Sports
Playing out from the back: Why teams do it and is it worth the risk?
Picture the scene: a team has been awarded a goal kick. The goalkeeper throws the ball to one of two central defenders standing nearby in the six-yard box. One of them puts it down to restart and plays it laterally to the ‘keeper, who receives the pass and rests their studs on the ball as opposition players close in…
That’s just one variation of a way of restarting play that has become extremely common in the last five years, and one that tends to split opinion like it does centre-halves.
To some it’s a tactically and statistically proven method of starting a high-value sequence of play. To others it’s needlessly risky, a fad that may work for Pep Guardiola in the rarified air of the top end of the Premier League but which invariably fails as you get lower down the leagues.
Who’s right? Who’s wrong? How did we get here? And what happens next?
Here — to help answer those questions — is The Athletic’s complete guide to playing out from the back.
How did we get to this point in football’s evolution?
Tactical innovations can come from various sources.
They can arise because of law changes. They can be inspired by individual players interpreting roles in different ways. They can come from revolutionary managers with new ideas. They can emerge because of improvements in the conditions football is played in. And they can grow because football has evolved from being pure recreation to being both big business and a form of entertainment. The history of playing out from the back takes into account all five of these concepts.
First, law changes have been important. The most important change was the introduction of the back-pass law in 1992, which meant goalkeepers could no longer handle balls deliberately played back to them by defenders. It’s bizarre to watch matches from the pre-1992 era today; it’s almost like a different sport.
One of the first red cards for a goalkeeper in the Premier League era came when Sheffield United’s Simon Tracey panicked after receiving a back pass at White Hart Lane and ended up running the ball out of play on the touchline, before hauling down the Tottenham player trying to take a quick throw-in.
This change meant goalkeepers were, for essentially the first time, forced to practice kicking a moving ball. Their improved confidence in possession meant passing the ball out, rather than hammering it downfield, was more viable.
80s goalkeepers just booting it pic.twitter.com/KRrXE3SChv
— Bryan’s Gunn (@bryansgunn) December 7, 2021
There was also a key law change in 2019, which meant that goal kicks no longer had to be played outside the box before another player could touch the ball. Opposition players still have to start outside the box, but goal kicks can now be taken short to a team-mate inside the penalty box, essentially giving goalkeepers and defenders a few seconds’ head-start over their opponents. This has enabled them to play out under (slightly) less pressure.
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Second, pitch conditions have improved dramatically over the last couple of decades. Go back to an average mid-1990s Premier League pitch, especially in winter, and you would be mad to attempt to pass the ball across your own box. There was a danger the ball would simply get stuck in the mud — or, at least, not run properly to its recipient.
These days, players can broadly trust the turf and therefore trust their technique to pass the ball properly.
Third, the revolutionary goalkeepers tend to be those who push the boundaries in terms of what they’re capable of in possession. Essentially the goalkeeper has become an 11th outfielder. After the back-pass law change, Peter Schmeichel insisted on being involved in ‘outfield’ drills with the rest of the Manchester United players. A future United goalkeeper, Edwin van der Sar, was often credited with being the first ‘modern’ footballing goalkeeper in his days with Ajax. In recent times, the likes of Claudio Bravo and Andre Onana have been recruited by major clubs on the basis of their ability in possession, but have often looked under-equipped in terms of actual shot-stopping.
Fourth, in terms of managers who have proved particularly influential in terms of playing out from the back, in the Premier League era — and the post-back pass era — things probably start with Mike Walker, manager of Norwich in 1992-93. Walker was, unusually for a manager, a former goalkeeper and recognised the need for ‘keepers to completely adjust their way of playing. In Bryan Gunn, he had a goalkeeper who was particularly adept at using his feet, and Norwich’s free-flowing style worked very well in the new era of football. They were top for a considerable period during the first Premier League season, eventually finishing third.
Arsene Wenger is often credited with transforming Arsenal’s style of play, although arguably the initial revolution came from his predecessor Bruce Rioch, who put a big emphasis on Arsenal playing the ball out from defence and through midfield, rather than playing it long straight away as they had usually done under George Graham. Goalkeeper David Seaman was another who proved calm in possession and was unusual at this point for being able to use both feet effectively.
Brendan Rodgers’ Swansea were hugely courageous in possession upon their promotion to the Premier League in 2011, with goalkeeper Michel Vorm recruited for his footballing skills as much as his shot-stopping ability, while the arrival of Guardiola in 2016 was another key moment. He immediately ditched Joe Hart, considered too old-school to adjust, but his first goalkeeper, Claudio Bravo, took an absurd number of risks on the ball, while also looking uncomfortable at the basics of goalkeeping.
