Sports
Ranking the Premier League home kits: Dialling codes, Lasagne-gate and Tron
A new Premier League season is nearly here, which means only one thing: it’s time for footballers to stand moodily, staring straight ahead, possibly somewhere with artistic lighting and some extremely jerky camerawork, modelling their team’s new kit for the season.
A relatively new phenomenon has been clubs revealing the new kits to the players and filming their reactions, which virtually all inspire a forced grin and them saying slight variants of, “Yeah, that’s nice, that is.”
Of course, if they hated the shirts, they couldn’t say so… but we can. So here are this season’s new Premier League home kits: ranked.
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Sweet fancy Moses. You do sometimes wonder how some things happen, and whether anyone actually genuinely thinks they’re a good idea. Person A suggests an idea they sort of half-believe in, Person B doesn’t really understand it but just says yes to avoid looking stupid, so Person A is emboldened, goes to Person C and says, “Well, Person B thinks it’s a winner”, and then it all snowballs from there.
That’s one of the only explanations I can come up with for this shirt, which really does look like someone has taken a baseball bat to a lava lamp, the result of which splooged all over a perfectly nice blue shirt.
It’s the sort of jersey that would exist if there were football teams in the sci-fi action film Tron. I don’t care for it.
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Let’s address the elephant in the room here: this is not a Southampton kit. Sure, it’s got the Southampton logo, and Southampton players will wear it this season in Southampton games, but it’s not a Southampton kit. It’s a Brentford kit from around 2014, or perhaps at a push a Sunderland kit from a few years after that.
But it’s not a Southampton kit. Absolutely no way. And don’t let them fool you into thinking it is. Even if you don’t care about that… it’s just a bit dull, isn’t it?
Last season’s shirt was a glorious slice of retro Hummel, so it’s a double shame that when many more people will be watching them this time, they’ll be wearing whatever nonsense this is.
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If you Google ‘Sudu’, the top results are a duel between Wolves’ new kit providers and a Malaysian restaurant in London. Would it be too sniffy to suggest that the chefs at the Queen’s Park-based eatery could have done a better job of designing a football shirt than their namesakes?
The theory is clear: Wolves’ owner Fosun Sports Group has a stake in the newly-formed Sudu, and will thus get a bigger cut of sales, which in turn makes the shirt cheaper for fans (£58 for the replica), but that isn’t much use when ticket prices have just gone up massively.
But we do also go back to the basic fact that this shirt looks like it has been designed by someone who has never designed a football shirt before. Which, to all intents and purposes, is exactly what it is.
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It’s always a little disconcerting when a club returns to the Premier League after a long while away wearing a shirt that doesn’t actually look like the sort of shirt that club should be wearing.
With Ipswich, you want some familiarity, which means lots of white on the sleeves, if not completely white sleeves. Not this time: blue with white pinstripes and a darker blue collar. Those of us of a certain age and with a nostalgic bent would also prefer Fisons to still be their sponsor, although given they appear to have gone out of business, admittedly that is a bit of a tough ask.
It’s fine, but if you took the badge off, would you get in five guesses whose shirt this was? Possibly not.
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I’m all for consistency in design, having a common theme running through your shirts…but isn’t this basically the same shirt West Ham had last season? And for 2020-21? And 2015-16? And 2011-12?
You get the point. It feels like West Ham have a system where they go for something slightly different for a year or two, then just fall back on this ‘classic’ design, giving a nod to their shirts from the 1960s and ’70s.
Which is not to say this isn’t a nice shirt. Shorn of context, it’s lovely. A great example of how to do clean and simple. But it is a bit rum to ask people to ditch that shirt they paid £75 for a year ago — old news, no longer relevant, get with the programme, grandma — and pay £75 for a new one, when the only change you’ve made is a slightly different collar.
