.

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The Globetrotters gave Chamberlain a chance to become even more of a versatile individual once he left Kansas. The Globetrotters perform their famous Magic Circle as a warmup to the tune of “Sweet Georgia Brown” before every game. Chamberlain fit in well and honed his art of showmanship by participating in one of the Globetrotters’ most important routines as a rookie.

“When I say he was in that circle … you can’t be in that circle and not be able to (perform),” Hill said. “That’s how good he was. That’s how agile he was, how knowledgeable he was. That’s how quick he could learn what was going on.”

Hill also noted that the franchise assisted with Chamberlain the basketball player thinking outside of the box. A 7-foot-1, 275-pounder was expected to play center in those days. The Globetrotters, however, had other ideas.

“With the Globetrotters, he didn’t play inside,” Hill said. “He played mostly on the outside.”

Abe Saperstein, founder and owner of the Globetrotters, was known as a masterful promoter with a business-savvy mind built for sports entertainment. He saw the immediate potential that Chamberlain could bring to the team. Adding the dominant 7-footer was considered a financial risk to some, but Saperstein paid a substantial amount in the $50,000 range for Chamberlain to wear a Globetrotters uniform, according to Hill. The average median income of families in 1958 was $5,100.

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“Abe Saperstein saw the opportunity for Wilt to be with the Globetrotters and for them to make even more money, because Wilt had been seen as this phenomenal basketball player since he was in high school,” Hill said.

The NBA didn’t integrate until 1950, when Earl Lloyd, Chuck Cooper and Nat “Sweetwater” Clifton made history. The league grappled with increasing its favorability. Chamberlain’s popularity coming out of college naturally sparked conversation for the Globetrotters. He was a hit on and off the court. In addition to being a must-watch player, he also had matured into a must-watch television sensation, making regular appearances on “The Ed Sullivan Show.”

“He would talk about how phenomenal he was as a basketball player (on the show),” Hill said. “He had developed to the point that people knew who he was, and he was somebody that people wanted to identify with.”

The Globetrotters already had won over millions of fans by popularizing the slam dunk, fast break and their legendary in-game weave, but the franchise’s fan base, now consisting of more than 148 million people in 123 countries and territories, saw an uptick then when the 7-footer wore the uniform. Chamberlain played alongside legends like Meadowlark Lemon and Charles “Tex” Harrison, and he helped pave the way for a few future legends, including Louis “Sweet Lou” Dunbar, Fred “Curly” Neal and Hubert “Geese” Ausbie.

Chamberlain’s one successful year with the Globetrotters turned the heads of NBA executives, making way for Eddie Gottlieb of the Philadelphia Warriors to draft him in 1959.

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“When Wilt came into the league, Wilt actually built the NBA,” Hill said. “The foundation of the NBA was really built off Wilt. The ratings went up, the fan base went up, the coverage went up, the notoriety went up. Everything went up because people knew who Wilt Chamberlain was, and that gave the NBA an international person that people could identify with.”

But even after making his NBA debut, Chamberlain stayed true to his roots, playing for the Globetrotters in summers during their European tours. He was an unstoppable force in the NBA, but the daily grind was exhausting. Chamberlain playing with the Globetrotters during the offseason reminded him of how to enjoy a game that didn’t feel like work.

“Wilt set the precedent,” said Dunbar, the team’s director of player personnel and coach who played with the franchise 27 seasons and has been affiliated with the team in some capacity for 48 years. “Guys could have played anywhere in the world, but Wilt said those were the best years of his life, playing with the Harlem Globetrotters, because that becomes your family.

“He did go to the league and set all those records, but Wilt was a dominating factor (with the Globetrotters).”


Dunbar thought so highly of Chamberlain that he chose No. 13 as his jersey number in junior high school. He said he “thought Wilt could do no wrong” when he first started watching the game. As a 6-foot-9 big, Dunbar modeled his game after Chamberlain’s. It resulted in Dunbar having a decorated career at the University of Houston, where he became an All-American and later was inducted into the University of Houston Athletics Hall of Honor in 2008. Dunbar also was a fourth-round NBA Draft pick of the Philadelphia 76ers in 1975.