In recent times, Roberto De Zerbi has also proved something of a game-changer, often asking his goalkeeper to stand still with their studs on top of the ball, almost baiting the opposition to move up and close down, creating more space in midfield for Brighton and Hove Albion to pass into.
Fifth, supporters are paying serious money for tickets these days, and expect to be presented with something that is aesthetically pleasing. Tastes vary, of course, and too much playing out under pressure can rile some supporters even more than hoofing the ball long. But, as a general rule, modern supporters don’t want route one football.
They want something more precise and considered. What was once the preserve of Barcelona is now, broadly speaking, the norm for most Premier League clubs — goalkeepers playing short passes to players in and around the edge of the penalty area.
And, of course, that filters down to every level. Everyone wants to play like the footballers you see on television, but we don’t all have the technical skills to pull off one-twos in our own penalty box, and for the risk-and-reward situation to be in our favour. At almost every level now, you see maddening goals conceded by overplaying in deep positions.
Sometimes, just thumping the ball long makes most sense. But in 2024, that approach is barely tolerated.
Michael Cox
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How do you teach (and convince) players to do it?
“That rule change has influenced tactics more than any coach or manager could. And, as the stats will prove, it led to a big spike in teams playing short from goal kicks. It’s almost a little bit embarrassing if you don’t. It’s a real message that you don’t want the ball – and I think that exposes teams.”
An experienced coach at a Premier League club is talking about the 2019 goal kick law, which gave teams a “free” pass, essentially.
Speaking on condition of anonymity so that he can talk openly about his own experiences, the coach recalls a presentation that he put together for a group of players a few years ago (prior to the law change) showing multiple examples of what he describes as “really good teams” punting the ball forward from goal kicks.
Manchester United, at a time when David de Gea was in goal and Romelu Lukaku was up front, were one of those teams.
“And I said, ‘In that moment, no matter who you are, you could have the best striker and goalkeeper in the world, and the best midfielder in the world, that is a 50-50 ball. If we’re saying we really want to dominate the ball, we cannot kick it long and just hope for a 50-50. That’s not valuing possession.’
“So if you’re asking me why we’re doing it, it’s because we want the ball.”
Risk and reward is the phrase you will hear a lot on this subject — and for some coaches (and a lot of fans) the risk is too great. Lose the ball in the first phase of build-up and the consequences can be calamitous. Beat the press, however, and the pitch totally opens up.
That is easier said than done. Playing out from the back requires bravery on the ball and a high level of technical ability too.
Or does it?
“I saw some pretty average players… the execution of what we’re asking a player to do here is very simple,” the Premier League coach adds. “We’re talking about a 10-yard pass, or we’re talking about control and a 15- to 20-yard pass, maybe a one-touch pass. But we’re not talking about something the player can’t do. We’re talking about, does he have the decision-making capacity to make the right choice at that moment?
“Decision making — I think that’s where the good coaching does come in, to really be clear and make it simple and effective for them, and make them believe it.”
Graham Potter’s time in charge at Brighton provides a good case study. His appointment in 2019 is worth revisiting, not least because he took over a group of players who had previously been coached to play a totally different way under Chris Hughton.
Speaking at the 2020 OptaPro Analytics Forum, Tom Worville, who was working as a football writer for The Athletic at the time, pointed to a graph showing how Brighton had taken 75.8 percent of goal kicks short under Potter compared to 6.4 percent under Hughton. Even allowing for the fact that it was the same season that the new goal-kick rule was introduced, the shift was huge.
“I know Brighton were used to it (playing out from the back) in a certain era under Gus (Poyet),” says Dale Stephens, who played for Brighton under Hughton and Potter. “But we’d not seen it for a few years, so it’s almost like re-educating the players and the crowd.”
Potter was an excellent teacher in that respect. A hands-on coach, he married practical work with the theory and, perhaps more than anything, had total conviction in his beliefs. Naturally, that rubbed off on his players.
“He convinced the lads from when he first came in,” Stephens says. “We had a great start and that just builds confidence with the evidence of what you can see on the pitch that it’s working. So the message from the manager and the confidence from him repeating that message day in and day out… because it’s not just something that you can do ad hoc.
“I’ve been in teams that try to do it (play out from the back) because it’s ‘the thing to do’. That never works. There has got to be an idea and a process as to why you’re doing it, and why you’re going to try to do this to get into a better attacking position.”
That idea, or process, will usually involve trying to move up the pitch by creating — and exploiting — a numerical advantage.
Some managers have choreographed moves to play out — passages of play that are rehearsed over and again on the training ground.