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Area codes are big news in football right now. Lamine Yamal was big on the 304 postal code of the town he grew up in during Euro 2024, while City appear to have based their new kit around the Manchester dialling code — 0161, displayed on the collar and cuffs.
It’s the only real detail on an otherwise entirely plain sky-blue shirt, the problem being that the pattern they’ve used makes it extremely difficult to make out the numbers.
From a distance of more than about three yards away, it looks more like a loose attempt at camouflage, but even closer up the 0 looks like a ’u’ and the 6 looks like nothing in particular. So, nice idea, but it does seem a bit pointless when you can’t actually see it.
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Bournemouth
Bournemouth were the last of the 20 Premier League teams to release their new kit, spending the interim messing around with some odd shirt designed by their celebrity part-owner Michael B Jordan that they’d only wear in pre-season.
So the question is: was it worth the wait? To which the answer is: sort of! It’s a perfectly decent design, the stripes are strong and the red and black colour combination is always going to be pleasingly bold.
But you are always slightly suspicious when teams who don’t usually have gold on their shirts suddenly throw a bit of gold on there. Why? It all feels a bit ”the football club doth protest too much” — them trying to project the image of glamour and success, when just winning games would do that rather more effectively.
This is available to buy without the awful gambling logo on the front.
Bournemouth
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”Extra stripes, extra style”, is how Brighton launched their new kit in July, which as a marketing strategy does feel a bit like those razor companies who just add an extra blade and call it the next great leap in shaving technology.
More stripes is good, right? Because it’s more. And more is better than less. More is good. More! It’s actually a pleasant-enough shirt, with those extra stripes placed down the middle of the existing stripes in some sort of stripe-ception attempt.
Elsewhere, it’s fairly straightforward, with a big chunky collar and big chunky cuffs, next to the slightly unusual sleeve sponsor of the Kissimmee, Florida tourist board.
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Adidas seem to have gone for a ‘less is more’ approach across the board with its kits this season, basic designs that have a nod to the company’s template from the mid-2000s.
Which is fine, I guess, but it has led to a bunch of shirts that sort of look the same: Leicester, Fulham, Manchester United and Nottingham Forest are all basically the same design with the colours changed (though there is some different detail on the latter two), which feels like a bit of a swizz.
Maybe it’s unrealistic to expect wildly different designs for each team, but it would be nice to have just a little bit of variation.
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The sales spiel for this otherwise fairly plain shirt talks of a ”subtle gradient design on the front and back”, and just in case you weren’t 100 per cent sure what that means, they’re talking about the bits where it makes whoever is wearing the shirt look like they are sweating from the navel up. Otherwise, it’s another cookie-cutter Adidas top but with that ”subtle gradient design”.
We also need to dwell on the other Adidas common design, which is the weird band things on the shorts. They basically make it look like all the players are wearing braces and they’ve let them fall off their shoulders, calling to mind the sexy and moody character in a Victorian drama who is caught in an unguarded moment with his blouson undone and a few inches of chest on display, setting hearts a-flutter.
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Back to basics for Fulham this season, after their renegade ”red stripes on one shoulder, white stripes on the other” effort last season. And while it’s very simple, it’s also quite nice, with the caveat that the red flashes up from the hips do make it look a bit like a Bolton shirt from the early 2000s.
It is a little spoiled by the sleeve sponsor, a massive logo of something called WebBeds, which, as you well know, is a B2B accommodation distribution company.
Last season, their logo was rather more unobtrusive, but this time they clearly decided not enough people could see it from the planes flying over Craven Cottage on their way to Heathrow airport a few miles down the road, so now it’s about three times the size of the club badge.
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Another from the Adidas template box, but at least this shirt does have an element of team-specific detail to it.
Forest are obviously very big on their two stars, which you can see above the club badge there, commemorating the European Cups they won in 1979 and 1980. The background design to this shirt also reflects this, and it works quite well: subtle enough not to be overpowering, obvious enough that the people who need to notice, will notice.