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“I wasn’t as tall as Wilt, but growing up, I was the tallest kid around, so (Chamberlain’s game) etched my mind,” Dunbar said. “Wilt was strong. He was just a true athlete. I loved to see the man play.

“I watched him when he was in Philadelphia, and I watched him when he went to the Lakers. I watched him all the way until he quit playing the game.”

Dunbar still remembers the first time he met Chamberlain. The two, along with Harrison, met in Hawaii. Although a majority of Chamberlain’s time was spent catching up with Harrison, who was Chamberlain’s roommate with the Globetrotters, Dunbar was in awe of Chamberlain’s presence, calling it an “absolute honor” to meet the Hall of Famer.

“Tex used to talk about him all the time, about how (Chamberlain) could do everything,” Dunbar said.

Chamberlain’s basketball resume will lead with all of his NBA accomplishments, but stepping away from the league to work with the Globetrotters gave Chamberlain a certain freedom of expression. His No. 13 Globetrotters jersey was retired on March 9, 2000, at his high school in Philadelphia. The storied college career and multiple pro accolades, however, played just a small part of who Chamberlain was.

He really was about the fun nature of the game. And that fun was enhanced and supported by the Globetrotters.

Hill said the Globetrotters made Chamberlain feel comfortable, similar to that young boy who used to watch the Globetrotters on newsreels.

“Wilt’s feeling was that he was free. He could just be himself,” Hill said. “He could inclusive to what the Globetrotters were known for. The entertainment, the ballhandling, that all made him feel free.”

(Illustration: Kelsea Petersen / The Athletic; photos: TPLP / Getty Images)

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Remembering Greg Gumbel: Viewers relied on him from Selection Sunday to ‘One Shining Moment’

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Remembering Greg Gumbel: Viewers relied on him from Selection Sunday to ‘One Shining Moment’

The Athletic has live coverage of the 2025 Men’s March Madness Selection Show

Ever the gentleman, Greg Gumbel reached out to offer a welcoming handshake. Ernie Johnson responded with … a fist bump?

The awkward exchange — one Johnson still describes, a decade later, as “so embarrassing” — lasted maybe two seconds. To Johnson, a TV veteran, it felt like an eternity. And yet if it had to happen, for two seconds or 20, it’s agreed that no one other than Gumbel could have handled it so smoothly.

For more than a quarter of a century, Gumbel provided calm in the most chaotic stretch of the sports calendar, gently and seamlessly guiding NCAA Tournament viewers from one thrilling upset to another marquee matchup. He kicked off March Madness each year with the Sunday selection show and ended it by tossing to “One Shining Moment.”

“With certain shows, it’s all about, ‘let’s add a bunch of bells and whistles,’” Johnson told The Athletic. “But on Selection Sunday, all you needed was Greg Gumbel and a bracket. So much goes into running that show but honestly, you could have made it a single camera shoot: Here’s Greg, here’s the bracket, go.”

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The tournament is here again, the first since the legendary sportscaster died on Dec. 28 at the age of 78 of cancer. Though he missed last March for the first time since he started in 1998 for undisclosed reasons — which people now know were related to his illness — many hoped he’d be back in studio this spring.

The descriptions of Gumbel from those who knew him best and worked with him longest are flattering and varied: Kind, classy, soothing, charismatic, surprisingly funny. Above all else, unflappable.

Unless, of course, Charles Barkley was in the studio.

“When you can get Greg Gumbel to laugh,” Barkley told The Athletic, “that’s when you know you’re having a good day.”

CBS and Turner merged in 2011, bringing TNT’s “Inside the NBA” crew into NCAA Tournament coverage, letting Barkley loose on college basketball fans, and Gumbel.