Others work more on principles around finding “the free man”, including rotation — the use of inverted full-backs is an example — and third-man movements.
Much, however, depends on the opposition press. At times, the onus is on the team in possession to provoke pressure, whether that be through a bounce pass (a straight one-two), the use of the sole of the foot as bait, or dribbling towards an opponent to commit them.
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Last season there was a fascinating interview on Sky Sports when Jamie Redknapp, the television pundit and former England international, showed Lewis Dunk a superb passage of Brighton build-up play after a game.
A fascinating insight from Lewis Dunk on how Brighton play out from the back 🔎 pic.twitter.com/AnDeR573Uo
— Sky Sports Premier League (@SkySportsPL) May 4, 2023
Smiling as he watched the footage, Dunk told Redknapp that he hadn’t made the pass that he was supposed to do in that scenario — a comment that said a lot about De Zerbi’s meticulous approach on the training ground and the extent to which principles, or phases of play, become ingrained.
“Graham didn’t necessarily have patterns in terms of, ‘This is the pattern we’re going to try this weekend,’” Stephens explains. “(Instead), he almost gives you alternative solutions. So it is off their (the opposition) pressure: how many players are coming to press your centre-backs? Are they coming right to the box? Are they not pressing? Are they really aggressive on the full-backs?
“Brighton (under De Zerbi) will let the centre-half take the goal kick, pass to the goalkeeper and he will roll his sole on top of the ball, and when he’s doing that he’s looking to see who is coming to press him.
“So it’s not necessarily manufactured patterns. It’s multiple solutions for wherever the press comes from, and what’s happening behind that first line of pressure.”
That could easily end up being a much longer pass from the player whose role has changed more than any other over the last 30 years or so.
“The goalkeeper is in charge of everything now,” Stephens says. “I think we’ve seen it at Brighton with Jason Steele. He’s pumped the ball 60 to 70 yards and they’ve created the attacking transition that way because they’ve (the opponent) gone real high pressure and he’s just gone over the top of them.”
Guardiola, whose influence on this whole way of playing is impossible to overstate, has often talked about the importance of players moving up the pitch together in build up.
The Manchester City manager is “a big fan of short passes”, overloading spaces, in particular in central areas, and players staying connected, rather than big distances opening up between them or between the lines — a strategy that also makes it easier to regain possession.
An EFL coach, who has been wedded to playing out from the back across several divisions and different clubs, touches on that theme when he discusses how “our trigger to move is when the opposition releases to the ball carrier” and why it is important not to “miss” players during the build up.
“So if I switch from right to left (in one pass) against a structured press, that team will be able to shuffle by the time the ball travels that distance,” the coach, who asked to remain anonymous, says. “But obviously the more ball speed you have, and the shorter the passes, the harder it is for that team to have a specific trigger.
“So you’re constantly getting people to jump and as they jump — provided you’re passing at the right speed — their jump will be too late because I’ve never seen a player that can run faster than a ball can move. And then you’ll find that spare man, that left-back, without them having the structure to be able to slide and press.”
Potter, Stephens says, was “huge on playing in tight spaces”.
The idea behind that was to draw as many opposition players towards the ball as possible and leave room in behind to exploit, opening up what Stephens describes as “a four-v-four in half a pitch, which is a lot of space, especially if you’ve got dynamic, quick players in wide areas”.
A goal that Swansea scored against Manchester City in an FA Cup quarter-final in 2019, during Potter’s time in charge at the Championship club, provides a good example of both his philosophy and what another coach describes as the “attract to take advantage” premise.
Take a minute out of your day and look at what Swansea have just done to Man City in the #FACup…
A superb team goal to go 2-0 up, what a story! #DontMugOffTheCuppic.twitter.com/pb6qrey1l4
— TNT Sports (@tntsports) March 16, 2019
This goal that Pascal Gross scored for Brighton under Potter at Old Trafford in 2022 talks to the same point — a great example of the philosophy working as it is designed to.
🗣️ “If you ever want to see a goal to sum up the work of Graham Potter and this Brighton team, it’s this.”
Pascal Gross has a second and #BHAFC lead 2-0 against #MUFC at the break.
🎬 @SkySportsPL pic.twitter.com/a2UhHRCXwz
— The Athletic | Football (@TheAthleticFC) August 7, 2022
Stuart James
Mitigating risk and the importance of convincing fans
There are examples of a very different kind, where the ball gets turned over close to goal, a team concedes and supporters despair.