The whole thing is spoiled slightly by the sponsor’s logo, which at the same time as being for a betting company that is not licensed in the UK, is just a really ugly logo.
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Do you have a TV show that you really like, but at the same time you completely agree with all the criticisms of it? The West Wing, for example: it’s smug, the dialogue is nothing like how anyone has ever talked in real life, it presents itself as progressive but is fantastically patronising to women, and there’s no way Toby would have ever leaked those details about the space shuttle. And yet, I love it and occasionally watch episodes when I want something comforting.
Which is a roundabout way of saying that this Palace kit, which looks like the art project of a student who has been encouraged far beyond their talent and needs someone to tell them ‘no’ once in a while, is great.
I recognise that, objectively, it’s a mess. But if I was a Palace fan, I’d have been there outside the club shop at 9am the day it went on sale. I love it. Sue me.
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There’s something… I dunno …comforting about this Everton kit. I’m instinctively annoyed they have moved away from having their shirts designed by Hummel, which means no team will sport those glorious chevrons in the Premier League this season.
Despite moving to Castore, a brand that seems more at home making polo shirts for rugby fans, this is really quite good. I can’t really explain exactly why, other than the fact it looks like an interpretation of the kit they wore when winning the FA Cup in 1994-95.
That doesn’t appear to be deliberate, going by the blurb released with it, but as a shirt to wear during their last season at Goodison Park (if all goes to plan), this is very good indeed.
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Arsenal have played around with the colours of the three stripes on the shoulder of their shirts ever since returning to Adidas in 2019. They’ve had white on red, blue on red, gold on white and now, in the opinion of your noble kit ranker, the best combination anywhere this season with blue on white.
You need strong contrast, as a rule, and this is most certainly that, a shirt that is a tribute to one they wore in the early 1990s. It’s a little different while still being identifiably an Arsenal kit, and also features just the cannon logo (as opposed to the cannon as one element of a shield) for the first time since 1990.
Very strong, although the Emirates logo does seem weirdly massive this year.
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Listen, fair play. Adidas’s emotional return to Newcastle was always going to be catnip to those of us who fondly remember the club’s freewheelin’ 1990s and early 2000s glory days, and it doesn’t disappoint.
Here’s proof that you don’t need to do much with stripes, just ensure they’re not too thick and not too thin, and make some sort of provision on the back so the players’ names and numbers are clear enough, and you’re away.
The black sleeves mean that, of the Adidas kits of yore, this probably most resembles the 2002 shirt, sported by your Alan Shearers, Craig Bellamys and Laurent Roberts.
It’s so nice you can even briefly forget that the main sponsor Sela, with its lovely clean typeface and logo, is an arm of the Saudi Public Investment Fund.
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It’s our now annual firm congratulatory handshake to Brentford for continuing their policy of only releasing one new kit per season, a retro move presumably designed to make them stand out among the crowd of teams so perpetually happy to rinse their fans.
They will thus be sporting the same home kit as last season in 2024-25, and while that is a bit of a pity because that one is a bit rubbish, we’ll let them off on this occasion.
Well done, Brentford.
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Everyone Villa-related seems pretty happy about life these days. Even selling Moussa Diaby, who was so electrifying in the first half of last season, seems to have been greeted as the shrewd business of a sensible football club.
Everyone was in an even better mood when this kit was released, and rightly so. It’s a delightful thing, Adidas managing to pull off the feat of designing a kit for a team they never have worked with before, while at the same time not making it look weird and out of place.
The shade of blue on the sleeves is lighter than it has been in some previous seasons, which is a canny move because it makes the maroon stripes pop all the more. The pattern on the collar is also a nod, unless I’m much mistaken, to the design worn when Villa won the European Cup in 1982, which is a lovely little touch.