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“I’ll never forget at the beginning, I’m not in studio anymore, I was back calling games, so I’m watching from the gym and I’m like, ‘Oh, my gosh what is happening?!’” basketball analyst Clark Kellogg, another mainstay in the CBS studio during the NCAA Tournament, recalled while laughing. “When it became a little bit of a circus, the look on Greg’s face, you could tell he was flummoxed — but only if you’d worked with him and knew him. He was so adaptable, he handled it so well.”

Led by Gumbel — and including Johnson and Clark after he moved back to the studio in 2014 — the new group quickly found a rhythm that worked, even if it continued to involve Barkley being Barkley. One particularly memorable on-air moment: Gumbel laughing uncontrollably in response to Barkley’s bizarre story about showering in his uniform.

According to Gumbel’s daughter, Michelle, her dad loved the chaotic pace of March Madness, and the fact that no script could ever keep up with the “non-stop action.” His widow, Marcy, pointed to her husband appreciating basketball’s unpredictability and that every spring, no matter what teams were ranked, if he called their names during Selection Sunday, they would have “a chance to chase their dream.”

But Gumbel was much more than one of college hoops’ most trusted and reassuring voices. Barkley considered him the king of dad jokes. He loved the Rolling Stones with an unmatched passion, attending more than 50 of their concerts. He despised golf. “It’s a stupid game,” he’d tell anyone who would listen. “You walk around and chase a ball — that’s not a sport!” He had a “huge, special laugh,” as CBS Sports president and CEO David Berson liked to describe it, as recognizable to viewers as much as his on-camera authenticity and warmth.

He was a trailblazer and a rare talent. He was also a husband, dad and grandpa.

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Suzanne Smith, CBS Sports’ first female director who worked with Gumbel on football broadcasts starting in the early 1990s, put it this way: “Greg was always the coolest guy in the room — and he never knew it.”


Gumbel’s career accomplishments included being the first Black play-by-play announcer to call a major sporting event when he did so at Super Bowl XXXV in 2001. He won three Emmys, anchored three Olympic Games across two networks and led broadcast coverage of everything from the NFL to the NBA. Not that he ever wanted to brag about it.

“He is an iconic pioneer in the space, but he was so uninterested in talking about it that you’d tend to forget it,” Kellogg said. “It was a revelation even for me, especially as a fellow Black man. I had forgotten some of the trailblazing things he’d done. And believe me, he wasn’t going to tell you.”

At CBS, Harold Bryant became the first Black executive producer to oversee sports at any of the major broadcast networks. Bryant studied how Gumbel handled being “the first” himself.

“He didn’t want to be known as the groundbreaker,” Bryant said. “He wanted to let his presence speak for itself, and I took a lot from that.

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“He would just say, ‘I want to be known as the best at my craft.’ By always being the best, he showed that anybody can do this job, it’s not limited to one particular type of person. He didn’t talk about wanting to break the mold.”

Barkley said Gumbel’s talent was always clear.

“For as long as he was in the business — and to go from sport to sport, which can’t be easy — you don’t have that type of career until you’re really, really good,” he said.

Despite sitting in the No. 1 chair, Gumbel never wanted the focus on him.

Years ago after calling a Colts game, Smith, Gumbel and the CBS crew wound up at St. Elmo, the Indianapolis steak house famous for its shrimp cocktail. After the group was told the wait was two, maybe three hours, a few people nudged Gumbel and suggested he drop his name. After all, his photo hung on the celebrity wall.

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“He wanted no part of it,” Smith said. Afterward, when the crew insisted he take a photo standing by the photo wall, he was mostly mortified, asking his colleagues, “What are we doing? No one cares who I am!”


Throughout sports media there are “certain broadcasters who have that big-time voice,” Smith said. “Greg Gumbel was one of them. If he was calling it, you knew it was an important, special event.”

Despite that acknowledgment from nearly everyone in sports television, Gumbel constantly deferred to his teammates.

“He did love paving the way for others,” said Berson, the CBS Sports president. “That’s a big part of why he was such a good studio host because he was always looking to tee up his colleagues and make them look good.”