𝘾𝙡𝙞𝙣𝙞𝙘𝙖𝙡 𝙛𝙧𝙤𝙢 𝘾𝙖𝙧𝙫𝙖𝙡𝙝𝙤! 💥
Brilliant pressing from Jaden 👏#hcafc | @McVities pic.twitter.com/ve4IMvIFUQ
— Hull City (@HullCity) February 20, 2024
So, tactically, how do coaches mitigate risk when playing out from the back and what can they do to prepare players for all the external factors — crowd reaction in particular — that impact on the team’s ability to execute what they’ve practised?
The EFL coach who spoke earlier offers an interesting response to those two questions.
“This is the hardest thing — replicating the chaos of match-day on the training pitch. And the chaos of match-day includes fan noise and fan pressure, the weight of expectation — you have to manage all of that,” he explains.
“But, for me, it’s just practice, repetition and recruitment. Recruitment is key, and if you’ve got a clear ideology of how you want to play the game, then it is absolutely vital that you recruit to that ideology.
“As for the risk mitigation, initially that comes from having the ‘plus one’ (a free man), so we’ve still got the numerical advantage — I think that’s really important.
“We try to stay compact centrally as much as we can, and the movement wide to disrupt and stretch the opposition always comes on the ball side. So once we manipulate one side of the pitch, we can be stretched that side but, as best we can, the opposite side is in a structured position inside the pitch, ready for transitions.
“Also, we’ve worked really hard on counter-pressing, just avoiding disappointment, no negative body language, just a fast reaction to swarm the ball. It’s the acceptance of it going wrong, because that instant fast reaction can almost make it right straight away.”
All of which makes you wonder how footballers feel about playing this way.
On the face of it, being encouraged to pass to a team-mate and retain possession should be a lot more enjoyable than chasing second balls off a 70-yard hit-and-hope punt.
That said, with so little margin for error in the first phase of build-up in particular, and a collective groan often the soundtrack to any misplaced pass in that area of the pitch (let alone the prospect of your team then conceding), it must also be stressful trying to play out at times.
“I loved it,” Stephens, the former Brighton midfielder, says. “I just felt we had more control over what we were trying to do rather than percentage balls.
“But it wasn’t really necessarily just possession that we wanted. It was more: can you attack quickly from small spaces to big spaces? And that was Graham’s consistent message.
“Even from throw-ins he’d try to get bodies around the throw-in, so that the opposition would go man for man, and the space would be on the other side of the pitch, and from there you can attack big space.
“It opened my eyes. I was 30 years old and had been playing since I was 17 but I’d never really done it. I was learning so much from Graham and the way he saw football.”
Football is always evolving, though, and a lot has changed since Potter took over at Brighton. The Premier League coach who spoke earlier says that, generally, clubs are much bolder and more aggressive in how they press now — and the quality of the opponent is almost unimportant.
He cites Manchester City as an example and says there was a time when opponents thought, ‘Drop off. Don’t go near City in the build up, they’re too good, they’re going to kill you, they’ll rip you apart.’
“But now you look at a lot of teams and they’ll go and press City when Ederson has got the ball,” he adds.
In fact, in a scenario that would have been unthinkable years ago, teams are now quite happy to press high and leave themselves man-for-man (three-versus-three) on the halfway line.
The coach smiles. “And this is where the game is going and why this is such an interesting topic, because the whole benefit of playing out was that it was all about generating the free man. And that was generated pretty easily because you obviously had your goalkeeper plus one other player, and your front three would pin back four players.
“Basically, you know you have got seven players versus their six, plus your goalkeeper, so eight-v-six. That eight just need to get the ball… in my head, build-up is getting the ball over the halfway line successfully. If you’ve done that, you’re out of the build-up phase.
“Let’s say their six were pressing your seven — forget the ‘keeper for now; now it’s their seven pressing your seven, so the only free man is the goalkeeper.”
Interestingly, what shines through more than anything when talking to coaches on this subject is that the people they worry least about buying into the merits of playing out from the back are the players.
“I think players who have come through the academy system from the 2010 era onwards all understand it,” adds the Premier League coach. “The hardest bit, I think, is convincing the fans. If they’re not on board, the whole thing can quickly fall apart.”
Stuart James
Quantifying how it works in the Premier League and beyond
Build-up play is booming these days. That’s as true in London and Liverpool as it is in Las Palmas or Los Angeles. The trend is especially striking in the English Championship, not long ago a bastion of the old long-ball game, now a proving ground for an international talent pool, technically gifted academy graduates and a new generation of coaches schooled in Pep-ish positional play.
But is this fad for futzing around at the back really a good idea? As with most football tactics, that depends on who’s doing it, how and why.