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You have to assume this wasn’t at the forefront of Nike’s mind when it designed this shirt, but the solid block dark blue sleeves are an interesting choice for Tottenham, given that for the last competitive game they sported this design, half the team had spent more time in the toilet than on the pitch. That was in 2006, and the match in question was the infamous ‘lasagne’ game against West Ham, when many of their squad had been struck down with food poisoning.
Calamitous gastric reminders aside, this is a really great looking shirt, clean and bold, with the sponsor’s logo in bright red actually adding something to it rather than looking awful (although it could probably do with being a font size or two smaller), while the shorts are dark blue rather than white, which is as it should be.
Yes, yes and yes. Just be careful that everything you eat is cooked through properly.
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The trouble with teams wearing their new kits for the last game of the previous season is you forget that’s actually their new kit. Genuinely went searching for a few minutes for Liverpool’s new shirt, because I just assume this wasn’t it, having already seen it in action. Which is more a comment on my declining faculties than the kit itself, which is truly excellent.
It might be slightly tricky to do but while they’re sorting out the financial rules or tweaking VAR to pretend it makes the slightest bit of difference to that dreary blight on the game, the FA or the Premier League should really put a law in place that stipulates Liverpool should always have a splash of gold/yellow on their kits.
There’s just enough here, and in addition the collar is excellent and the broken-up pinstripes thing works. Gold stars to everyone involved.
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(Photos: Getty Images/Design: Dan Goldfarb)
Sports
Novak Djokovic beats Carlos Alcaraz at Australian Open in display of physical and tactical fortitude
Relive how Novak Djokovic won the Australian Open quarterfinal
MELBOURNE, Australia — Novak Djokovic beat Carlos Alcaraz 4-6, 6-4, 6-3, 6-4 in the Australian Open quarterfinals at Melbourne Park on Tuesday night.
The No. 7 seed prevailed over the No. 3 seed in a fever-dream of an encounter, defined by a Djokovic injury, his tactical shift as it healed, and Alcaraz’s endless and ultimately fruitless search for a spark.
After three hours and 37 minutes, Djokovic moves on to the semifinals, where he will play No. 2 seed Alexander Zverev.
The Athletic’s tennis writers, Charlie Eccleshare and Matt Futterman, analyze the match against Alcaraz and what it means for the tournament, and for tennis.
A ninth game of Alcaraz genius and Djokovic injury
Alcaraz had started the match looking nervous, and struggling to find his range. He was making errors on the first shot after both his first and second serves, and when Djokovic held serve for 4-3, it felt like he just needed to raise his intensity to steal the first set.
Instead, Alcaraz held for 4-4 before Djokovic suffered a triple whammy in the ninth game. Having chased down a drop shot to go up 15-0, he appeared to hurt himself, wincing and moving gingerly afterwards. Then the thing happened that every Alcaraz opponent dreads: he hit a highlight-reel shot. After an outrageous forehand pass up the line, the Spaniard cupped his hand to his ear and suddenly looked visibly lighter. The third blow felt inevitable for Djokovic, and sure enough a wide forehand conceded the break of serve that was coming and gave Alcaraz the chance to serve out the set.
Djokovic was forced to leave the court for a medical timeout; a couple of minutes after returning, he was a set down. In what felt like the blink of an eye, he was suddenly having to play catchup against a player who had only lost one Grand Slam match from a set up. And that was at the Australian Open four years ago, in what was his first-ever major.
GO DEEPER
Inside Novak Djokovic’s recovery – accepting outsiders, hyperbaric chambers, Jelena’s worries
Matt Futterman, Charlie Eccleshare, James Hansen
Djokovic plays Alcaraz tennis, against Alcaraz
There wasn’t any chance that Djokovic was going to go away after picking up that injury. He came out for the second set a completely different player than the one who started the match.
In the first set, he was all about conservatism, turning points into physical contests and allowing Alcaraz to make errors, as he did in the first 12 games of both sets in their gold medal match at the Paris Olympics back in August.