Gumbel understood how to deftly transition from one topic and analyst to another, smoothly taking viewers through an entire rundown. Perhaps best of all for everyone working with him, he never appeared rattled; what viewers experienced in their living rooms is the same thing producers experienced in the production truck and on set.

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This was the case no matter the situation — a highlight not working, a promo not being read correctly or Barkley needing to be corralled.

“When we go off the rails, Ernie’s used to it,” Barkley said. “We do it probably 20 times a year with him on TNT. But Greg would only see us once a year and he had to react in real time. There’s a talent to that. He never seemed flustered.”

Numerous people who worked with Gumbel spoke about his ability to crack tension on set, though it never came at someone else’s expense.

Kellogg called him “a closet comedian.” Barkley recalled Gumbel told “10 dad jokes a day, and they were just awful. You never knew if you were laughing because it was funny or because they were so nerdy.”

For as much as Gumbel’s work revolved around sports, the stories imprinted on the minds of colleagues, friends and family are about life and conversations beyond the court or field.

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Greg Gumbel was a private man, but his love of the Rolling Stones and his granddaughter, Riley, were no secret. (Courtesy of the Gumbel family)

Michael Gluc worked as Gumbel’s spotter during NFL games for more than two decades. They traded family stories and holiday cards and checked in with each other throughout the offseason. Gluc still catches himself waiting for Gumbel’s regular Friday email sharing dinner plans for the next day in whatever NFL city they were headed to.

“He loved the Stones, everyone knew that, he saw them in concert multiple times. And for 24 years, I couldn’t tell him I liked the Beatles more,” Gluc confessed, laughing. “I didn’t want to disappoint him.”

At the 1992 Winter Olympics, Gumbel’s first as CBS host, he de-boarded the plane in Albertville, France, and noticed Smith struggling. On crutches after breaking her foot, she couldn’t juggle her luggage. Gumbel, who’d yet to meet Smith, rushed to help.

“There were probably 200 people getting off that plane, and this guy is a superstar at CBS, running over to help someone he doesn’t know,” Smith said.

At the 2011 Final Four in Houston, Berson shared a car with Gumbel to Reliant Stadium. Gumbel asked Berson about his interests outside of sports. They spent the entire ride trading book recommendations after discovering they preferred the same suspense authors like Vince Flynn, Harlan Coben and Sue Grafton (Gumbel also recommended John Sandford and Lee Child).

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And yet there is no question that the true highlight of Gumbel’s life came in 2012 when his granddaughter Riley was born. Though Gumbel was an intensely private person — numerous people at CBS did not know he’d been diagnosed with cancer until shortly before his death — one topic he never shied from was Riley.

“The pictures and videos,” Kellogg said, “were unceasing.”

Riley’s favorite memories with her grandpa include dance-offs in the kitchen, telling knock-knock jokes and his insistence that she also get familiar with the Rolling Stones.

“He would always send me his favorite songs that he’d think I’d like, and I ended up loving each one,” Riley wrote in an email to The Athletic. “Whenever I hear one of those songs on the radio, such as ‘Brown Sugar,’ I always think of him and how he is communicating with me from above.”

A few years ago, when Riley was in the fifth grade, her school put together a morning show. When it was Riley’s turn to anchor, her parents recorded it and sent it to Grandpa for feedback.

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Her next time in front of the camera, she shined.

“I remembered all the things he had taught me,” she said. “Talk slower, pronounce words with diction and always smile.”

As March Madness tips this week, Gumbel’s absence will be felt. Michelle attended her first and only Final Four with her dad in Houston in 2011, proudly “watching him do what he’s always done best.”

“I feel fortunate to have had the opportunity to grow up watching my dad all these years,” Michelle said via email. “I will greatly miss his send-offs after calling the game or hosting, saying goodnight with a heartfelt, ‘Goodbye and so long.’”