One interesting thing about the Premier League’s playing-out craze is that it’s not restricted to the elite. Over the last six years, the top five teams on the league table have stayed fairly steady in their number of build-ups per game (where a build-up is defined as a possession that includes at least three passes ending in a team’s own third). Meanwhile, the bottom half of the table, once all too happy to hit and hope, are building out about 50 per cent more often than in 2018-19, daring to dream of more watchable football.
But the steepest increase has come from the upper-middle class, teams five through 10 on the table, who are doing twice as many build-ups per game as they did just six years ago. This season, for the first time, the second tier has actually overtaken the first, averaging more build-ups per game than the top five clubs.
What’s going on here? One part of the answer is that, when it comes to playing out of the back, it takes two to tango. Opponents often feel safer falling back into a compact mid-block while Manchester City or Liverpool walk the ball up to midfield, bypassing the build-up phase. When Manchester United or Chelsea start passing the ball around the back, though, they’re more likely to draw pressure.
De Zerbi’s Brighton fall right in the sweet spot for maximum build-up play: they want to be pressed high and opponents are happy to oblige them, since both sides figure the reward of playing the game in Brighton’s half will outweigh their risk. Although Manchester City have more overall possession, Brighton do more build-ups than any team in the Premier League.
But not all build-ups share the same purpose. For Brighton, who want to break from small spaces into big ones, passing around their own half is an attacking tactic. All that press-baiting sole-on-the-ball stuff? The point is to find a short pass into the space behind the first presser, then lay the ball off to a nearby “third man” who’s facing forward so that Brighton can move briskly through the lines.
City, on the other hand, don’t mind taking it slow. Even when they build out of the back, City tend to do it with side-to-side circulation designed to push the defensive lines back rather than pry them apart. This serves a defensive purpose, since passing the ball through pressure in your own half is dangerous, but also an attacking one, as it allows City to move all of their players into the other team’s end and keep the game trapped there.
We can see the stylistic difference by mapping where teams take their touches during build-up possessions. In the graphic below, Brighton’s bright red press-baiting blob in the middle of their own half means they take a lot more build-up touches there than the rest of the league, while City’s red wedge at the other end suggests that even on possessions that start with a few passes in their own third, the goal is to set up a good rest-defence structure and play patiently in the attacking half.
You can see hints of other build-up styles here, too.
Although Liverpool don’t play out of the back that much, when they do they split the difference between City and Brighton, spreading the ball safely across the width of their half before looking to attack quickly with long passes.
With Oleksandr Zinchenko or Takehiro Tomiyasu tucked inside, Arsenal rarely use their left flank in the build-up. They build through the middle but take their time when the ball reaches the wings, where their possessions lean slightly toward Martin Odegaard and Bukayo Saka on the right.
Some talented teams such as Aston Villa, Newcastle and Chelsea are willing to court danger by playing in areas out wide of their own box, where any opponent who wants to press them will have to open large spaces between the lines. Other, perhaps less talented teams such as Brentford and Wolves get stuck out there on the flanks and rarely make it to the final third at all.
Burnley are an especially interesting case. Last season their build-up dominance made them look like the Manchester City of the Championship. But instead of moderating the team’s style when they reached the Premier League, Vincent Kompany has stuck to his principles, resulting in the rare relegation candidate that keep trying to pass their way out of the back even when the results are disastrous.
Which brings us back to the most important part of a good build-up: the players.
It may not look that hard to make a few practised movements and string together some short passes, but doing it at the speed the Premier League demands, against increasingly sophisticated pressing schemes, takes technical and decision-making abilities that can’t be easily coached. A manager may influence the frequency and style of a team’s build-up play but outcomes still depend largely on the players.
The chart below compares the number of passes a team makes in its own third per game against the average expected goal difference in the next 30 seconds after each pass. Brighton do the most passing at the back, of course, but all those dicey combinations in front of their box are nearly as likely to lead to conceding a goal in the near future as to scoring one. It’s the same story for Tottenham, who are playing out of the back a lot more under Ange Postecoglou but also committing more costly mistakes.
In general, the teams that see the best results from their build-ups either have a lot of talent or don’t take a lot of risks. That’s old news. The question the current craze for playing out of the back poses is whether teams have been taking enough risk. Just how much can skill in possession be taught in order to nudge a squad’s probabilities in the right direction? Can improvements in the build-up phase outpace innovation in the press?
Nobody really knows how far football tactics can stretch one way before they’re pulled back in another, but the answers are just a short goalkeeper pass away.