That was no longer a possibility once he was playing with an injury. So Djokovic morphed into a first-strike player, just as he did in the tiebreaks of that Olympic final. He went hunting for every serve, ripping from the baseline at his first chance, even serving and sneaking into the net whenever he could to finish the point quickly. Points soon started ending after three or four shots.
Facing his own gifts being turned against him, Alcaraz was caught off-guard and lost his serve in the second game of the second set, as Djokovic whaled away on two forehand returns to get a break point, then won the game on the next one. After that, it became a test of whether this strategy could keep Djokovic in the match long enough to draw even, which would give him time for some combination of adrenaline and medication to kick in. Playing a hyper-aggressive brand of tennis for three sets would be nigh impossible, especially against the master of the art.
It worked even better than he could have hoped. Not only did he steal the set he usually loses while buying time, but when the pain in his leg began to ease, he was able to catch Alcaraz off-guard and keep him guessing about which Djokovic he was going to be facing from one point to the next.
GO DEEPER
Carlos Alcaraz and Jannik Sinner are redrawing the tennis court
Matt Futterman
How two players used to playing with house money dealt with being the gambler
At the 2024 Laver Cup in Berlin, The Athletic watched a match with eight-time Grand Slam champion Andre Agassi. When analyzing the encounter unfolding in front of him, Agassi kept returning to the idea that tennis players are always seeking to keep the odds of winning in their favor. The best players become like the house at a casino, and turn their opponents into gamblers who start with things stacked against them.
Throughout his career, Djokovic has been the ultimate in applying this logic, the epitome of ‘the house always wins’. His opponents might hit the flashier shots, but ultimately they end up losing the match, because whatever they are doing proves unsustainable.
Against Alcaraz, at this tournament and previously in last year’s Wimbledon final, it’s been a surreal experience to see Djokovic thrust into the gambler role, desperately hoping his number might come up. Injuries have played a part in this on both occasions, but it’s also a reality of his now being 37 years old: not everything can be played on your terms.
What made the dynamic more interesting was that Alcaraz too was having to alter the way he normally becomes the house. His instinct is to be the protagonist and get on the front foot, even though he is also a great defender. He trusts that his brilliance will be enough to ultimately overwhelm his opponent, because it almost always is.
Djokovic’s approach Tuesday took him out of his comfort zone, and in the second set he appeared unsure as to what his best route to victory was. He was celebrating hanging in points and drawing errors, rather than whipping up the crowd after hitting a winner that had got them off their feet.
His head looked scrambled and, having been dicing with danger in several service games, Alcaraz was broken to love and Djokovic levelled the match.
By the start of the third set, Djokovic was moving more freely, which gave him the option to play both sides of the equation: house and gambler. He could drag Alcaraz into rallies and bait him into coughing up a spinny shorter ball, or blast off early. This noticeably flummoxed Alcaraz, who seemed confused about his route to victory. He never entered full highlight-reel mode; his serve, with a new, more fluid motion, couldn’t get him cheap points as it did earlier in the tournament.
By allaying his instincts and playing more conservatively, he became the gambler, as so many of Djokovic’s opponents have fooled themselves into doing in the past. This was different — Alcaraz was, at times, playing three different versions of Djokovic at once — but he couldn’t reverse the trend.
GO DEEPER
How to watch tennis with Andre Agassi – Poker analogies, meat, potatoes and intimacy
Charlie Eccleshare
Alcaraz’s search for a spark
All night long, it seemed like Alcaraz was a spark away from finding himself. Especially in the third set, when he was behind from the start and digging to come back. He went a break down, but got back on serve in the seventh game.
This was it… wasn’t it?
It was more like the opposite of that.
Alcaraz then committed three successive errors, on a volley, a forehand and a backhand. Djokovic, sensing his opponent had zero shot tolerance, went to work. He sucked Alcaraz into a 22-shot rally, then finished it with a looping forehand winner into the Spaniard’s backhand corner, not dissimilar to the one Alexei Popyrin hit against Djokovic at the U.S. Open last summer to send the crowd on Arthur Ashe into raptures and put the Serbian on notice that he was going home.