(Illustration: Demetrius Robinson / The Athletic; Photos: Kyle Terada / USA Today Network via Imagn Images)

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Dodgers' Mookie Betts will miss Tokyo Series vs. Cubs with lingering illness

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Dodgers' Mookie Betts will miss Tokyo Series vs. Cubs with lingering illness

Mookie Betts will miss the Los Angeles Dodgers’ Tokyo Series against the Chicago Cubs due to an illness. Dodgers manager Dave Roberts announced the decision on Sunday night.

Roberts said that Betts is starting to feel better but has lost nearly 15 pounds and is still trying to get rehydrated and gain strength. Roberts added that the eight-time All-Star might fly back to the United States before the team in an effort to rest and prepare for the domestic opener on March 27.

The Cubs and Dodgers open the Major League Baseball season on Tuesday at the Tokyo Dome. A second game is on Wednesday.

“He’s not going to play in these two games,” Roberts said. “When you’re dehydrated, that’s what opens a person up to soft tissue injuries. We’re very mindful of that.”

Roberts said Miguel Rojas will start at shortstop in Betts’ place for the two games at the Tokyo Dome.

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Betts went through a light workout on Sunday, but became tired quickly. He started suffering from flu-like symptoms in Arizona, the day before the team left for Japan. He still made the long plane trip, but hasn’t recovered as quickly as hoped.

Betts is making the full-time transition to shortstop this season after playing most of his career in right field and second base. The 2018 AL MVP hit .289 with 19 homers and 75 RBIs last season, helping the Dodgers win the World Series.

Reporting by The Associated Press.

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Dodgers' Mookie Betts ruled out of Tokyo Series vs. Cubs because of stomach virus

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Dodgers' Mookie Betts ruled out of Tokyo Series vs. Cubs because of stomach virus

Mookie Betts’ return to shortstop will have to wait until the Dodgers return home from Japan.

Betts will miss both of the Dodgers’ season-opening games at the Tokyo Dome this week against the Chicago Cubs, manager Dave Roberts said Monday, as he continues to recover from a stomach virus that has kept him out of action since last weekend.

Betts is expected to be ready for the Dodgers’ domestic home opener on March 27 against the Detroit Tigers. But in the meantime, Roberts said the Dodgers are “contemplating” sending him back home to Los Angeles early, before the team departs following Wednesday’s second game against the Cubs.

“He’s still trying to find his way [physically],” Roberts said. “I think the question is, what’s best to get him ready for opening day? We’re still talking. That’s on the table.”

Betts first started feeling sick before the team left for Japan last week. He made his final Cactus League appearance on March 9, continuing to transition back to a shortstop position he is slated to play full-time this year after a three-month stint there last year. But after reporting his symptoms to the club the next day, he was held out of the team’s final two games in Arizona.

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Roberts said there wasn’t much initial consideration to having Betts miss the trip to Tokyo; nor concern that his illness, which Roberts said doctors didn’t believe was contagious, would spread to others on the team.

However, over the course of his sickness, Betts lost almost 15 pounds, according to Roberts, and looked noticeably slimmer when he arrived in Tokyo. Though he finally began feeling better in recent days, he was still battling lingering effects of dehydration and fatigue.

“The thing is when you lose a lot of weight, when you’re dehydrated, that’s what opens a person up to soft-tissue injuries,” Roberts said. “We’re very mindful of that. So to take the next week, call it, to build him back up, his strength, do some baseball activities to get ready for the home opener.”

Betts didn’t play in either of the Dodgers’ exhibition games against Japanese teams this weekend. During a pregame workout on Sunday, the 32-year-old former MVP looked visibly tired while taking ground balls, resting his hands on his knees several times between drills.

Betts was scheduled to participate in an off-day workout Monday, but ended up scrapping the session.

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Roberts said the added toll of Betts’ move back to shortstop contributed to the team’s decision to hold him out of Tuesday and Wednesday’s season-opening games.

The manager also acknowledged that, if the Dodgers had known Betts wouldn’t be able to play in Tokyo, they likely would have had him stay back from the trip.

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