John Muller
(Photos: Getty Images; design: Eamonn Dalton)
Sports
Novak Djokovic beats Carlos Alcaraz at Australian Open in display of physical and tactical fortitude
Relive how Novak Djokovic won the Australian Open quarterfinal
MELBOURNE, Australia — Novak Djokovic beat Carlos Alcaraz 4-6, 6-4, 6-3, 6-4 in the Australian Open quarterfinals at Melbourne Park on Tuesday night.
The No. 7 seed prevailed over the No. 3 seed in a fever-dream of an encounter, defined by a Djokovic injury, his tactical shift as it healed, and Alcaraz’s endless and ultimately fruitless search for a spark.
After three hours and 37 minutes, Djokovic moves on to the semifinals, where he will play No. 2 seed Alexander Zverev.
The Athletic’s tennis writers, Charlie Eccleshare and Matt Futterman, analyze the match against Alcaraz and what it means for the tournament, and for tennis.
A ninth game of Alcaraz genius and Djokovic injury
Alcaraz had started the match looking nervous, and struggling to find his range. He was making errors on the first shot after both his first and second serves, and when Djokovic held serve for 4-3, it felt like he just needed to raise his intensity to steal the first set.
Instead, Alcaraz held for 4-4 before Djokovic suffered a triple whammy in the ninth game. Having chased down a drop shot to go up 15-0, he appeared to hurt himself, wincing and moving gingerly afterwards. Then the thing happened that every Alcaraz opponent dreads: he hit a highlight-reel shot. After an outrageous forehand pass up the line, the Spaniard cupped his hand to his ear and suddenly looked visibly lighter. The third blow felt inevitable for Djokovic, and sure enough a wide forehand conceded the break of serve that was coming and gave Alcaraz the chance to serve out the set.
Djokovic was forced to leave the court for a medical timeout; a couple of minutes after returning, he was a set down. In what felt like the blink of an eye, he was suddenly having to play catchup against a player who had only lost one Grand Slam match from a set up. And that was at the Australian Open four years ago, in what was his first-ever major.
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Djokovic plays Alcaraz tennis, against Alcaraz
There wasn’t any chance that Djokovic was going to go away after picking up that injury. He came out for the second set a completely different player than the one who started the match.
In the first set, he was all about conservatism, turning points into physical contests and allowing Alcaraz to make errors, as he did in the first 12 games of both sets in their gold medal match at the Paris Olympics back in August.
That was no longer a possibility once he was playing with an injury. So Djokovic morphed into a first-strike player, just as he did in the tiebreaks of that Olympic final. He went hunting for every serve, ripping from the baseline at his first chance, even serving and sneaking into the net whenever he could to finish the point quickly. Points soon started ending after three or four shots.
Facing his own gifts being turned against him, Alcaraz was caught off-guard and lost his serve in the second game of the second set, as Djokovic whaled away on two forehand returns to get a break point, then won the game on the next one. After that, it became a test of whether this strategy could keep Djokovic in the match long enough to draw even, which would give him time for some combination of adrenaline and medication to kick in. Playing a hyper-aggressive brand of tennis for three sets would be nigh impossible, especially against the master of the art.
It worked even better than he could have hoped. Not only did he steal the set he usually loses while buying time, but when the pain in his leg began to ease, he was able to catch Alcaraz off-guard and keep him guessing about which Djokovic he was going to be facing from one point to the next.
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Carlos Alcaraz and Jannik Sinner are redrawing the tennis court
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How two players used to playing with house money dealt with being the gambler
At the 2024 Laver Cup in Berlin, The Athletic watched a match with eight-time Grand Slam champion Andre Agassi. When analyzing the encounter unfolding in front of him, Agassi kept returning to the idea that tennis players are always seeking to keep the odds of winning in their favor. The best players become like the house at a casino, and turn their opponents into gamblers who start with things stacked against them.
Throughout his career, Djokovic has been the ultimate in applying this logic, the epitome of ‘the house always wins’. His opponents might hit the flashier shots, but ultimately they end up losing the match, because whatever they are doing proves unsustainable.
Against Alcaraz, at this tournament and previously in last year’s Wimbledon final, it’s been a surreal experience to see Djokovic thrust into the gambler role, desperately hoping his number might come up. Injuries have played a part in this on both occasions, but it’s also a reality of his now being 37 years old: not everything can be played on your terms.
What made the dynamic more interesting was that Alcaraz too was having to alter the way he normally becomes the house. His instinct is to be the protagonist and get on the front foot, even though he is also a great defender. He trusts that his brilliance will be enough to ultimately overwhelm his opponent, because it almost always is.