After nearly two hours of deadening the stadium to keep the vibes low and Alcaraz disengaged, he put his hand to his ear and revved up the noise.
Then Djokovic fell 0-30 down as he served for the set. Could this be the Alcaraz spark? Nope. Two more errors from him drew Djokovic even. Time to test the shot tolerance again. A 17-shot rally this time, ending with Alcaraz whacking a running forehand into the net.
Rattled, and a point away from going down two sets to one, Alcaraz let Djokovic twist him this way and that and even baulked on an easy overhead before missing a backhand volley that he shouldn’t have had to hit.
Two games, 10 points, about eight minutes of play.
Script flipped.
Matt Futterman, Charlie Eccleshare, James Hansen
The 33-shot footnote in tennis history
In what was a weird match in so many ways, there was at least an exciting finale.
Alcaraz seemed to belatedly realize his only route back into this quarterfinal was to get the atmosphere going. He had searched for that spark all night, and finally got the chance in the fourth set.
When he won a 33-shot rally to save a break point that would have left him 5-2 down and out of the match, the Rod Laver Arena finally fizzed with energy. Djokovic raged, well aware of how significant the moment could be, with both players bent double at the side of the court. Alcaraz was smiling and laughing. Djokovic was fuming.
It felt like the turning point that Alcaraz has shown the tennis world so many times in his career, when he creates a highlight and then rolls downhill. Suddenly he was grinning again, sprinting around the court, almost enjoying himself.
When he held two break points in the next game, the comeback very briefly felt like it might be on.
But back came Djokovic, fending them both off before holding serve. Two games later, he served out the match to render that 33-shot rally ultimately irrelevant.
Charlie Eccleshare
What did Djokovic say after the match?
“I just wish that this match was the final,” Djokovic said in his on-court interview. “One of the most epic matches I’ve played on this court — on any court.”
“When the medications start to release, I’ll see what the reality is tomorrow morning. Right now. I’ll just try to be in the moment and enjoy this victory,” he said of his injury.
What did Alcaraz say after the match?
“We push each other to the limit,” he said. “I think we’ve played great points, great rallies. It was really tight in the third, the fourth set.
“I’m just lucky to live this experience. I’m 21 years old. From these matches, I’m getting so much experience about how to deal with everything. I’m not going to hide.
“I’ve done great things in tennis already, but playing against one of the best in the history of our sport, these kind of matches help me a lot in the future to be better.”
Recommended reading
(Top photo: Fred Lee / Getty Images)
Sports
Lions losing Ben Johnson to rival Bears is big 'body blow,' Super Bowl champion says
Former Detroit Lions offensive coordinator Ben Johnson left the team to take the Chicago Bears’ head coaching job Monday.
Super Bowl champion Lomas Brown talked about what Lions fans are going through losing their top coordinator after a crushing playoff loss during a recent appearance on OutKick’s “Don’t @ Me with Dan Dakich.”
“I know it’s another body blow. You know that old game, body blow, body blow. … That was a big one yesterday,” Brown said. “All of them on talk radio, that was the subject yesterday, Ben Johnson leaving. Oh my god, you got so many fans upset at Ben about taking the Chicago job. I think it’s more, not him leaving, but more of the job that he is accepting because of how bitter rivals we are with Chicago.
“Now, we got to face him twice a year. That just made the division even harder with Ben Johnson going in there. And a lot of sentiment before he took the job was that Ben wouldn’t take that job because he knew he would have to go up against his good friend Dan Campbell twice a year. But he took it. A lot of people not happy with it around here.”
The No. 1-seeded Lions were upset by the No. 6-seeded Washington Commanders, 45-31, Saturday.