Djokovic’s approach Tuesday took him out of his comfort zone, and in the second set he appeared unsure as to what his best route to victory was. He was celebrating hanging in points and drawing errors, rather than whipping up the crowd after hitting a winner that had got them off their feet.
His head looked scrambled and, having been dicing with danger in several service games, Alcaraz was broken to love and Djokovic levelled the match.
By the start of the third set, Djokovic was moving more freely, which gave him the option to play both sides of the equation: house and gambler. He could drag Alcaraz into rallies and bait him into coughing up a spinny shorter ball, or blast off early. This noticeably flummoxed Alcaraz, who seemed confused about his route to victory. He never entered full highlight-reel mode; his serve, with a new, more fluid motion, couldn’t get him cheap points as it did earlier in the tournament.
By allaying his instincts and playing more conservatively, he became the gambler, as so many of Djokovic’s opponents have fooled themselves into doing in the past. This was different — Alcaraz was, at times, playing three different versions of Djokovic at once — but he couldn’t reverse the trend.
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Charlie Eccleshare
Alcaraz’s search for a spark
All night long, it seemed like Alcaraz was a spark away from finding himself. Especially in the third set, when he was behind from the start and digging to come back. He went a break down, but got back on serve in the seventh game.
This was it… wasn’t it?
It was more like the opposite of that.
Alcaraz then committed three successive errors, on a volley, a forehand and a backhand. Djokovic, sensing his opponent had zero shot tolerance, went to work. He sucked Alcaraz into a 22-shot rally, then finished it with a looping forehand winner into the Spaniard’s backhand corner, not dissimilar to the one Alexei Popyrin hit against Djokovic at the U.S. Open last summer to send the crowd on Arthur Ashe into raptures and put the Serbian on notice that he was going home.
After nearly two hours of deadening the stadium to keep the vibes low and Alcaraz disengaged, he put his hand to his ear and revved up the noise.
Then Djokovic fell 0-30 down as he served for the set. Could this be the Alcaraz spark? Nope. Two more errors from him drew Djokovic even. Time to test the shot tolerance again. A 17-shot rally this time, ending with Alcaraz whacking a running forehand into the net.
Rattled, and a point away from going down two sets to one, Alcaraz let Djokovic twist him this way and that and even baulked on an easy overhead before missing a backhand volley that he shouldn’t have had to hit.
Two games, 10 points, about eight minutes of play.
Script flipped.
Matt Futterman, Charlie Eccleshare, James Hansen
The 33-shot footnote in tennis history
In what was a weird match in so many ways, there was at least an exciting finale.
Alcaraz seemed to belatedly realize his only route back into this quarterfinal was to get the atmosphere going. He had searched for that spark all night, and finally got the chance in the fourth set.
When he won a 33-shot rally to save a break point that would have left him 5-2 down and out of the match, the Rod Laver Arena finally fizzed with energy. Djokovic raged, well aware of how significant the moment could be, with both players bent double at the side of the court. Alcaraz was smiling and laughing. Djokovic was fuming.
It felt like the turning point that Alcaraz has shown the tennis world so many times in his career, when he creates a highlight and then rolls downhill. Suddenly he was grinning again, sprinting around the court, almost enjoying himself.
When he held two break points in the next game, the comeback very briefly felt like it might be on.
But back came Djokovic, fending them both off before holding serve. Two games later, he served out the match to render that 33-shot rally ultimately irrelevant.
Charlie Eccleshare
What did Djokovic say after the match?
“I just wish that this match was the final,” Djokovic said in his on-court interview. “One of the most epic matches I’ve played on this court — on any court.”
“When the medications start to release, I’ll see what the reality is tomorrow morning. Right now. I’ll just try to be in the moment and enjoy this victory,” he said of his injury.
What did Alcaraz say after the match?
“We push each other to the limit,” he said. “I think we’ve played great points, great rallies. It was really tight in the third, the fourth set.
“I’m just lucky to live this experience. I’m 21 years old. From these matches, I’m getting so much experience about how to deal with everything. I’m not going to hide.
“I’ve done great things in tennis already, but playing against one of the best in the history of our sport, these kind of matches help me a lot in the future to be better.”
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(Top photo: Fred Lee / Getty Images)
Sports
Lions losing Ben Johnson to rival Bears is big 'body blow,' Super Bowl champion says
Former Detroit Lions offensive coordinator Ben Johnson left the team to take the Chicago Bears’ head coaching job Monday.
Super Bowl champion Lomas Brown talked about what Lions fans are going through losing their top coordinator after a crushing playoff loss during a recent appearance on OutKick’s “Don’t @ Me with Dan Dakich.”
“I know it’s another body blow. You know that old game, body blow, body blow. … That was a big one yesterday,” Brown said. “All of them on talk radio, that was the subject yesterday, Ben Johnson leaving. Oh my god, you got so many fans upset at Ben about taking the Chicago job. I think it’s more, not him leaving, but more of the job that he is accepting because of how bitter rivals we are with Chicago.
“Now, we got to face him twice a year. That just made the division even harder with Ben Johnson going in there. And a lot of sentiment before he took the job was that Ben wouldn’t take that job because he knew he would have to go up against his good friend Dan Campbell twice a year. But he took it. A lot of people not happy with it around here.”
The No. 1-seeded Lions were upset by the No. 6-seeded Washington Commanders, 45-31, Saturday.
Brown said losing Johnson, especially to a division rival, and potentially other top assistants make the loss to the Commanders hurt that much more.
LIONS’ DAN CAMPBELL CONFIDENT TEAM’S SUPER BOWL WINDOW REMAINS OPEN AFTER DISASTROUS LOSS TO COMMANDERS
“A lot of people not happy with it around here, and I think that it’s, again, I just think a lot of that’s from the results of the game, and just everything that’s going on the last few days around here. It’s culminating with Ben Johnson taking the job and, d—, we’re going to lose other assistants,” Brown said.
“I mean Aaron Glenn, you talk about maybe (offensive line coach) Hank Fraley. It’s other assistants that we’re going to lose off this team. That’s why this was the year for us to get it done.”
Glenn was scheduled to interview with the New York Jets for the second time for their head coaching position Tuesday, according to NFL Network.
Tuesday’s interview will be the first in-person meeting between the Jets and Glenn.
Fraley is being interviewed for the Seattle Seahawks’ offensive coordinator position Tuesday, according to ESPN. It will be Fraley’s second interview with the team and their first in-person interview.
Brown spent 18 seasons in the NFL and was with the Lions for 11 of them. Brown was a star left tackle and made the Pro Bowl seven consecutive seasons from 1990-1996.
Brown won a Super Bowl in his final season with the Tampa Bay Buccaneers in 2002.
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Sports
Lakers get back on track against woeful Washington
Two days after the Lakers were saying it almost never would be easy, almost never came to town.
The Washington Wizards, who have won a league-low six times, were the cure for the Lakers after a loss Sunday to the Clippers exposed a number of their weaknesses. The postgame morale was low, LeBron James and JJ Redick openly discussing how their roster wouldn’t be able to organically improve an already narrow margin for error.
But with the midway point of the season here Tuesday, the Lakers played the one team in the NBA bad enough to make anyone — even the Lakers — feel like they’ve got it figured out.
The Lakers did the right things consistently over four quarters, barely being threatened before winning 111-88 in a game they desperately had to have before hosting Boston on Thursday night.
“It just starts with a very professional approach from our team,” Redick said. “That was one of our more complete games, regardless of what time of season it was or who the opponent was. Like, we just, we had a really professional approach.”
The Wizards (6-36), in the early stages of a rebuild with eyes on the top of the NBA draft, haven’t won since Jan. 1. Kyle Kuzma and Jordan Poole are their best offensive options and backup center Jonas Valanciunas and forward Corey Kispert their only other veterans, Washington fully committed to the future.
Compared to the Lakers (23-18), whose eyes are squarely on the present, that made Tuesday predictably one-sided — though the Lakers still needed to execute.
Anthony Davis had 29 points and 16 rebounds while bullying rookie Alex Sarr. James, fresh from watching his beloved Ohio State win the college football national championship Monday in Atlanta, had his ninth triple-double of the season with 21 points, 13 assists and 10 rebounds. Austin Reaves, despite a four-for-15 shooting night, still finished with 16 points and eight assists, and Dorian Finney-Smith had 16 points off the bench in just 22 minutes.
The Lakers did it by attacking the paint and finding the open player, the team scoring on more than a handful of lobs.
“It’s… just being ready to make the passes on time, on target,” James said. “And when we do that, we look pretty good.”
The biggest highlight came when Reaves found James for a lob off an offensive rebound, with the 40-year-old Lakers star dunking on Valanciunas.
“I got hype. Screaming so loud, I almost passed out,” Davis said. “I mean, it wasn’t one of his best ones, but I’ve seen better. But it was a good one.”
The Lakers held Washington to 35.8% shooting from the field and 25.6% from three and limited the Wizards to 11 points in the fourth quarter.
“We went out, we had a game plan, we executed that,” James said. “I thought defensively, we were great. We were in tune with what they wanted to do, what they tried to do. And offensively, we shared the ball, limited our turnovers. We were really good.”
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