Brown said losing Johnson, especially to a division rival, and potentially other top assistants make the loss to the Commanders hurt that much more.
LIONS’ DAN CAMPBELL CONFIDENT TEAM’S SUPER BOWL WINDOW REMAINS OPEN AFTER DISASTROUS LOSS TO COMMANDERS
“A lot of people not happy with it around here, and I think that it’s, again, I just think a lot of that’s from the results of the game, and just everything that’s going on the last few days around here. It’s culminating with Ben Johnson taking the job and, d—, we’re going to lose other assistants,” Brown said.
“I mean Aaron Glenn, you talk about maybe (offensive line coach) Hank Fraley. It’s other assistants that we’re going to lose off this team. That’s why this was the year for us to get it done.”
Glenn was scheduled to interview with the New York Jets for the second time for their head coaching position Tuesday, according to NFL Network.
Tuesday’s interview will be the first in-person meeting between the Jets and Glenn.
Fraley is being interviewed for the Seattle Seahawks’ offensive coordinator position Tuesday, according to ESPN. It will be Fraley’s second interview with the team and their first in-person interview.
Brown spent 18 seasons in the NFL and was with the Lions for 11 of them. Brown was a star left tackle and made the Pro Bowl seven consecutive seasons from 1990-1996.
Brown won a Super Bowl in his final season with the Tampa Bay Buccaneers in 2002.
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Sports
Lakers get back on track against woeful Washington
Two days after the Lakers were saying it almost never would be easy, almost never came to town.
The Washington Wizards, who have won a league-low six times, were the cure for the Lakers after a loss Sunday to the Clippers exposed a number of their weaknesses. The postgame morale was low, LeBron James and JJ Redick openly discussing how their roster wouldn’t be able to organically improve an already narrow margin for error.
But with the midway point of the season here Tuesday, the Lakers played the one team in the NBA bad enough to make anyone — even the Lakers — feel like they’ve got it figured out.
The Lakers did the right things consistently over four quarters, barely being threatened before winning 111-88 in a game they desperately had to have before hosting Boston on Thursday night.
“It just starts with a very professional approach from our team,” Redick said. “That was one of our more complete games, regardless of what time of season it was or who the opponent was. Like, we just, we had a really professional approach.”
The Wizards (6-36), in the early stages of a rebuild with eyes on the top of the NBA draft, haven’t won since Jan. 1. Kyle Kuzma and Jordan Poole are their best offensive options and backup center Jonas Valanciunas and forward Corey Kispert their only other veterans, Washington fully committed to the future.
Compared to the Lakers (23-18), whose eyes are squarely on the present, that made Tuesday predictably one-sided — though the Lakers still needed to execute.
Anthony Davis had 29 points and 16 rebounds while bullying rookie Alex Sarr. James, fresh from watching his beloved Ohio State win the college football national championship Monday in Atlanta, had his ninth triple-double of the season with 21 points, 13 assists and 10 rebounds. Austin Reaves, despite a four-for-15 shooting night, still finished with 16 points and eight assists, and Dorian Finney-Smith had 16 points off the bench in just 22 minutes.
The Lakers did it by attacking the paint and finding the open player, the team scoring on more than a handful of lobs.
“It’s… just being ready to make the passes on time, on target,” James said. “And when we do that, we look pretty good.”
The biggest highlight came when Reaves found James for a lob off an offensive rebound, with the 40-year-old Lakers star dunking on Valanciunas.
“I got hype. Screaming so loud, I almost passed out,” Davis said. “I mean, it wasn’t one of his best ones, but I’ve seen better. But it was a good one.”
The Lakers held Washington to 35.8% shooting from the field and 25.6% from three and limited the Wizards to 11 points in the fourth quarter.
“We went out, we had a game plan, we executed that,” James said. “I thought defensively, we were great. We were in tune with what they wanted to do, what they tried to do. And offensively, we shared the ball, limited our turnovers. We were really good.”
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